VML Hires Original Sonic ‘Two Guys’ Writer Pat Piper as Group Creative Director on Wendy’s

WPP-owned, Kansas City-based agency VML appointed Pat Piper as group creative director on Wendy’s, for which it won full creative duties back in March. In the new role, Piper will report to VML executive creative director Chris Corley.

“I’ve known Pat since the beginning of my career,” Corley said in a statement. “He is an ace writer and an amazing motivator. We’re lucky to have him as a creative leader for the team.”

Piper joins VML from Hallmark, where he most recently served as creative director of the company’s marketing design studio, following around two and a half years as senior editorial director of packaging and mass merchandising. Prior to joining Hallmark he served a brief stint as vice president, executive creative director for C13 Creative Consumer Concepts in Overland Park, Kansas, managing a team of 17 designers and illustrators and working with clients including Arbys, Chick-fil-A, Sonic Drive-In, Del Taco, Perkins and Bob Evans.

The new GCDs work has been recognized by most major awards shows, and he is best known for Sonic’s long-running “Two Guys,” which he created with art director Matt McKay. In a 2008 interview, McKay described the campaign as “a throwaway idea” that grew far larger than its creators had anticipated.

Piper joined Barkley as a copywriter in 1998 and spent three years writing for clients such as Pearlevision, UMB Banks, Blue Bunny Ice Cream and Citgo before being promoted to associate creative director. During his four years as an associate creative director he worked with clients including Sonic Drive-In, Payless Shoesource, Missouri Lottery and Kansas Lottery. In 2005 he was promoted to VP/GCD and oversaw the Sonic account while also working with UMB Banks and the Kansas City Wizards.

andy heddleVML also appointed Andy Heddle as group channel director, ecommerce, tasked with enhancing the agency’s ecommerce capabilities while working out of its Kansas City headquarters and reporting to chief innovation officer Brian Yamada.

Heddle joins VML following nearly nine years at Best Buy. Most recently, he served as senior director of the retailer’s ecommerce partnerships practice following a little over a year as senior director, online and direct sales Best Buy productivity. He joined the company as head of online and direct sales, BBY Mobile for Best Buy Europe, following over six and a half years with Caraphone Warehouse.

Heddle will work on several key accounts including Sprint.

Earlier this month, VML announced that it would extend its lease with the Kansas City airport for another 11 years, expanding the space and “add[ing] as many as 376 additional employees to the 510 who work there today,” according to city government documents.

Hallmark's Mother's Day Ads Are Shockingly Edgy. Just Kidding, They're Really, Really Sappy

Adland’s trend toward weepy gratitude continues, just in time for Mother’s Day, as Hallmark rolls out a series of videos from Leo Burnett in which people express love and appreciation for their moms.

The ads are part of the brand’s “Put Your Heart to Paper” campaign. Hallmark encourages its subjects—who are unaware their moms are watching in another room and will soon join them on camera—to express their deeper feelings beyond predictable phrases like “Thank you” and “I love you.”

This elicits some heartfelt, even impassioned responses.

Alana, raised by a single mother and a new mom herself, says, “If I didn’t have my mom, I think I would be lost.” Emilio says of his mother Floridalma, “She taught me what it is to be a man and what to look for in the mother of my children.”

It’s almost impossible not to be moved by this stuff. Which, of course, is the whole point. Still, the basic concept—thanking those you love—no matter how well intentioned or executed, feels tired, simply because it’s been trotted out so much lately.

Ogilvy’s award-winning “Why Wait Until Its Too Late?” campaign for funeral insurance company Dela got things rolling. Other notable entries include MetLife’s “Who Do You Live For?” spots from Crispin Porter + Bogusky, and the recent “Thank List” initiative created for American Greetings by Mullen.

With these mom-themed videos, Hallmark contributes a perfectly fine flight of tearjerkers to the category. At this point, however, I’m a little burned out on branded gratitude, and crying mostly because I wish the trend would stop.

CREDITS
Client: Hallmark
Agency: Leo Burnett Chicago
Chief Creative Officer: Susan Credle
Executive Creative Director: Charley Wickman
Creative Directors: Mark Wegwerth, Christopher Cole
Senior Art Director: Kate Sullivan
Senior Copywriter: Adam Ferguson
Head of Production: Vincent Geraghty
Executive Producer: Tom Keramidas
Senior Producer: Rena Dusenbury
Business Manager: Anne Carbo
Senior Talent Manager: Linda Yuen
Music Supervisor: Chris Clark
Music: Massive Music
Managing Account Director: Karla Flannery
Account Supervisor: Amy Walloch
SVP Participation Strategy Director: Kevin Lilly
Planning Director: AJ Livsey
Production company: Chelsea
Editorial company: White House Post
Post Production Company: The Mill
Director: Lauren Greenfield
Head of Production: Adam Guliner
Line Producer: Julianne Maloney
Editor: David Cea
Assistant Editor: Travis Hockswender
Executive Producer: Kristin Branstetter
Audio Mix: Erik Widmark
Colorist: Luke Morrison



Hallmark Debuts its First-Ever Ad Featuring a Gay Couple

Hallmark has debuted its first-ever ad featuring a gay couple.

As part of its “Put Your Heart to Paper” Valentine’s Day campaign, presumably from agency of record Leo Burnett, the brand released a two minute interview with lesbian couple Eugenia and Corinna. The campaign features interviews with couples where Hallmark asks them to describe how they feel about each other without using the words “I love you,” feeding into the line, “This Valentine’s Day go beyond ‘I love you,’” which precedes the “Put Your Heart to Paper” tagline.

While Hallmark has made cards celebrating gay marriages since 2008, this campaign marks the first time the brand has featured a gay couple in an advertisement. Hallmark now joins a growing list of brands, including Honeymaid and Oreo, which value inclusion over any potential backlash from bigoted consumers.

You Know Gay Ads Have Gone Mainstream When Even Hallmark Is Making Them

The mainstreaming of ads with gay couples, which really accelerated in 2014 thanks to brands like Honey Maid, continues into 2015—and now it’s Hallmark’s turn to join in.

The greeting-card company is gay friendly—it’s been making gay marriage cards since 2008. But it evoked some ire from the gay community in 2013 when it replaced the word “gay” with “fun” on a “Deck the Halls” Christmas ornament in 2013. Also, it’s one thing to sell gay-friendly merchandize—it’s another to feature a gay couple in a commercial, as Hallmark has now done in its new “Put Your Heart to Paper” campaign for Valentine’s Day.

The campaign includes interviews with real couples, who talk about what they love about each other—and who are asked to describe their feelings for each other without using the word “love.” Among those featured are the lesbian couple Eugenia and Corinna, who star in one of the campaign’s cutest ads.

“This makes me so very happy and proud to be a Hallmark employee, who is also gay, and who has been pushing our idea of expanded love identities forward for a long time,” writes one YouTube commenter. “My heart is bursting, my eyes are spilling. Thank you for sharing your story with us, and your love with each other.?”

See more ads from the campaign below.



Hallmark Apologizes and Stops Selling Ornament That Replaced ‘Gay’ With ‘Fun’