SNL Shows Housewives All the Fun They Could Be Having While Not Watching the Super Bowl

One of the things Saturday Night Live does best is skewer advertising tropes, so it’s no surprise that in last night’s pre-Super Bowl episode, the show did just that. With a parody Totino’s ad, no less. 

In the spot, Vanessa Bayer gamely plays a bored housewife who doesn’t know what to do with herself after she’s served her hubby (host J.K. Simmons) and his pals their snacks for the Big Game. Enter Totino’s Super Bowl Activity Kit for Women.  

The skit makes fun of ads that play up the role of a doting wife for the Big Game. It helps, too, that the activity pack looks like something Hasbro would make—with a top, a set of jacks and other kid’s toys inside.



Totino's Beat Everyone to This Year's Super Bowl by Live-Tweeting It a Day Early

Brands will gather in their social-media war rooms tonight, still attempting to top Oreo’s lightning-in-a-bottle template for real-time Super Bowl marketing. But in a sense, they’ve already lost. That’s because whackadoodle snack brand Totino’s Pizza, already well known for its absurd antics, live-tweeted the Super Bowl last night.

At first, many thought it was an accident—that perhaps their tweets auto-published on the wrong day. But it soon became clear that it was a big joke. And behind all the terrible-on-purpose spelling errors and clichéd phrasing was a sophisticated, hilarious, snark-laden mockery of the entire process—showing us just how ridiculous and sometimes phoned-in “real-time” marketing can be.

If every brand and their mother can release their Super Bowl ads ahead of the game, why not fake-leak your (largely pre-planned) game tweets, too?

Take a look below at Totino’s rollicking (and at times super weird) take on the state of social media marketing—and how you can exploit the Super Bowl before it even happens.



This Ridiculous and Charming Super Bowl ad for Avocados Explains a Lot About the World

If your country could have recruited its plants and animals like football talent in the Earth’s earliest days, what would you have picked? A sleepy sloth? A scrappy lemur? Some … wheat?

That’s the question posed in Sunday’s oddly amusing Super Bowl ad for Avocados From Mexico. Created by GSD&M, the spot features football greats Doug Flutie and Jerry Rice providing comentary for the “First Draft Ever.”

In the ad, a white-robed, bearded figure (is that two God cameos in one Super Bowl?) announces which creatures and species of vegetation will go to the world’s various countries. You can probably guess what Mexico picks, but here’s how it all goes down: 

Aimed at getting more Americans snacking on guacamole, the ad is reportedly the first for a fresh produce brand. Watch for it near the end of the first quarter.



McDonald's Unveils Endearing Super Bowl Ad, and Finally Reveals Its Mystery Currency

With no shortage of new advertising coming from McDonald’s (for better or worse), it can’t come as much of a surprise that it’s joined Super Bowl lineup, too.

Following a teaser earlier in the week that suggested customers would soon have a new way to pay at McDonald’s, the chain has now unveiled the full spot from Leo Burnett—explaining the mystery currency.

Check it out below.

With this spin on the “I’m lovin’ it” idea, McDonald’s is putting its money where its mouth is. Instead of cash, it asks random patrons to pay by showing acts of love—calling their mom, hugging, doing a dance or praising their friends and family. The idea will extend to some real-world stores through Valentine’s Day.

It’s certainly a cute and wholesome idea. I hope they come to Adweek’s local McDonald’s on 4th Avenue and St. Mark’s Place, where everyone could really use some more lovin’.

I also wonder how will this go over in Nevada, one of the few places where it’s already legal to pay with lovin’.



Priceline Knows You Can't Keep William Shatner Away From Super Bowl Sunday

These are the voyages of Priceline’s Negotiator. His 17-year mission: To seek out the best travel deals, and boldly pitch like no man has pitched before.

William Shatner returns Sunday during NBC’s Super Bowl pregame coverage in his long-running role as spokesman for the online travel site. Kaley Cuoco-Sweeting also beams down for an appearance as the Negotiator’s daughter in this 30-second spot from Butler, Shine, Stern and Partners. On game day, it won’t leave you feeling deflated. (Or you can just enjoy it here and now. Whatever.)

After nearly two decades, the template is well established. Shats goofs around in his gloriously self-conscious style … and, well, what else do you need? In this one, he strolls through various hotel lobbies, changes hats a lot and puts some dude in a headlock. (The Gorn can commiserate.)

If any other actor indulged in such hackneyed horseplay, it’d be a travesty. But this is Shatner. As always, he serves up the ham with a succulent glaze.



Pete Rose Enters a Hall, Just Not THE Hall, in Skechers' Super Bowl Commercial

After a year away, Skechers will return to the Super Bowl on Sunday with a 15-second spot starring Pete Rose, who good-naturedly pokes fun at his continuing exclusion from baseball’s Hall of Fame—with help from fiancée Kiana Kim.

See the ad, which promotes the brand’s Relaxed Fit footwear, below.

“Pete isn’t just a baseball legend, he’s an American icon—and there’s no better place for an American icon than the Super Bowl,” Michael Greenberg, president of Skechers, said in a statement. “Besides, what better place is there for Pete to state his case for the Hall? Maybe the hundred million plus people watching will turn the tide.”

“I am thrilled that people around the world will get to see me walk a hall—even though it may not be THE Hall!” added Rose, 73. “I can’t say the Super Bowl was on my bucket list, but I’m certainly glad to be there.”

This is the footwear company’s fifth appearance in the game, after four straight from 2010 to 2013, and a break in 2014. Its 2010 spot starred Joe Montana, followed by Kim Kardashian in 2011 (who’s back this year with T-Mobile). The brand went with animals the following two years—a pug in 2012 and a cheetah in 2013.



This Year's Craziest Super Bowl Ad Is From GrubHub and Stars an Angry Flying Burrito

In the mini Super Bowl of regional ads, GrubHub is introducing a flying burrito that crashes into the heads of anyone foolish enough to order food by phone.

The message is anything but subtle: Order via GrubHub’s mobile app or risk bodily harm. “Burrito,” from lead agency Barton F. Graf 9000 in New York, will air in five markets during the third quarter of the game, including Los Angeles, San Francisco and Miami.

The agency is also breaking a new ad during NBC’s never-ending pre-game show. That spot, “Wrong Order,” features an irate guy who chases after a delivery man on a moped after he gets bologna sandwich instead of cobb salad.

Here’s a look at both ads:



Watch This Video and Learn How to Turn Your Child Into the Next Social Media Superstar

If you’re a parent trying to make sense of this social-media-soaked world, you might feel a little bit lost and intimidated—not quite clear on how you can turn your child into an Internet phenom.

Well, according to this video promoting a (fictional) service called The Social Influence, that won’t be a problem. “With the help of trained professionals, parents can help their children build a social ecosystem that will effect millions and maybe billions of people—and hopefully make millions and maybe someday billions of dollars,” it explains.

Ever wonder how Bradley Cooper was able to fit all those celebrities in the legendary Oscars selfie from last year? His parents saw a doctor to have his arm extended by 20 percent.

“This adds a cinematic advantage over their short-armed competition—more heads equals more shares,” the video says.

Viacom’s in-house in marketing and content agency made this snark-filled gem of an video that skewers the state of social media—and the parents of the device-obsessed generation. 

“Make a plan and stick to it,” is the video’s advice. “And for God’s sake, keep posting or you’ll be forgotten faster than a one-off viral.”

Here are a couple of the best scenes edited into smaller clips:



Watch This Ad Agency Tell Its Staffers They Have to French Kiss Their Clients

Plenty of agencies describe themselves as full service, but one really wants to take that commitment to the next level.

At least, that’s the premise of a video Geometry Global Paris made as an uncomfortably literal love note to marketers, celebrating the New Year. In the clip, staffers at the agency are informed that, in 2015, they’ll be required to pucker up and French kiss their clients—because what better way to show the agency’s French-ness and devotion to its work?

Naturally, the whole thing is all a joke, but the reactions are pretty excellent. Some employees register, as you might expect, bewilderment. Others blurt out the sort of desperation for intimacy that can only come from marathon late nights in the office working on mind-numbing campaigns. Others still get indignant, which might be most surprising, given agency staffers are basically paid to debase themselves for clients on a regular basis.

The smartest guy by far starts bargaining for a bonus. At least he understands the terms.

Via Design Taxi.



Can This Simple Card Game Tell You Exactly What Kind of Brand You Are?

Having trouble defining the essence of a brand? There might just be a simple tool that could help you brainstorm ideas, narrow down your strategy and filter out all the cluttery jargon.

Introducing The Brand Deck, a simple card game that can help you define your brand’s personality.

Scott Thomas, former design lead for the 2008 Obama campaign and founder of Chicago design and technology studio Simple. Honest. Work, is behind the idea and describes the concept of the cards in the video below.

“I think one of the most important things with starting any company, or any brand—the sort of core characteristics that define who you are—even if you’re focusing on the visual perspective of that brand, communicating certain attributes is key,” he says. “We really need a simple tool to be able to determine exactly what those core characteristics were.”

There’s a Kickstarter for the project, which explains the game this way:

Are you “simple” or “complex,” “conventional” or “experimental,” “practical” or “imaginative”? Defining who you are and who you are not is crucial to building a successful brand. Whether you are designing, writing, directing, building, or planning, a simple set of adjectives can be your North Star, guiding difficult decisions through the process. Despite the importance, deciding on just a few terms to describe the complexities of an organization can be like finding a needle in a haystack. This is why we created a simple tool we call The Brand Deck.

The Brand Deck consists of 100 adjectives, 50 on the front, and 50 contrasting terms on the back. For example, one side might read “simple” and the other “complex.” Each card is placed into one of three piles, You are, You are not, and Not Applicable. The catch—it’s best played with a group. Best to have the same number of decks as people in the room. The conversation of why each person choose certain words is where the magic happens. The objective—get the entire group to align on, at most, 6 cards defining who “You are.” The cards become the brand or product’s core attributes.

They’ve raised almost $35,000 of their $45,000 goal thus far. They’ve even teamed up with Cards Against Humanity’s co-creator, Max Temkin, to create a special NSFW version of the deck, if you donate $58 or more. Learn more in the video below.



Snickers' Brady Bunch Ad Is Here, and It's One of the Funniest Super Bowl Spots Ever

Here’s the story, of a man named Danny. Danny Trejo, that is, and he just might win the Super Bowl.

Snickers just released its full 30-second Brady Bunch-themed Super Bowl spot from BBDO New York, and it doesn’t disappoint. As expected, it features the “You’re not you when you’re hungry” joke format, and matches Mr. Trejo with everyone’s favorite eldest Brady girl, Marcia.

Without giving away too much, it takes place right after the famous scene where Peter hits Marcia in the nose with a football. (In hindsight, this wouldn’t have happened if the ball was just slightly deflated.) And it also features a very special suprise guest—and no, it’s not Tom Brady.

As promised in the teaser for this ad (also posted below), this spot was released early, as consumers did generate 2.5 million social media engagements before kick-off on Feb. 1.

And here’s the behind-the-scenes video:

CREDITS
Client: Snickers
Spot: Brady Bunch

Agency: BBDO New York
Chief Creative Officer, BBDO Worldwide: David Lubars
Chief Creative Officer, BBDO New York: Greg Hahn
Executive Creative Director: Gianfranco Arena
Executive Creative Director: Peter Kain
Director of Integrated Production: Dave Rolfe
Group Executive Producer: Amy Wertheimer
Executive Music Producer: Melissa Chester
Group Planning Director: Crystal Rix
Planner: Alaina Crystal
Managing Director: Kirsten Flanik
Global Account Director: Susannah Keller
Account Director: Joshua Steinman
Account Manager: Tani Corbacho
Account Executive: Jocelyn Choi

The Marketing Arm: Celebrity Talent, Intellectual Property, Music Rights Acquisition
Director, Entertainment: Brad Sheehan

O Positive: Production Company
Director: Jim Jenkins
Executive Producer: Ralph Laucella
Executive Producer: Marc Grill
DP: Trent Opaloch

Arcade: Editorial
Producer: Kirsten Thon-Webb
Editor: Geoff Hounsel
Assistant Editor: Healy Snow

The Mill: Post-Production Effects
Creative Director: Ben Smith
VFX Supervisor: Nick Tanner
Executive Producer: Verity Kneale
Producer: Carl Walters
Senior Compositor: Nathan Kane
Colorist: Fergus McCall

Q Department: Music House
Sound Lounge: Audio Mix (Tom Jucarone)
Lime Studios: Voiceover Record (Loren Silber)



CP+B Lets Twitter Choose Its Office Music Through 'Subservient Speaker'

The Subservient Chicken may be long gone, but its spirit of unquestioning obedience lives on at one of the agencies that spawned it.

Crispin Porter + Bogusky’s staffers in Stockholm, Sweden, are subjecting themselves to the musical whims of Twitter users this week, in a self-promotional campaign titled Subservient Speaker. Tweet a song title to @cpbscandinavia, with the hashtag #subservientspeaker, and a speaker at the agency will play it.

It’s a not-so-subtle nod to the classic Subservient Chicken campaign that CP+B created with The Barbarian Group for Burger King in 2004, featuring streaming video of a humanoid chicken that followed online orders. Last year, a sequel by WPP’s David saw the Chicken return, in a commercial, as a defiant prima donna.

So far, the handful of requests under the #SubservientSpeaker hashtag include reasonable picks like the Beastie Boys, Black Rebel Motorcycle Club and Holy Ghost (plus that X Ambassadors and Jamie N. Commons song, “Jungle,” from all the Beats By Dre ads).

The only rule that CP+B posted: “No Coldplay please.” That seems shortsighted, given the wealth of worse options, like Creed. And for an illustration of the potential danger in turning over the DJ keys to the masses, just look at the smartass who immediately demanded, in Swedish, a 200-minute mix of ambient techno from Matthew Hawtin.

Why is the agency bothering with thos in the first place? “We’ve run out of inspiration,” reads the promo. CP+B certainly isn’t alone in that regard, but it does get kudos for admitting it.



Everlast's Inspiring Ad With This Girl Boxing Packs Quite a Punch

Boxing gear company Everlast lands a blow against sexism in “I’m a Boxer,” a minute-long spot directed by Claire Edmondson through Steam Films.

Scenes of a young girl shadow boxing and psyching herself up are intercut with footage of adult fighters in the ring. The girl imagines a world in which athletes’ performance is more important than their gender. “Don’t call me a female boxer,” she says. “I’m a boxer.”

Edmondson, a Toronto-based filmmaker, tells AdFreak she hopes “to inspire and empower young girls, encouraging them to claim their place in sports.” Part of the inspiration for writing the script “came from always being called a ‘female director,’ ” she says.

Her portfolio includes fashion videos and clips for indie bands Broken Social Scene and Austra. Some of her work was featured last year at the Tribeca Film Festival’s inaugural showcase for up-and-coming directors. “I’m just breaking into commercials now,” she says.

Two highly skilled boxers appear in the Everlast spot. One is Lisa “Bad News” Brown, who has held several world titles, and the other is Mandy Bujold, who will represent Canada in this summer’s Pan Am games and hopes to compete in the Olympics.

Makayla Maxwell plays the young fighter with admirable intensity. “She could tell the story with her eyes,” Edmondson says. Indeed, Maxwell’s defiant stare and self-assured narration are a potent one-two punch.

CREDITS
Client: Everlast
Spot: “I’m a Boxer”

Director: Claire Edmondson
Production Company: Steam Films
Cinematographer: Catherine Lutes
Executive Producer: Carling Acthim
Producer: Jason Aita
Art Director: Erika Lobko
Wardrobe: Basia Wyszynski

Edit: Married To Giants
Editor: Michael Durst
Executive Producer: Denise Shearer
Online Artist: Trevor Corrigan
Online Assistant: Preeti Torul

Transfer: Alter Ego Post
Colourist: Tricia Hagoriles
Producer: Jane Garrah

Original music & sound by Apollo Studios

Young Boxer: Makayla Maxwell
Boxer 1: Lisa ‘Bad News’ Brown
Boxer 2: Mandy Bujold



You Know Gay Ads Have Gone Mainstream When Even Hallmark Is Making Them

The mainstreaming of ads with gay couples, which really accelerated in 2014 thanks to brands like Honey Maid, continues into 2015—and now it’s Hallmark’s turn to join in.

The greeting-card company is gay friendly—it’s been making gay marriage cards since 2008. But it evoked some ire from the gay community in 2013 when it replaced the word “gay” with “fun” on a “Deck the Halls” Christmas ornament in 2013. Also, it’s one thing to sell gay-friendly merchandize—it’s another to feature a gay couple in a commercial, as Hallmark has now done in its new “Put Your Heart to Paper” campaign for Valentine’s Day.

The campaign includes interviews with real couples, who talk about what they love about each other—and who are asked to describe their feelings for each other without using the word “love.” Among those featured are the lesbian couple Eugenia and Corinna, who star in one of the campaign’s cutest ads.

“This makes me so very happy and proud to be a Hallmark employee, who is also gay, and who has been pushing our idea of expanded love identities forward for a long time,” writes one YouTube commenter. “My heart is bursting, my eyes are spilling. Thank you for sharing your story with us, and your love with each other.?”

See more ads from the campaign below.



You Made an Amazing Super Bowl Ad. Now What? Creatives Talk About the Monday After

Getting a commercial on the Super Bowl is a career milestone for any advertising creative. And so, after their spot airs, the feeling of joy and fulfillment must be pretty intense—buoyed surely by the endless calls of congratulations from friends and family. Right?

Maybe not, according to this amusing video from the Clio Awards, which caught up with a bunch of Super Bowl creatives to ask them how they feel on the Monday after the Super Bowl. See the video below.

Adweek responsive video player used on /video.

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For the first time this year, Clio has created the Clio Creative Bowl, and has invited industry experts to vote for their favorite Super Bowl spot—which will be awarded the new Super Clio. (Disclosure: Clio, like Adweek, is owned by MediaBistro Holdings. Also, I am a member of Clio Creative Bowl jury.)



Pet Foundation's Kitten Bowl Ad Is Soooo Cute, and … Oh God No, Wait, Seriously?

A good way to succeed on Super Bowl Sunday is to put a bunch of animals in your ad, though as GoDaddy learned, you have be careful with your message. 

Director Sam Nicholson (the visual effects wizard for AMC’s The Walking Dead) and Stargate Studios teamed up with animal control group The Lucy Foundation to create the cute ad below, which will air Sunday on the Hallmark Channel during the Kitten Bowl. Which, in case you’re wondering, is basically Off-Broadway for Super Bowl ads. 

The commercial features rescue animals playing football, and includes over 1 billion separate images, according to the client. (It’s been submitted to Guinness to be recognized as the first Super Bowl Sunday ad to accomplish such a feat.)

We don’t want to spoil the ending, so take a look below at this bittersweet tale. Hint: It’s got something to do with the responsible deflation of balls.



Budweiser Unleashes Its 'Lost Dog' Super Bowl Ad, Hoping to Catch Lightning Twice

Sequels are tough. For every Godfather Part II, there’s a Godfather Part III. But Budweiser and Anomaly had such a big hit with “Puppy Love” on last year’s Super Bowl, they couldn’t resist going back to the well for another look at the “Best Buds”—the Clydesdales and their favorite golden Lab.

And so here it is: “Lost Dog.” Like last year’s ad, it was directed by RSA’s Jake Scott. We won’t spoil the plot, such as it is—the title tells you most of what you need to know. The Clydesdales, of course, come to the rescue of the wayward puppy, whom you’ll remember from the first ad has a tendency to roam and isn’t too concerned for his own safety.

Once again, music plays a key role here. This time we get a reworked version of “I’m Gonna Be (500 Miles)” by the Proclaimers, performed by Sleeping At Last. It’s a slow, acoustic version—more downbeat and poignant-sounding than last year’s choice, which was “Let Her Go” by Passenger. (Last year’s ad was itself a kind of sequel to 2013’s “Brotherhood,” featuring a baby Clydesdale and the same trainer from “Puppy Love” and “Lost Dog.” “Brotherhood” was set to Fleetwood Mac’s classic hit “Landslide.”)

“Lost Dog” is nicely produced, and will be well liked. But “Puppy Love” was a richer, more engaging story—that spot’s subtle parallels between the puppy/Clydesdale and the horse trainer/puppy adoption owner built a real connection over 60 seconds. This spot leans more on simple cuteness. It’s a decent sequel—but perhaps not a world-beating one.

Anheuser-Busch sent over these facts about “Lost Dog”:
• Eight puppies—seven females and one male—are featured in the spot, all of which were just 11-12 ½ weeks old at the time of filming.
• Seven Budweiser Clydesdales underwent training for three months to fine-tune their skills for the ad.
• It was shot at a ranch outside Santa Barbara, Calif., in early December.
• Actor Don Jeanes reprises his role as Budweiser Clydesdale trainer for a third time. Don is originally from Houston and now lives in Los Angeles.



Forget Football. Nick Offerman's Glorious Nascar Music Video Will Get You Pumped for Racing

You got a taste the other day. But now it’s time for the whole damn gluten-stuffed main course, as NBC Sports has rolled out its complete two-minute video with Nick Offerman singing gloriously about Nascar.

It’s a match made in heaven, really, as Offerman brings his world-weary, manly-man persona to the topic of America having gone soft, and needing the adrenaline shot of auto racing—along with all the accoutrements that culture brings, like grilled meats and American flag thongs—to set things right.

The video was made in-house, with Hungry Man’s Dave Laden directing. A 60-second version will air right after the final whistle of NBC’s Super Bowl telecast this Sunday, starting the network’s engines nicely as it returns to broadcasting Nascar this summer.

Below, check out the script and credits.

SCRIPT
America, it’s time for a gut check.
If the founding fathers saw us huddled in our little cocoons, texting each other smiley faces,
They’d hang their powdered wigs in shame.
When our idea of danger is eating gluten, there’s trouble afoot.
Yes, we the people have gotten soft, and all the likes in the world aren’t gonna save us now.
But one thing will.
Welcome to the place where we speed all day
Where we bump and grind in a non-sexual way
Where scores are settled, and we break the rules
And everybody’s got a set of badass tools
Get some NASCAR in your life
Hello glory, goodbye strife
Welcome to the place that we call home
Where meats are grilled and you can bring your own
Where everyone’s welcome and we all belong
Even my friend in his American flag thong
Get some NASCAR in your life
Hug your kids and kiss your wife

You want Billy and Sally to learn about math and science?
Send them to the school of NASCAR, they’ll thank you for it.
Sure everybody at NASCAR gets a trophy
As long as they win the f**king race
Watch your mouth
Did you know that less than 10 miles from Sonoma Raceway you can go wine tasting?
True story.
Get some NASCAR in your life
Slap some butter on your knife
Welcome to the place where your beast is freed
Like the rubber hooves of a tire stampede
Where men and women compete together
Just like they did back in the 18-nevers
200 miles per freaking hour
700 freaking horse freaking power

VO: Neck and neck, the battle is down this last stretch/
And Offerman takes Harvick to the checkered flag
There’s Harvick, Logano and Hamlin and Newman
Keselowski, Dale Jr, they’re all super human
Jeff Gordon, Carl Edwards, Matt Kenseth, the Busches
And maybe Jimmie Johnson will come back and kick some tuchus
Hello glory, goodbye strife
You’ve got NASCAR
In. Your. Life.

CREDITS
Client: NBC Sports Agency
John Miller – CMO
Bill Bergofin – SVP Marketing/ECD
Lorin Finkelstein – VP Brand/Co-ECD
Lindsay Davenport – Producer

Production Company: Hungry Man
Allan Broce – EP/CD
Dave Laden – Director
Eric Schmidt – DP
Erin Sullivan – Producer
Craig Repass – Line Producer

Editorial: Rock Paper Scissors
VFX: The Mill
Music: Beacon Street



Speedo Gets Deep in a New Campaign That Includes This 91-Year-Old Swimmer

Speedo delivers a bit of a surprise package in its latest advertising.

Meet 91-year-old Masters swimmer Jurgen Schmidt, one star of the brand’s “Fueled by Water” campaign, which focuses on the joy and freedom people experience by participating in aquatic activities. Schmidt hits the pool at 5 a.m. most days, has competed for 40 years, and is a bit reminisenct of Walt Stack, the 80-year-old jogger who starred in Nike’s very first “Just do it” ad.

A whole bunch of web videos in the two- to three-minute range present personal stories. In addition to Schmidt, the Speedo campaign introduces more than a dozen other swimmers, surfers and divers, as well as a paddleboarder and a lifeguard.

The brand is often associated with elite competitors like Olympians Ryan Lochte and Natalie Coughlin, and they’re in the campaign, too. (It’s also frequently mocked for its snug-fitting men’s swimsuits. Note my predictable quip above.) But this push aims to broaden Speedo’s appeal and “start a new conversation about why people love the water and celebrate their passions,” says David Lai, CEO and creative director at Hello Design, which created the campaign. “Our strategy is to resonate with a wider audience and have people think about Speedo a little differently.”

Schmidt symbolizes swimming as a lifelong sport. “Many fitness swimmers tell us they’re inspired to see octo- and even nanogenarians at the pool and at meets,” says Lai, “so we set out to find a story of a senior swimmer. Poring over articles in magazines and online that featured Masters swimmers, we [selected] Jurgen because he just exuded the love of swimming and loved to talk about all aspects of it.”

Speedo is smart to present everyday athletes and folks just having fun. We know we’ll never win gold in the 50-meter freestyle, but everyone can relate to Schmidt’s enthusiasm and heartfelt vow to “compete until the end.” What’s more, brands like Speedo and Beagle Street deserve praise for using seniors as more than props or the butt of jokes.

“As we were setting up one of our shots, Jurgen asked if it was OK if he kept swimming his workout even though we weren’t shooting,” recalls Lai. “We were worried he would get tired, but he just kept going and going. It was truly impressive, and I think the entire crew was inspired by his positive energy.”

Check out the anthem spot below.



Stella Artois and Matt Damon Want You to Buy a Lady a Drink, but Not Like That

When you think of buying a lady a Stella, you think of handing a chalice to a hot Italian woman who lives in the 1060s. But what if instead you were buying five years of clean water for a woman in the developing world?

Stella Artois has teamed up with Matt Damon’s Water.org to tell the stories of women around the world who collect water. They spend a collective 200,000 hours a day on their journeys, walking for miles, missing school, facing fights at the pump, and going without when it breaks.

The stories focus not only on life without water, but on the benefits of life with it. Currently, all the videos take place in India. However, you can buy a limited-edition Stella beer chalice with patterns that represent India, Ethiopia or Honduras. The chalices are pretty, the stories are moving, and the beer? It’s nowhere to be seen.

Stella made a nice $1.2 million donation to Water.org, which is going to buy a lot of drinks for a lot of women. But on top of that, for every chalice you buy, Stella gives an extra $6.25 to Water.org, which is enough to give one person clean water for five years.

Now that’s some classy glassware.

CREDITS
Client: Water.org
Creative Agency: Mother London
U.S. Social Agency: VaynerMedia
Social Agency (global): 360i
Public Relations Agency: 3PM