Levi's Banned Some Music Fans From Free Show For Not Wearing Its Jeans

Levi’s has landed itself in a little hot water, after shutting music fans out of a free concert for failing to wear the brand’s clothes to the show.

Last week, two popular bands, Haim, and Sleigh Bells, played at New York City’s Brooklyn Bridge Park in an event sponsored by the jeans-wear company. Levi’s stipulated ahead of time that the price-for-entry was to show up wearing a piece of the brand’s denim. But apparently not everyone got the message. Dozens of people were turned away at the gate for failing to comply, the Daily News reports

It’s an odd scenario: The rules seem clear enough, but also arguably unnecessary and ultimately self-defeating. If the idea of the brand footing the bill for the concert was to generate goodwill among its own fans, then it’s pretty illogical to leave a bad taste in the mouths of target consumers by refusing them access (even if they hadn’t shelled out cash for any of its denim, yet). Building a sense of community and exclusivity around a product can be a good thing. Coming across as excessively mercenary—or simply tacky—is definitely not, especially in an era where negative impressions can reverberate quickly online.

On the other hand, fans feeling entitled to gain access to a free concert doesn’t really inspire much sympathy either. It’s not like putting on a pair of pants is the hardest thing in the world to do… even for a millennial.



Take an Irresistibly Silly Ride With MoneySuperMarket's Epically Funky Elephant

Wave your tusks in the air like you don’t care!

An elephant with some serious funk in its trunk shakes its behemoth boo-tay down a busy nighttime thoroughfare to the beat of Cameo’s “Word Up” in this MoneySuperMarket spot from Mother London.

The boppin’ beast is ridden/driven by some schlubby guy named Graeme who, the voiceover explains, saved a bundle by shopping for insurance on the British company’s website, “and now he feels ep-iiic.” Oh, and there’s a tuxedoed toddler with an outrageous afro, who talks in a deep big-man voice. Just in case some viewers don’t find the elephant epic enough, I guess.

The prancing pachyderm is a memorable metaphor for feeling good in a big way, and this irresistibly silly spot blasts the client’s earlier smooth-steppin’ commercial — narrated by Snoop Dog (Snoop Lion? Snoop Elephant?) — clear off the dance floor.



7 Memorable Moments in the Dubious History of Product Placement

Remember when you had to wait until the commercial break to be bombarded with brand marketing? Probably not, since product placement has been a Hollywood addiction since the 1980s.

Ever since Steven Spielberg featured Reese’s Pieces in 1982’s E.T. (after being turned down by short-sighted M&M reps), brands and content creators have embraced product placement as a sort of commercial symbiosis.

This Wednesday, we’ll be tackling the issue of product placement at #adweekchat, a one-hour Twitter conversation open to all. Join us at 2 p.m. Eastern for a lively discussion of the best, worst and weirdest examples of product placement in TV, movies and video.

In the meantime, enjoy revisiting a few of the more iconic moments of product integration (some paid, some not) that have helped to shape how writers and producers weave brands into their storylines—with mixed results:

 
Superman vs. Zod vs. Marlboro vs. Coca-Cola (1980)

And don’t forget the KFC box on the dashboard. This classic scene set the stage for 2013’s Man of Steel, which reaped an astounding $160 million from promotional tie-ins with brands like Sears and Warby Parker.

 
Wayne’s World Makes Pepsi, Reebok and Pizza Hut Part of the Gag (1992)

Looking back on this classic scene, my favorite part is that Rob Lowe never joins them in breaking the fourth wall. He seems earnestly baffled about why these two public-access TV schmucks are so into Pizza Hut and Nuprin.

 
Get Shorty’s ‘Cadillac of Minivans’ Is Actually an Oldsmobile (1995)

At the very least, you have to appreciate the John Travolta comedy’s commitment to making an awkward product placement (the Oldsmobile Silhouette) into a recurring gag. It popped up throughout the movie as character Chili Palmer’s signature coolness rubbed off on the ride. The original Swagger Wagon, you might say.

 
30 Rock Brings Back the Meta Humor for Snapple (2006)

This is my favorite product placement in TV history, and I hate Snapple. So much for my chances with Cerie (whose last name, by the way, is Xerox for reasons that are never explained in the show). In addition to the TGS Show’s love of Snapple, Liz Lemon also helped us see the magical splendor of products like Verizon Wireless phones.

 
Talladega Nights Really Loves Applebee’s, Except for the Rats in the Cobb Salad (2006)

You can almost hear the awkward conversation as the producer had to tell Applebee’s exactly how this lengthy, seemingly glowing scene set in the restaurant was going to play out. Hat tip to Adweek Twitter follower Heather Taylor for the reminder on that one. 

 
Frank Underwood Loves That PlayStation Vita (2013)

Many viewers were bemused by the House of Cards anti-hero’s obsession with the PlayStation 3 and the (rarely seen on Capitol Hill) portable PS Vita. Of course, many brands make recurring cameos on House of Cards. Check out this slideshow of appearances by Apple (oh so much Apple), Blackberry, Canon and more:

The Netflix show’s creators claim they don’t receive financial compensation for product placements, which are provided gratis by the brands. Discussing the PlayStation Vita mention, episode director James Foley told The Guardian, “If we use real products like people do in real life, somehow that’s perceived as being forced-in product placement when it’s just recording reality.”

 
Hawaii 5-0 Really, Really, Really Loves Subway (2012)

This is the Citizen Kane of product placements, an achievement so gratuitous you almost have to admire it. Although I’m really not sure it makes me want a sub, much less five.

What are some of your favorites? Don’t forget to join us on Twitter at 2 p.m. ET on Wednesday, Aug. 13, for a whole hour of #adweekchat dedicated to product placement.



Nike Salutes Paul George in Powerful Ad a Week After His Horrific Injury

Nike has a habit of picking its players up—with tribute ads—after major injuries. The brand did so with Kobe Bryant in 2013, and it has now released the inspiring ad above for Paul George following his gruesome leg injury a week ago.

The theme of the Wieden + Kennedy ad is the dreadful uncertainty—short term and long term—that followed George’s open-leg fracture. But the final lines of the ad put the 24-year-old Indiana Pacers star firmly on the path to recovery.

“Without the setbacks, the comebacks aren’t as sweet,” the brand wrote on Twitter. George hasn’t acknowledged the ad directly, but on that score, he certainly seems to agree.



Jason Sudeikis Hilariously Returns as the World's Worst Soccer Coach for NBC Sports

It was at this time last year that we first met Ted Lasso, an American football coach (played by Jason Sudeikis) hired to manage London’s Tottenham Hotspur Football Club—and manage very, very poorly—in a hilarious short film promoting NBC Sports’ English Premier League coverage.

Well, Coach Lasso is back. And he’s better—or rather, worse—than ever.

In this sequel from New York agency The Brooklyn Brothers, Lasso has lost his Tottenham job (he lasted just six and a half hours) and has given soccer sportscasting a try. That goes wretchedly too, though, as Lasso can’t get a grasp on the concepts of relegation, the offside rule or really anything requiring a modicum of basic intelligence.

So, he returns to America, where he creates a Little England in his own home, gets drunk with friends in the morning while watching the EPL (games kick off at 10 a.m. ET, or even earlier, on Saturdays) and finds his next great coaching gig. He even catches up with Adweek cover boy (and sometime professional goalkeeper) Tim Howard.

The original film was great, but this one might be even better. It’s even more packed with jokes, most of which hit the mark, and Sudeikis has settled even more comfortably into the role of clueless buffoon.

This is one wanker you don’t mind spending a little more time with.

NBC Sports’s EPL coverage returns for another season on Aug. 16.



MOO Designs the Most Selfless Self-Promotion Ads Ever

Online printing company MOO.com, which some of you might remember from a video it made back in April, is doing some self-promotion with the oldest trick in the book. Wait, no, that’s prostitution. The second oldest trick in the book: flattery.

Designer Rob “Supermundane” Lowe has designed a run of fliers with compliments printed on them and posted them around artsy parts of London and in the Boston Design Museum. People are encouraged to take them and, you know, just feel good about themselves.

There are six designs altogether, with custom typography spelling out flummeries like “I think you’re splendid” and “You’re spectacular.” Are Upworthy and BuzzFeed just not enough for some people?

You can enter to win a signed-and-framed seventh flier through MOO’s social channels, which is how this whole project connects back to MOO.

That contest ends today, so enjoy the complimentary compliments while you can.



British Ads Remember World War I Dead Who Aren't as Famous as Their Names

The Royal British Legion is behind a weighty ad campaign called “Every Man Remembered,” featuring soldiers from World War I who share names with famous people a century later (although “Tom Jones” really is an insanely common name) and making the case that the soldier should be famous, too. Each ad provides a mini-biography of the featured soldier, including when and where he was killed.

Heavy stuff, yes, but it’s respectful and not gloomy or maudlin, to ad agency RKCR/Y&R’s credit. It’s a pity organizations like this have to invoke celebrities at all, but at least they picked some relatively classy ones.

I doubt a Russell Brand execution would have gone over as well.

More images below.



Did Penguin Just Design the Worst Book Cover of All Time on Purpose?

The 50th anniversary publication of Roald Dahl’s children’s classic Charlie and the Chocolate Factory is leaving a bad taste in some mouths.

Controversy surrounds the cover of the Penguin Modern Classics edition, which eschews Willy Wonka’s fanciful factory, golden tickets, Oompa-Loompas and other familiar story elements. Instead, we get a stylized image of a young girl, quaffed to the hilt in colorful bows and silks, sitting in her mother’s lap.

Detractors are denouncing the shot for sexualizing kids, and they deride its sleazy ’60s vibe as inappropriate for a story geared toward young people. They have a valid point, though in fairness, the broader meaning of the image is open to all sorts of interpretations. (It’s not overtly sexual. I mean, we don’t see Wonka’s willy, thank goodness.)

The picture is a cropped version of a photo used in a 2008 fashion magazine feature (see below) completely unrelated to Dahl and the book in question. According to the publisher, the cover “looks at the children at the center of the story, and highlights the way Roald Dahl’s writing manages to embrace both the light and the dark aspects of life.”

The tale does mix in stronger themes about child-parent relationships and manipulation. Still, that’s hardly the book’s primary focus, and it’s tempting to dismiss Penguin’s explanation as candy coating for a publicity ploy designed to drive debate and sell copies. (The publisher certainly seems to be relishing the attention.)

Among the public, bitter reactions outweigh the sweet, with most reasoned negative opinions running along the lines of this comment in Creative Review: “It seems a bit misleading, doesn’t it? If I knew nothing about the book, this cover would suggest to me that it’s a really disturbing story for adults, probably a thriller about young girls in the beauty industry.”

The most deliciously snarky critique comes from the Guardian, which calls it the worst cover of all time, grousing that the image “reimagines Dahl’s classic as 1960s Wyndhamesque horror, robotic alien children stranded in a stark asylum.”

Here’s the original photo, published in Numéro magazine in 2008. Image via.



Kids' Ideas for the Car of the Future Will Warm Your Cold, Old Heart

Live long enough and you just might see an automobile that sucks up discarded plastic bottles anteater-style through its front and spits them out the back as recycled plastic bricks that can be used to build houses. That is, if a South African 10-year-old’s concept for the Toyota Dream Car Art Contest ever comes true.

In the meantime, you can check out the Vine video that the brand created to animate Sumeeth Singh’s idea below, along with the drawings and video clips for dozens of other finalists in the global competition on the microsite.

It’s the eighth such contest the automaker has hosted since 2008, and this one netted some 600,000 submissions. For more than two months, Toyota has been posting a daily Vine based on a “Dream Car of the Day.” So far it’s put out more than 70 of 90 total finalists. The brand’s packaging around each idea is especially impressive. Visual geeks may want to take a spin over to the site to check out explanations of the creative process for each Vine.

The concepts themselves range from zany and nonsensical—a banana spaceship car; a car that’s small enough to drive around DNA strands; a fish with wheels—to clever and caring and conscientious—like Singh’s, and a number of others themed around recycling, or generating water for deserts and fields and flowers, or helping people by bringing them food and books and ice cream.

Many of the ideas are animal-car hybrids. There’s even a giant bird-car that swoops in over cities and sucks out all the air pollution. Basically, you know, a Prius. 

In other words, children’s imaginations are entertaining to beaten-down grownups because kids’ minds are filled with fantastic ideas that aren’t bound by any concern about what’s actually possible. And Toyota’s is leveraging that to great effect as marketing.

It’s far from an unfamiliar dynamic. McCann Worldgroup and Wes Anderson did it exceptionally well for Sony Xperia back in 2012, and BBDO has built a strong AT&T campaign out of the endearingly ridiculous things that kids tend to blurt out. But if you have a lot of time on your hands, and get a kick out of this sort of thing, you might want to start wading through Toyota’s whole collection.

And if you work at an agency, think about sourcing all your ideas from a bunch of 10-year-olds, and then just pay your adult staff to polish them up.

See more of the Vines below. Via Co.Exist.

 



Maybelline's 'Ideal Woman Rubber Mask' Makes All Cosmetics Obsolete

Maybe she’s born with it. Maybe it’s a horrifying latex mask.

The Onion just rolled out this spoof Maybelline ad mocking conventional standards of beauty. In it, the brand introduces a new product, the Ideal Woman Rubber Mask, a convenient replacement for the copious amounts of product that women are wont to put on their faces. Yes, it’s just as creepy as it sounds.

“By simply yanking it over your face, you can instantly achieve a fresh look that conforms to Western ideals of beauty,” praises the Fake-belline (I don’t know, I’m trying here) director of marketing.

“It’s incredible. You immediately see the difference,” adds a a focus group participant. “The very first time I tried it on, my pores were minimized, my skin tone was more even, and all of the idiosyncratic little wrinkles, physical imperfections and tiny irregularities that make my face unique were erased.”

As for the YouTube comments asking why all of the masks are Caucasian, I’m guessing that’s kind of the point.



Unwitting Star of Burger King's 'Blow Job Ad' Finally Lashes Out at the Company

Five years after a famously suggestive Burger King ad ran in Singapore, the woman who appeared in it—without her permission, she says—has publicly excoriated the fast-food chain for humiliating her.

The woman, who has not revealed her identity, posted a YouTube video on Tuesday in which she explains her side of the story. And it isn’t pretty.

“Burger King found my photo online from a series I did of various facial expressions and contortion poses, and with no due regard to me as a person, profited off reducing me to an orifice for their penis sludge; publicly humiliating me in the process,” she writes in the video description.

“Friends, family, coworkers, prospective employers who saw it assume I was a willing player. Those offended by it don’t know the extent of what’s wrong with the ad; that I didn’t know about this being done to my image, let alone agree to or pose for the scenario.”

The woman even likens BK’s treatment of her image to sexual assault: “I believe in sexual expression in art and the media; it’s beautiful and necessary for a healthy society but IT MUST BE CONSENSUAL otherwise it’s RAPE.”

She ends her missive with the hashtag #SuckOnYourOwnSlimySevenIncher.

The 2009 ad has truly become a famous “badvertising” image. Indeed, the woman says it was just recently the topic of discussion in a large media studies class at a university in Toronto, where she lives.

In an email sent last year to ad blogger Copyranter, the woman said she had only just found out about the ad and was looking into her legal options.

BK did not explicitly apologize for the ad back in 2009, when it appeared on a number of ad blogs, including this one. But it did release a statement saying it “values and respects all of its guests,” and noted that the ad ran only in Singapore and in no other markets.

AdFreak has reached out to BK for comment on the new video. We’ll update when we hear back. Below is the full ad, and the woman’s complete description on her YouTube video:

Burger King found my photo online from a series I did of various facial expressions and contortion poses, and with no due regard to me as a person, profited off reducing me to an orifice for their penis sludge; publicly humiliating me in the process. It was shown online as well as on bus stops and the walls and place mats of their restaurant.

When asked for comment from the press Burger King claimed the campaign went down well, however after some research I discovered The Advertising Standards Authority of Singapore (where it was released) received several complaints and the campaign had to be prematurely removed.

This is a top International food chain the world is watching that has a code of ethics they’re required to adhere to for that reason by law but did not in how they went about using my image.

Now due to the coverage its received (Time Magazine’s Top Ten Tasteless Ads, Business Insider, Buzzfeed, Gawker, Psychology Today to name a few) it’s part of the public domain. Just recently it was the topic of discussion in a media studies class of 500 students at the University of Toronto – where I live… and posted to the class Facebook discussion page.

Friends, family, coworkers, prospective employers who saw it assume I was a willing player. Those offended by it don’t know the extent of what’s wrong with the ad; that I didn’t know about this being done to my image, let alone agree to or pose for the scenario.

Why not hire a model to pose with the sandwich?

There is something VERY wrong with the fact that they felt entitled to do that to my face without signing a contract with me.

I believe in sexual expression in art and the media; it’s beautiful and necessary for a healthy society but IT MUST BE CONSENSUAL otherwise it’s RAPE.

Nice family restaurant you’re running there Burger King.

#boycottbk #facerape

#SuckOnYourOwnSlimySevenIncher



'I ? NY' Designer Milton Glaser Tries to Create an Iconic Logo for Climate Change

Is it hot in here, or is it Milton Glaser?

The graphic design legend expresses his concern for climate change in a new awareness campaign ominously tagged, “It’s not warming, it’s dying.”

Glaser, 85, who created the iconic “I ? NY” logo more than 35 years ago, illustrates his global-warning message (see what I did there?) with stark simplicity. The central focus is a green disk representing Earth, its top half dark and lifeless.

The gradient image—brighter toward the bottom—is available in button form, five for $5, with proceeds going to produce more buttons. New Yorkers can check out a large version of the design on an East 23rd Street billboard at the School of Visual Arts. And there’s a Twitter feed, of course.

Discussing the campaign in Dezeen, Glaser explains that “symbolically, the disappearance of light” seemed to sum up the dire situation and provide the perfect design concept. Speaking with WNYC radio, he said, “Either Earth is dying or it’s beginning to grow again. My preference would be that it was beginning to grow again, but for the moment I have no evidence of that.”

Climate-change deniers will scoff at Glaser’s initiative, but I’m thinking any effort to generate debate and stimulate interest in humanity’s survival is a cool idea.



This Hair Clip Can Saw Rope, Tighten Screws and Measure (Tiny) Things

The MacGyver of hair clips has been created. Not only does it keep your hair from falling in your face during Pilates, but it’s also a flat-head screwdriver, ruler, wrench and teeny-tiny saw.

Oh, and it’s … kind of ugly.

The Leatherdos is a cool idea, but realistically, it’s going to get treated like all of the other hair clips and bobby pins. They slip into couch cushions. They get eaten by pillows. They find pretty much any excuse to vanish. But maybe there’s a sect of women who are really good at keeping track of their hair accessories, and my cynicism toward the Leatherman-on-your-head is unwarranted.

For $10, you can pin back a cowlick with a tool set capable of loosening a bolt, measuring … something really small and sawing yourself to freedom if you end up in a 127 Hours sort of situation.

Via Gizmodo.



9 Subtle Marketing Tricks We Fall For Every Time We Shop

We all know we’re being manipulated every time we shop, but it can still be unnerving to see the true extent of mind games being played on us.

That’s why I was fascinated (and mildly traumatized) to browse through a recent Reddit thread called, “What marketing tricks do we unknowingly fall for?”

While not all the respondents are experts in pricing strategy or marketing psychology, many of them experience it on the front lines as both shoppers and retail employees. While the whole Reddit post is worth a read, we pulled a few of the more notable tactics that are as insidious as they are inescapable:

1. The Instant Markdown

Why wait for a holiday sale when you can find big markdowns pretty much any day of the week? Discount retailers and Amazon have made day-one markdowns so common, they’re popping up all over.

Redditor chriz2fer sums up the tactic pretty simply: “Retail price $139.99. Our price $49.99.”  

While tantalizing as a customer, all you’re really seeing with such a strategy is how far below MSRP a retailer is willing to go while still turning a profit. As we saw with popular fashion delivery service Stitch Fix recently, sourcing products from the same wholesalers as retailers who offer steep discounts can be a risky proposition.

In an interesting response, Redditor Superraket noted that this tactic isn’t legal in all countries. “In Denmark, you can’t advertise a ‘before’ price if it hasn’t been sold for that price in your own shop for at least two weeks,” the user wrote. “If you keep selling the product as this discounted price, then this price is considered the before price if you advertise that product again.”

This pricing strategy is often called “anchoring” because it’s an extension of the negotiation tactic in which the seller tries to set the highest amount possible as the first offer so that subsequent offers will sound generous by comparison.

2. Decoy Pricing

While not citing it by name, Redditor chrisfrat summarizes this one pretty well: “If there is a small and a large size (of popcorn, let’s say) and the small is $2 and the large is $8, most people will buy the small. However, if you add a medium at $7, most people will buy the large because they say ‘oh it’s only a dollar more than the medium.'”

Welcome to decoy pricing, a tactic that boosts sales of high-profit items by creating another version of the product solely to make the pricier versions seem economical by comparison.

The easiest way to spot this trick is when your barista or cashier says something like, “Do you want to bump up to the large for just 25 cents more?”

 3. The Expensive Menu Item No One Buys

Why shell out $59 for ossobuco when the lamb shanks are only $29? Restaurant menu strategists have long used this tactic of creating overpriced items to make everything else on the menu seem rather affordable. 

Here’s how Redditor ignoramusaurus summarizes it: “Most menus in ‘nicer’ restaurants will have a really expensive option; this isn’t actually aimed at getting people to buy that product but to make people think that everything else looks cheaper.”

Clearly an extension of the decoy pricing mentioned above, this tactic is also sometimes cited by the scientifically minded as an example of “arbitrary coherence.” This term conveys the fact that pricing is completely arbitrary, but once a price has been set, it dictates the way consumers view every other price put before them. 

4. A False Sense of Urgency

“There are two ways this presents itself,” notes Redditor KahBhume. “Either the product is presented as to have a very limited stock, thus the customer must choose to have the product now or never. Or the product is part of a ‘limited time offer,’ again pushing the now-or-never decision. If the customer walks out the door/changes webpages/whatever equivalent, they might notice that they don’t actually need the product to continue on with their lives, so the marketing tries to make the consumer feel like they’ll miss out on a great opportunity if they don’t buy now.”

While this tactic is timeless, its most recent incarnation can be found on travel booking sites and online retailers. Only three seats left on this flight? Fifteen other people are looking at this offer right now? Better hustle!

“I know it can’t possibly be true, but it gets me every time,” says Redditor ben7005. “I feel like if I don’t book the hotel RIGHT NOW, it’ll get snatched by someone else.”

5. The Loss Leader

Retailers, drug stores and grocers are almost always willing to take a loss on a few items if it means getting you in the door to buy plenty of other things.

“Dropping prices on a few items to get you into the store—happens all the time in groceries and liquor,” says Redditor jelacey. “One or two things are very good prices. Those things bring you in, and while you are in you buy a few things that aren’t on sale that week. Repeat every week.”

A cornerstone of discount retailers and big box stores, this pricing strategy goes back ages. A 1987 research paper found what retailers still know today: shoppers will buy a loss leader because it’s a rational decision, but while they’re in the store, many of their other purchases will be impulse buys driven by in-store marketing and clever packaging. 

6. The Gruen Transfer

Ever feel like you’re shopping in a maze? Whether it’s the snaking layout of a mall, the intentionally inefficient floor plan of a grocery store or just all of Ikea, what you’re navigating is sometimes called the Gruen transfer. 

Named, perhaps unfairly, for mall architect Victor Gruen, the term refers to shopping layouts that disorient visitors, slowing them down with the goal of increasing their impulse purchases. 

“It is basically when you enter a shopping centre and become confused by the layout, thus forgetting why you are there (what specific purchase you intend to make) and instead become an impulsive buyer,” says Redditor stephyro.

In his defense, Gruen was a new urbanist who believed in making life easier for pedestrians. He distanced himself from manipulative shopping designs late in his life, though the problem only got worse after his death in 1980. 

7. Odd-Even Pricing 

It’s a pricing strategy so common, it’s become practically ubiquitous. 

“Consumers are more likely to buy something at a price ending in an odd number that is right under an even whole number,” notes Redditor MatchuTheGreat. “That is why a lot of things are priced $4.99, 4.97 or 4.95 instead of just saying it costs $5.00. Staying right under that next whole number somehow makes the product more appealing.”

This tactic hinges on consumers’ strange psychological penchant to always round prices down, meaning that a $1.99 item feels closer to $1 than $2. 

Several Redditors who’ve worked in retail also noted that odd prices help stores avoid employee theft. Pocketing an even dollar is easy, they said, but making change requires the employee to enter the transaction in the register. While probably not the main benefit, that’s certainly an added perk for the business.

8. Gift Cards

It’s hard to beat a gift card for a convenient, last-minute gift. But they’re also a pretty sneaky way to ensure a high profit margin.

“They are marketed as a great gift idea, and to be fair they are, but they’re arguably the biggest scam in retail,” says Redditor Bisho487. “The average gift card where I work has a 35 percent return, meaning a $100 gift card will amount to an average purchase price of $135. The other thing is that they usually don’t get used for 4 to 5 months (ignoring the ones that get lost and never used), which is good for the businesses pocket and looks good on paper/in their budget.”

So while gift cards may make a handy present, remember that you’re really giving a gift to the retailer. 

9. Buy One, Get One Free

Ah yes, the BOGO, one of shopper marketing’s most powerful weapons. 

“They know people are drawn to the word free,” says Redditor TA1217, “and it makes people buy more than they intended. This allows them to move more product than usual, even though they are making a smaller margin.”

BOGOs come in all shapes and sizes, especially when you’re shopping for apparel such as shoes. Tracking down a second item “of equal or lesser value” can be a chore, often leading you to buy something more expensive than what you’d actually wanted.

This approach has also all but eliminated the half-off sale. A BOGO ensures most consumers will buy twice as much product as someone enjoying 50 percent off one item. While some retailers quietly allow you to buy one BOGO product and still enjoy the savings (thanks, Publix!), many make it mandatory for you to double up. And, come on, do you really need that much Irish Spring Body Wash?

What are some subtle marketing tricks you often find yourself falling for?



Here's the Most Adorable Use of Those Personalized Coke Cans and Bottles Yet

When we looked recently at the best/worst uses of the personalized #ShareACoke bottles, many of them were angry, bitter or weird. (My favorite was the Nativity scene that showed up on Reddit).

But here’s a new addition that’s none of those things. It’s uncomplicated, fun and—particularly in its surprise ending—quite adorable indeed. Kudos to Patrick and Whitney McGillicuddy for making a great little film … and for becoming Coke’s new favorite amateur brand ambassadors.

We can’t spoil this one. Watch it for yourself:



Agency Wants You to Hire Its Laid-Off Staffers, and Will Pay $5,000 If They Flop

Layoffs after client losses are a harsh reality of the ad business. But one agency leader is putting a $5,000 cash guarantee behind each of the 50 employees he has to let go because a major account left his shop.

Ignite Social Media in Cary, N.C. (which also has an office in Detroit) will have to lay off almost half of its 110-person staff this month, reports the Triangle Business Journal, as Chrysler Group shifts social media responsibilities to IPG Mediabrands following a review.

But Ignite president Jim Tobin isn’t just giving the doomed staffers letters of recommendation, or endorsements on LinkedIn. He’s vouching for them in a more impressive way—by promising to pay $5,000 to any employer who hires an ex-Ignite staffer and then has to five the person within 90 days for performance or character issues. It’s like Hyundai Assurance for agency people.

Sure, one could wonder whether the sum is really enough to cover up to three months of wages, plus the HR hassle of canning a dud hire. But it’s nice to see a guy who is dropping the axe also go above and beyond to recommend talent. Mostly, it’s a clever way to highlight the meat coming onto the market. (In that sense, it’s a little reminiscent of the time a Goodby, Silverstein & Partners alum launched “Grab Some Goodby,” a website to promote his friends when that agency had to let blood in 2012.)

And if agency churn goes the way it sometimes does, maybe Chrysler’s new social media agency will even pick up a few of the Ignite staffers.



Scottie Pippen Says He's the Greatest Chicago Bull Ever in Foot Locker Ad

Michael Jordan’s Hanes must be in a twist now that Scottie Pippen has proclaimed himself the greatest player in Chicago Bulls history in this Foot Locker commercial.

Pippen’s cheeky claim comes toward the end of the amusing BBDO spot, in which Charles Barkley tells Houston Rockets star James Harden that all the greats have short memories.

“Achieving greatness requires never dwelling on the past,” explains Foot Locker evp of marketing Stacy Cunningham. “It’s always about looking ahead to the next opportunity and staying fresh.”

In the ad, Barkley says he has no recollection of being nicknamed “the Round Mound of Rebound.” Harden himself, of course, always forgets to shave. Kidding. Dude rocks that look! The spot is nothing but net for Foot Locker, generating lots of positive coverage and more than half a million views in less than 24 hours on YouTube. It’s called “Short Memory Pt. 1.” I wonder who’ll be forgetting stuff next?

Jordan’s long memory is well documented, and he isn’t exactly famous for being able to take a joke. I wouldn’t be surprised if the big grouch calls Pippen out for slinging bull.



Class Act: Outgoing Pitcher David Price Buys Full-Page Newspaper Ad to Thank Tampa Bay

Today is David Price’s first day as a Detroit Tiger, and while most pro athletes would be focused on winning over the new home crowd, he made it clear this morning that he’ll never forget Tampa Bay.

Price took out a full-page ad in today’s Tampa Bay Times with the headline “Thank You, Tampa Bay.” It’s not just a quick see-ya note, either. He goes into detail about the people and communities he’ll miss now that he’s moved to the Motor City. 

Perhaps most charmingly, the ad was co-signed by his dog, Astro, who has become almost as iconic as the Cy Young Award winner. 

Check out the ad below, followed by the full text.

Hat tip to Fox Sports via NPR’s Scott Simon.

Thank you, St. Petersburg and thank you, Tampa. I’ve lived in both of you and enjoyed every minute.

Thank you, fans. I heard you ringing your bells each time I had two strikes. I heard your applause when I walked off the field. I heard your groans in support of me with close calls on balls and strikes. I heard you, I felt your presence, and I so appreciate you.

Thank you, Joe Maddon and Jim Hickey. You’ve believed in me. You’ve taught me. You’ve given me opportunities to shine. I will have you with me in every game the rest of my career.

Thank you, Cuz, Stanley Mc, Holmes, Foles, Davey, Shelty, Nelly Nel, and the amazing Don Zimmer. You’ve all meant so very much to me.

Thank you to my incredible Rays teammates. You have been my brothers and greatest friends. Thank you for our times together.

Thank you, Rick Vaughn, Westy, Ronnie P, Nation, and Vinword. I couldn’t have made it through a day without you guys.

Thank you, Rays organization. From Vinny in the parking lot, to Berte outside our clubhouse, to Papito, Beans, Champ, T-Wall, Sexy Black, Nasty Nate, and all the many wonderful people who helped and supported me each day I was at the Trop. Thank you for being there.

Thank you, Stu Sternberg and Andrew Friedman. Thank you for drafting me. Thank you for giving me the opportunity to know all of the people I’ve mentioned above and the opportunity to experience the last six years playing for the Tampa Bay Rays. I’ll forever be grateful.
Astro and I love you all. We miss you already. Although we begin a new chapter on the mound tonight, we will never forget you.

Love,
David & Astro Price



Well-Crafted PSA Shows How Subtle Racism Makes People 'Feel Like Crap'

Racism doesn’t just manifest in overt statements and gestures. It can also take shape in more subtle ways—and still have devastating effects.

A powerful new spot from Australian public mental health organization beyondblue portrays a series of scenarios where quiet but very real prejudice—mainly in the form of unwarranted sideways glances, nervous shuffling, and insensitive jokes from light-skinned strangers—takes a toll on the psyches of Indigenous Australians, a group that includes Aboriginal Australians and Torres Strait Islanders.

The clip from agency Marmalade has more than 400,000 YouTube views since being posted July 28. Some commenters over at Campaign Brief find it a bit too blatant. Yes, the ominous character who appears in each setting to personify and rationalize racist inclinations makes the theme quite obvious. But maybe that’s a good thing. The point of the ad is to shine a light on often unspoken subtext, and it’s hard to do that without making the insults truly explicit.

Plus, as straightforward as the message is, much of its emotional impact still comes from the body language of the actors, not the copywriting. That said, closing line does drive the point home particularly well: “No one should be made to feel like crap just for being who they are.”



Honda Accosts Twitter Users With Videos, Memes, GIFs and Other 'Morsels of Cheer'

It’s a special week in Honda land, as ad agency RPA is enacting a sweeping plan to spread good cheer—online and off—as part of a five-day “Summer Cheerance” event.

A ket part of the campaign involves interacting with people on Twitter—replying to seemingly random posts with “funny, crazy or just plain weird cheer videos, memes and GIFs,” the automaker says.

Check out a few of those here.

Facebook and YouTube will also be used. Notably, the brand has teamed with YouTube star Andrew Hales (of LAHWF fame) for two videos—the first of which is already live:

There will be real-world events, too, in select cities across the country. The brand will leave piñatas filled with goodies at random locations; use a “Cheer Detector” at a beach to find buried treasure chests and share them with onlookers; and place “Stand Here for Cheer” boxes in public places, encouraging people to climb up and receive a surprise act of cheer (like being serenaded by a saxophonist).

A Summer Cheerance station will also feature happy tunes on Pandora. The campaign also includes six TV spots (featuring dramatizations of actual social media posts from people who are unhappy with their current cars); banner ads on auto sites like Cars.com, KBB.com and Edmunds.com and on Facebook, Twitter and YouTube; print ads in People, Sports Illustrated and top-market local newspapers; and network radio spots.

The goal is to spread cheer to 3 million people. (A ticker is keeping track of the tally at shophonda.com.) Upon reaching that goal, Honda will donate $100,000 to the Pediatric Brain Tumor Foundation.

“We are committed to spreading unprecedented cheer and connecting with as many people as we possibly can in five days,” said Susie Rossick, senior manager at American Honda Motor Co., Inc. “This collection of silly and wonderful morsels of cheer across social media, and in real life, are designed to make an impact, create smile-filled buzz and remind people that summer is the best time to get a great deal on a Honda.”

Credits below.

CREDITS
Client: American Honda
Project: Honda Summer Cheerance Event

Agency: RPA
EVP, CCO: Joe Baratelli
SVP, ECD: Jason Sperling
SVP, Chief Production Officer: Gary Paticoff
Creative Director: Nik Piscitello
Creative Director: Aron Fried
Art Directors: Melinda Keough, Michael Jason Enriquez, Craig Nelson
Copywriters: Kevin Tenglin, Laura Kelley, Adam Gothelf
Creative Interns: Dennis Haynes, Megan Leinfelder, Sarah Ross, Sarah Johnston
VP, Executive Producer: Isadora Chesler
Producer: Phung Vo
Director/Sr. Producer, Content: Mark Tripp
Production Intern: Rudy Wilson

VP, Program Director: Dave Brezinski
Sr. Project Manager: Linda Shin

SVP, Management Account Director: Brett Bender
SVP, Group Account Director: Fern McCaffrey
Account Supervisor: Adam Levitt
Account Supervisor: Alison Bickel
Account Executive: Katie Ahn
Account Assistant: Wendy Kleinberg
Social Media: Joanna Kennedy, Tyler Sweeney, Mike Goldys, Amanda Womack

Production Company: RPA
Director: Mark Tripp

Editorial: RPA
Editor: Wendy Sandoval