Return to Rushmore: Best Buy's Back-to-School Ad Channels a Wes Anderson Classic

Wes Anderson’s Rushmore was a clear inspiration for Best Buy’s back-to-school spot, which, like the 1998 film, focuses on a student juggling an excess of extracurricular interests.

Created by Crispin Porter + Bogusky, the ad’s clearest connection to the film is The Creation’s rowdy 1967 track “Making Time,” which also plays over the movie’s opening montage. (You can revisit Anderson’s excellent Rushmore intro below).

Let’s hope the student in the spot has a less tumultuous school year than Rushmore anti-hero Max Fischer, who deals with everything from Olivia Williams’ unrequited love to a no-holds-barred feud with Bill Murray.

Anyway, it appears that Anderson’s oeuvre, which straddles the line between art house and mainstream, has seeped into the collective consciousness and inspired a new generation of commercial creativity. (Wes’ chest must be swelling with pride now that his quirky coming-of-age tale is providing a template to help lure customers to the retail floor.)

Asked if the spot was indeed a literal homage to “Rushmore,” a coy Best Buy rep told AdFreak: “Any time you’re compared to an Academy Award-nominated director, that’s a good thing. And to be honest, better to channel Wes Anderson than Wes Craven.”

Via Technology Tell.



Ad Creatives Launch 'ManServants,' Offering Hunks for Hire Who Aren't Just Strippers

Ladies, if your idea of a good time doesn’t involve a male stripper waving his junk in your face, you might want to consider instead getting a dapper hunk to cater to your every need from a respectful distance.

A new company, aptly called ManServants—conceived by a group of San Francisco-area ad creatives who’ve worked at AKQA—is out with a video inviting women to pay men in tuxedos to hold parasols and refill their champagne glasses, even if it means wading through a pool while still dressed in black-tie attire. Customers interested in a more casual experience might pay a guy in a cool white jeans jacket or beanie to hang around snapping photos of a client and her girlfriend, or to hold her tablet for her while she takes a bubble bath. Men are also welcome to hire manservants, the ad suggests, perhaps to put on a push-up show and not talk.

The service itself isn’t set to launch until fall. But even the commercial struggles against the incredulity of the idea, reassuring viewers at the end: “This is a real service.” In other words, the spot is pretty well put together, if also fairly silly. It wraps its product in a thin critique of gender politics, as if the product it’s hawking is somehow more progressive than a naked faux-fireman, rather than just an alternate, more-reserved fantasy for sale, itself rooted in traditions of power and privilege. Regardless, to each her own.

Mostly, it’s surprising there isn’t already more competition in the space—not counting, you know, gigolos, minus the sex.

Note: While not explicit, the video is probably NSFW.



You'll Nether Believe How Mr. Sketch Scented Markers Get So Stinky

And you thought beans were the musical fruit.

This memorable ad from BBH New York humorously suggests that Mr. Sketch scented markers get their smell from actual fruit farts—as we see a blueberry cutting a squeaker inside a fantastical Roald Dahl-esque odor-extraction lab.

The flavorful flatulence infuses one of the venerable Newell Rubbermaid brand’s blue marker pens, and we’re led to believe this same method applies to apple, raspberry, cherry, lemon and other scents in the Mr. Sketch line.

“We wanted a simple, entertaining concept that people would get right away,” BBH group creative director Gerard Caputo tells Mashable. “And since the name of the product isn’t intuitive to the benefit, we wanted to do a little education.”

Smells like a gold Lion to me! At any rate, the ad should amuse kids of all ages, even if the pungent manufacturing process on display doesn’t pass the smell test.



Stare at This Ford Print Ad for 30 Seconds, and It Will Suddenly Make Sense

BBR Saatchi & Saatchi created this print ad for Ford Israel that also happens to be an optical illusion. It promotes the Ford Explorer’s Park Assist feature in a way similar to those email forwards from your aunt that ask you to stare at an image until you see the face of Jesus or the outline of Elvis.

“Stare at the black dot for 30 seconds. Move your eyes to the empty parking space. See how easy it is to park,” says the copy.

Thirty seconds may be a long time to look at an ad, and my eyes kept ramming the SUV into the parked cars. But it’s still a fun way to highlight a feature without using jargon that just feels like a lot of empty words (“aerodynamic space material for precision control!”).

What do you think? Are you into it?

Via Digital Synopsis.



Those Bizarre Ads on Brooklyn Buildings Are Actually Marketing for Colossal Media

Faced with the task of marketing itself, Colossal Media has gone big and deliciously cheesy with giant fake ads popping up on the sides of buildings in Brooklyn, N.Y. 

It’s a familiar canvas for the outdoor ad painter, which is based in Brooklyn and works for the likes of Stella Artois, Comedy Central, Vans and Red Bull. Each house ad—created with help from another Brooklyn shop, Doubleday & Cartwright—includes a phone number (1-844-COL-OSAL), which connects to a gravelly voiced and, at times, profane message about Colossal.

Perhaps the most absurd (and effective?) ad resembles a missed-connection poster and aims to reunite a bespectacled nerd in a plaid sweater with a woman he saw “sipping Kombucha by the L train.” Why? Because they share the same hairstyle, they wear the same cut of Levi’s, and he wants to paint her. Sounds like a perfectly good justification for a 40-foot-wide ad on a brick building in Williamsburg.

Below are some other executions provided by the agency:

 

 

 

 



Here Are the Best (and Worst) Personalized Coke Bottle Hacks So Far

When we were kids, we were told that we were all special snowflakes—unique individuals with our own distinct characteristics. Coca-Cola thinks so, too. Sort of.

The company has flooded retailers with bottles of its flagship soda adorned with people’s names as part of its #ShareaCoke promotion (this idea was first introduced in Australia in 2011). It’s one of the smarter brand activations in recent memory. But of course, every brand’s pop-culture success is met with throngs of people hacking the idea with Photoshop, sharpies or just clever juxtapositions and posting them all over the Internet.

Sure, there are people earnestly posing with their name-cans, but that would be the most boring AdFreak post ever. And I, for one, empathize with those who were left out—those who don’t have a can named for them, who are not special snowflakes, and who will have to resort to duct tape to make it right. (Yes, I am bitter.)

Below, check out some of the best (and worst) hacks of the campaign we found in social.

 
Some people quickly found a way to tear the stunt down.

 
Some felt alienated.

 
Especially if they don’t know who their parents are.

 
A lot of people will never find their name.

 
Despite their best efforts.

 
Still no luck. 

 
Desperate times call for disparate measures. 

 
There are certainly some unique names out there. 

 
Some very unique names.

 
Some were inspired by the divine. 

 
When the shoe fits …

 
It’s wrong to discriminate.


What a lovely singing voice you must have.

 
In case there’s a Game of Thrones pal nearby.

 
Or a friend who loves Batman (and happens to take drugs).

 
Doctor Who?

 
Today I learned Patrick Dempsey loves race car driving. 

 
Finally! The elusive BORT bottle!

 
Maybe you want to share with the enemy.

 
Or live happily ever after. This isn’t even a hack. Barf.



ESPN Uses Golden Girls Theme Song to Salute the SEC's Animal Mascots

Do you enjoy looking at adorable animals and singing along to “Thank You for Being a Friend,” the Andrew Gold song whose cover by Cynthia Fee rightfully belongs to Blanche, Rose, Sophia and Dorothy from The Golden Girls?

Then ESPN’s new spot by McKinney is for you.

Well, you and the mascots for Mississippi State (“Bully”), Arkansas (“Tusk”), Texas A&M (“Reveille”), Auburn (“War Eagle”), Louisiana State (“Mike”), Georgia (“Uga”), South Carolina (“Sir Big Spur”) and Tennessee (“Smokey”).

The ad, “Animals,” features the mascots for the Southeastern Conference schools to help launch the SEC Network, a new national sports network from ESPN that debuts Aug. 14.

Credits below.

CREDITS
Client: ESPN
Spot: “Animals”
Agency: McKinney
Chief Creative Officer: Jonathan Cude
Associate Creative Director: Matt Trego
Art Director: Jordan Eakin
Copywriters: Roger Fish, David Sloan
Agency Producer: Naomi Newman
Director: Michael Lawrence

Bad Idea: Baby Brand Hands Out Candy in Realistic Pill Bottles at BlogHer

Coming up with promotional freebies that will stand out in the sea of swag at BlogHer is always a challenge. But one brand may have taken its creativity a bit too far this year.

Bright Starts, a major producer of toys and toddler gear, was apparently on hand at the massive mom-blogger conference this weekend—and giving out realistic-looking pill bottles promoting its Baby Laugh Index microsite. Inside were Red Hots, packaged as some sort of giggle pills that “may cause serious laughter.”

These were promotional items created for adults attending the conference, and not something you can expect to see on store shelves. Still, as blogger Morgan Shanahan points out, it’s a bad idea to put candy in medicine containers, especially when you know they’re likely to end up back in homes with children.

“Pills are not funny. They’re not toys. They’re not even swag,” Shanahan writes. “They’re deadly when placed in the wrong hands. So what were you thinking, Bright Starts?”

UPDATE: An AdFreak reader points out that Sam’s tried something similar in 2009 and quickly apologized for the promotion.

We reached out to representatives of Bright Starts parent company Kids II and will update if we hear back.

UPDATE 2: Miles Bohannan, vp of marketing communications for Kids II, sent the following statement to AdFreak:

Our “prescription for laughter” in a pill bottle was part of a booth experience designed to support Bright Starts’ “Fun Comes First” campaign, which also featured a “Baby Laugh Index” quiz and a “dress as a baby” photo booth—all very tongue-in-cheek reminders of the importance of baby laughter.

Once we realized that the giveaways were concerning to some, we immediately stopped passing them out. We certainly understand and regret any misunderstanding this has caused, and welcome the opportunity to visit further should that be helpful.

Hat tip to Heather Spohr on Facebook.



Sink Into the Comforting Folds of the 'Skin Chair,' Which Looks and Smells Like Human Flesh

At last, you don’t need to be a degenerate military dictator (or Ed Gein) to soak up the luxuries of sitting on piles of human skin. Or at least, creepy facsimiles thereof.

London-based designer Gigi Barker has made a leather “Skin Chair” that looks (and smells!) like actual human flesh, thanks to the modern miracle that is pheromone-infused silicone. The design and smell of the chair are apparently modeled after an actual individual’s body, and it probably feels a lot like sitting on Jabba the Hutt.

Barker made these for the London Design Festival in September, but they’re for sale to the public as well, just in case you have $2,500 lying around. (The ottoman, though, officially called the “Skin Stool,” is a steal at $675.)



David Duchovny Daydreams of Life as a Russian in Beer Ad Exalting the Motherland

Is Special Agent Mulder looking to defect? In a decidedly unexpected career move, David Duchovny appears in this two-and-a-half minute rah-rah-Russia commercial for Siberian Crown beer.

The spot’s schmaltzy patriotism and odd humor combine with Duchovny’s earnest-yet-goofy acting style to create an entertaining viewing experience for the A-B InBev brand. Will you be hitting replay? Da! (It’s topped 2 million YouTube views since posting late last week.)

We open on a stateside rooftop party among the beautiful people where the X-Files and Californication actor gets distracted by deeper thoughts: “There is another country where I got my family name from. And sometimes I wonder: What if things turned out differently? What if I were Russian?” (He’s actually of Ukrainian/Polish/Scottish extraction … but close enough, and those probably fall under Putin’s mental map of Russia, anyway.)

What follows is an extended montage that plays out like a Saturday Night Live spoof of a Central Committee propaganda reel. Our hero takes on a host of stereotypically Russian personae, including a cosmonaut, a hockey star (missing a tooth, naturally), a ballet choreographer and, most unsettlingly, the bass player in a Russian rock band, having a bad hair day on both his head and upper lip.

The intended tone seems to have been muddled in translation, or maybe the spot just feels awkward when viewed with American sensibilities. At times, the concept’s clearly played for laughs, strictly tongue-in-cheek. Then, suddenly, it gets all heartfelt and serious. (“I found out that being Russian, I’d have many things to be proud of.”)

Duchovny’s performance heightens this schizophrenic effect. His approach is best described as Shatner-light: hammy, but on the lean side. He manages to be wink-wink self-conscious and intensely self-important at the same time.

It’s also, of course, an awkward time for a Western icon to be aligning himself with Russia, whose government is perennially one of the world’s least admired and is currently facing increased sanctions over its support of rebels in eastern Ukraine. But clearly this is not an ad aimed at foreigners, and Russians seem to be feeling just fine about how their government’s being run.

All told, it’s the kind of dubious escapade Dana Scully would’ve debunked (“Mulder, this commercial—Nyet!”), so it’s a good thing she’s not around to spoil the fun.



Everyone in This Ad (and Who Worked on This Ad) Was Paid in Meat

Ah, the barter system, humanity’s oldest economy. And it’s alive and well in the modern marketplace—at least if you’re using slow-cooked meat as currency.

Canadian restaurant chain Montana’s Cookhouse & Bar has created an entire ad paid for with meat to promote its Best of BBQ Sampler. The crew offered Montana’s smoked meat spread to a wide range of merchants in exchange for goods and services ranging from massage and yoga lessons to a manicure and permanent tattoo.

Even the ad agency (One Twenty Three West) and production company (OPC Family Style) agreed to work on the project in exchange for barbecue. 

When the crew went door to door, not everyone said yes. But they seemed to have a pretty good success rate, and it’s good to know that if I’m ever strapped for cash and need an MMA lesson, I can always bring a billfold full of brisket.

CREDITS:

Agency: One Twenty Three West
Client: Montana’s Cookhouse & Bar, Cara Operations
Creative Directors: Rob Sweetman, Bryan Collins
Art Directors: Rob Sweetman, Paul Riss
Copywriter: Bryan Collins
Account Services: Christina Tan, Scot Keith
Production Company: OPC Family Style
Director: Max Sherman
Director of Photography: Kiel Milligan
Executive Producers: Harland Weiss, Donovan Boden, Liz Dussault
Producer: Dwight Phipps
Editor: Oleg Jiliba
Sound Design, Music: Six Degrees



Agency Tries to Make an Ad That's All but Unskippable as YouTube Preroll

The numbers don’t lie: When a YouTube preroll ad comes on, users are primed to click the “Skip Ad” button the very millisecond it appears on screen. Research says 94 percent of preroll gets skipped shortly after the first five seconds (which are unskippable). And frankly, that number seems low.

The seemingly obvious solution is to make the first five seconds so compelling that people have to watch the rest—rather than just post your TV spot and hope for the best. Embracing the former, ad agency Nail in Providence, R.I., did a simple experiment. It tried to come up with an unskippable YouTube preroll ad.

See the results below.

It’s not very subtle, and it uses a trick from an old National Lampoon magazine cover. It’s also super low budget. Yet it got a view rate of 26 percent, which is impressive. And it made a few bucks for charity along the way.

What do you think? Is it worth building ad executions specifically to work better as YouTube preroll? Or is that just too much of a bother?

Here is Nail’s blurb about the dog video:

As marketers, it’s time we change the way we do YouTube preroll.

The current model seems to be to simply throw your TV commercial in front of any video a loosely defined demographic happens to be watching.

What a missed opportunity. The skip rates are unbelievable (94 percent is a generous estimate). And when there is no skip button, you can practically feel the resentment oozing through the Internet. Hardly the temperament most brands want to inspire from their customers, right?

Yes, content is king. But here, context is also king. (A gay royal couple if you will.)

Think about what we know at that moment: we know what they’re going to watch, we know what they just Googled, we know where they are, we know what device they are watching on, heck, we know they can skip the ad. All of this information is an opportunity to customize a message that respects the viewer and the platform.

We need to stop repurposing content designed for other channels and start taking advantage of the amazing abilities YouTube is throwing at us.

It’s like we’re NASA and we’re only using the Hubble Telescope to look at our neighbor’s boobs.

YouTube ads should be designed for YouTube. They should use the tools and features given to us and interact with the user and the platform in a way that can’t be rivaled. They should be self-aware. They should talk to one person at a time.

What the heck are we talking about, you ask?

OK, here’s an example. We wanted to raise awareness and money for an organization near and dear to us: the ASPCA. We had virtually no money but had given ourselves a serious challenge: can we make a skippable YouTube that virtually no one skips?

Did we do it? You tell us.



Adman Writes His Own Hilarious Obituary, and It Goes Viral

Leave it to an ad guy to write his own hilariously entertaining obituary, and have it go viral in the days after his death.

Kevin J. McGroarty, who died last Tuesday at age 53, had worked in advertising since 1983 and ran Rhino Media in West Pittston, Pa., until 2006, according to the obituary in the Wilkes Barre Times Leader—a 500-word mini masterpiece that gets off to a flying start with the line: “McGroarty achieves room temperature!”

Every paragraph is amusing, though the high points include:

• He was preceded in death by brother, Airborne Ranger Lt. Michael F. McGroarty, and many beloved pets, Chainsaw, an English Mastiff in Spring 2009, Baron, an Irish Setter in August 1982, Peter Max, a turtle, Summer 1968; along with numerous house flies and bees, but they were only acquaintances.
• McGroarty leaves behind no children (that he knows of), but if he did their names would be son, “Almighty Thor” McGroarty; and daughter, “Butter Cup Patchouli.”
• He would like to remind his friends: “Please, don’t email me, I’m dead.”
• A Mass of Christian Burial will be held at 10 a.m. Monday in St. Cecilia Church of St. Barbara Parish, 1700 Wyoming Ave., Exeter, following a brief rant of how the government screwed up all of the Bugs Bunny cartoons trying to censor violence.

God bless him. Read the full obituary below.

 
Obituary: Kevin J. McGroarty

WEST PITTSTON, Pa.—McGroarty Achieves Room Temperature!

Kevin J. McGroarty, 53, of West Pittston, died Tuesday, July 22, 2014, after battling a long fight with mediocracy.

Born 1960 in the Nesbitt Hospital, he was the bouncing baby boy of the late Lt. Col. Edward M. McGroarty and Helen Jane (Hudson) McGroarty, whom the New York Times should have noted as extraordinary parents.

He was baptized at St. Cecilia Church, Exeter, which later burned to the ground, attended Butler Street Elementary, which was later torn down, and middle school at 6th Street in Wyoming, now an apartment building.

He enjoyed elaborate practical jokes, over-tipping in restaurants, sushi and Marx Brother’s movies. He led a crusade to promote area midget wrestling, and in his youth was noted for his many unsanctioned daredevil stunts.

He was preceded in death by brother, Airborne Ranger Lt. Michael F. McGroarty, and many beloved pets, Chainsaw, an English Mastiff in Spring 2009, Baron, an Irish Setter in August 1982, Peter Max, a turtle, Summer 1968; along with numerous house flies and bees, but they were only acquaintances.

McGroarty leaves behind no children (that he knows of), but if he did their names would be son, “Almighty Thor” McGroarty; and daughter, “Butter Cup Patchouli.”

McGroarty was a veteran of the advertising industry since 1983. McGroarty was a pioneer in Apple computing, purchasing one of the first in the Wyoming Valley in 1985. He would like to remind his friends: “Please, don’t email me, I’m dead.”

McGroarty was a founding partner of Pyramid Advertising, and finally principal owner of award-winning Rhino Media until 2006. He was also an adjunct instructor at Luzerne County Community College, from 2005-2009.

He will be laid to rest at Mount Olivet Cemetery, section 7N. He asks to please make note of his new address. McGroarty’s headstone reads: “I’ll Be Right Back,” one of his favorite sayings. He leaves this world with few regrets, one being told in grade school, his adult life would see the Hershey candy bar rise in cost to over a dollar. He maintained given the resources and initiative, he would rally the good citizens of the Commonwealth to a revolution that would force that price to its original 35-cent market value, a dream he was not able to fulfill, by his own admission the reason: “I was distracted by many beautiful women.”

In lieu of flowers, friends are asked to please give generously to the Pennsylvania State Police Troop “P” Camp Cadet Fund.

A Mass of Christian Burial will be held at 10 a.m. Monday in St. Cecilia Church of St. Barbara Parish, 1700 Wyoming Ave., Exeter, following a brief rant of how the government screwed up all of the Bugs Bunny cartoons trying to censor violence. This will be presented by his attorney, Bret Zankel, Esq. Friends may call from 9 to 10 a.m. Monday in the church.

McGroarty leaves behind a thought for all to ponder, given years of gathering wisdom from different religions and deep study of the Greek philosophers: “It costs nothing to be nice” and “Never stick a steak knife in an electrical outlet.”

Arrangements by the Metcalfe-Shaver-Kopcza Funeral Home Inc., 504 Wyoming Ave., Wyoming.
 



We Asked Agencies to Share Their Oddest Decorations, and They Did Not Disappoint

Not every marketing agency can be an architectural marvel, but they do all tend to have at least one oddly compelling bit of decor that reminds you you’re not in a law office.

Just for fun, we decided to ask our Twitter followers to share some of their favorite pieces of office decoration, and they did not disappoint. Below you’ll find a recap of our favorites.



Self-Driving Car Wreaks Havoc, but Not for the Reasons You Think, in Hilarious Dutch Ad

Some aspects of the techno-utopian fantasy are especially worth skewering, and Dutch insurer Centraal Beheer does a pretty nice number on one of them: the self-driving car.

The brand has a knack for making disaster funny by casting some obnoxious stereotype as fictional villain. A couple of years back, it was a moron in a red Speedo doing circus tricks with his speedboat wheel. Now, in a new ad, it’s a self-important ass reading the paper in the backseat of a Volkswagen that’s being driven by a computer.

The commercial does bear a resemblance to Liberty Mutual’s 2012 spot about human error, but adds another layer to the slapstick joke, and keeps it au courant by blaming the escalating fiasco on the disbelief of spectators distracted by the driverless VW. That premise is a stretch, but it’s definitely good for a chuckle.

Now, if only the computer chauffeur would take its passenger into the ocean, or maybe just into a shipping container bound for a remote island inhabited entirely by robots.

CREDITS
Client: Centraal Beheer Achmea
Agency: DDB & Tribal Worldwide, Amsterdam
Production Company: Passion Raw
Director: Owen Trevor
DP: Tim Hudson
Producer: Dan Scott-Croxford, Kwok Yau
Editor: Guy Savin
Grading : Brian Krijgsman
Online: Ton Habraken, Stephen Pepper, Jeroen van Berkel
Soundstudio: Rens Pluym, Wessel-Jan van Zijderveld
Music: Massive Music



Indian Ad With Female Boss Sparks an Uproar: Is It Super Feminist or Super Sexist?

There’s a lot going on in this new ad from India, and the Internet is fired up about it.

The spot, for mobile provider Airtel, opens on two working professionals in a meeting. A woman, who’s the boss, gives her male employees a task, and one protests, claiming there’s not enough time to finish it. The boss is sympathetic, but lets him know it has to be done.

She heads home for the day, while he begrudgingly burns the midnight oil. We watch her make dinner, and then there’s an O. Henry twist.

Watch the spot before reading further:

Now, I don’t speak the language, so maybe I’m missing something. But still, I’m confused. The mix of progressive and regressive messaging here is mystifying. At work she’s a strong, resolute boss, but at home she’s a lonely housewife pleading for her husband to leave the office and spend the evening with her? Or maybe she just really likes to cook?

Whatever the case, the Internet is certainly taking sides.

Also, I’m probably being picky in pointing this out, but reporting to your spouse is sort of a corporate no-no, isn’t it?

What say you?



Johnson's Baby Is Sorry Not Sorry in Awkward Reply to Customer Concerns

We’ll always listen and be here for you. Even when you’re wrong.

That’s the somewhat odd message that Johnson’s Baby offers consumers in this video emphasizing the Johnson & Johnson brand’s commitment to the safety of its products—to the point of reformulating them even when there’s nothing wrong.

The ad, “Our Safety Promise,” explains that Johnson’s Baby heard the worries of customers bothered by news that “chemicals of concern” had been found in its products. “Although always safe, for your peace of mind, we removed them,” the video says of the chemical.

That message may be transparent. To me, it’s also condescending. It’s like saying, “We’re doing this to appease you. But we still know better than you.” Perhaps it’s a legal thing. Still, the wording could be much better.

The brand then goes on to celebrate its bigheartedness by having its employees make 1,000 origami storks, which apparently signify “a hope granted and a promise fulfilled,” according to a Japanese legend about origami cranes.

It could be I’m just not the target for the ad, which is obviously meant to be touching and sweet. (I’d call it more feel-good for feel-good’s sake.) But after watching, I was even more curious about the controversial chemicals.

The spot is part of a new social-media effort that will see 40 more videos released throughout the rest of the year. Let’s hope they’re less awkward than this one.



Honda Targets Hispanic Millennials by Mocking the Way Brands Target Hispanic Millennials

Young Latino consumers: They’re hip! They’re mobile! They lead active, on-the-go lifestyles!

They’re also, you know, pretty much like anybody else—though that’s something marketers rarely want to hear when they’re paying small fortunes for demographic “experts” to demystify the millennials who live at an every-growing cultural crossroads in America.

Honda pokes some fun at the marketing world’s Hispanic fixation in its newest ads from the Santa Monica-based Orci agency for the Fit. Wild-haired comedian Felipe Esparza serves as a tour guide of sorts into the world of young Latinos, only to find that they’re mostly just focused on running errands and getting to work.

“Are we going to a party?” he asks a couple from the back seat. 

“We’re…just going to the movies,” the young woman replies.

He’s also shocked to learn that instead of packing their trunk with trendy fixies, they’re just grabbing groceries. “Groceries? Rebels!” 

Agency president Andrew Orcí says the spots, shot in Spanish and English, began with the idea that brands often try to fit Hispanic consumers into specific patterns and niches, when in fact it’s a group that’s pretty much impossible to lump into a few convenient categories.

“Latino millennials are much more than what we make of them. They are a versatile bunch. They ping-pong between cultures, languages, interests and behaviors. That’s why it’s funny when you hear others trying to fit them into their box of clichés,” Orcí says.

“Felipe Esparza, as our ‘Latino expert,’ is the perfect voice to make fun of this situation. Why? Because not even a Latino can define a Latino. They simply defy all expectations.”

 



Devin SuperTramp Creates a 260-Foot Water Slide Down a San Francisco Street

YouTube influencer Devin SuperTramp is a man who knows how to get what he wants. And in this case, he wants to ride a 260-foot water slide down the streets of San Francisco. 

The video for Bear Naked Granola, with more than 600,000 views in its first few days online, is basically two-and-a-half minutes of young people screeching and squealing as they slosh down the steep track on inflatable rafts, boogie-boards, various rubber sea creatures and, in some cases, their bare bellies.

(I’m sure the locals who spend a zillion dollars for their shoebox-size garden apartments were just thrilled with all the brand-fueled water tomfoolery.)

Street surfing is rapidly becoming a thing. Last year, an artist turned a boulevard in Bristol, England, into a 300-foot water slide to highlight the intricacies and costs of urban planning, because, clearly, only a giant water slide could communicate those complex points.

Check out a behind-the-scenes video below to see the equipment, logistics and rapid jumping reflexes required to pull off a shoot like this.



Fellas, Bill Kurtis Wants You to Go on a Mancation to Illinois With Him

Legendary anchorman Bill Kurtis is a man’s man. Just ask Ron Burgundy … or the Illinois Office of Tourism.

A new campaign from JWT Chicago features Kurtis, a veteran Chicago journalist best known today for hosting cable crime shows like Investigative Reports, Cold Case Files and American Justice. This time we see a new side of Kurtis, pitching his home state as an ideal destination for “mancations”—getaways that focus on stock car driving, gambling and—wait, wait… don’t tell me—golf.

These trips are cast as reciprocation for womanly leisure activities like book clubs, because, the argument goes, if a guy suffers in the name of love through a sentimental novel, he should be rewarded.

Kurtis oozes charisma, and the message is certainly more down to earth than the zany miniature replica of Abraham Lincoln the state has been using to appeal to potential visitors. The world didn’t really need another advertising portmanteau, but the real risk for the brand is that Kurtis’s outsized personality eclipses a concept that, at its core, doesn’t add much new to the resurgent trend of testosterone-drenched advertising

Then again, if a person in a bear suit playing a bugle comes standard with vacations to Illinois, sign me up.

CREDITS:

Advertising Agency: JWT, Chicago
Executive Creative Director: Dan Bruce
Creative Director/AD: Terra Hambly
Copywriter: Mike Beamer
Group Managing Director: Erin Clark
Account Director: Sarah Brick
Account Executive: Kyle Piazza

Production and Postproduction:
Director: Dan Bruce
Production Company: One
Executive Producer: Lisa Masseur
Senior Producer: Sarah Slevin
Line Producer: Alison Ginsburg
Director of Photography: Kyle Bainter
Editorial: Optimus
Producer: Tracy Spera
Editor: Craig Lewandowski
Assistant Editor: Ben Winter
Audio/Sound Design: Marina Bacci
Logo Animation: Tyler Nelson
Explosion animation: BlinkFarm