Hooters Increases Bust Size…Uh..Social Index Ranking 470%

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In the nine months since Hooters began working with Skiver Advertising in October 2012, the restaurant chain has increased its placement on the Nation’s Restaurant News Social 200 Index from 56th to 12th. The NRN Social 200 Index determines leading social media brands by evaluating audience size and reach, brand influence, customer engagement, relative movement, and lifetime aggregates.

The increase spans all platforms, including Facebook, Twitter, Instagram, and YouTube. In November 2012, Skiver launched the Hooters Instagram account, which has accumulated nearly 21,000 followers. Other social media efforts have included Hooters for Heroes, Wing Day Wednesday, and Step Into Awesome. The agency also reacted quickly to a Seth Meyers SNL Weekend Update piece on Hooters with video that countered Meyers’ assessment of Hooters as a sex dungeon.

Of that particular piece of work, Skiver Director of Digital Strategy Chris Van Dusen said, “The video we created for Hooters in response to Seth Meyers’ joke demonstrated how nimble Skiver’s digital practice team is and that’s key in our space. Within hours, we’d developed a strategy and began to implement it on social media, and within a few days we’d created a video that was going viral. Our clients love being able to get campaigns to the market without lag time; it allows us to start seeing results immediately.”

Viral is a relative term, of course. Since its launch on March 14, the video has been viewed just over 26,000 times. That said, the agency’s focus on element of Hooters beyond the Hooter Girl are, perhaps, why the chain has increased its appeal and social media footprint.

Rihanna Joins Jay-Z in Translation, Budweiser’s ‘Made for Music’ Campaign

Budweiser’s new campaign “Made for Music” launches in 85 countries today, featuring Jay-Z and Rihanna carefully dispersed amidst other artists including an ice sculptor and street art painter. Jay-Z’s ad is backed by his song PSA, while Rihanna’s features her newest single, “Right Now.” Both spots are directed by Mark Romanek (Never Let Me Go, Bee Season) and each closes with inspirational words from Bud: “It begins and ends with what you make.”

Made for Music was inspired by the Budweiser Made in America Festival which debuted in Philly last year and Jay-Z headlined. This year, Beyonce and Nine Inch Nails will take the marquee billing over Labor Day Weekend.

Jay and RiRi’s ads are mildly inspiring with their filmic, black-and-white “creative spirit.” After the Samsung deal, Jay-Z’s authenticity feels slightly compromised, but both he and Rihanna are still solid examples of hard-working performers. The scenes are nothing new–star reads in the car, star makes decisions with sweeping hand motions, star stands triumphant as the lights go down–so I wouldn’t mind a bit of original dialogue, but all in all these spots do the job. Time to turn up Magna Carta Holy Grail and channel HOV’s productivity.

Credits after the jump as well as clips from our interview last year with Translation CEO Steve Stoute on his agency’s relationship with “the king of beers.”

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Wendy’s Sings the Tweets of Those Willing to Compliment Their Food

While we’ve seem almost every iteration of brands turning fans’ tweets into ads by this point, here’s a new spot for Wendy’s new Pretzel Bacon Cheeseburger from agency VML that adds a musical component to this formula.

Using that hashtag #PretzelLoveSongs on Twitter AND Facebook (gah, Facebook has hashtags now), consumers who say exceedingly positive things about Wendy’s new burger had the opportunity for their praises to be turned into a musical number, with some having even been sung by former 98° frontman/Jessica Simpson spouse Nick Lachey during a live event last night in New York, where live-streams always take place for some reason. While the press release doesn’t say if the specific location was Times Square, we’re going to go ahead and guess this happened in Times Square.

Nothing like watching a former boy band member/reality star sing about a cheeseburger in probably Times Square. Oh, and VML offered the chance to participate via your social media, because the most effective use of it is to either praise or make fun of brands who spend a lot of money on advertising. If we’re lucky, it might even be a trending tweet. Update: The event actually took place at a Wendy’s location, natch, on 34th St in NYC.

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Street Waxing: Advertisement or PSA?

As much as I appreciate a good fail video and laugh regularly from schadenfreude, Lowe Roche’s latest for Fuzz Wax Bar in Toronto just made me cringe. To advertise their dedication to smoother skin, Fuzz covered a male model in wax strips and sent him onto the streets. People could tear the strips (and hair) off him to receive a 25% off gift certificate. The strips were illustrated with grim-faced smileys, varying based on the amount of pain they would cause. Many people appeared to delight in making this man shout in agony.

“Street Waxing” seems to me the opposite of an attractive ad campaign. The selling point of waxing is the final product: smooth skin. In between appointments, one primary goal is to forget about the pain. That makes this experience more of an anti-waxing PSA. Fuzz Wax Bar reminds us, very viscerally, that waxing is not a pleasant experience. And adding insult to injury, (unlike this model), you’re going to have to pay to get yours yanked off.

Credits after the jump

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Snapple Vines Some ‘Re-enFACTments’

Many top brands have preferred Instagram to Vine when deciding how to complement branding with viral videos, but that hasn’t stopped Snapple, with creative direction from NYC-based Code and Theory, from choosing six over 15. As part of Snapple’s Re-enFACTments digital campaign, here’s a little stop-motion animation to kick off the weekend. The above clip was designed by Khoa Phan, who Mashable declared “Vine’s Most Creative Stop-Motion Animator.”

Snapple and Code and Theory have reached out to a number of unique people on the platform to visualize the signature series of under-the-cap facts that lost their novelty appeal about ten years ago. Phan worked with fact #754 – an alligator can go through 3,000 teeth in a lifetime, a ridiculous number that probably excites dentists and orthodontists around the world. And, as you can see in a few additional Vines below, makes eating an apple more troubling than you’d expect.

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IKEA Makes the Most of Small Spaces with Terrifying Doll Heads

From Mother’s UK shop comes a new two-minute spot for IKEA kicks off the new ‘Make Small Spaces Big’ campaign.

Featuring the vocals support of soul singer Elayna Boynton covering Aretha Franklin‘s “One Room Paradise,” we’re taken inside a doll house stocked to the brim with IKEA furniture. There we meet a single mom with a creepy doll head raising her similarly creepy doll-headed son, both adept at finding solutions for making their tiny house bigger.

Now, for U.S. audiences, the doll heads are a bit off-putting and hard to get over. But, once you do, you come to realize what a rarity it is that we see single parent households depicted in advertising, especially for a global brand like IKEA. Mother does a wonderful job in not only demonstrating the products’ features, but also giving the spot some emotional weight. If it was only something other than doll heads…

Take a virtual MTV Cribs-style tour of the apartment from the spot here, and view credits after the jump.

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Motorola One Ups Apple With Made in America Ad

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While everyone is busy trashing Apple’s new “Designed by Apple in California” campaign, Droga5 is out with new work for Motorola that touts the brand’s new Moto X which is not just designed in America but also manufactured in America.

The print campaign hypes July 4th, American spirit, independence, freedom and, despite the challenge, the fact the phone will be designed, engineered and assembled in America. Which, if we were to nitpick, doesn’t really mean that each of the phone’s assembled components are actually all made in America.

But, hey, tomorrow’s July 4th and that means lots of food on the grill, delicious drink, time on the beach in the sun (finally) and boatloads of explosive fireworks. Oh, yea, and no work! So rather than nitpick, let’s just be happy the phone bbrand that used to be cool might actually be cool again.

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Aardman Animations Brings Insect Tattoos to Life for Random Acts Short Film

After all episodes of Big Brother are exhausted, late night TV on England’s Channel 4 consists of Random Acts, a short-form “daily arts strand.” They call it television as art, rather than about art.

An upcoming part of this stream comes from Aardman Animations directors Karni & Saul, who have made a 3-minute “Lynchian” film about a sunbathing, flower crown-wearing girl who is infested by her own insect tattoos. “In ‘Skinmeal,’ we tried to make a piece that was visually tempting and at the same time had a sharp edge to it,” Karni & Saul said.

The concept sounds terrifying, and when a spider crawls out of our protagonist’s scalp I do feel a little squeamish. But with its plinky mood music and limited length, I wonder how the piece will fully employ the fear factor. Skinmeal is a great title; let’s hope they follow through and she really gets devoured, albeit artfully.

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Newcastle Celebrates ‘Independence Eve’

Normally, a made-up holiday like Independence Eve would be some sort of patriotic money grab, but for Newcastle Brown Ale and Droga5, it’s actually a tongue-in-cheek U.K. money grab. Independence Eve – the latest part of the No Bollocks campaign – celebrates the last day of British rule, one day before John Hancocks were signed and European monarchies renounced.

Across the States, Americans (and immigrants, legal and illegal) can buy a Revolutionary Koozie, which features both the British and American flags on the bottle. I’m not sure how many Americans would willingly drink a British beer the day before July 4th, but I think we’ve buried the hatchet 237 years later. You see, revolutions can be humorous once enough time has passed. So in the next decade, everybody get ready to chug some Edelweiss and giggle over the French Revolution. Credits after the jump.

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Dove Wonders Why Women Are Camera Shy

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Along with its hugely successful and Cannes Lions-winning Real Beauty Sketches, Dove is out with Camera Shy, a :60 that focuses on the propensity of many women to shy away from the camera when it’s aimed at them. Created by Ogilvy, the work is accompanied by ose Murphy’s “Peek-A-Boo” as woman after woman hide from the camera until a super asks, “When did you stop thinking you’re beautiful?”

It then shows images of little girls having no fear in front of the camera suggesting camera shyness is culturally induced. Which, of course, may be true. Except for the fact all one has to do is spend a little time on Instagram or Facebook or any number of other image-focused sites to find thousands of mirror shots and selfies.

Which, of course, is not to belittle the fact that, yes, many won are, in fact, camera shy and do question their beauty.

Arnold Worldwide, New Balance Compete to be Most Patriotic

Conveniently timed for the 4th of July, Arnold Worldwide and New Balance have launched a campaign celebrating the latter’s commitment to the United States. In a four-video series titled, “Our U.S. Factory Workers vs. Their U.S. Factory Workers,” actual NB factory workers compete in a hot-dog eating contest, ping-point match, basketball game, and ice hockey challenge. The pitch is their home factory, and the catch is that they have no opponents.

According to the parties involved, while 25 percent of New Balance shoes are made or assembled in the U.S., their competitors represent an embarrassing goose egg: NB employs more than 1300 U.S. factory workers, while their competitors employ none.

One-fourth still isn’t a huge amount, but it’s clearly not an exaggeration to say NB wins the game when it comes to patriotism. That makes for a lot of pride, and a lonely hot dog eating contest.

Credits and other videos after the jump

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ESPN Reminds Viewers that Things ‘Happened’ in ESPYs Promos

The ESPYS are supposed to throw a nudge and a wink in the direction of typical award shows that take themselves too seriously. Athletes get all dolled up in dresses and suits, the host runs through some comedic skits, and the sporting world congratulates itself on the red carpet, all of which has appeal to the average viewer, because the sports world is usually unglamorous for the other 364 days of the year.

For the 2013 ESPYS, ESPN seems to have taken that care-free attitude to a whole new level, a level that borders on creative laziness. Amazing athletes and sporting events “happened.” For example, Robert Griffin III tells us that Gabby Douglas “happened,” and Lebron James “happened, with authority.” ESPN worked with creative agency 77 Ventures to produce a dozen or so spots in advance of the July 17 show that covers just about every positive sports story from the previous year. They all happened. Which makes you want to hit your head and let out a rhetorical, “duh?” ESPN wasted the chance to use its biggest stars like RGIII, Derek Jeter, Danica Patrick, and Ray Lewis to sell great games and plays. We know they happened. These inspiring sports stories can pretty much sell themselves, but this “Happened” campaign pushes the limit of less is more. For once, less is less. Less happened.

You can watch three more promos after the jump.

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Snickers Drops Down the Celebrity Hierarchy with Kenny G

Betty White, Joe Pesci, Robin Williams, and… Kenny G. Aside from picking the most odds-and-sods group of entertainers out there, Snickers and BBDO New York have a knack for choosing celebrities with just enough relevance for the “You’re not you when you’re hungry” campaign. The title for best Snickers jokester is a toss-up between White’s roughhousing football player and Pesci’s whiny wingman. The latest spot, “Cards,” won’t top its predecessors, mainly because Kenny G doesn’t speak throughout the whole clip, but you can always lose yourself in his patented melancholy saxophoning.

It’s strange to think that the first ad with White came out over three years ago, but these spots seem to have enough social support to keep on kicking, even as the celebrities get less celebratory. Maybe for the next one, BBDO could get all four celebs in one room at the same time – a group of hungry people who all need to eat Snickers. That way, we could get Pesci to look at Kenny G and unleash a “Who is this fuckin’ guy?” tirade. Everybody wins, even Kenny G, since he’d be in two commercials in the past decade instead of one. Credits after the jump.

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Bacardi, OW Get Revolutionary with Rum

You rumdrinkers out there might not have known this while pounding down eight dollar shots at trendy bars, but Bacardi Rum has quite the historical significance. Think Cuban Revolution, Spanish-American War, and the Rough Riders. I don’t remember learning about any of these connections in social studies class – hmm, I wonder why, board of education? – but thanks to OppermanWeiss, “¡Vivimos!” the history of Emilio Bacardi Moreau and his company’s revolutionary roots will be on display in the coming weeks with a cinematic spin.

The above clip is the second ¡Vivimos! spot from OW and director Jake Scott, featuring a handsome and thinly mustachioed version of Emilio Bacardi Moreau set to a grainy image filter. The video does embellish a bit, making it appear as if our Bacardi hero was going to be gunned down spaghetti western style. Truthfully, or at least according to the Bacardi website, Bacardi Moreau was exiled from Cuba to North Africa twice, but who are we to nitpick with an actiony marketing campaign 115 years after the fact? Also be on the lookout for the ad in movie theaters, because Bacardi and Screen Vision partnered to put the clip on 100,000 screens across the country. And if you are really into Cuban revolutions, the brand is unrolling added content through Shazam, so everyone can also vivimos with their smartphones out.

Credits after the jump.

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Op-Ed: Let’s Talk Inappropriate Brainstorming

We welcome back monthly contributor Simon Mathews, currently chief strategy officer at West Coast shop, Extractable, who’s also worked on the strategy side at the likes of Isobar and Molecular during his career. So what does the title of his latest opus mean? Well, let Matthews explain and discuss where the bounds of brand permission lie.

I’ve been on the road this week visiting a couple of clients and working with them on their digital planning for the next year, and in some cases beyond.

Over a meal in New York the conversation topic turned to what the assembled diners thought of the NSA story hitting the headlines that day – how allegedly our government has been capturing everyone’s emails, phone records for years. To add to the discussion, I introduced a business idea: If the NSA has all our emails and data, maybe they could launch a backup/recovery service (e.g. Your computer crashes, the NSA provides a backup of all your lost data)?  I’d call this, “SpyVault”.

My fellow diners seemed remarkably unmoved.

In the cold light of day, clearly this is a ridiculous idea. But it is an example of a deliberate thought process we can use to help push digital innovation – “Inappropriate brainstorming”.

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Arnold, Jack Daniel’s Bring Back King Bee, This Time with a Swarm

Jack Daniel’s Tennessee Honey Whiskey has been repped by King Bee for a while now, with the insect always fiercely flying, always backed by rock and roll. In the latest spot, King Bee is followed by his swarm, representing the followers the brand has gained in the last year.

Pre-released on Twitter and Facebook, “Swarm” amassed over 10 million impressions before launching on TV. Though it was apparently carefully calibrated to get the right lighting and “a gritty feeling” (essential for any American whiskey brand), the spot’s not exactly rife with excitement or engagement. It works for exactly 30 seconds, though, and with the accompanying copywriting- “Like any good night out, things get interesting when there’s a swarm.” and “Fly straight. Drink responsibly,” King Bee and his crew get get an A for effort.

Credits after the jump

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Here’s a Quick Update on Verizon’s Multicultural Biz/GlobalHue

It appears that Verizon’s nearly three-month multicultural review has drawn to a close as the telecom giant sent us the statement below late last Friday that basically sums things up:

“We are in an industry that’s changes rapidly and it is important that we stay competitive in every aspect of our business including our advertising.   Verizon Communications has been working with López Negrete Communications for more than two years and we are expanding their scope of work in order to help drive agency efficiencies across all our lines of business.”

Seeing as Verizon has expanded its relationship with Houston-based López Negrete, one wonders where this leaves GlobalHue, which has worked with the brand for years on its multicultural biz. What we do know as of know is that despite what tipsters have been telling us, GH will NOT be closing up its New York office “any time soon.” Sources in the know add that the agency has actually won two more AOR assignments that will be announced in the near future. We’ll keep you posted. Update: Just to clarify, Lopez Negrete will focus on Verizon’s Hispanic business while Chicago-based shop Common Ground will handle its African-American work.

 

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Mizuno Wisely Runs Away From Real-Time Marketing

Like many people, I was impressed watching Texas state Senator Wendy Davis attempt a 13-hour filibuster of an anti-choice law. She couldn’t sit, eat, drink, or even lean on anything for support as she spoke. So it’s no surprise that the Mizuno Women’s Wave Rider sneakers she wore have gained a bit of attention, as evidenced by the many satirical reviews on Amazon.

Over at Digiday, Giselle Abramovich suggests that Mizuno is “missing out on a real-time marketing opportunity.” They might be. It’s also the right call for the company.

For its part, the company issued a statement on its blog that’s pitch perfect — acknowledging the performance of its shoes while not choosing sides in the most contentious issue of modern American society.

Here’s the last paragraph of that statement:

As you do, we love talking about running and introducing new consumers to our quality product. However, this conversation did not start out as a running conversation, thus we have limited our engagement to date. We are fortunate to have benefitted from this conversation and do appreciate Ms. Davis selecting our quality athletic footwear for her “endurance” event; however we do not have a corporate position related to the topic she presented.

This is a perfect example of why real-time marketing might be better left to PR people than social media firms or ad folks. Anyone who would advise Mizuno to rush to capitalize on this particular incident with real-time marketing would be committing malpractice, if there is such a thing in our industry.

The Wave Rider is currently the top-selling women’s athletic shoe on Amazon. So it’s true the extra attention they’ve received has had an incremental effect on sales. But, had Mizuno decided to endorse Senator Davis or her positions, it would’ve been deadly to the brand.

Mizuno would have found itself caught in the crossfire of protests, phone calls, numerous social media blogs and press articles. Some might be positive, a lot would be negative, but none of it would be worth whatever additional sales and notoriety lift the brand might receive. (It should be noted that Mizuno Running’s American headquarters is located in a suburb of Atlanta. Having lived in that area, I’m willing to bet many of its employees simply don’t agree with Senator Davis’ politics. That fact alone means the company’s reticence is justified.)

Some brands have established and well-known ethical belief systems. Even fewer are built on principles that manifest themselves in political issues. Mizuno isn’t either of these. They’re not Chick-fil-A or Ben & Jerry’s. They didn’t ask for the attention they’re now receiving. They’re smart to simply acknowledge the events and the attention as a testament to the quality of their product. Which in the end keeps them focused on the business of making performance sneakers.

Not everything related to a brand, when it’s in the news, is worthy of exploitation. Some topical items can be used to a brand’s advantage, but determining those requires judgment and experience. Let’s hope all the new preachers of the real-time marketing gospel are able to show restraint at the right moments the way Mizuno did.

This blog is about marketing. If you have a comment related to real-time marketing, please feel free to weigh in. Other comments will be deleted.

The post Mizuno Wisely Runs Away From Real-Time Marketing appeared first on AdPulp.

David Shane Writes a Sweet ‘Ghost Story’ for Nerve Dating

Dating–especially online–is nerve-wracking, funny, and requires the bravery of a preteen on a diving team (take a deep breath and pray your bottoms don’t fall off). Dating sites’ advertisements generally don’t help the cause. Match.com and eHarmony spots look like weight loss commercials, and How About We… goes for the student film aesthetic. In contrast, Nerve Dating’s “Ghost Story” is an authentic piece not only about starting a new relationship, but about moving on (which we’re all doing/hoping for every time we do this dating thing).

“Ghost Story” is directed by Emmy award-winning David Shane, the man behind Bud Light’s funny “Swear Jar” and Land Rover’s “Pathological Liar.” It features actors with charming, soft British accents. The heartwarming angle is a surprising move for Nerve, a site infamous for its explicit sex essays before Vice took over. It’s artfully done and helps carve them a unique space in the overdone online dating realm, not for people with dead boyfriends, but for those who need to come alive.

New Career Opportunities Daily: The best jobs in media.

5 Ways Nonprofits Can Leverage Digital Asset Management

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in the nonprofit world, we strive to fund the causes we care about. And to do this, sometimes we need to think like a business–particularly with regards to branding.

In recent years, our sector has been using high volumes of digital materials to achieve strategic goals. Many of us are now swimming in servers of uncategorized photos, logos, PDFs, and videos. And many more of us are drowning in them.

There are times when we need to spend money to achieve engagement, awareness, and efficiency, and I argue that digital asset management (DAM) is one such expense.

Nonprofits brand, market, and advertise like businesses because that is how we raise awareness. And we have to do it well to stand out in an era of information overload. At our hospital, we’ve used cloud-based DAM to supercharge our marketing efforts. Over the past five years, the bump to efficiency, brand consistency, and collaboration have been immeasurable.

If you’re in the nonprofit world, here are five ways you can leverage digital asset management to amplify outreach.

1. Save time with self-service

We use photos, videos, logos, graphic standards, and branded templates for outreach. This adds up to a colossal number of files–5,867 to be exact.

Pre-DAM, we stored all these files on servers, and when anyone needed a file, they had to reach out to a designated digital asset caddy that could retrieve the right file. This could take hours or days, depending on demand.

DAM is self-service: Everyone who needs files can access them at will. We have a total of 600 users, 50 to 100 of whom use the system daily. None of them needs to request files anymore.

2. Make your brand consistent

How do you know if your team members are using the right digital assets? With a server system, you don’t. If one of your executives has learned that file requests take hours or even days, they will also be tempted to scrape assets from web pages or outdated assets. The results could be a PowerPoint or PDF with low-quality graphics and the old logo.

Our DAM system has protected the consistency of our brand and the quality of our digital assets. Of the 600 users, only a few have uploading privileges. Anyone can download files, but we alone can quickly and conveniently insure that the right files are on the cloud. We know that costly graphics and videos aren’t being shelved in favor of other assets because we can also track who uses the system.

3. Preserve your history

Prestigious, enduring nonprofits have extensive histories. News clips, radio recordings, TV footage, photos, and now web content document our efforts. And we know that in the nonprofit world, a big track record is a big confidence builder. Donors usually prefer to give to organizations that are established, successful, and capable of showing their achievements.

Historical assets help establish this credibility, but they are notoriously hard to store. Indeed, the National Records and Archives Administration estimates that an average recorded CD-R only lasts 5 to 10 years, despite manufacturer’s claims of 25 years. Magnetic media such as audio video tapes have a 10- to 20-year lifespan.

This means that nonprofits need to get CDs, tapes, and perhaps even floppy discs into secure cloud storage with redundancy (i.e., one or more copies in additional server locations). Otherwise, history dies.

Safeguard your history in a DAM system–the time and cost of digitizing this record will save major headaches and disappointment down the road.

4. Repurposing

The digital assets you already have are far more valuable than the assets you don’t yet have–that is, if you can find them. With DAM, we operate on a search first, shoot later basis. All our assets are tagged and keyword searchable so we can immediately determine if we have an image that already fits our purposes. If we don’t, then we can capture and edit additional photos. This way, we save more time and we reallocate resources for major photo shoots.

Our asset development process complements repurposing. Initially, our creative or video teams load raw images and video onto a server that is only accessible to our design team. The server is essentially a warehouse–only after creative services have manufactured the images and footage to perfection do we load them into the DAM system, our internal marketplace for finished products.

If more people use and reuse the finished products, we maximize our current resources.

5. Categorization

It would be nice if marketing and digital teams had the bandwidth to create folders and subfolders for every imaginable type of image–but they don’t. Therefore, one of the biggest payoffs from DAM is categorization.

I have mentioned it above, but let’s dive deeper into the details. Categorization and tagging let asset users conceive and retrieve the way a novelist might tap into his or her own reservoir of ideas. A marketer can think, “I want a photo of a teenage, male, patient interacting with a female nurse,” and filter by those exact tags to find the image–or to determine that it does not yet exist.

DAM categorization lets your team members find the images they know they want instead of the generic photo that is just close enough.

In some nonprofit environments, not everyone is tech-savvy, but that does not mean your digital experts should be solely responsible for the retrieval of branded materials. Yes, have a DAM hero or two that maintains the system, but then save money and time and boost your organization’s reach by letting everyone share in the retrieval and proper use of digital assets.

This guest post was written by Kristy Smith, creative services production specialist at Nationwide Children’s Hospital.