In addition to managing the aforementioned mustard, the two will now also lead creative for A.1. Sauce and Applebee’s.
This promotion follows a streak during which the two drove the creative behind “some of the LA office’s most memorable and award-winning work”. That work includes both the Poupon “Spread Good Taste” campaign–which scored wins at One Show and Cannes–and 2012′s much discussed Old Navy 90210 reunion.
Prior to joining CP+B, both Sann and Kohlbecker spent time at TBWA\Chiat\Day LA, where they worked on the Visa, “Call of Duty” and Energizer accounts; Sann also worked at TBWA\Chiat\Day NY, Amalgamated and Ogilvy NY while Kohlbecker spent three years in the CP+B Boulder office before heading out west.
CP+B announced today that has partnered with 2K to launch the next edition of their long-running basketball simulation video game franchise, NBA 2K. Santa Monica-based CP+B LA won creative duties following a competitive pitch process and will roll out an integrated marketing campaign starting in September for the next iteration of the franchise, NBA 2K15. The campaign will include TV, digital, social media and more.
“NBA 2K continues to break new ground in interactive entertainment and culture, and has even bigger plans for the future,” said Mason Reed, EVP/Managing Director, CP+B LA. “We couldn’t be more excited to help them along the journey.”
You may recall that the account previously belonged to Zambezi, which ran this “Michael Jordan Uncensored” series last year.
After the departure of worldwide chief creative officer Rob Reilly in December, CP+B “announced a new, decentralized model that gave its offices in various cities more autonomy.” Watson joins the agency from BBDO, where he led the Bud Light account. Before that he was at Goodby Detroit, where he oversaw Chevrolet. The industry veteran has also spent time with Leonard/Monahan, Team One, Arnold and Saatchi & Saatchi New York. He has created award-winning work for clients such as Miller High Life, Fruit by the Foot, and AT&T.
Vitamin Water is obviously a CP&B client, but we have very little info for this slightly insane Japanese spot other than the fact that one Himanshu Kumar, aka “Heems” of Dat Racist, wrote the music and that DIESEL artistic director Nicola Formichettimay have provided something resembling creative.
Google translate isn’t helping much, but we’ll go with it anyway: how often do you see an ad repping the theater/restaurant you kept telling everyone you wanted to check out last year if only it weren’t a 65-minute subway ride away? We did glean this nugget from the translator:
“The flavor deployment bright colors, you can enjoy to choose what you like to suit lifestyle and mood, the condition of their own throughout the day.”
Accurate.
The key question: is this submission stranger than the 2012 CP&B spot after the jump?
On splitting with Crispin Porter & Bogusky in 2011, the company moved on from its infamous “king” spots to work with CHI & Partners in the UK and Mother New York in the US. Earlier this year, company leaders hinted at changes in the UK after beginning and then cancelling an agency review; global now seems to be the answer.
Where will the brand go? CHI & Partners’ “We wish Burger King well as they make more global marketing arrangements” statement doesn’t sound particularly confident.
We will note, based on this recent New Zealand campaign from Colenso BBDO, that BK has not lost its desire to be weird.
In the new ad, we see Groupon customers delighting in their great deals on blenders, sushi, yoga and flight lessons. (As a longtime Groupon subscriber, I have to say this is possibly the most accurate list of its offerings ever assembed.)
The new spot likely won't incense any angry mobs, but will it recruit a new crowd of customers? Watch it below, along with the 2011 Super Bowl spot, and decide for yourself.
Yes, word is out that Bob Winter, former Y&R (what was then Chicago) CCO who left for Crispin Porter + Bogusky in late 2012, has found a new gig at VSA Partners. Winter, who helped create the Bud Light “Real Men of Genius” campaign while at DDB and led wins on Dave & Buster’s and Famous Footwear during his stint at Y&R, will now take on the role of partner/executive creative director at VSA, which houses offices in its homebase of Chicago as well as Detroit and NYC.
In a statement, said agency’s CEO, Dana Arnett, says, “The addition of this world-class marketing talent just continues to advance VSA’s legacy of designing powerful, human-centered experiences across channels that are realized to the highest creative and strategic standards. When those dots are effectively connected, clients and consumers always benefit.”
As mentioned before, during his career, Winter also served as a creative director at Goodby and an SVP/CD at Leo Burnett.
Well, this is news to us but we’ve received confirmation from sources familiar with the matter that Darin Brown is no longer serving as president of CP+B Europe, a position he’s held for well over three years. From what we’ve been told, Brown actually parted ways with Crispin in January and sources in the know tell us that there will be a new leader in Europe but the role will belong to someone more senior. Prior to CP+B, Brown spent a dozen years at Razorfish, last serving in a similar role as president of the agency’s European operations. During his career, Brown also served on the account side at the likes of Leo Burnett.
Crispin Porter + Bogusky didn’t have to look any further than from within to find someone to succeed Chad Hopenwasser, the eight-year agency vet and VP/director of video production who split for the HOP gig at Chiat NY last month. Taking over Hopenwasser’s role now is Kate Hildebrant, who has been with CP+B since 2009 and most recently served served as VP/executive integrated producer. During her time at CP+B, Hildebrant worked on campaigns for clients including Jell-O, Fruit of the Loom, Microsoft, Kraft, American Express and Bolthouse Farms.
Prior to Crispin, the exec spent four years at DDB, producing efforts for McDonald’s, State Farm, Wrigley and Anheuser-Busch along the way. Early on in her career, Hildebrant spent several years as a producer at Fallon, serving as an assistant producer on BMW Films’ award-winning “The Hire” among other projects.
After 14 months spent overseeing strategy and client services in Crispin Porter + Bogusky’s Gothenburg, Stockholm and Copenhagen branches, Anders Davidsson has moved up the charts, landing his new gig as CEO of the Scandinavian region. Davidsson succeeds Gustav Marten, who now assumes the post of executive chairman/chief innovation officer of said region (the lads are pictured above). As for Davidsson, prior to his stint at CP+B, the agency’s new Scandinavian chief exec served as director/board member of brand agency Greenspace in London, working with clients like Carlsberg and Toyota. Prior to the Greenspace gig, Davidsson oversaw the Volvo Cars account at SCP/GREY in Gothenburg.
Prankvertising shifts into high gear for this elaborate X-Files-esque stunt from Crispin Porter + Bogusky promoting Scania's 2014 competition for professional truck and bus drivers.
Daniel Olsson, who has five years of experience behind the wheel, must come through in the clutch after he picks up a mysterious shipment and passenger at a warehouse. Horrifying sounds and visuals suggest that a hostile creature has been loaded aboard his truck as he navigates around crates in the cramped space.
"He did not expect anything strange would happen, and the whole setup was pretty normal," Gustav Martner, ecd at CP+B in Gothenburg, Sweden, tells AdFreak. "Then, he obviously thought it was a bit unusual that his passenger was an old, well-dressed English gentleman who insisted on riding with him down to the harbor to see that the crate was safely delivered."
In fact, Olsson looks fairly freaked out, but he still keeps his cool, as the weirdness intensifies, with his jittery cab-mate "Dr. Sullivan" (a professional actor) gesturing back toward the noisy payload and ominously muttering, "I think actually you've woken him up."
"I became increasingly nervous and stressed, but I had no thoughts of quitting," Olsson says.
The three-minute "Cargo Madness" clip serves as an entertaining invite to the competition, where drivers must "handle more than their trucks" as they test their skills to overcome various obstacles.
"The production was much more complicated than we thought," recalls Martner. Instead of switching Olsson's ordinary side-view mirror with LCD-implanted units as planned, "We had to project the monster onto the ordinary mirror from behind. It was extremely stressful to create this solution in a matter of hours, but we managed to pull it off."
Folks love debating if such stunts are genuine or if the participants were in on the gag. "We did the stunt with three different drivers, all of them being totally unaware," Martner says. "Daniel was the best."
Given prankvertising's continued popularity, Martner doesn't expect agencies or clients to slam on the brakes any time soon. "It seems like people love this kind of advertising, and what people love, they share," he says. "I choose prankvertising over a standard commercial any day … at least if everyone involved can laugh about it in the end."
After spending nearly the last six years together, Domino’s and Crispin Porter + Bogusky just couldn’t bear to part ways, it appears. Therefore, client and agency have agreed to extend their relationship through 2016. In a statement, Domino’s CMO, Russell Weiner, says, “Both Domino’s and CP+B take a great deal of pride in being a part of one of the more memorable turnarounds in the history of quick service restaurants. But beyond just the turnaround itself, the thing that has impressed us the most about working with CP+B is the way we have found ways to sustain both our strong results and consistent messages in the four years since.”
In case you don’t remember, it was in 2009, following a major PR blow thanks to some idiotic employees, when CP+B literally helped turn Domino’s around via a campaign called, yes, “Pizza Turnaround“ (and creating even more transparency in ensuing campaigns as well). Anyhow, the chain’s CMO Weiner adds, “CP+B is much more than just a group making great commercials – they are a true strategic partner for our brand, and have unquestionably earned this opportunity. I cannot wait to see what the next two years bring as this partnership continues.” You can check out some of the more nifty recent Domino’s work from CP+B here, here and here.
In its first work for Hotels.com since adding the business last October, Crispin Porter + Bogusky goes the self-consciously wacky route by introducing Captain Obvious. As his name suggests, the new spokesman says lots of self-evident stuff to make the point that Hotels.com is the obvious choice for booking rooms.
A 60-second spot finds the Captain sauntering through a swanky resort, noting, among other things, that, "'All you can eat' is a hotel policy that allows you to eat all that you can," "the hotel pool is usually filled with water" and "gym is short for gymnasium." Ultimately and inevitably, he notes: "The best dot-com for booking hotels is Hotels.com. It's on the Internet."
Skinny, bearded and clad in silly military/bellhop garb (plus the occasional swimsuit hiked up to his navel), Captain Obvious is played by little-known actor Brandon Moynihan, who gives a solid performance. The spot is well shot and directed by Stacy Wall, who lensed this year's Super Bowl ads featuring Tim Tebow for T-Mobile and Ellen DeGeneres for Beats Music.
The potential problem is that this is not a one-off commercial, but an entire campaign, complete with print, online and radio. The one-joke approach is deftly handled, but I grew fidgety before the spot finished. And I wasn't phoning room service for more.
For me, Captain Obvious is worth a watch once or twice, but—like any ostentatious and irritating hotel guest—risks overstaying his welcome.
For what we believe is CP+B’s Hotels.com debut, the agency decided to turn the “Captain Obvious” of middle school insults into an actual person, and boy is he annoying.
The risk in trying to make a humorous ad is that when it misfires it usually comes across as irritating, and this is a textbook example. Captain Obvious spends the 60 seconds given (there’s also a 30-second version) roaming around a hotel — “the best place to talk about hotels” — pointing out obvious things like what “all you can eat” means, that “gym is short for gymnasium” and that Hotels.com is on the Internet. Does this sound mildly irritating to you? Because it should. Clearly, the ad is attempting to say that Hotels.com is the obvious choice for booking hotels, but instead it will just make most people want to punch Captain Obvious in the face and/or change the channel after about three seconds.
As mentioned, tipsters tell us that “Captain Obvious” marks CP+B’s first work for the brand since taking over for Y&R Chicago on the account last October. If it’s any indication of what’s to come, we’re really going to miss Y&R’s approach, such as with this clever skydiving effort from a few years back. Maybe CP+B will change up their strategy to something less obnoxious, but we’ve got a bad feeling we’ll be seeing this character for a while.
Who says Vanilla Ice never had any street cred? Everyone, I guess. And when it comes to hip-hop, they're right. But … who cares? The rapper (term used loosely) is prop-ah as hell in this self-deprecating Kraft Macaroni & Cheese commercial from Crispin Porter + Bogusky, skewering his goofy persona and, against all odds, stretching his 15 minutes of fame into a fourth decade.
Ice rocks the mic like a vandal, or something, lookin' fly in a green baseball cap and apron as he stocks shelves in a grocery store to help introduce Teenage Mutant Ninja Turtle-shaped Mac & Cheese. He sings "Ninja Rap," the brilliantly asinine tune he performed in Teenage Mutant Ninja Turtles II: The Secret of the Ooze in 1991. Naturally, a mom shopping the aisle starts busting furious moves. Check out her son's befuddled/horrified stare around the 10-second mark. That look could wax a chump like a candle! Ultimately, Ice puts it all in perspective, with a knowing grin and his trademark line: "Word to your mother!"
As great as it is, the behind-the-scenes video is even more of a tongue-in-cheek riot. "I've always had a love for the Turtles," Ice explains, "and when I did Secret of the Ooze, it was the highlight of my life—ever!" He lunges forward, like a snapping turtle, for emphasis. "I'll never top it, no matter what I do."
Showing off a Turtles leg tattoo, he adds, "When I first heard Mac & Cheese was creating Ninja Turtles shapes, I was like, genius! This is the frickin' most awesome thing ever!"
Yo, you're awesome, Ice. Word to mothers everywhere!
Vanilla Ice appears as a grocery store worker stocking shelves and rocking out to his own “Ninja Rap” in a new spot from CP+B promoting Kraft’s ubiquitous macaroni and cheese-like food product, now with Teenage Mutant Ninja Turtle shaped pasta.
The spot plays on the nostalgic humor surrounding Vanilla Ice when a mom starts singing and dancing along with him. Her son is not pleased by this turn of events, and he angrily puts the box of Kraft Mac+Cheese in the cart and walks away as Ice–aka Rob Van Winkle–utters his trademark “Word to your mother” line. CP+B will run with several #WordToYourMother memes over the course of the new campaign, and also plans to reward the brand’s “most fervent Facebook & Twitter fans with Golden Autographs –limited edition boxes of Kraft TMNT Mac & Cheese that were props featured in the commercial and signed by Vanilla Ice himself.” Because Vanilla Ice autographs are still something people want, apparently.
The new campaign is a fun continuation of Kraft’s “You Know You Love It” and a fond reminder of TMNT days gone by for those of us who grew up with the turtles. Now, before Michael Bay ruins the franchise, let’s all take a moment to remember this wonderfully terrible moment in cinematic history:
If you still haven’t had enough of Vanilla Ice (You’ve had over 20 years to have enough of Vanilla Ice, what’s wrong with you?) stick around for a behind the scenes video, along with credits, after the jump. continued…
It’s been a busy day it seems at camp Crispin as the MDC-owned agency has promoted two of its veteran staffers to role of managing director in separate offices. In Boulder, 10-year vet Danielle Whalen, who most recently served as EVP/group account director on Applebee’s and Fruit of the Loom, has assumed the MD role. Whalen originally joined CP+B in 1999 as an account manager supervisor, but left two years later and then rejoined the agency in ’04 to help lead the Burger King business. During that heyday, the agency produced such efforts as, yes, Subservient Chicken and subsequently award-winning campaigns like Whopper Freakout. In addition to BK, Whalen has also worked on Old Navy.
Joining Whalen in MD status is Carter Nance, a fellow EVP/group account director who’s been with CP+B since 1999 who currently oversees Domino’s and VitaminWater and will now take on the new role in the Miami office.
We’ve been told these are new positions and as a result of the move, CP+B fills out its MD posts in Boulder, Miami and L.A., the last of which has been assumed by Mason Reedsince spring 2012. With the goal being to move to “a more decentralized structure,” CP+B president Steve Erich says, “Danielle, Carter and Mason are three amazingly strong account leaders who all started in the Miami office over ten years ago, fully embody the beliefs of CP+B and understand the power of great creative product. They will work with their individual offices, as well as the collective agency, to drive our client businesses and the performance of CP+B.”
Domino’s wanted to show that their pan pizza is “handmade, hand stretched and hand pressed” by real people with real hands, talented hands. So CP+B launched a new campaign for Domino’s highlighting talented Dominos employees, including a 30 second TV spot and accompanying microsite.
The TV spot “Labor of Love” showcases three Domino’s employees with three separate hobbies: muralist Diego G., painter Crystal S., and glassblower Chris P. Domino’s chose these employees to exemplify how Domino’s pizza makers “put as much care into the pizzas they make for customers, as the things they craft and create by hand elsewhere in their lives.” The campaign microsite tells these stories in ways the 30-second TV spot can’t, with in-depth profiles of Diego, Crystal and Chris from “Labor of Love” — along with several other highlighted Domino’s pizza makers, including various artists, a comic artist, and a carpenter. There’s also a space for talented Domino’s employees to submit their own story, so expect more content in the future.
Andre Kassu and Marcos Medeiros will officially lead the new office of Crispin Porter + Bogusky in Brazil, which will based like seemingly all other notable agencies opening up shop in South American country in Sao Paulo. By our count, this marks the sixth shop in the MDC Partners-0wned agency network following other shops in Los Angeles, Boulder, Miami, London and Gothenberg, Sweden. Along with Kassu and Medeiros, Vinicius Reis will head operations and new business. As for the creative duo, the pair previously worked at AlmapBBDO since 2008 while Reis served as a partner at Agencia We.
CP+B’s funny new spot for Kraft Macaroni & Cheese examines the desperate lengths people will go to for a bite of Kraft’s signature macaroni and cheese-like-product.
Set to Marvin Hamlisch’s “What I Did For Love,” the 45 second spot shows individuals engaging in some questionable behavior to get their hands on Kraft Mac & Cheese, ranging from the everyday sneakiness of a grandfather stealing a bite from his grandson while the family says grace, to the potentially unsanitary exploits of a man who desperately destroys his child’s macaroni picture, to the utter illegality of a woman willing to steal a Kraft Macaroni & Cheese truck. Directed by Hank Perlman, “What I Did For Love” is the latest in CP+B’s “You Know You Love It” campaign for Kraft Mac & Cheese, and is a perfect example of what the campaign is capable of. The new spot is a lot more thought through than the “Noodle Reunion” promotion we covered back in October, and while they push the irreverent humor to new heights — for Kraft Mac & Cheese it’s downright edgy — they balance the irreverence with Kraft’s standard wholesomeness to make a fun spot that works for the brand. Stick around for credits after the jump. continued…
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