HP Is ‘Dialing Back’ Its Work with 180LA

Just over six months after tasking 180LA with a major rebranding campaign, HP (formerly Hewlett-Packard) has decided to move work away from the Omnicom agency, which parted ways with “a small number” of staffers after news of the decision broke.

The client has worked with roster shops including 180LA and BBDO for several years, with the former producing a variety of projects including a 2014 holiday campaign starring pop star Meghan Trainor. HP recently added Gyro and Paris-based independent agency Fred&Farid as CMO Antonio Lucio, who joined the company from Visa in 2015, moved to better define the printer/personal computer portion of the business after it split from the main company late last year.

180LA, BBDO and Gyro collaborated on last November’s “Keep Reinventing,” which brought back the “Inventing” tagline from 2009.

An HP spokesperson writes:

“We have huge respect and affinity for 180. They have been a tremendous partner.

As part of our own reinvention we are carefully looking at our agency model both for alignment and scale as well as for partners that best map to our long term needs. We are dialing back our work with 180 while we are dialing up our work with other partners.”

180LA had to part ways with some staffers as a result of the change; the news came just as the shop added several new hires to its creative department following the recent Miller Lite win. We do not have specifics regarding the number of employees who were let go, and the agency declined to comment.

We do hear that Fred&Farid, which describes itself as “a social, content, tech solutions for brands company,” has produced a large share of HP’s recent marketing efforts and that it may also inherit most of the work previously handled by 180LA.

BBDO, Fred&Farid and Gyro officially remain on the client’s roster at this time.

The Fat Lady Picks Up the Mic and Sings, as Agency Post-it Wars Reach a Weekend Truce

You thought Havas Worldwide’s giant mic drop was the end of the agency #postitwars down on Canal Street. But Getty Images and New York magazine picked up the mic and had the fat lady sing on the (probably not) final installation of #canalnotes.

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Johnsonville: Regular speed chase

A strong company culture has been at the center of Johnsonville Sausage in Sheboygan Falls, Wisconsin, since the early 1980s. Established by the owner and chairman, Ralph Stayer, “The Johnsonville Way” puts the people of the company first, empowering its members to have a stake in this 71 year-old business. This year, Johnsonville is taking that mindset to the next level and doing something only a family-owned company could do: letting their members come up with the commercials. Each spot is narrated by its creator and opens with footage from their original interviews in Wisconsin.

Johnsonville: Jeff and his forest friends

A strong company culture has been at the center of Johnsonville Sausage in Sheboygan Falls, Wisconsin, since the early 1980s. Established by the owner and chairman, Ralph Stayer, “The Johnsonville Way” puts the people of the company first, empowering its members to have a stake in this 71 year-old business. This year, Johnsonville is taking that mindset to the next level and doing something only a family-owned company could do: letting their members come up with the commercials. Each spot is narrated by its creator and opens with footage from their original interviews in Wisconsin.

Pedigree: Castaway

Pedigree: Astronaut

Economics is destiny

From neoclassical economics to bionomics: Visualizing Federal Spending by Rebecca Xu, Sean Hongsheng Zhai
From neoclassical economics to bionomics: Visualizing Federal Spending by Rebecca Xu, Sean Hongsheng Zhai

Get it wrong: People revolt, ecosystems
collapse, empires fall.

Get it right—even for a brief moment: A surge of optimism, creativity and enlightenment pulses throughout the land.
After sixty boom years, it looks as though the world’s economic destiny is taking a major turn for the worse. Food. Water. Oil. Pollution. Temperature. Conflict. Brutality. Everything seems to be breaking bad … and the rising mood of pessimism and depression feels unstoppable.

A revolutionary leap in economic thinking
… a monumental mindshift in the way we think about growth, progress and finance may be the only way to stop this experiment of ours from spiraling into into climate apocalypse and a brutal
New Dark Age.

The contours of this paradigm shift are already discernible—it will be “bionomic.” It will recognize that our human money economy is just a subset of the Earth’s larger bioeconomy and not the other way around. This shift in perspective will change everything … it will invite us to see the world with new eyes … to value things differently … to rethink growth … to redefine progress and how it is measured. Above all it will open up a whole new mix of exciting policy alternatives for nations, businesses and individuals to pursue. And, in time, it will change the way we live and consume, by ushering in a revolutionary new kind of marketplace, a true-cost marketplace in which the price of every one of the trillions of products bought and sold each day tells the ecological truth.

Economics students: you are the heart of the insurrection. Download some memetic ammunition at kickitover.org, email kalle@adbusters.org for a free digital copy of Meme Wars­—The Creative Destruction of Neoclassical Economics, and then start stirring up some mayhem in the economics department of your university. Challenge your teachers in class. Demand a real-world curriculum. Nail the Kickitover Manifesto to all the prof’s doors!

–Kalle Lasn



The post Economics is destiny appeared first on Adbusters | Journal of the mental environment.

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Personalized Menswear – Custom Fashion Ideas That Showcase Your Personality (GALLERY)

(TrendHunter.com) Being like everyone else is so last year. Customizing your fashion is the way to go. Not only do you get feel gratified in having something that is specifically designed for you but it’s also a…

VML New York, Motorola Party Like Its 2006

VML New York launched a spot for Motorola stoking mid-2000s nostalgia and reminding viewers of the popularity of the brand’s Moto Razr in those pre-iPhone days. (Yes, there was such a time. How quickly we forget!)

The 45-second teaser spot, which doesn’t reveal what product it is promoting, depicts a high school scene in which everyone is using the phone in one way or another.

Set to an emo (mid 2000s, Dashboard Confessional definition; not the original, post-hardcore offshoot, pioneered by Rites of Spring, or the 90s style of Jawbreaker/Sunny Day Real Estate definition) soundtrack, the spot follows a girl telling her friend “she’s totally just jealous” as she walks down the hall. In the process, she gets a dirty look from a teacher, and the focus shifts to a jock taking a selfie and then a disgruntled guy with that emo-style haircut that was everywhere at the time.

Having graduated from high school by then, we can’t say how accurate a portrait the spot paints of the time period. But it doesn’t seem all that far-fetched.

We’re not sure the world is ready for mid-2000s nostalgia already but the theme is presumably tied to the brand’s new release, hinted at with the spot’s concluding “TTYL 06.09.16” message. Adweek points out that the date refers to the Lenovo Tech World conference in Silicon Valley, where Motorolla will presumably have an announcement to make.

Some speculate that the brand will re-release the Moto Razr, while others question whether there’s a demand for the product these days, although flip phones have been making a slight comeback the past couple of years. Let’s just hope mid-2000s emo doesn’t follow suit. 

Credits:
Client: Motorola Mobility
Brand name: Moto
Motorola Mobility Senior Director / Head of North America Marketing: Barbara Liss
Motorola Mobility North America Digital engagement: Jenna Rice
Motorola Mobility Digital Marketing Manager: Elizabeth Phillips
Agency: VML
Global Chief Creative Officer: Debbi Vandeven
Managing Director and Executive Creative Director: Mike Wente
Group Creative Director: Josh McGuire
Creative Director: Harsh Kapadia
Senior Copywriter: Eric Terchila
Senior Art Director: Todd Houlette
Art Director: Edi Loyola
Associate Copywriter: Mike Breighner
Executive Director: Chris Furse
Content Strategy Director: Madeline Nies
Senior Planner: Tarini Shrikhande
Group Account Director: Thayer Joyce
Account Director: Kelli Lane
Senior Account Manager: Kayla Cobourn
Associate Director, Social Media: God-is Rivera
Senior Content Strategist: Kate Wadkins
Group Account Director: Mark Nathanson
Senior Project Manager: Adrienne Fadjo
Production Company: Los York
Managing Director: Dexton Deboree
Executive Producer: Sue Lee
Director: Win Bates
Director: Seth Epstein
Head of Production: Melina Osornio
Senior Producer: Jake Hibler
Line Producer: Scott Ludden

Campbell Ewald Cut 10 Percent of Its Total Workforce This Month

Two weeks after we posted on Campbell Ewald downsizing in its Detroit office, another round of layoffs hit the network this week.

An agency spokesperson clarified that C-E’s New York and Los Angeles offices were not affected but acknowledged that, “As earlier noted there have been layoffs this month in the Detroit and San Antonio offices. These layoffs represent about 10% of the total Campbell Ewald workforce.”

The downsizing move is directly tied to the loss of multiple accounts including–to our knowledge–USAA, U.S. Navy, Edward Jones and Henry Ford Health Center. Three of those four losses came about specifically because of the “Ghetto Day” email controversy while Y&R recently began working on the U.S. Navy business last month after a review and nearly a year’s worth of legal challenges.

We hear that the total let go in Detroit this week was in the mid-two digit range and that the creative department was particularly affected. Campbell Ewald currently lists 500-1000 employees, which indicates that the number let go over the last month totals somewhere between 50 and 100 based on the statement above. The agency named a new CEO and CCO last month.

MullenLowe has not responded to multiple email queries regarding the launch of its San Antonio office, which was created to take over the USAA account from C-E. We continue to hear that a small number of staffers who worked on that business at Campbell Ewald are now on the account at MullenLowe.

It’s unclear whether the Campbell Ewald San Antonio operation will stay open moving forward as it was a dedicated office serving USAA.

Mamilos 70 – Adoção

Mamilos_70_adoção

Dia 25 de maio é celebrado o Dia Nacional da Adoção e o Mamilos trouxe para mesa Andre Pontes, um pai no caminho da adoção, Daniel Dante, um filho adotivo e Dora Martins, juíza da Vara da Infância e Juventude da Sé – SP. Junto com Cris e Ju eles vão desmistificar a adoção, mostrar […]

> LEIA MAIS: Mamilos 70 – Adoção

Brainstorm9Post originalmente publicado no B9
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Kiss FM "Long Live Rock n Roll" (2016) 1:24 (Brazil)

Rock’s drowned, played Russian roulette and lost, OD’d on all manner of drugs, been stabbed and shot, been in several plane crashes, had all manner of cancers, choked on a cocktail cherry, choked himself to death, etc. And you know what If Rock hasn’t died yet, it’s going to live forever. Nice way of commenting on all the rock stars who have died over the years. Everyone from Buddy Holly, to Brian Jones to er, Michael Hutchence is referenced. Can you name them all?

Heetch "young people support Heetch" (2016) :46 (France)

Heetch is a French ridesharing company like Lyft and Uber and it is about as welcome in France’s government as those other companies are in Austin. Soon, Heetch will appear in court for “complicity of illegal Taxi practice.” To help raise awareness about the issue, Buzzman created this spot that takes a hefty dig at the once young politicians who would have fought for such idealism in their youths. They used archival footage in a sort of “gotcha,” edit that makes them seem more like their younger selves would have aligned with Heetch. I love the tone of this campaign, although something tells me the idea of French politicians have having fought for capitalism is a bit farfetched. However, the name Heetch which I can only assume is pronounced just as it is spelled, as in a way someone from France would say “hitch,” is a great name.

Koskenkorva "The great wall" (2016) 1:22 (Finland)

Koskenkova is vodka from a village. It is also the makers of an app called Vodka Farmer, that was quite successful. As way of thanks, the farmers in the village decided to build a Vodka Farmer hall of fame. It’s cute. Also, I have am unhealthy obsession with Finland and its wonkadoodle ways. Just listen to the language. How in the hell could anyone not from Finland ever learn it?

VEJA "Fishes" (2016) :48 (Brazil)

VEJA magazine takes us down deep– how deep? Really freaking deep, to show you what it’s like when you go deep into a topic. In this case it’s 5,000 meters. All to make the point that the deeper you go, the uglier it gets. I really like the analogy here, and fewer ones would work better. Not being familiar with the magazine I assume it’s of the investigative journalism kind. If that’s the case, with everything going on in Brazil right now, they have their work cut out for them, I think.

Kalenji X Rosapark "#eatyourrun" (2016) 1:48 (France)

Most sports brands tout performance. For Kalenji it’s all about pleasure. For their new shoe, Kalenji and Rosapark decided to have some fun by creating a menu where you pay in kilometers. I love this. Because here’s the thing: I don’t go to the gym three times a week and deal with the Bros and bike twenty miles on the weekends early before the touristas come out because I like doing it. I do it so I can stuff my face with good food and not worry about gaining weight because I’m burning off more calories than I take in. Finally, a sports brand that gets me. Don’t live to run. Run to live. Hell. Yes.

Firehouse Subs "Ready to roll" (2016) :30 (USA)

A firefighter’s duty demands a degree of readiness. And a really long pole to slide down. Sure your pants may not be connected to your shoes like a firefighter, but that doesn’t mean you can’t eat like one. The hero of all subs indeed. This kind of takes a page from Old Spice with the visual nuttiness, but it’s not thrown in with sight gags that make it nutty for the sake of being nutty, though.

Firehouse Subs "Innovation" (2016) :30 (USA)

Let’s celebrate all manner of innovation that has made our life better like the crescent wrench and the uh, labradoodle? And steam! Because steam makes turkey and cheddar cheese extra yummy when it’s steamed. Give a man meat and he can make you a sandwich, but if you give him a steamer he’s gonna make one hell of a tasty sub fit for a firefighter. Silliness abounds, yes. But now I’m hungry. Well played, Firehouse Subs.

Firehouse Subs "Bells" (2016) :20 (USA)

Being a good firefighter takes– bells. With an “E.” Not an “A.” Sure, your mind wants to stay in the gutter and embrace 20 seconds of dick joke, but don’t do it. You’re better than that! Okay, maybe you’re not. Still even if you don’t possess manly firefighter bells, you can still eat like a firefighter at Firehouse Subs.

Group Marketing Director Emily Brooks Leaves Arnold for MullenLowe Boston

Emily Brooks is leaving her position as SVP/group marketing director with Arnold Worldwide Boston for an unspecified account management role at MullenLowe Boston.

Brooks has held the position with Arnold for the past two years while focusing on the agency’s global Jack Daniel’s business. That stint followed nearly a year and a half spent as VP/marketing director on the same account.

An Arnold spokesperson said that Brooks’ departure does not reflect any changes in the Jack Daniel’s business and that managing director Paul Nelson will continue running the account moving forward. The agency wishes Brooks the best in her new role but did not specify whether it plans to find a replacement to fill her position.

Before joining Arnold in 2013, Brooks spent two years as an account director with Droga5, focusing on Prudential and UNICEF Tap Project. That followed a year with Publicis as VP/management supervisor working on Citibank and eight months as brand manager for Spirits Marque One. Before that she spent five years with KBS as an account director working on Diageo Reserve Brands (Don Julio Tequila, Bulleit Bourbon, Classic Malts of Scotland, Ciroc Vodka), Hennessy Cognac, Starz Entertainment and Mohegan Sun casino. Prior to that she spent three years as an account executive with Ogilvy & Mather, working on AT&T and American Express.