The Macro Problems of Micromanaging the Creative Process

We’ve all been there: Watching a CEO or high-level client rewrite copy or play art director. Don’t they have better things to do? Maybe not.

CEOs and other senior executives call the shots, are accountable to many audiences, and more often than not, take it all personally because of their egos. For many of them, micromanaging a project is easier than laying out a big vision and letting others work towards it. So marketing makes an easy target for their attention.

But bringing top-level management into the creative process at an early stage is becoming more and more popular with agencies looking to build trust with clients. Involving the executives is sometimes the best way to get something done. They feel a sense of ownership over the ideas and therefore champion them through the process. It’s risky, and only confident agencies make it work successfully. Because the clients can easily start believing they have more creative abilities than they do. Or perhaps they’ll see that their agency doesn’t have a magic formula — leaving the client to think they may no longer need outside help.

It’s the subject of my new column on Talent Zoo, which is on their home page today.

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Being Transparent with Your Customers

We live in the social age. Along with the amazing ability to connect to friends and family within seconds, business owners can sometimes feel like they live under constant pressure to be responsive. One bad review blown out of proportion can spiral out of control, leading to a social nightmare with dire consequences for your company’s brand. One way to increase user satisfaction is to be more transparent about who you are and what you offer.

Offer customers methods to contact you, give them a voice on your site and let them speak for your services. Start asking customers for testimonials and looking at what data you can publish to increase your credibility.

Customer Reviews

Google Alerts is a free service you can use to track what other people are saying about your website or your brand across the Web. Have alerts delivered to your email that search for keywords you define so that you can monitor competitors as well. When you find review data, contact the customer and ask if you can publish his or her review. Offer them space on your website and let them know you’ll quote them by name in a special section for customer reviews.

Tools like the Brand.com reviews widget allow customers to leave instant feedback on your site. A five-star ranking system gives visitors a quick view of the quality of services you offer. Testimonials with customer names also grant a little extra clout to professions in which an individual review could be more meaningful.

Asking for feedback is the only way for you to know what your audience wants to see. It’s true that not everyone will respond, but a short survey can teach you a lot about how your customers perceive your website.

Page View Data

Page view data is always a tricky metric because no one is ever sure how much is enough. You don’t need to publish actual page views to show that your content is engaging. There are many ways to judge your traffic: Facebook friends, Alexa rank, search engine rank, and volume of competition being only a few free ways that are simple to find.

What’s better is for you to show the quality of your traffic. If your articles only have a 25% bounce rate, that’s an amazing statistic that you should flaunt everywhere possible. What advertiser does not want the attention of a highly engaged audience? Look at your statistics and figure out what you can publish that will help sell the idea that your page is a peak destination in your niche.

Social Signals

Besides your friend count, a Klout score linked to your Twitter account will help give a better indication of your reach. Look at how many mentions and retweets your stories get, and focus on pushing content out to the most vocal users on Twitter and Facebook.

Facebook Insights also provide extra data to you like your potential reach for a particular post. Look at your most popular posts and try to highlight what makes users want to talk about you so that you can tailor future work accordingly.

Making Valuable Commitments

Commitments to user protection during the payment process phase is not a feature, it’s more like a foundation for trust. Commitment to use personal data responsibly, or listing ways in which you will use user data shows you care about the people that visit your page. Look into commitments you can make, like “Do Not Track,” or “Non-Intrusive Ads” that respect the time your users invest with your business.

One of the best things you can do is to give users more control over their data. Don’t bury unsubscribe options, but try to look at why users leave your email list. Ask for feedback, display reviews both negative and positive. Invite the kind of discussion that makes your product better onto your website.

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House of Morgan Uses Socialist Imagery To Promote Responsible Capitalism

Morgan Stanley via The Martin Agency is repurposing the public works mural from the 1930s in order to promote itself and the same banking system that brought our nation to its knees.

According to Adweek, the brand’s new 60-second anthem and other elements in the campaign “echoes New Deal-era murals by artists like Thomas Hart Benton and Diego Rivera to illustrate, with a contemporary edge, Morgan Stanley’s approach to money.”

“The creative brief was to own responsible capitalism and connect that to Morgan Stanley and no one else,” said Martin creative director Alon Shoval.

Responsible capitalism owned by one irresponsible firm. Damn, that’s a big idea!

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Martin also made a 60-second anthem to drill this idea home.

I will say I enjoy looking at this art, and I wish more ads were artfully rendered in this way. Sadly though, I look at the art and ask, “why place oil wells on the ridge, when wind turbines are clearly the “responsible” choice? Also, what are all those people doing standing around in the background?

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Targeting Is Futile When Our Audience Is Everyone, Everywhere

“Opinions are like assholes. Everybody’s got one.”

This little truism is especially true today. We’re all critics, even when we’re consumers at the same time. So can brands narrowly target an audience anymore, or will they hear about their marketing from everyone, regardless of whether they’re the target? Case in point: The recent Mountain Dew “Goat” ads that were deemed offensive by almost — but not quite — everybody.

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Every creative brief I’ve ever been handed contains a section about who the target audience is. Some are very narrow, some are quite broad. It’s futile to try to target even a majority of the population.

Yet when large swaths of the public rise up and complain about an ad or a brand, they get attention. Woe to the brand manager or CMO who says, “Sorry, we’re just not talking to you.” All consumers are supposed to matter, and when anyone can write a blog or use the Twitter megaphone, they all need to be heard or placated. In cases where a controversial ad is in question, many people don’t think twice about pouring gasoline on a fire.

It’s the subject of my new column on Talent Zoo.

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PointRoll Blows An Opportunity By Sucking On Ad Age’s Cover

When I opened my copy of Advertising Age today, I was confronted with this coverwrap from PointRoll.

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I’d like to think that if I were to create an ad that, by simple virtue of its placement, would immediately command the attention of every Ad Age subscriber, I’d do something a lot less, well, sucky.

There are some infographics on the back of the wrap. They suck a bit less, but the whole concept (and I use that term loosely) should have been tossed away.

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Subtlety? FAQ That Ship.

So in the past two weeks, we’ve seen a couple of spots go for a disguised profanity joke. And they’re getting attention.

First, the Kmart “Ship My Pants” spot:

And now, the Philips Norelco “I’d FAQ Me” spots:

As I learned when I wrote this Talent Zoo column about cursing, clearly there’s something about cursing, or the hint of it, that gets attention and publicity.

But are these spots taking the easy way out by playing to the cursing? And are puns okay if they’re used in place of curse words?

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Can Analog Thinking Shake Up Our Digital World?

If you’re a rock fan, I highly recommend you check out “Sound City,” a new documentary about a legendary LA recording studio that was all analog.

No one denies the power of our new digital tools to make great music, but in the movie we hear musicians lament the brilliant imperfections of old-school recording methods.

Is it the same way for advertising? In a world where the first thing we do is jump on a computer to make stuff, would a little analog thinking help?

Even though our world is so digitally focused, I’m not surprised when I hear advertising and design teachers all the time implore their students to do logos and layouts by hand first. Interestingly, copywriting teachers don’t preach the virtues of writing copy by hand with the same emphasis. In a time crunch we’re all in, though, it’s easier to just jump on a computer and type or mess with layouts 100 ways until the pieces come together.

It’s the subject of my my new column on Talent Zoo. This week marks the 11th anniversary of the first column I wrote for the site. I’ve been writing a new one every 3 weeks since 2002. If you’ve read them, I hope you’ve enjoyed them.

And if you want the best of them for a little quality reading in the tub or on the toilet, buy the book.

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Found on Flickr

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According to The New York Times, Getty Images will scour Flickr for images it might be able to sell.

Getty editors will comb Flickr in search of interesting images. They will then invite photographers to participate in the program and ensure that their images have the proper releases to be licensed legally. Those who are included in the program will get paid at the same rates that Getty pays photographers who are under contract with the company.

Jonathan Klein, co-founder and chief executive of Getty Images, said, “Because the imagery is not shot for commercial services, there is more authenticity. Advertisers are looking for authenticity.”

Creative Is Now A Commodity

But this video demonstrates that where you grow it makes a difference:

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This, for a Dallas Kia dealer:

UPDATE: I guess they do a lot of impersonations:

McCain Is Not A Mac–Or A PC

A few weeks ago, I wrote on Talent Zoo that despite the hype, there are still people who don’t use the Net or care about new media. And for many, it’s a choice, not a factor of age, class, or income.

Apparently, this digital divide includes the man who wants to be the leader of the free world, John McCain.

I think in 2008, our President doesn’t need to be on Facebook all day, but ought to know how to use a computer. Do you?

R.I.P. Bo Diddley

This seems like forever ago…

From the AP: Rock pioneer Bo Diddley dies at age 79.

Miami Expresses Itself As A Hot Destination

My buddy True pointed me to the new “Miami Expressions” campaign, which is an attempt to rebrand the city as a place where people from all walks of life can express themselves through the arts, fashion, and other cultural activities. Artists from Miami are featured in the campaign.

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But more significantly, the website for Miami Expressions is in 6 languages. That’s impressive, and very important for a city that seems to attract people from all walks of life.

Miami agency Turkel (there ARE other agencies in Miami besides a certain famous one, you know) created the campaign.

Send Better Ads Right Over

MoveOn.org is sponsoring Obama in 30 Seconds, a contest for its members.

I’m not sure I totally buy the implied message or ending of this (and I’m an Obama supporter), but I really like this spot:

Very, very clever.

Fake Ads That Really Matter

Over at Nerve.com, you can dive into The 50 Greatest Commercial Parodies of All Time.

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Granted, most of them are from Saturday Night Live, but there are some others, too.

What’s your favorite?

What Gandhi Can Teach Us About Advertising

That’s a headline you don’t see every day. From MyNews in India:

Most people picture Mahatma Gandhi as some gentle, fragile man who people followed because he was just so peaceful. Gandhi wasn’t an idle peacenik; he was a perceptive communicator who would have been right at home in today’s ad industry.

But the truth is he wasn’t just some sappy dude who sat around all day smiling. He was a sharp lawyer who had a mind for smart communication. He was non-violent, but not passive. He devastated an empire by taking residence in people’s minds. He knew how the media worked and how to get attention. He spread his message by causing peaceful civil disobedience that got talked about in international press and word of mouth. That’s the power of a story worth discussing.

Read the rest here. Who are the Gandhis in the ad world? Are you one?

Shoes of Merit Only

Bad Banana went leafing through a 1923 yearbook from UC Berkeley, thanks to the digital offerings of Learning to Share. I’m glad he did, because it’s startling (and instructive) to see just how different the world was 85 years ago.

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It’s not just media that’s changed, but culture itself. Can you imagine a Berkeley man in 1923 wearing Crocs to class? Going to college was a serious endeavor back then. It required shoes of merit only.

Kia Decides There’s Just Nothing Funny About Millard Fillmore

Boy, is this a weird story. After two major Kia executives depart comes a possible reason for their departures, from Ad Age:

The 13th U.S. president was central to Kia’s upcoming “Unheard of President’s Day Sale,” honoring, in tongue-in-cheek fashion, the first commander in chief to have running water in the White House. The punchline of new TV ads promoting the sale is a soap-on-a-rope bust of President Fillmore; the automaker handed out the same soaps to reporters at its media dinner last week during the Chicago Auto Show.

But Byung Mo Ahn was not amused. The South Korea-born executive, who returned to Kia’s Irvine, Calif., headquarters nine days ago in the newly created position of chairman and group CEO of Kia Motors America and Kia Motors Manufacturing Georgia (the automotive plant currently under construction in West Point, Ga.), doesn’t like the current brand of humor in Kia’s ads, according to executives close to the matter. One of those executives said Mr. Ahn prefers to show the cars and trucks as serious contenders with good quality.

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Yeah, he doesn’t look all that funny. Now Grover Cleveland, that would have been a better choice. He was hilarious, you know.

Chasing A Moving Target

If you watched any of last night’s election coverage, you’ve probably figured out that voters are completely unpredictable. And beyond that, this year the conventional wisdom regarding race, gender, age, and religion just can’t be applied to this election cycle.

Since voters are consumers, and ad agencies are in the business of trying to figure out what our target audiences want, I decided to take a closer look at whether ad agencies are ready for the changes we’re seeing. It’s my new column on Talent Zoo.

Here’s a preview:

I once worked on an ad for a baby product. As my art director was putting together some comps for internal review, she decided to put a stock photo of a black baby in one ad. There were no ulterior motives, no creative brief mandates—just that the black baby was cute and we rarely saw them in the publications the ad was going to appear in. We thought the ad would “cut through the clutter” as the cliché goes.

A Super Lesson, Revisited

Once again, we are headed toward Super Bowl Sunday. And once again, the two head coaches of the Giants and Patriots, who are leading their teams to the NFL’s premier contest, have themselves never played a day of professional football.

Is there a lesson in the advertising industry can learn from this? I think so. I first wrote about this in a Talent Zoo column from 2004. I got some nice compliments on it, so I thought I’d repost it: