Cramer-Krasselt Takes Home Edward Jones

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Cramer-Krasselt in Chicago has been selected as lead agency by financial services firm Edward Jones according to Adweek. The shop beat out incumbent Kirshenbaum Bond + Partners in New York and TM Advertising in Dallas in the final round. Greed, Sex, Drugs & Money were also up for the spot, but resigned from the competition in order to secure Compass Bank.

This is the latest in a string of wins for C-K’s that include the Kentucky Derby, Mohawk Flooring, Johnsonville Sausage and Rayovac. Congrats to them. Peter Krivkovich, president and CEO of Cramer-Krasselt/Chicago, told ad journalist Lewis Lazare that the agency “is well-positioned for 2009 because it has maintained tighter margin controls than other agencies.”

Interestingly, the agency has been charged with creative, media, online, search, social media and direct chores. This is one of the first times that I can recall seeing “social media” as a very distinct duty listed in a press release.

More: The Rise Of The Chicago Creative Club

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New Career Opportunities Daily: The best jobs in media

TVC: Etisalat Green Line

Ad Agency: Strategies, Cairo, Egypt
Creative Director: Tamer Mahdy
Director: Eric Barbier
Art Director: Mohamed Attia

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Square Pegs: Innovating Advertising Agency Hiring Practices In A Recession

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Physics will tell you that all these lay-offed bodies have to go somewhere and right now, they are flooding the market with their talent and it’s not the rinky-dink kind either. Hiring managers should be psyched. It’s an employers market, which means that now is the time for innovation in staffing. There have long been complaints about how hiring practices at agencies from staffers. Meanwhile, hiring managers often highlight that their pool of selection is limited. To quote from Dan Goldgeier’s editorial about HR execs: “Maybe you’re not looking in the right places or doing what it takes to recruit them. Or you’re not evaluating skills, resumes or talent properly. Or you don’t know how to find the right place for someone you can’t automatically peg.”

It’s this latter point we’re going to address today. Everyone talks about the ad business needing some serious innovation, but we stand by and watch as specialty firms and tech start-ups steal dollars. Yet, we consistently shun those people who don’t seamlessly fall into our antiquated niches. The very people who may help the industry “think differently.” Agencies need to consider the future of culture, the internet, television, mobile and gaming. It’s time we started being creative leaders and futurists for real. In order to do that, we have to break the assigned roles that CEOs, ECDs and HR Directors live by.

In today’s world, their are slew of people who have a variety of experience that blurs the lines of job titles. Everyone knows an ex-cool hunter who has also launched an amazing Faceboook application with friends, has a video show, used to run a zine and does a bit of copywriting on the side. So, what is this person? An HR manager may throw their hands up. He’s not a planner, but he’s got an eye for consumer behavior. He’s not a creative director by definition. He’s neither on the account side nor the creative end. So, where do you put him? Traditionally? Nowhere. He’s regulated to either being a hired gun on projects or forced into a limited role within an agency, when clearly he can input across a variety of disciplines.

And this is where many, many people get fed up with advertising and exit stage left. Even with folks getting the axe, Agency Spy has received frustrated emails from creative types. One reader wrote: “I have a lot of account management experience on my CV, but also spend time creating web tools for friends who have start-ups. When I lost my job, I wanted to move into creative programing for agencies rather than continue writing. One HR type said she wished she could hire me, but there was no position for me in the agency since they didn’t do that. Shouldn’t all agencies be interested in developing their own proprietary systems that they can sell to the clients? I’m going to the tech side. See ya”

We want fresh bodies in the system, right? We want to keep high level talent, no? The plug and play method is no longer working. Yet, it keeps getting enforced even at mid-sized and smaller shops. The way we slot bodies into old roles is hurting the industry’s ability innovate and grow the business, as well as keep up with the fast paced movements in culture. This is one reason why any agency who even remotely looks like its staffing or billing practices is off the beaten path grabs press lines and blog mentions. We all get excited that maybe – the game has changed. But often, it hasn’t.

For example, one only needs look at the media buying firms that are just getting around to creating systems through which clients can buy online media. Or, take a look at how late we were late to the game of social media, blogging, ARGs. Yes, some digital shops do a great job of churning out new applications and tech for clients, but it’s a minority. Why can’t advertising develop software for clients? Why can’t we generate exciting off beat games and tools for established properties? Why can’t we do operate our own Google Creative Labs? Agencies keep complaining about limited revenue streams. So why aren’t we all going big or going home?

We are telling clients not to cut budgets, not to stop developing products and investing in their business just because the recession is on. Maybe we need to listen to our own wise words. Now is the time for agencies to gather some odd ball troops to truly create some mind blowing work. Use these think tanks to poach clients, to keep the ones you have or to build systems that have monetary value outside of your current roster. Maybe you pay them a small wage and then a percentage of the wins. Maybe you pay them in IP. Maybe you pay them like a regular employee. Depends on the size of your shop and its revenue, but it can be worked out. In this market, you’ve got talent sitting around and unknown talent begging to be let in. Why not give them six months to see what they can do? If you set it up right, you won’t be losing a thing and the potential gain could be awesome. Give it a go. Give it a go.

More: David Eastman Gets An Even Bigger Gig For Some Reason

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New Career Opportunities Daily: The best jobs in media

CEO Colasanti To Leave Carmichael Lynch

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CEO of Carmichael Lynch, John Colasanti, is out the door as of April 1 according to Adweek. Mike Lescarbeau, president and CCO, and Mark Feriancek, CFO and COO, will be taking over at that point.

This must be an amicable split, because no one hangs around for another four months if the shit has hit the fan. After fifteen years, Colasanti is supposedly “considering brand marketing opportunities outside of the agency.” Whatever that means. Sometimes, you just need a change of venue. Congrats to Colasanti for fifteen years of hard work. You’re free dude!

The agency recently cut 5% of its staff. However, the agency still holds Subaru beneath its belt which is one of the few car makers to be posting a profit this year. Our guess is that $150M account ain’t going anywhere, which certainly help the shop weather the storm.

More: Mike Fetrow Joins space150

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Breakfast Cereal Club, Sam L. J. Pushes Broadband, Cuts at Ogilvy

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– Jack Morton Worldwide, Almighty, Weber Shandwick and Google join Citizen Schools to help kids succeed.

TVC: Explore Al Gharbiah

Agency: Action Impact, Abu Dhabi, UAE
Director: Martin Steinberg
Cinematographer: Hannes Isaksson
Producer: Mattias Coldén

Tired of watching the same Holywood cliches?

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Ad Agency: JWT, Dubai, UAE
Creative Director: Chafic Haddad
Copywriter: Ranadip De
Art Director: Husen Baba Khan

Via [DubaiLynx Website]

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Wake Up Ad Agencies! Cyrus Mehri is on The Loose Again

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On Thursday, January 8 at 11 AM, the NAACP and the civil rights law firm of Mehri & Skalet will announce the Madison Avenue Project, an initiative created to address the advertising industry’s alleged “long history of widespread racial discrimination.”

TVC: Imagine what 20 Million Egyptians can do

Advertising Agency: Leo Burnett Cairo
Production House: Lighthouse Productions
Post Production: Gravity Post House
Director: M Hamdalla
DOP : Ahmed Morsy

Thanks to AdBasha for finding this first!

The Italian Gelato Festival

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Agency: Horizon FCB, Kuwait

Via [ads2blog]

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AbuKass Rice | Everyday is a Special Day

Agency: Creative Circle, Jeddah, Saudi Arabia

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DHL’s fortune cookie

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Agency: OctOpus, Dubai, UAE
Creative Director: Stu Higton
Art Director: Josef Domer

Via [ Dubai Lynx Website ]

Happy “Challenging” New Year from OMD

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It’s time you spoke

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Advertising Agency: JWT Dubai, UAE
Creative Director: Chafic Haddad
Copywriters: DV Hari Krishna, Doug Mackay, Rami Abu Ghazeleh
Art Directors: Kedar Damle, Arnoldfelix Fabella, Tarek Samaan

Via [Ads of the World]

Ad Agency Creativity: Necessity is the mother of invention.

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Plato did say that, “Necessity is the mother of invention.” That’s also the common belief of the advertising industry. It’s why upstart agencies often steal that big account from the behemoths and was also echoed in the papers of Ad Age way back in 1932:

“More than one advertising executive has publicly acknowledged his debt to the Depression, admitting that it was not until the pressure of necessity exerted itself that he really found out how to get 100 cents’ worth of value from the expenditure of every advertising dollar.”

Once again, agencies are dealing with smaller budgets, greater demand to improve the bottom line and hopefully, a surge in creativity. It’s 1929 all over again. As Bradley Johnson, Advertising Age director of data analytics, told USA Today there is a silver, sliver of a lining. “The Depression ‘was a horrific time, yet consumers still consumed, advertisers still advertised and commerce went on.'”

Does this mean that advertising will quit the irreverent prose a la the Seinfeld/Gates ads and make campaigns that are more aligned with more basic ideas of advertising such as Rosser Reeves’ Unique Selling Principles? As a refresher course, those principles include the ideas that:

– Each ad must make a proposition: “Buy this product and you get these benefits”.

– The proposition must be unique: something that your competitors do not, cannot or will not offer.

– The proposition must sell: it must be something prospects really want; it pulls them over to your product.

Does it all go back to basics when the bottom falls out and consumers are looking for value on the dollar? If you ask Sean Puffy Combs he’d say no,, but it’ll be interesting to see if the message changes to more utilitarian slogans as we begrudgingly head into a very rough 2009.

More: The Dark Battle To Stay In The Black: Publicis Vs. WPP

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TVC Campaign: Zain’s backup service is the solution!

Agency: JWT, Kuwait

Adidas swimwear …..

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Agency: Impact BBDO, Lebanon

Via [Arabad Zone]

Marty Markowitz And The High School For Advertising Honor Roll Students

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All of you from New York are probably familiar with the name of Brooklyn borough President, Marty Markowitz. He’s everywhere. Master of the press and all that. In a year end review, Marty highlighted his job creation abilities for the home of the Notorious B.I.G in the local journo, The Brooklyn Paper.

“…job number 1 in 2009 is creating jobs. Uniworld, which is the largest African-American advertising agencies, and that’s a very well respected, nationally celebrated advertising agency, [moved to Brooklyn] and I’m delighted. It’s the start of another possibility of ethnic oriented advertising agencies in Brooklyn. It goes hand in hand with the first advertising high school in Brooklyn. That was my baby. It started this fall. “

Along with Omnicom, the advertising and marketing high school kicked off this past September and is very much Marty’s baby. He pledged $2M to get the school up and running this year. The High School For Innovation in Advertising and Media currently has 77 students and notes in its core mission statement that: “The buying power of African Americans is projected to be $950 billion dollars in coming years” and that only “around five percent of the product managers and advertising executives…..are African Americans.”

To that end, lets shout out their gold honor roll students. Congratulations to: Wendy Rivera, Ian Pelton, Maegan Francis, Jermaine Richards, Sigazie Brown, Tevin Jeffery and Walyn Moiseau. Keep it up. The industry needs some fresh blood.

More: LA Shop Does Some Good for the Kiddies

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New Career Opportunities Daily: The best jobs in media

TVC: Wataniya Airways, a new achievement

Agency: JWT Kuwait

Sales ‘with a tick’ at IKEA

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Agency: Memac Oglivy, Kuwait

Via [Ads2Blog]