The Kids From SunnyD's Goofy '90s Rollerblading Ad Are Back, and They Never Grew Up

If you watch the ad below and conclude there’s nothing new under the sun, you’re half right.

Sunny Delight rollerblades into ’90s nostalgia with this delightfully deft parody of its own goofy, iconic (some might say moronic) commercial from the first Twin Peaks era.

Created by ad agency Grenadier, and targeting millennials with fond memories of SunnyD advertising from two decades ago, the new spot presents grown-up versions of the kids from the original. They’re not portrayed by the same actors, but they are still blading through suburbia and crowding into Mrs. B.’s kitchen for some vitamin-enriched, orange-flavored refreshment. Of course, they’ve all gained a few pounds, and the guys have lost some hair.

“Look, I can’t do this anymore,” the now-elderly Mrs. B. laments. “You and your friends have been doing this for 20 years. You’re 36. You need a job.”

“As a brand, we try not to take ourselves too seriously and to act with self-awareness,” says SunnyD marketing director Dave Zellen. Grenadier partner Rob Hofferman adds: “For people who grew up with that spot—who are now millennial parents or a little older—it’s a great way to give them a fun touchstone to that time that they can now share and pass on to their kids.”

With shimmering analog synths in the background, and splendid comic panache, the reboot is just as “radical” as the original—though I hope that “purple stuff” hasn’t been fermenting in the fridge all this time. One sip could trigger some wild flashbacks.

The ad is airing on TV is Sacramento, Indianapolis and Charlotte, and online everywhere.

And here’s the original spot:

CREDITS
Client: Sunny Delight
Spot: “SunnyD 2015 Rollerblade”
Agency: Grenadier
Creative Director/Art Director: Randy Rogers
Creative Directors/Writers: Wade Paschall, Mark St. Amant
Associate Creative Director/Art Director: Grant Minnis
Executive Producer: Keith Dezen
Production Company: Community Films
Director: Clay Williams
Executive Producer (Production Co): Lizzy Schwartz
Producer (Production Co): Helen Hollien
Line Producer: Helen Hollien
Director of Photography: Guyla Pados
Editorial Company: HutchCo Technologies
Editor: Jim Hutchins
Music Company: JSM Music
Visual Effects Company: Brickyard VFX
Visual Effects Editor: Patrick Polian
Visual Effects Producer: Linda Jackson
Account Service Lead: Becky Herman
Account Service Supervisor: Ryan Smith
Planner: Elisa Cantero



This Foot-Care Brand Made the First Magazine You Read With Your Feet

What better way to sell foot-care products than with an entire magazine for and about feet?

Hansaplast, a Beiersdorf-owned band-aid brand, is launching a line of creams, deodorant and antiperspirant called FootExpert. To promote the products, agency Being created Feet Mag, a luxury publication designed with heavy paper that can be easily turned by one’s feet, and large print that you can enjoy from an eye-to-foot distance (for those unable to lift the book close to their faces using only their toes).

The magazine is packed with foot-themed stories about art (by the likes of Renoir, Gauguin, Delacroix and Manet) and fashion, with sassy pictures of women playing cards and blowing kisses with their own feet. There are even foot horoscopes (with advice like putting on rubber boots to prepare for the coming storm).

Check out a copy of the magazine here. (PDF link)

It’s a fun way to draw attention to a decidedly dull subject, certainly more noteworthy than buying ads in a well-established beauty magazine. But it doesn’t seem right to make your feet do all that extra work—even in the name of leisure.

Via PSFK.



This Outdoor Ad in Moscow Hides From the Police When It Sees Them Coming

Last summer, Russia imposed a full embargo on food imports from the European Union (as well as the U.S.) in retaliation for sanctions over Ukraine. This left authentic European food merchants in Moscow in a bit of a bind.

But one Italian grocery store there, Don Giulio Salumeria, kept selling its real Italian food—and came up with a bizarre out-of-home stunt to advertise to consumers without tipping off the police.

With help from agency The 23, the store developed a unique outdoor ad that could recognize police uniforms. Whenever the cops would appear, the ad would cycle out of its rotating display—in essence, physically hiding from the authorities.

The agency insists this was a real stunt. And if so, it is clever and amusingly weird. After emailing the case study all over the world, though, I’d think twice about answering the door when the Moscow police come knocking.

CREDITS
Client: Don Giulio Salumeria, Moscow
Owner: Giulio Zompi
Marketing Director: Anna Ipatova
Agency: The 23, Krasnogorsk
Creative director: Evgeniy Shinyaev
Creative director: Mikhail Tkachenko
Technology Director: Alexander Selifonov
Account Supervisor: Vera Kriulets
Director Of Photography: Nikolay Shinkarenko
Technical Assistant: Valeriy Oreshnikov



Kristen Bell, Dax Shepard Kill You With Cuteness in Their Latest Samsung Ads

For those who couldn’t get enough of Kristen Bell and Dax Shepard in their hit Samsung Galaxy Tab S holiday ad, the hyper-cute Hollywood couple—married in real-life—have returned for an encore, this time plugging the company’s high-tech home appliances.

In a minute-long spot, the actors—known for Parenthood (Shepard) and House of Lies (Bell), among other projects—are planning a big dinner party. And naturally, Samsung’s refrigerators, ranges, dishwashers, washing machines and vacuum bots prove invaluable. A 30-second commercial focuses on their efforts to clean an infant’s toy bunny using Samsung’s Activewash Top Load Washer.

McKinney created the ads, and Tucker Gates directs in a suitably off-the-cuff, relaxed style.

Bell and Shepard also appear in a nearly 10-minute behind-the-scenes/interview clip. That’s right—10 minutes! Highlights come when Bell says Samsung ovens are “almost like Transformers” because of their dual-temperature functionality (sorry, Optimus Prime) and Shepard briefly discusses his involvement in the upcoming feature-film reboot of ’70s highway-cop series “CHiPS” (give Erik Estrada a cameo!).

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Throughout the campaign, Bell and Shepard are adorably affable, showing off the time-and-labor-saving technology with effortless élan, perfectly cast as bubbly brand ambassadors for the millennial generation.

The 90-second version of their holiday spot got 13 million YouTube views, so clearly the work is connecting with its audience. Still, the couple’s cuteness is, at times, so overwhelmingly insufferable that I kind of wanted to stick my head inside that snazzy Samsung fridge and bash my brains in with the door.



This Giant Shady Tower Tricks Beachgoers Into Avoiding the Sun by Offering Free WiFi

How do you get beach bums to take a break from the sun? If you’re one nonprofit, by luring them into the shade with free WiFi.

The Peruvian League Against Cancer has built a special tower on the Playa Agua Dulce, which offers wireless internet connectivity—but only to people standing in the tower’s shadow.

On top of the structure, a directional antenna attached to a sensor limits the scope of the signal and rotates with the sun. The login page for the network, which supports some 250 users at a time, includes prevention information about skin cancer. Agency Happiness Brussels helped set up the rig and is planning similar installations in partnership with local organizations in San Francisco and New Zealand.

It’s pretty clever to capitalize on the fact that pretty much everyone these days will follow their smartphones around blindly, even if the beach seems like one of those places WiFi is least essential. Then again, why not have your cake and eat it, too — catch some rays, then catch up on your latest Netflix binge while you take a break from spending time doing something other than having your face glued to a mini computer.

Via psfk.



Unhappy With the Mad Men Finale? Here Are 15 Totally Possible (or Not) Alternate Endings

Now that you’ve been on the Internet for a few hours today, you’ve probably read about people who correctly predicted the ending of Mad Men. That’s pretty impressive, considering the number of theories that have been floating around in recent weeks. Hell, even the cast wasn’t sure for a while how the show would end, as Matthew Weiner at one point gave them a script with an alternate ending.

So, in the spirit of alternate endings, here’s a roundup of tweets from fans who imagined a different finale. Some of their ideas are totally absurd, while others are more in line with AMC’s past efforts or tied specifically to the show. Take a look:



This Agency Snuck a Testicular Cancer PSA Into the Adult Film Game of Balls (NSFW)

Adult movies have suddenly become the hot place to put cancer PSAs.

M&C Saatchi in Sydney worked with adult film studio Digital Playground and the Nonprofit Blue Ball Foundation to place an unexpected testicular-cancer PSA inside Game of Balls, an X-rated Game of Thrones parody, last month.

During one of the flick’s steamy scenes, actress Eva Lovia—who really should try harder with her porn name—briefly breaks character (such as it is) to demonstrate a cancer check on a male member of the cast. She also tells viewers to visit PlayWithYourself.org for more information. It’s stroke of genius, I’d say! (But I say lots of silly things.)

Check out the case study below, which is not explicit but might be a bit NSFW anyway.

So far, 200,000 people have visited the site, and total video views have passed 1.5 million, according to the video. “We’re overwhelmed with the amount of feedback we’ve been getting, from emails to Facebook messages to phone calls from all over the world,” says Blue Balls founder Jamie Morgan.

This isn’t the first ballsy way of generating exposure for the cause. McCann Lima and PornHub recently dispatched adult performer Charlotte Stokely—now that’s a porn-star name!—to show men how to perform self-examinations, and Cancer Research U.K. went all-in with last year’s selfie-sock campaign. (There was also DDB Bolivia’s breast-check adult clip, though Pornhub has questioned that case study’s claims of success.)

In any case, hopefully some of the messaging will rub off on the intended audience.



Groupon Finds an Even More Ridiculous Product to Pretend Doesn't Look Sexual

Groupon sees your Banana Bunker and raises you a Bike Chain Wash and Scrub Kit.

That’s the latest phallic-looking product that the deal-of-the-day website has posted on its Facebook page, all but goading fans into making off-color jokes about it. And fans have been more than happy to oblige—with Groupon replying to scores of them, pretending not to know the Bike Chain Wash and Scrub Kit looks like a dude’s junk.

It’s basically the same schtick as the Banana Bunker post, just with more handjob jokes.

See below.



The Poltergeist House Now Has a Hauntingly Perfect Real Estate Listing on Trulia

Beware the Trulia listing for 1295 Brimstone Ave.

An amusing ad tie-in for the new Poltergeist remake has put the famously haunted home up for sale. Sure, the usual Realtor smarm is there—”charming,” “contemporary,” “lots of potential”—but close readers will find the listing is delightfully upfront about the house’s unique history. 

Scroll down to “crimes near this home” and you’ll find that the house has had more than one paranormal peculiarity. There were casualties. And OK, OK, an apparition or two might hang around. There may have been a tree assault involving a child, too. But it’s the perfect house for a family looking for a starter home!

The listing is chock full of Easter egg hints, cheekily letting the reader in on the house’s back story in relation to the movie. (“Housing development is built on a site with a lot of history.”) The map even flickers in and out, making it seem like a ghost could jump out from the screen.

Check it out for yourself to see how many subtle references you can find. Oh, and if you put down an offer, now might be a good time for your family to go TV-free. 



You Loved Bobblehead Bret Michaels So Much That Nissan Gave Him His Own Ad Campaign

Bobblehead Bret Michaels sure drives a hard bargain. Must be the frozen stare and the defiant stance. You should probably take him along on your next car-buying venture. You want the leopard-print steering wheel cover, don’t you?

The former Poison frontman trots out his cheeky sense of humor, along with his ceramic mini-doppelganger, for a digital video series promoting Nissan’s commercial vehicles. The shorts are a follow-up to a campaign that launched last summer featuring Michaels in the Arizona desert surrounded by Nissan trucks, pyrotechnics, bandana-clad crash test dummies and hot chicks.

The work, from TBWAChiatDay, also introduced the look-alike bobblehead that has since become a fan favorite. The agency, responding to Twitter and Facebook requests, just launched five “BobbleBret” videos, taking the doll off the dashboard. Michaels’ power ballad version of the sappy Lionel Richie/Diana Ross duet “Endless Love” returns as the melodramatic soundtrack.

Among other unlikely scenarios, the new snippets show Bobble Bret’s silent negotiating skills at a Nissan dealership and his rock-star-sized tantrum in a green room. No brown M&Ms, he said!

Find all the videos at NissanToughLove.com.



High Fashion Is a Prison in These Striking Print Ads Opposing Child Labor

The striped patterns on dresses, shirts, tunics and sweaters become prison bars—with small, sad faces peeking through—in this Brazilian campaign against child labor.

Lew’LaraTBWA created the print ads for the Abrinq Foundation, which is affiliated with Save the Children, in the style of high-fashion magazine spreads. Each one features a single line of copy, such as, “A dress shouldn’t cost a childhood.” Brazilian model Caroline Ribeiro appears in some of the ads, which were shot by top fashion photographers.

#Dress4Good is the hashtag, and the public is encouraged to post “positive fashion-foward images” on Instagram. According to the agency, the initiative is not intended as an attack on the fashion industry per se, but is designed to spread the message that “child labor crimes are closer to the consumer than they might think.”

The work is similar in theme and execution to “What’s Behind,” a recent public-service effort from Brazilian human-rights group Cepia (though Abrinq’s use of stripes—note how the kids’ fingers clutch at them in desperation—really drives the point home).

Ultimately, both campaigns do a fine job of encouraging consumers to dig beneath the surface and find out what’s really going on.

CREDITS
Agency: Lew’LaraTBWA
Client: Abrinq Foundation – Save the Children
Campaign Title:
CCO: Manir Fadel
Executive Chief Creative: Felipe Luchi
Copywriter: Gabriel Sotero
Art director: Rodolfo Fernandes
Art Buyer: Ale Sarilho, Sabino and Caio Lobo
Image treatment: Arms Image
Photographers: Jacques Dequeker, Jayro Goldflus, Henrique Gendre, Daniel Klajimic and Gil Inoue
PR: Bia Ribeiro
Client: Victor Alcântara da Graça, Yeda Mariana Rocha de M. Pereira e Denise Maria Cesario



This Clever Volkswagen Ad Is Exactly as Long as the Time You Can Spend With It

If you don’t have time to watch this whole new commercial for Volkswagen Trucks, you can just skip to the end for a quickie version—no matter where you are in the story—and it will still make sense.

Go here to check it out.

It’s a merciful approach that all brands should probably mimic in all commercials, given this is the age of skip-happy Internet viewers. But Brazilian agency AlmapBBDO created the ad specifically to reinforce VW’s claim that its rigs, like the ad, are themselves customizable. In that context, the video slider at the bottom of the website might be the best part—it takes the shape of a truck that just keeps getting longer and longer.

The story itself—spoilers ahead—is about a young truck driver who runs into an ex-girlfriend at a market. Told in a stilted monologue, it’s a bit like a Mad Lib with a single punch line—structured into clauses so you can jump to the last scene at any point, by clicking a button in the lower right hand corner. But the last words are always “My grand-aunt.”

That makes for some odd combinations, like “I satisfied my hunger eating… a taco made by… my grand-aunt.” It also makes for some surprisingly dark outcomes for a big advertiser—like skipping the part about the taco and delving straight into ancestral cannibalism. There’s at least one notable hidden variation—hit the button at certain times, and the grand-aunt is a goateed, shirtless young man, instead of a little old lady.

Overall, it’s an intriguing approach, but maybe a little too eager to be inventive, with a takeaway that seems more about the copywriting team’s ability to write a cascading script than about the product’s benefits. It was nice for them to include an eject lever, but if the idea is to get the message in quickly, and extend the entertainment for those who want it—Geico’s simpler approach takes the cake.

Plus, it has a better dog.

Via PSFK.



Only One Thing Can Save the Grumpy Monster From His Hellish Day in This Cute Ad

In “Shed the Monster,” the brief, pleasingly silly film below, some guy in a brutish latex mask—he looks like Geico’s caveman—grunts a lot in pissed-off fashion, as all of life’s little challenges conspire to get him down.

Discovering an empty milk carton in the fridge, and no car in the garage, he grabs his bike and angrily peddles to the market. (Note how he signals and stops at the stop sign. Good monster!) But along the way, his tension—and beastly makeup—start to fade. By the time he arrives at his destination, he looks and feels human again. (It’ll be tough getting those groceries home without a bike basket, but whatever.)

Evan Fry, creative development chief at Crispin Porter + Bogusky, and photographer Jamie Kripke crafted the video, about the transformational power of cycling, to promote People for Bikes, an enthusiast organization.

“I know this will sound corny and pretentious as hell,” Fry tells AdFreak, “but ever since I was a little kid, cycling in one form or another has been my therapy, my church, my athletic pursuit, my trusted friend and my main vehicle for growth.”

With that in mind, Fry and Kripke concocted a shaggy-man story that portrays biking as a therapeutic activity for the harried masses.

“I’ve always felt that jumping on a bike, no matter how long the ride, really does help you ‘Ride away the grrrr,’ ” says Fey. “It’s awesome to see it resonate with so many folks. For a dot-org to get that many views—32,000 in a month on YouTube—and shares without any paid media to speak of, it is really gratifying.”

See the behind-the-scenes story of the spot here.

CREDITS
Writer/Director: Evan Fry
Writer/Director/DP: Jamie Kripke
Producer: Corey Bartha
Monster: Darin Toonder
Edit: Beast
Editor: Sam Selis
Producer: Erin Dykman
Executive Producer: Ron Rendon
VFX/Online Artist: Jim Reed
Colorist: Dave Ludlam
Executive Producer, Color: Thatcher Peterson
Color Producer: Antonio Hardy
Color Coordinator: Diane Valera
2D Lead: Tim Robbins
VFX Producer: Kiana Bicoy
VFX Coordinator: Jillian Lynes
Music: Beacon Street Studios
Composers: Andrew Feltenstein & John Nau
EP/Head of Production: Leslie DiLullo
Mix and Sound Design: Beacon Street Studios
Mixer: Mike Franklin
Assistant Mixer: Aaron Cornacchio
Monster FX: AFX Studio
Producer: Kate Vadnais



Baristas Are Terrible Therapists, Warns This Hilarious Ad for Online Counseling

If you’re relying on your local barista to talk you through life’s challenges, stop right now, says this amusing video for a text/video-chat counseling service called In Your Corner.

The spot was written and directed by Pete Marquis and Jamie McCelland, who are perhaps best known for making HelloFlo’s “Camp Gyno” and “First Moon Party” ads. It features a barista named Theresa, who is an amateur advice-dispensing “baristapist” (a portmanteau meaning barista therapist—and not, as one of my AdFreak colleagues initially assumed, a barista rapist).

To say Theresa is an inept counselor is putting it mildly.

We caught up with Marquis and McCelland to find out more about the project.

AdFreak: How did this project come about? Did you know the company beforehand?
Jamie McCelland: Bea [Arthur], the founder of In Your Corner, had seen our work with HelloFlo and reached out to us. And when you get an email from someone named Bea Arthur, you respond. She wanted to take the stigma out of therapy through humor.

Pete Marquis: We hadn’t heard of the company before, but we sat down with Bea and loved her vision for the brand. Offering therapy via video chat and text opens the door for so many people to get expert help, even lazy people like us.

Where did the idea for the Baristapist come from?
Marquis: The idea came from the insight that people are hesitant to seek actual, professional therapy, but still get it from everywhere—their friends, relatives, their hairstylist, even the barista. And that’s when advice can be the absolute worst.

McCelland: We wanted to show what unprofessional advice can look like, and ultimately emphasize that In Your Corner offers professional, expert help, which is way better.

What was the scriptwriting like?
McCelland: Theresa the Baristapist is a barista who believes her true calling is therapy. We thought of her as a Jane Lynch-like character—as self-important as she is delusional. We wanted to have fun with the idea that she’s giving unlicensed advice with no accountability or concern for anyone’s long-term mental health.

The actress is pretty great. Where did you find her?
Marquis: Casting for this role was way too easy. Alex, the actress, was the first one to come into the audition, and she blew us away. Bea wanted to stop the casting then and there—we didn’t, but we could have because Alex set the bar extremely high. She channeled that character frighteningly well, and her improv was incredible. A lot of the stuff she made up on set ended up in the cut, which was something we always hope for. We could not have been happier with her performance.



Crazy Youngsters Break Out in a Worldwide Dance Party for Pitch Perfect 2

Never underestimate the promotional power of feel-good fan service.

More than 100 fans were featured out of a whopping 1,500 total submissions for this Pitch Perfect 2 promo. Together they created a worldwide dance party as the premiere for Ester Dean’s song “Crazy Youngsters,” an original song that appears in the movie.

The video also functions as a fun game of Spot the Social Media Celebrity, pairing YouTube stars alongside cast members, and Vine stars alongside DJs. All told, more than 20 influencers are in the video. See if you can spot DJ Flula, Brittany Snow, Anna Camp, the Gregory Brothers, Sami Slimani, Lana McKissack, Carly Cristman, the Wassabi Brothers, Gabrial Valenciano, Will Pecarro, Kyle Hatch, Jamie Pine, MikeJerry and Vine stars Princess Lauren and AmyMarie.

The nearly four-minute music video was created by Portal A. It’s a lot of good, clean fun for a sequel whose inciting incident is flashing Rebel Wilson’s vagina at the president of the United States.

CREDITS
Client: Universal Pictures
Created by Portal A
Director: Kai Hasson
Executive Producers: Zach Blume, Kai Hasson, Nate Houghteling
Producers: Jacob Motz
Associate Producer: Jenny Leaf
Project Manager: Kalli Sandberg
Editor: Arturo Morales



Why Domino's Went Nuts and Wrote Hundreds of Tweets Almost Entirely in Pizza Emojis

On Tuesday, Domino’s flooded its Twitter feed with a heap of tweets written almost completely in pizza emojis. They looked like sentences. They were even punctuated. Not only that, but Domino’s had the gusto to respond to people curious about the stunt with—what else?—pizza emoji-filled tweets.

Perplexing? Sure. Annoying? A little. A promotion? Of course.

Starting May 20, Domino’s customers will be able to order pizza via Twitter. You can hook up your Twitter to your online Domino’s account, and with a quick pizza emoji tweet at the brand, you’ll have an order on the way.

So, what better way to promote this than to confuse one’s consumers? Lots of people seemed to get into it, though, and JCPenney even briefly joined in the emoji-only banter.

“We wanted to start a conversation about why Domino’s has gone emoji crazy in the lead-up to the emoji announcement,” says Matt Talbot, vp and creative director of Crispin Porter + Bogusky, the agency that handles Domino’s creative business. He explained that the tweets were modeled after real tweets the brand usually sends to customers.  

“There’s no decoder machine to work back to the true answer of the text, though,” he said. 

Check out more from the the pizza emoji takeover below.



Watch Out, New Hamburglar, Old Hamburglar Is Out of Jail and on the Road Again

If you’re underwhelmed by the new Hamburglar’s antics so far—and are pining for the original criminal himself—you’re in luck, thanks to a spec campaign from production company Whiskey Tongue.

The #OGHamburglar campaign (OG being slang, of course, for original gangster) will feature a series of short films, one of which was just released—showing Ronald McDonald and Grimace picking up OGHamburglar just as he’s getting out of jail.

That’s about it so far, but the first spot is quite nice—gritty and disturbing in a Heath-Ledger-Joker sort of way. Fans can use the hashtag #OGHamburglar to help decide where the series goes next. (And please, no plots with nagging wives.)

“The #OGHamburglar is back in action (straight outta prison) brought to you by a team of rogue creatives who want to bring the beloved character back to life outside of lockdown,” the filmmakers say.

Adds creative director Brett Landry: “We love the Hamburglar and hope that McDonald’s will enjoy our interpretation of the original character.”



Cold Drinks Turn These Thermal-Ink Coasters Into Pictures of Battered Women

A new Japanese campaign aims to combat domestic violence in the country with inventive coasters that hope to tame excessive drinking, which can contribute to the problem.

Yaocho, a bar chain, and agency Ogilvy & Mather Tokyo created the coasters, each of which features a portrait of a woman’s face printed in thermal ink. When a cold drink rests on the coaster, the portrait changes to include cuts and bruises.

The visuals are—no pun intended—chilling, and it’s a clever use of media, though perhaps a touch too much so for its own good, with mechanics that may undermine the spirit and gravity of the message.

“This drink will turn the woman on this coaster into a beat-up woman—just like you might do to a real woman, if you drink too much,” is essentially the subtext of the ads. “Can you have another round without wanting to hit your significant other?”

But as Lucia Peters points out over at Bustle, while alcohol can be a factor in domestic violence, “placing the blame for domestic violence on alcohol excuses the people who commit the crimes in the first place—which is classic abuser behavior.”

Yaocho deserves credit for openly addressing domestic violence, and trying to raise awareness, theoretically at the expense of its own business. But while a drinking establishment is, on its face, the right place to reach viewers with a message about alcohol and domestic abuse, there’s also a bit of cognitive dissonance in an anti-drinking ad that requires the viewer to be drinking to deliver its full effect.

The tagline, at least in its translated version, isn’t even “Don’t drink too much.” Rather, it is “Don’t let excessive drinking end in domestic violence.” In other words, “It’s OK to spend your money on a bender, so long as you don’t beat your wife or girlfriend afterward.”

And if you are the type of person who gets violent when you drink, you probably shouldn’t be drinking at all. 

More info below. Via Design Taxi.



These Creepy Ads for Synthetic Humans Have Britain All Freaked Out

People in Britain who had settled in for a nice viewing of Prometheus this weekend were distressed, to say the least, when a realistic 30-second spot aired—completely unexplained—that advertised synthetic human housekeepers for sale.

“Meet Sally. The help you’ve always wanted,” the freakishly soothing voiceover began, as a lovely though dead-eyed cyborg is seen folding sheets, organizing the kitchen and putting the kids to bed. “She is faster, stronger, more capable than ever before.”

The ad then pitched a company called Persona Synthetics, which claims to make androids that are “closer to humans than ever before.”

By Tuesday, there had been 100,000 searches for the brand on Google, and the website was nearing half a million visits. It was all a hoax, of course—a campaign from Channel 4 for Humans, a Black Mirror-esque futuristic drama.

Along with the TV spot, there are print ads, a fake store on Regent Street, social accounts and a mock auction on eBay inviting visitors to bid on a robot (sadly, no one met the £20,000 minimum bid). At the Regent Street store, two screens used Microsoft Kinect technology to show giant robot models reacted to their movements of the people watching.

It’s freaky indeed, and we’ll only be seeing more of this kind of stuff going forward. The ads are also beautifully made by in-house agency 4Creative, whose prior work included the stunning “Meet the Superhumans” ad for the 2012 Paralympic Games.



WWF Now Lets You Donate by Tweeting the Emojis of Endangered Animals

Among the gajillion emoji campaigns out there right now, here’s a clever one.

Wieden + Kennedy London creatives Jason Scott and Joris Philippart recently had an idea for how to use emojis to help endangered animals. So, the agency approached the WWF with a proposal. The result is the #EndangeredEmoji campaign, which launches just in time for Endangered Species Day this Friday.

The key insight was that 17 animal emojis that people use every day actually depict endangered species (see the list below). The WWF today tweeted out an image of the 17 animals, and asked people to join the campaign by retweeting the post.

Those joining the campaign agree to donate 10 euros (about 11 cents) every time they use any of the 17 emojis in a future tweet. (You get a monthly statement, essentially.)

“We’re proud to announce the launch of our global social campaign with WWF and Twitter, created with technical partner Cohaesus,” the agency says.