TBWA Designs a Bike-Lock Poster From Pieces of Competitors' Broken Locks

To introduce AXA’s Victory bicycle lock, TBWANeboko scoured the streets of Amsterdam looking for other companies’ broken bike locks, and used pieces of them in this memorable poster and billboard campaign (which even has its own making-of video).

The cracked, bent bits of metal form letters that spell out AXA’s message about Victory—that it’s “The lock that should’ve been on your last bike.” A sleek, shiny new Victory lock plays a key role in this found-object alphabet, serving as the “O” in the Dutch word for “lock.”

“Holland is the country of bikes,” explains agency art director Rogier Verbeek. “Almost everyone has a bike. Or had one. Because a lot of them get stolen.” More than 300 get pinched there every day, “so if you own a bike, you probably also know the feeling of having your bike stolen,” Verbeek adds.

That made using the remains of rivals’ broken locks to create the typography a no-brainer. Often, such piece are “the only thing left when your bike is stolen,” Verbeek says. “Since Amsterdam is full of bikes—and people stealing them—they weren’t that hard to find.”

Alas, Verbeek speaks from experience, as his own bicycle—not protected by an AXA lock, he concedes—was stolen while he was working on the Victory poster.

“It got stolen from in front of the agency,” he says. “I was pretty bummed, since we were working on this campaign. It was a nice bike and my kid’s seat was on it. Hope the current owner gets himself a better lock.”

As far as Verbeek knows, no cycling enthusiasts or typography fans have stolen the poster from public display, “but it would be great if someone did.”

CREDITS
Client: AXA
Advertising Agency: TBWANeboko, Amsterdam
Agency: TBWANeboko
Art Director: Rogier Verbeek
Copywriter: Matthijs Schoo
Graphic Designer: Reza Harek
Photographer: Paul Theunis

Only One Thing Can Save the Grumpy Monster From His Hellish Day in This Cute Ad

In “Shed the Monster,” the brief, pleasingly silly film below, some guy in a brutish latex mask—he looks like Geico’s caveman—grunts a lot in pissed-off fashion, as all of life’s little challenges conspire to get him down.

Discovering an empty milk carton in the fridge, and no car in the garage, he grabs his bike and angrily peddles to the market. (Note how he signals and stops at the stop sign. Good monster!) But along the way, his tension—and beastly makeup—start to fade. By the time he arrives at his destination, he looks and feels human again. (It’ll be tough getting those groceries home without a bike basket, but whatever.)

Evan Fry, creative development chief at Crispin Porter + Bogusky, and photographer Jamie Kripke crafted the video, about the transformational power of cycling, to promote People for Bikes, an enthusiast organization.

“I know this will sound corny and pretentious as hell,” Fry tells AdFreak, “but ever since I was a little kid, cycling in one form or another has been my therapy, my church, my athletic pursuit, my trusted friend and my main vehicle for growth.”

With that in mind, Fry and Kripke concocted a shaggy-man story that portrays biking as a therapeutic activity for the harried masses.

“I’ve always felt that jumping on a bike, no matter how long the ride, really does help you ‘Ride away the grrrr,’ ” says Fey. “It’s awesome to see it resonate with so many folks. For a dot-org to get that many views—32,000 in a month on YouTube—and shares without any paid media to speak of, it is really gratifying.”

See the behind-the-scenes story of the spot here.

CREDITS
Writer/Director: Evan Fry
Writer/Director/DP: Jamie Kripke
Producer: Corey Bartha
Monster: Darin Toonder
Edit: Beast
Editor: Sam Selis
Producer: Erin Dykman
Executive Producer: Ron Rendon
VFX/Online Artist: Jim Reed
Colorist: Dave Ludlam
Executive Producer, Color: Thatcher Peterson
Color Producer: Antonio Hardy
Color Coordinator: Diane Valera
2D Lead: Tim Robbins
VFX Producer: Kiana Bicoy
VFX Coordinator: Jillian Lynes
Music: Beacon Street Studios
Composers: Andrew Feltenstein & John Nau
EP/Head of Production: Leslie DiLullo
Mix and Sound Design: Beacon Street Studios
Mixer: Mike Franklin
Assistant Mixer: Aaron Cornacchio
Monster FX: AFX Studio
Producer: Kate Vadnais



Bikes Ride Themselves in This Heart-Pounding Ad for Cycling in Canada

Canada is a great country for cycling, but the bikes aren’t going to ride themselves. Well, actually they do in this inventing and intense spot for Cycling Canada from ad agency Innocean, Sons and Daughters director Mark Zibert and effects house Alter Ego.

The goal is to inspire Canadians to get active. The tagline is, “Hop on.”

Check out the spot and Alter Ego’s behind-the-scenes clip below.

CREDITS
Client: Cycling Canada
Agency: Innocean Worldwide Canada

Production Company: Sons and Daughters
Director/DOP: Mark Zibert
Executive Producer: Dan Ford
Producer: Neil Bartley

Editorial: Saints Editorial
Editor: Mark Paiva
Assistant Editor: Red Barbaza
Executive Producer: Michelle Rich and Stephanie Hickman

Postproduction, Design, Visual Effects: Alter Ego
VFX Supervisor: Andres Kirejew
VFX: Darren Achim, Steve McGregor, Andrew Thiessen
CG Lead: Sebastian Bilbao
Animation: Eileen Peng, Edward Deng, Rob Fisher, Brandon Fernback
Producer: Caitlin Schooley
Executive Producers: Cheyenne Bloomfield and Greg Edgar
Color Grading: Alter Ego
Colorists: Wade Odlum, Eric Whipp, Clinton Homuth

Music and Sound: RMW Music
Producer/Music Composer: Mark Rajakovi?
Sound Design: Kyle Gudmundson
Associate Producer: Kristina Loschiavo
Executive Producer: Jeff Cohen
Media Services: Sebastian Biega and Chris Masson



Danny MacAskill's Truly Epic Ride Through a Scottish Ridge Proves Nothing Is Impassable

Skye’s the limit for Danny MacAskill. And he doesn’t need a plane to soar. He flies just fine on a mountain bike in this seven-minute dazzler called “The Ridge.”

The gorgeously shot vdeo finds the cyclist back home on Scotland’s Isle of Skye, his epic adventure captured by helmet-cam, drone and lenses that are seemingly everywhere.

This outing shares the spirit of the exhilarating clips that made him a star, while supplying MacAskill with an infinitely more stunning visual canvas. It provides an intriguing contrast with his “Imaginate” film from last year, where he performed stunts in a fantasy recreation of his childhood bedroom with giant toys, books and loop-de-loops for props.

That voyage was internal, a trip through MacAskill’s mind to share the cyclist’s youthful dreams. But in “The Ridge,” we’re treated to the ethereal but very real grandeur of the Cuillin Ridge, a fog-bound, craggy stretch of mountains, 3,255 feet at its peak, that resembles the terrain of some distant planet. That effect is heightened by MacAskill’s row-boat arrival at the hauntingly beautiful spot.

No other humans are in site, strange creatures splash in the shallows, and Martyn Bennett’s hymn-like vocals ring out on the soundtrack. It’s as if MacAskill trekked across the void, or perhaps journeyed back into prehistory to perform and explore.

MacAskill’s exploration of Cuillin’s awe-inspiring topography is sure to thrill fans (the clip’s already approaching 10 million YouTube views in less than a week) and delight brand sponsors (Five Ten, Enve Composites, Red Bull and Santa Cruz Bikes among them). Which is all for the best, since the shoot was an intense labor for everyone involved.

“It was a serious effort to just get to the filming locations,” says Stu Thomson, who directed both “The Ridge” and “Imaginate.” “The Cuillin Ridge is seven miles long, and to get to the easiest summit is at least two hours of hiking up, and then two hours back. We had to carry food, water and all our camera gear, including the drone and eight batteries for it, in and out each day. The longest day on the mountain was 8 a.m. until 1 a.m., and included a total of seven hours of hiking for five shots in the film.”



Is This the World's First Unstealable Bike?

For decades, urban cyclists have been seeking the ultimate bike lock, only to find each one’s vulnerabilities eventually demonstrated on YouTube. But what if the answer were in the bike itself?

Designed by three Chilean engineering students, the Yerka Project is an “unstealable” bike that functions as its own lock.

If the video below is anything to go by, it looks like they took The Club and built a bicycle into it. I don’t mean that as glancing praise, either—it really is a really cool idea.

The guys behind Yerka (which is kind of a Nordic word for “strength”) have been experimenting with a few different designs, including combination lock frames, smartphone-enabled locks, and a step-through frame.

Yerka is still in the prototype phase, with a Kickstarter campaign in the works to raise money for large-scale production of their finished bike models. 



Ad for Bike Light Illuminates Cycling Magazine’s Entire iPad Edition

Here's a clever idea from Publicis Frankfurt—an ad for a bike light that readers must "turn on" in order to be able to read an intentionally darkened version of a cycling magazine. Too intrusive? Perhaps—although the interruption is pretty minor, and the creative has a delightful element to it.