SKYNFEEL "an experiment in sports" (2016) 1:32 (The Netherlands)
Posted in: UncategorizedI’ll show myself out.
Speed Stick "First Impressions" (2016) :30 (USA)
Posted in: UncategorizedSpeed Stick "Adversity" (2016) :30 (USA)
Posted in: UncategorizedSpeed Stick "Invest for the future" (2016) :30 (USA)
Posted in: UncategorizedDavidoff "Love the ocean: Scott Eastwood" (2016) 2:50 (USA)
Posted in: UncategorizedFor those of you who don’t live on the coast, know that if you each bottle of DAVIDOFF Cool Water sold will help protect 10,000 square meters (more than 100,000 square feet) of ocean. So you can still make a difference.
For more information, check out the Love The Ocean website.
Seventh Generation "Vajingle" (2016) 1:40 (USA)
Posted in: Uncategorized“Who needs that shiz in their lady biz? Not me!” she says. Which is the only part I really remember. Because one thing this spot could have used is a backing track. Because without one it seems like production did a warm up take just to get the mic levels, probably while the creatives were having to rewrite a script for the millionth time. A script that wasn’t ever going to get used because Maya Rudolph.
Let’s be honest here: this isn’t a TV spot or a “film.” This is radio masquerading as TV. Because there was absolutely no reason to film Maya Rudolph standing in a kitchen. Also, had it been radio, we would have been spared 40 extra seconds, which would have made this at leasta decent 60. In radio.. But at least the spot had an insight, which is a new thing for 72!
Sub-Z"Mejor duerme mujer" (2016) :30 (Mexico)
Posted in: UncategorizedOld Spice – the Horrifying Mutant Nightmare Abomination (2016) :90 (USA)
Posted in: UncategorizedOld Spice, for when you’ve totally given up on being sober ever again. Also, that ketchup squirt on the models face…. What kind of dank weed are you smoking and where can I get sum?
Nivea "Sunslide" (2016) 1:36 (South Africa)
Posted in: UncategorizedThis reminds me of when I was in university and one of my math professors created a program for disadvantaged elementary school kids called Puzzle Play– that basically turned math into a game. His theory was, as long as you turn everything into play or a game, you can get kids to learn. This is a great example.
Dove "Amazing moments, Louisa and Rob" (2016) 2:53 (UK)
Posted in: UncategorizedLamisil "Feet on Fire" (2016) :45 (Switzerland)
Posted in: UncategorizedSensodyne "The Intimidating Campaign" (2016) 1:00 (Germany)
Posted in: UncategorizedUnitedHealthcare "Pool vault" (2016) :50 (USA)
Posted in: UncategorizedBurt's Bees "Silence" (2016) 3:20 (USA)
Posted in: UncategorizedIronically, when she used to have fear of singing in front of others, now that she’s lost her hearing, the fear has gone, too. Can’t get much more inspiring than Mandy’s story. This is part of Burt’s Bees’ #LoveYourNature campaign.
Burt's Bees "Different" (2016) 2:09 (USA)
Posted in: UncategorizedThai Health Promotion Foundation "AbsorbPlate" (2016) 1:49 (Thailand)
Posted in: UncategorizedDior Homme – Jude Law directed by Guy Ritchie as lover in Paris
Posted in: UncategorizedAs Law drives through Paris’ nighttime streets, the other half of his previously made phone call plays over the scene, and is revealed to have been delivered by a woman, in tones that are more sexually suggestive than threatening. “There may be two of me,” she says: “Me, and Naughty Me.” The video, set to increasingly dramatic music, is a beautiful montage of driving shots, panoramic city scenes, and portraiture, as each character is shown in deep contemplation as they prepare for their rendezvous. The movie climaxes with the pair standing several lengths apart, silhouetted against the Eiffel Tower in an empty plaza at sunrise, each determining whether or not the other is their mystery date.
Mitchum Advanced Control – "Dawson's Kid" – (2011) :30 (USA)
Posted in: UncategorizedThe campaign contributions from BNS include three :30 spots in total, including this latest one entitled “Dawson’s Kid.”
Jonathan and BNS producer Toby Sowers provided this summary of the project’s unique production approach:
Together with director of photography Eric Treml, Jonathan and the BNS team used the ARRI Alexa digital camera system to capture their HD source footage during three days of production on-stage.
“We essentially painted animation on people’s skin, using a fusion of digital and practical techniques,” Jonathan explained. “After exploring different ways of accomplishing the desired effect, we filmed people with real paint on their skin, then we animated artwork using traditional cel animation techniques, where we matched the practical paint used in the live-action shoot. The animation was then composited onto their skin using seamless digital visual effects.”
BNS artists tracked the form of the human body using mocha, then animated what they wanted on the body using cel animation with hand-drawn artwork. They then projected their animation onto the tracked body and composited the work in Nuke to make it feel like actual paint. Final color was handled in Autodesk Flame.
Several high-res stills and much more campaign information are available with the campaign press release, which you can find here: http://bit.ly/PitLove
The spot’s credits follow below. Thanks very much for your interest!
HelloFlo & Poise- Leaks Can't Stop Me Now (2016) 2:30 (USA)
Posted in: UncategorizedI just wish it had better lighting as the colours seem so washed out, which is a real shame in the homage to Robert Palmer. The “addicted to love” ladies group singing into pads while dressed in all white is hilarious, but it wold have upped the ante to have dramatic lighting and saturated shadows in that scene to look more 80s like the original. “Before we were moms, we were tight we were pert. But now one in three of us deals with the SQUIRT! Well it ain’t eighteen-fifty anymore, so line your panties grab your dance shoes, and head on out the door!”