OBEY THE GIANT: Curta conta a história de Shepard Fairey
Posted in: UncategorizedFrank Shepard Fairey, atualmente considerado um dos mais influentes designers gráficos, pode ser reconhecido por diversos trabalhos, mas jamais vai se desvencilhar da imagem de sua criação original: OBEY.
Um campanha viral de street art, que a partir de 1989 tomou diversas cidades nos Estados Unidos, se espalhando também pelo mundo em diversas versões e remixes. O curta-metragem biográfico acima, dirigido por Julian Marshall, conta como esse fenômeno começou.
Shepard Fairey estudava na Rhode Island School of Design, e com a ajuda da comunidade local de skate atuou de forma clandestina na cidade de Providence, após conquistar fama vandalizando um outdoor do prefeito Buddy Cianci na época.
Além da história baseada em fatos reais, “OBEY THE GIANT – The Shepard Fairey Story” é belissimamente filmado e dirigido. Shepard Fairey avisou que aprovou o filme, mas não teve nenhum envolvimento criativo e financeiro na produção.
Post originalmente publicado no Brainstorm #9
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#A.I.L – artists in laboratories, episode 24: Ulla Taipale
Posted in: Uncategorized#A.I.L – artists in laboratories, episode 22: Asa and Rachael from MadLab
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Posted in: UncategorizedTransformism
Posted in: Uncategorized#A.I.L – artists in laboratories, episode 19: Charlotte Jarvis
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Posted in: Uncategorized#A.I.L / artists in laboratories, episode 15: Ollie Palmer
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Posted in: Uncategorized#A.I.L – artists in laboratories, episode 10
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#A.I.L – artists in laboratories, episode 8
Posted in: UncategorizedFruit Figures
Posted in: UncategorizedVoici cette excellente campagne print réalisée par l’agence Scholz & Friends pour la chaine de supermarchés biologiques frais « Fresh`N´Friends ». Une mise en scène des fruits de manière originale pour attirer les familles et les enfants à acheter de la nourriture saine et biologique. Plus d’images dans la suite.
How to design an Elvis mouse
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#A.I.L – artists in laboratories, episode 6
Posted in: Uncategorized#A.I.L – artists in laboratories, episode 3
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