Hasta La Creative!

In anticipation of tonight’s matchup between the Cleveland Cavaliers and the Golden State Warriors, ESPN is airing a new “This is SportsCenter” spot from W+K New York featuring Warriors star Steph Curry.

Curry joins SportsCenter anchors Stan Verrett and Neil Everett in the ESPN cafeteria, where he thanks two cooks for (accidentally) celebrating his recent performance on the court by serving chicken curry. The anchors try to convince Curry it’s a coincidence, but he’s not buying it, even after the cooks’ confused glances. It’s one of the more fun SportsCenter spots in a while, as, even if the premise is a little obvious, Curry plays his part well enough to make it work.

There’s also a “Kitchen Warriors” installment in which Steph squares off against his wife, Ayesha Curry, to see who can make the better chicken curry. With their daughter Riley as the judge, it soon becomes clear Steph’s skills are on the court, not in the kitchen.

Note: credits only apply to the first spot; “Kitchen Warriors” was created by the client.

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DDB Canada launched a pro-bono PSA campaign for Toronto Crime Stoppers examining the dangers of ecstasy use, entitled “Cookin’ with Molly.”

The spot, whose full-length version online runs 90 seconds, is presented as a cooking show with a drug dealer. Molly is a name for pure MDMA (commonly known as ecstasy), but, as the video shows, pills presented as “Molly” are often adulterated with substances ranging from methamphetamine and cocaine to heroin and even bath salts. “Welcome to ‘Cookin’ with Molly,’” says the host of the show at the beginning of the ad, “today’s secret ingredient is meth.” He adds just a pinch of bath salts to some ground up MDMA, a bunch of meth and finishes up with his “signature” blue color and some binder before pressing the pills. The online version of the spot ends by directing to viewers to the campaign landing site for more information. There are also 15 and 6 second broadcast versions of the spot. DDB Canada hopes the tongue-in-cheek approach of the campaign, which launched today and will run through the end of February, will resonate with the target audience of people between the ages of 15 and 25.

“These party-type drugs have been a growing concern, and Toronto Crime Stoppers wanted to tackle this head on without being heavy-handed, so the cooking show format is intended to be tongue-in-cheek,” explains Craig Ferguson, senior art director, DDB Canada Toronto. “At the same time, this creative still allows us to educate people on the harmful, hidden ingredients found in MDMA which was our key objective.” (more…)

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FCB Inferno has just launched its first campaign for BMW UK with a 60-second spot promoting the hybrid i8, entitled “Curiosity.”

The spot is based off an idea “first presented in June 2013, when FCB Inferno pitched to win the BMW UK creative account,” according to The Drum. “Curiosity” shows an early human in the year 4000 BC as he becomes curious about a herd of horses. “Interesting thing curiosity: we can learn from it, we can die from it,” intones the voiceover. Although the man is frightened, he manages to mount one of the horses, taking an important step forward for civilization as the voiceover sums up the situation: “…sometimes it can lead us to places we never imagined we would reach.” The ad then pans to the BMW i8, introducing the vehicle as an important innovation for the company. A bit hyperbolic perhaps, but this isn’t a brand known for its modesty.

“In essence, driving a BMW is about exhilaration. The emotion behind the ultimate driving machine is very primal in some respects. The first man ever to have the breakthrough idea of riding a wild horse seemed a fitting parallel for the breakthrough idea that is the i8,” Al Young, FCB chief creative officer, explained to The Drum.

The ad is slated to premiere during the final ad break of the X Factor, and will then be broken up into smaller segments to air on broadcast and online.

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Pereira & O’Dell continues to produce intriguing work for Skype, with their latest, “Turning the tide” marking a shift in approach.

Last year, the agency focused on the emotion of the personal connections it helped foster, through its “Stay Together” campaign and its highlight, “The Born Friends Family Portrait.” With “Turning the tide,” Pereira & O’Dell focuses instead on how the service helps a pair of journalists tell the story of Kiribati, the island nation that is in danger of being wiped off the map by 2040, thanks to rising oceans caused by climate change. Indeed, the people of Kiribati are already becoming the “world’s first climate change refugees” as the rising ocean levels have contaminated their food and water.

The “modern mobile news team” of Anna Therese Day and Gianluca Panella are telling the island’s story, and utilize Skype as an important. “…Skype is second nature to us,” Anna says, “Being able to instantly share information, images, files…it means you can get to the heart of the story quickly.”While this inserts Skype into the conversation, it doesn’t do a whole lot to differentiate the brand from its competitors. Still, Pereira & O’Dell crafted an affecting spot, allowing Skype to tell an important story that many viewers might be unfamiliar with (although the story has been covered by a few major news outlets, including CNN). The agency seems to have made a choice to value storytelling and allying Skype with an important cause over overt branding. How effective you view the spot as will largely depend on which of these factors you place the most value on. (more…)

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Droga5 is debuting a new campaign for Air Wick entitled “Home is in the Air,” the agency’s first work for the brand since adding it to its client roster back in May.

In a long-form spot, Droga5 and Air Wick recreate the smells of home — a baseball glove, apple pie and a fireplace  — for an American soldier stationed in Qatar. The video begins with the soldier, Kearen, and his wife, Cortney, explaining the hardships of spending so much time apart (at the time of filming, Kearen has been deployed for 11 months) and introducing the project. Air Wick experts then use an instrument called a solid phase microextraction device to capture, and later recreate, the scents that remind Kearen of being at home with his wife and six children. They then send a package of Air Wick candles imbued with the scents to Kearen, who says, “This, this smells like home.” He adds, emotionally, “It’s something so simple, but it means so much to me.”

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In international campaign news, W+K New Delhi collaborated with production company Gang Films Paris for this lavish “Warrior Princess” ad promoting Forest Essentials.

Directed by Carole Denis, the spot has a cinematic feel and scope that makes it truly ambitious. “Warrior Princess” tells the story of “the transformation of a warrior maiden sent to battle,” according to a press release. While not all viewers will pick up on that, the spot is beautifully shot and produced while also incorporating the product well. It depicts a woman bathing and having a Forest Essentials cream rubbed on her forehead before suiting up, sheathing a small sword and riding off with a small group. While it’s hard to say a lot more without knowing much about the product in question, this is certainly one of the most visually stunning ads we’ve seen in awhile. (more…)

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FitzCo//McCann created a holiday spot for Coca-Cola and Walmart entitled “Earn It” which features a sentimental twist designed to tug at heartstrings for the holidays.

The spot shows a teenager working odd jobs around the holidays to earn some extra money. After finally earning enough money he heads to Walmart to make his purchase, which is revealed in the next scene. Without giving too much away we can say that the spot is built around this reveal, which positions Coca-Cola and Walmart alongside some cute holiday sentimentality. Splitting an ad between two brands is no easy feet, but FitzCo//McCann manages to avoid shortchanging either party. In the opening shot, the protagonist is seen thumbing through a Walmart catalog while drinking a Coke. One of his money making schemes involves selling bottles of the soft drink for $1.25 each and he drinks a bottle again at the conclusion of “Earn It.” It also works surprisingly well with Coca-Cola’s larger “Open Happiness” campaign, albeit with the kind of sentimentality that might seem too much at any other time of year. (more…)

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McCann XBC teamed up with Gwen Stefani in a new 30-second broadcast spot for MasterCard directed by Wondros’ Sophie Muller.

The spot focuses on MasterCard’s integration with Apple Pay and the “priceless surprises” the company is giving away to customers using the new feature. Stefani works a rocket launcher, sending these surprises — including a hand bag, concert tickets (to see Stefani, naturally) and a “golf experience” represented by a golf kart — flying through the air toward unsuspecting MasterCard users. At the end of the spot, an unsuspecting fan rocking Stefani’s old haircut wins a chance to meet the woman herself.

It’s pretty basic stuff, with McCann XBC and MasterCard counting on Stefani’s star power to win over viewers and the potential prizes to get them excited for MasterCard’s Apple Pay integration. The choice of Stefani isn’t simply a nostalgic one for the brand, as the singer’s recent single “Spark The Fire” is used as the spot’s soundtrack and she has both a solo album and an album with No Doubt in the works.

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BBH London tells the story of “The Boy Who Learnt To Share” for KFC in a 60-second holiday spot for the brand.

The ad shows the selfish nature of a young boy who refuses to share. He hogs up all the snow when making snowmen with his sister, won’t share an umbrella with his mother, writes his name on all the Christmas presents and, when cast as one of the wise men in a Christmas pageant, he won’t even give a gift to the baby Jesus. When the family gets KFC he initially holds his arms around an entire bucket, declaring it for himself. But when he sees the rest of the family happily sharing the rest of the meal, he finally decides to share, offering his sister a drumstick.

The whole “learning to share” angle is not a bad approach for a heartwarming holiday spot, and the spot is mostly put together well, but there’s one problem I can’t seem to get over with this one. At no point in the ad do we see the parents actually try to teach their son to share, something he should presumably have learned at least a little about from them. Instead, the parents seem to just ignore his bad behavior as if there’s nothing they can do and let him continue to act like a little snot. Wouldn’t the boy finally learning to share mean more if they had made attempts to teach him before? Understandably the spot is attempting to show KFC as the catalyst for the revelation, but this comes across as a bit random and forced since viewers aren’t really presented a window into his motivations or given the impression that the parents have done anything to try to change the son’s behavior.

“The Boy Who Learnt To Share” is supported by a social campaign in which KFC is calling on fans to tweet using the hashtag #KFCSharesies for the chance to participate in a campaign challenge and win a prize. (more…)

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Last month, Sainsbury’s unveiled a high-budget holiday ad created by agency AMV BBDO commemorating the famous “Christmas Truce” of World War I. Unfortunately for the brand, it didn’t find the reception it was looking for, with many in the British public finding the ad distasteful or even hypocritical (Sainsbury’s is planning to knock down a Bristol rugby stadium built in honor of World War I veterans to make way for one of its stores).

So now the brand has completely reversed course with an online holiday ad from Gravity Road entitled “Dads Pull Out Surprise Dubstep Dance for Christmas.” Whereas the “Christmas Truce” spot was clearly labored over with a large production budget, this effort was shot with a handheld camera in an attempt to seem like a homemade video. And while the previous ad was serious and somber, this effort couldn’t be more goofy and lighthearted. As the title implies, the spot sees some dads pull out a surprise dance routine. That the dads do so while wearing jumpers (sweaters as they’re known here in the states) seems an attempt to cash in on this year’s craze for the “ugly sweater.” Their dance is performed to a re-mixed version of Tchaikovsky’s “Dance of the Sugar Plum Fairy” from The Nutcracker.

“The piece was always designed as a piece of content that would live on Facebook primarily,” Pete Conolly, creative director at Gravity Road, told Digiday.

Since being uploaded around a week ago, the video has racked up over a million views on Facebook and YouTube, with at least one fan calling for it to be shown on television. The ad is unlikely to generate the same kind of backlash as Sainsbury’s previous effort, as its hard to get too offended over Christmas sweaters.

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