Planet Kids : THE TALKING INVITE
Posted in: UncategorizedBrief:
Planet Kids, Bangalore’s leading playschool chain wanted an invite to announce their Annual Day celebrations. This invite would be given to students and their parents. The objective was to create excitement around the event and get their kids buzzing.
Solution:
So we decided to create something out-of-the-ordinary, something that would engage their students and get them to transfer the buzz onto their parents. And voila, the ‘hand puppet’ invite was born!
Result:
The invite soon became the children’s new, favourite toy and kept them entertained long after the event.
Advertising Agency: Happy, Bangalore, India
CEO & Executive Creative Director : Kartik Iyer
Chief Creative Officer : Praveen Das
Creative Director: Carl Savio
Illustrator: Nalisha Chouraria
Copywriter: Megha Ramesh
Art Director: Shatrughan R
Account Executive: Ajay Kumar
Case Video:
World’s Cheapest Annual Report : by Happy Creative
Posted in: UncategorizedBRIEF
Maraa is an NGO that employs media and art to influence the society’s quality of life, health and livelihood. They wanted an annual report that would not only sum up their year but also express everything they stand for.
SOLUTION
We took inspiration from the word ‘maraa’, meaning ‘tree’ in Kannada, and the fact that they are an NGO that works towards bettering society. Keeping this in mind we came up with a solution that was cost-effective and eco-friendly.
A single color design was created that could be reproduced using a simple photocopier or even by the most basic printer. All their information was made to fit on a single sheet to reduce wastage of both paper and ink. Folded many times over, it became a small portable booklet – that makes this the world’s cheapest annual report.
RESULT
Their 10 page report was condensed into a single sheet of paper with a design that lent itself to easy reproduction in large numbers. The cost of 3000 copies, that would have normally amounted to Rs. 1,05,000 (approx $2100) was brought down to under $200. It embodied everything that the organization believes in; and demonstrated the same to existing and potential donors.
Advertising Agency: Happy, Bangalore, India
Chief Creative Officer : Praveen Das
Executive Creative Director : Kartik Iyer
Design/ Art Direction / Illustrator : Nalisha Chouraria
Copywriter : Megha Ramesh
Studio Artist : Irfan Haji
Account Management / Planner : Ravi Bhat
Case Video:
BTC Razors by O&M Kolkata
Posted in: UncategorizedEasy shaves.
Advertising Agency: Ogilvy & Mather, Kolkata, India
Chief Creative Officer: Piyush Pandey
Executive Creative Directors: Sumanto Chattopadhyay, Abhijit Avasthi, Rajiv Rao
Creative Director: Sujoy Roy
Art Directors: Anirban Guha, Sreejita Chakroborty
Copywriter: Arnab Manna
Photography: Sanjib Ghosh
Retouch: Rajib Kumar
Print Production: Rajib Banerjee
Account Managers: Kaushik Das, Pradipta Roy
Curry Nation : Agency Profile
Posted in: UncategorizedBy Amey Katkar and Abhishek Jamwal
For DesiCreative’s very first agency profile we honed in on Curry Nation, a young and ambitious group of people headed by some very reputed individuals. The idea was to keep it friendly and get inside the walls of first impressions, to capture the essence of what they stood for, the agency, the people, their work, their ideology and a whiff of their plans for the future.
On a fateful Thursday, Priti Nair called us in for a friendly inquisition and I, in turn, called upon Amey, a fellow inquisitor armed with a tickling sense of humor that was ideal to get the conversation flowing. The two of us met at kurla and took the afternoon local to Mahalaxmi, chalking out a plan while being clear on one agenda, yes coffee to banti hi hai, peekar to aaenge hi…
At Mahalaxmi station we took a taxi for Famous studios, a landmark of the area and quite an iconic name in the advertising industry. Curry Nation was right nearby. Then a quick pitstop at a chai tapri.
Having met a fair share of advertising professionals as a part of DesiCreative, the first thing I noticed was that while many agencies claim to be “a family”, Curry Nation truly exudes the sentiment, their senior team of Priti Nair, Nagessh Pannaswami and Porus Jose having worked together at Lintas earlier. They are a young, yet tenured and motivated group who are all willing to climb into the trenches when necessary, guiding and helping each other.
In conversation with Priti.J.Nair and Nagessh :
To both of them, starting a new agency was a natural next step, an added spice which facilitated the ability and liberty to experiment with ideas with a dash of Indian fervor that they could have only when left answerable to no one. The foundations of Curry Nation are epitomized in their remarks, “For any campaign to work in India it must be world-class in quality and deeply dyed in Indian colours.”
Now, meeting Priti and not questioning her on the famous Balbir Pasha campaign would have been akin to reaching Agra and not visiting the Taj Mahal. The choice of name being the striking point of the campaign, we wanted to know how it came about…
And it turns out that one needn’t have looked very far for inspiration.
“We started with names from within our own agency and then spread out to others. We looked at names like Tushar Kadam to even names like Puliraja (a south India actor) then, with a variety of names at our use we began a lengthy and lively permutation and shortlisted ten of them. After which we felt that the name Balbir Pasha went well with the campaign made for Truck drivers, Migrant Laborers and Sex workers”.
Having worked internationally in BBH London and Singapore, Priti feels that work in India is nowhere less in standards than work abroad.
She feels that the diversity in culture, language, food, gods are the choicest ingredients to bring out something that stands up to the best of works done anywhere in the world.
Nagessh blends well with Priti, having been friends from their Lintas days. They complement each other very well, where Priti looks more into creative affairs, Nagessh handles Administrative and money part of the agency. He adds, “Having worked with leading brands like Levers, Onida, Loop Mobile, DART etc, I have the necessary expertise to develop business and handle clients, which has helped Curry Nation bag some good brands like Emami, Cavin Kare, Rasna, Naturals and Himani in their kitty.”
What is Curry nation best at?
Curry nation is best at Parallel processing, the ability to simultaneously handle a lot of work , varied work and provide alternate solutions that work best for their clients and really work for client in increasing sales and brand awareness.
What Curry Nation is bad at?
They feel they are bad at negotiating the money. Priti is quick to add Nagessh handles the money and grins…
What they love?
More clients coming and Curry’s work making clients happy.
What they Hate?
Unsuccessful meetings.
How do they have lunch?
Like a family would. All of them have their food together in common room and by law everyone needs to be there at lunch time. Most of them have dabbawalas delivering food for them.
Particularly the day I met them, Priti had Labshi (broken wheat) and Nagessh had some Kerala cuisine.
What do People usually do on weekends at Curry?
Saturday is an off but when I had word with fellas in Curry I realized even though it was an off, they liked being in the office, as the agency is more like a lovable family, and most of them like to hangout together after work.
Things they like to brag about:
Curry Nation offers sharp brand solutions to their clients and love to brag about their commitment to them. They are very particular about time deadlines given to them by clients and have always completed work within the given timeframe.
Internet speed at curry:
8Mbps. Wow.
Their Clients:
To already existing clientele of Emami, Cavin Kare, Himani, Naturals, Saii Dairy, Cholayil they have added Nirlep, Borosil, Spinz Deo and Rasna Fruit Plus.
No. of people in the agency:
15 people with 9 Creatives.
Is it difficult to find good people for work?
Yes it is difficult, Most of the people who work in Curry Nation have been friends with Priti or Nagessh or have been admirers who quit bigger organizations to be part of this young agency.
Curry Nation asks for a minimum of 3 references from job seekers.
Employees expectation from Curry Nation?
All of them expect an opportunity to do interesting work with the avenue to work with some very reputed colleagues.
What Curry expects from its employees?
Dedication to work and discipline.
They are very particular on the discipline aspect, Curry Nation believes in a 10am to 6pm day.
How Curry Nation Selects TVC Production Houses.
Story telling part.
Experience in the past.
Production house values and performance.
Structure of Hierarchy:
They have a Flat Structure which is quite evident as they have no walls, to which they explain brings positivity and good vibes. There is an atmosphere of trust and fondness amongst employees. Everyone sits close to each other.
Does Curry Nation believe in Nurturing new brains?
Curry Nation already has two interns working in Client Servicing, with another set of eager learners shortlisted to fill in after the current internships. Priti and Nagessh believe that a “Degree has no meaning”, it is the idea that will click and to achieve this they believe that hard work and building strategies is important even when you are not actually working in an agency. They feel interested people should look at the things around them and start making ads for those products. Or watch ads keenly, see what their positioning and campaigns are and write the next campaign for them. That will show how committed they are rather than emptily claiming their love for advertising.
Curry nation doing their bit?
Curry Nation has an artful Dabba program. Colourful Dabbas are collection points for donations, which are given out every month to the needy ones.
Something very different that you have come across that’s caught your eye?
To this, Priti jumps in and says “Yes yes, The Bean Bag promotion!”, she loves it she says she really finds it very interesting how this guy gets his number spray painted all over and promotes his business and pays almost nothing for all this, she wanted us (Desicreative) to meet this guy and talk to him and his ideas and is it profitable and how is he doing with bean bag business.
How many people went to Goafest 2012?
Two people, which seems pretty decent for an agency of 16, considering all of them had recently visited Goa to celebrate their First Anniversary.
Talk with Porus Jose Creative Head:
Porus who is about to finish his 16th year in this field started his career in advertising when he was 25. Modestly, he admits that to him creativity did not come naturally. He quotes “I was no lateral thinker, more like a vertical thinker” he quipped, “I had to really work very hard for creativity”
For him, the journey from a physics graduate to a copywriter has been very enjoyable. Porus who returns from Kenya having worked there with DDB, says Curry Nation is like coming back to family as he was part of Priti and Nagessh’s team in Lintas.
While in Lintas he worked on the Levers account and he adds that he really misses working in Lintas. He also says that he sometimes feels bad about having left Lintas, but then that’s the way life goes.
According to him, the essential qualities of a good copywriter are :
Madness, Variation and articulation.
Porus who just eats one cooked meal a day says that if anyone has to be credited for good creative work it is the client, and then the agency. It’s the client which lets the agency experiment with their money while dealing with the pressures of gaining market share, increasing brand awareness, market penetration etc.
A little about other people in agency (the few I had a discussion with):
Anoop Konath (Creative Brand Management): Anoop started out making Mallu movie posters and gradually progressed to reputed brands like Romanov, Airtel, ING Life, Arrow, Kingfisher Blue and others.
Before joining Curry as an Art Director, Anoop was with Rediffusion Y&R for 5 yrs.
Swetha Ajit: A young gun fresh out of a course in Copywriting from MICA.
Sheryl Roche: Fairly young and dynamic weapon in Curry’s armoury, Sheryl is into Client servicing and has been a part of Fairever campaign. Having done her study from the Manipal Mass Communications College she is in Curry to learn from Priti.
Snehanka Kelshikar: Five years into Art Direction, Snehanka has a BFA degree from LS Raheja school of arts. She was a part of Leo Burnett’s team prior to Curry nation.
Vaibhav: Has worked in Comma Zero (Gurgaon) before Curry Nation.
Anuja Wadhkalkar: Anuja is from Bhans and has a diploma in advertising. She’s into designing clothes and has written scripts for television, before joining curry nation as a copywriter.
Cedric: Works in client servicing and has the experience of working with Mccann Erickson and BBDO, Mumbai. In Curry Nation, he handles accounts for Fairever, Spinz, and many more…
Ankul: Has been an engineer for two years before joining Curry Nation, to work on Rasna.
Vinci Raj : Interview
Posted in: UncategorizedAbout himself: A simple guy who loves to have fun. Vinci works at Ogilvy.
Why are you into Advertising??
I love the creative challenges every day at work. The fact that the work I create is tangible – ads that can be seen. Creating new ideas that entertain people and get them talking, excites me.
Did you attend school for fine art or design or Communications??
Yes, I did. Masters in Vis-Com, in Loyala. Post my MBA though.
Tell us about your most recent campaign?
MTR Spicy Pickle, Titan Eye Plus – Bad Eye, Thinkpot – Roar your way to the Cannes.
Were there any particular role models for you when you grew up?
Joono Simon and Sendhil Kumar. My bosses have been my role models.
Who was the most influential personality on your career in Advertising??
Joono Simon!
Where do you get your inspiration from??
My experiences, everyday life, inspiration is around you.
Tell us something about the Ogilvy environment.
It’s a huge fun gang. We might be divided by accounts, but united by spirit.
Tell us about your biggest challenge as an Art director at Ogilvy…
Everyday, the challenge is to create work that I am satisfied with, and proud of. Work that is exciting, new and innovative.
Tell us about your 1st job as a creative in the field of advertising.
Like everyone, I was eager to learn, all aspects of art. Be it illustrations, graphic design, art direction.
Pick and tell us about one of all your past campaigns, your personal favourite…??
The award winning campaign ‘Don’t use the phone while driving’ for the Bangalore Traffic Police is my favourite campaign. More than the 2 Cannes it won, I cherish the GoaFest Award it got me. Also, the fact that the campaign went viral made me happy.
What do you think of the state of Print advertising right now. At least here in India, the released work is most often too sad?
The quality of the work released depends on the clients too, right? There is tremendous talent and potential here in India. Take a look at the award books. There is enough proof.
Do you think brands who’s advertising wins awards, do well in the market??
Yes, why not? Ideas that win awards are usually the most simple and insightful ones.
What advice do you have for aspiring creative professionals??
Be passionate. You should truly love the work you do for you to succeed.
Who would you like to take out for dinner?
Rajanikanth Sir!
What’s on your iPod?
All Rajani hits!!
Mac or PC??
Mac, I’m an art guy. What else do you expect?
All New Passat by DDB Mudra, India
Posted in: UncategorizedThe all-new Passat with Rear View Parking Camera.
Advertising Agency: DDB, Mudra, India
National Creative Director: Rajeev Raja
Creative Directors: Sreejith Kodoth, Ranjit Sasidharan
Art Directors: Sreejith Kodoth, Boby Mathew
Copywriter: Sreejith Kodoth.
Digital Artist: Y Dhaneshwar Singh
Photographers: Vikas Vasudev, Sreejith Kodoth., Alex Rank
Vice President: Anurag Tandon
Rage mobile by RK Swamy BBDO, New Delhi
Posted in: UncategorizedSwitch to organic food. While you can. By Thought Blurb.
Posted in: UncategorizedAnanda Maharjan, Typographer and Graphic Designer in Kathmandu
Posted in: UncategorizedGraphic Designer and Type Designer from Kathmandu, Nepal, 29 years old, 9 years experience in design field, also a CSS Developer and Photographer. Recently working in Grafioffshore Nepal as a Senior Graphic Designer.
Why are you a Graphic Designer?
I was always interested in Design and Typography.
Did you attend school for fine art or design?
I was a Managment student because there were no any design colleges in Nepal at that time. After completion of Bachelor in Business Administration, I attended a two years intermediate course in Fine Arts from Lalitkala Fine Art Campus.
You have a distinct style of Design. How long did it take you to develop your style?
I don’t think I have consistent style of Design. It keeps on changing everytime.
How did you develop your fascination for Typography and creating your own type faces?
I always wanted to try new fonts for my designs. Seeing same devanagari fonts everywhere was boring. Then, I tried creating fonts with little know how. People need to understand the importance of distinct typography in design and branding. There are some really good Nepali Devanagari fonts designed in Nepal but they have become old and overused now. Every advertisement looks the same because of the fonts. So, I’m trying to inspire new designers to try something new.
Have you converted your type designs as computer fonts?
Yes, all my fonts which are completed can be downloaded free from www.nepalifonts.blogspot.com and www.anandakm.com.np I’m still working on some new devanagari font designs which will be posted when completed. The devanagari fonts are based on old QWERTY keyboards, probably Remington typewriter, may be little different from hindi keyboard. I haven’t converted them to unicode. Unicode fonts for designing is not practiced in Nepal, unicode are only used in web.
Do you see a market for fonts? As in, are you able to sell your typefaces?
No, there’s no market for fonts in Nepal. I haven’t sold any fonts till now.
Hows the market for Graphic Design and Typography in Nepal?
The market for Graphic Design in Nepal is growing. It’s good. Now, there are lots of great design companies, advertising agencies, web companies, publication houses and also design outsourcing. But not market for font . Some advertising agencies also create devanagari fonts. But completing whole sets of characters to make a font is really time consuming.
Were there any particular role models for you when you grew up?
Dont’t remember any.
Who was the most influential personality on your career in graphic design?
My brothers who are in design and advertising industries.
When did you start freelancing?
I only taken few projects from my friends companies and personal relations.
Was there any time when you wanted to quit graphic design?
Yes, after working 5 years in Print Designing, I quit and started web designing, css codings. And again after 2 years in css coding, I’m back working as a Graphic Designer.
Are many advertising agencies hiring graphic designers? Do you work more with agencies or publishers?
Yes, there are lots of creative ad agencies which hire designers and pay good amount. And there are also good magazine publishers and press, publication houses which hire designers. So, the scope of Graphic Designing is growing in Nepal. I have worked with publication houses, web companies, some ad agencies and outsourcing companies.
Do you have clients who give you steady work or do you advertise for new clients often?
Yes, I have some regular clients. I really don’t advertise for new clients.
Any other Indian graphic designers who you admire?
Right now, I remember Achyut Palav and Satya Rajpurohit.
What advice do you have for aspiring creative professionals? Would you advise them to take on graphic design as a career option?
Sure, I encourage them to take on graphic design as a career. And I want to inspire them to try something new typography and come up with new nepali devanagari fonts and I’m always ready them to help them.
Do you think Clients are opening up to keeping aside a decent respectable budget for design work? Do you think clients are understanding that they need to invest in Design as a communication tool and also to cut the clutter, and that good design comes at a price?
There are various types of clients in Nepal. Some pay good amount for good work while some pay less and want unique designs. Some clients want clean design, while some doesn’t want to leave any white spaces in design, they want to fill all the spaces with text, images and big logos. So, it also becomes our responsibility to educate clients and convince them to approve better designs.
Who would you like to take out for dinner?
Park Min Young
What’s on your iPod?
Priscilla Ahn, Kina Grannis, Dia Frampton, Narayan Gopal, BhaktaRaj Acharya etc.
Mac or PC?
PC and Dell Laptop
Top Gear Auto Service by Makani Creatives
Posted in: UncategorizedYog Sutra – For A Healthy Sexual Life by Publicis Mumbai
Posted in: Uncategorized9X Channel by Origin Beanstalk
Posted in: UncategorizedRed Cross by Y&R, Dubai
Posted in: UncategorizedAdvertising Agency: Y&R, Dubai
Chief Creative Officer: Shahir Zag
Art Director: Sajesh Pudussery
Copywriter: William Mathovani
Creative Director / Copywriter: Shahir Zag
Creative Director/ Art Director: Kalpesh Patankar
Agency Executive Producer: Amin Soltani
Planner: Nadine Ghossoub
Agency Producer: Leng Panganiban
Photographer: Mojtaba Komeili
Retoucher: Gitten Tom
Courtyard Mariott Martini Festival by MSL Group Creative+
Posted in: UncategorizedAnti Corruption by Publicis Bangalore
Posted in: UncategorizedA Cheat Code in Halo 4 Box Art Puzzle
Posted in: Uncategorized
Microsoft unveiled the box art for the upcoming Halo 4 game by emailing Xbox community members one of the 32 pieces of puzzle that when assembled together reveal the image. The puzzle was cracked in about an hour, probably helped by the fact that the remaining 31 pieces could be seen by changing the last two digits of the image URL before the “.jpg” part, a fact that wasn’t lost on the fans:
http://image.engage.xbox.com/lib/feca167070610c7c/m/4/12993-H4_02.jpg
Kartik Iyer: Interview
Posted in: Uncategorized
Born in 1975 Chennai. Spent 8 years growing up in Africa. Returned to Chennai in 1985. Learnt to play the mridangam for 3 years. Acted in 27 full fledged theatre productions. Joined advertising in Dec 1995 as an intern. Did six years between Chennai Bangalore learning to be a copywriter. Worked in Y&R Dubai for 3 years from 2001-2004. Worked in Ogilvy Bangalore for 3 years. Started Happy in 2007 with Praveen Das. Love movies, music, design and pop art. Moonlight as a stand up comedian as The HigherIyer Show.
?Why are you into Advertising??
Cos it’s the only place you get to use your creative muscles with every medium that’s exists. I also get bored easily, so it helps to keep focusing on different brands with different needs. But I didn’t know any of this when I started my career. Actually I loved commercials and asked someone who ‘thought’ of them. Someone said the agency and I decided I would learn to be a copywriter. It took me 5 years to realize what I actually wanted to do was direct ad films. Hopefully I’ll get there some day.
?Did you attend school for fine art or design or Communications??
Did my bachelors in visual communications at Loyola College, Chennai (1993-1996)
Tell us about your recent work campaign??The most popular is the Flipkart – No kidding. No worries. – campaign. Am particularly proud of it cos it was good advertising packed with the perfect dash of creative punch. It was not only great fun working with kids on the campaign. It resulted in 800% growth for the clients business. Add to that, that it was rated among the top 5 recalled campaigns of 2011.
?Were there any particular role models for you when you grew up??
Walt Disney. Bill Cosby. Pink Floyd. Richard Pryor. Al Pacino. Quinten Tarantino. Steve Jobs.
?Who was the most influential personality on your career in Advertising?
Shahir Zag. He continues to influence me even today.
?Where do you get your inspiration from?
Music. Movies. Video Games. Typography. Fashion. Stand up comedy. Life.
Do you have any kind of a program to nurture and train young talent??
While we try to meet once in six months to work as a group and nuture team building, I don’t think we have a structured program to impart. We have a culture that we try to live by and people pick up from that.
?Tell us something about the ‘Happy’ Environment.
Its a high energy zone. Some people feel naturally drawn to this energy and tend to become part of it exuding their own into the environment. For some its over bearing, and they leave. We have people from very different backgrounds. The love for all things cool and awesome brings us together for sure. The power of appreciation, sigh.
?Tell us about your biggest challenge as the Creative Director of Happy…
Defining that role is the biggest challenge.
?Tell us about your 1st work as a creative director in the field of advertising.
The A R Rahman campaign for worldspace satellite radio, done at Ogilvy & Mather in 2006. Technically I was only ACD then, but I would say that was my first role as a CD from being there and seeing the campaign through from conception to release.
?Pick and tell us about one of all your past campaigns, your personal favourite…
The Flipkart – No kidding. No worries. campaign and the Lee Never Wasted bag design from the recent past.
What do you think of the state of Print advertising right now. At least here in India, the released work is most often too sad??
One can say unreasonable cost of print media has contributed to this. No budget for production – so headline and clipart (read as graphic elements). Add to this a large percentage of unimaginative people in our industry.
?Do you think brands who’s advertising wins awards, do well in the market??
For sure. The biggest ideas that win awards, in the biggest award shows are all real work. And that’s how they become the biggest brands.
?What advice do you have for aspiring creative professionals??
Only now you have the energy to work hard and party harder. Make sure you work hard, too.
?Who would you like to take out for dinner??
Add the-hottest-actress-in-your-head-name here. Hey we like the same girl. Awesome! High five.
What’s on your iPod?
All kinds of music.
Mac or PC?
Its like asking someone to choose between a bandra boy and Priyanka Chopra. But in this case – Mac.
Planet K by Happy Bangalore
Posted in: UncategorizedBrief: Planet Kids, Bangalore’s leading playschool chain wanted an invite to announce their Annual Day celebrations. This invite would be given to students and their parents. The objective was to create excitement around the event and get their kids buzzing. Oh, and of course the invite had to be cost-effective.
Solution: So we decided to create something out-of-the-ordinary, something that would engage their students and get them to transfer the buzz onto their parents. And voila, the ‘hand puppet’ invite was born out of a mere sheet of A4 sized paper. We then went on to create five unique characters so as to encourage greater curiosity, creativity and playfulness among our tiny TG.
Advertising Agency: Happy, Bangalore, India
Executive Creative Director: Kartik Iyer
Chief Creative Officer: Praveen Das
Creative Director: Carl Savio
Illustrator: Nalisha Chouraria
Art Director: Shatrughan R
Copywriter: Megha Ramesh