Hyundai: Crash, 1

Advertising Agency: Punto Ogilvy, Montevideo, Uruguay
Executive Creative Director: Emiliano Vargas
Art Director: Rafael Ramírez
Account Team: Bruno Petcho
Published: June 2015

Hyundai: Crash, 2

Advertising Agency: Punto Ogilvy, Montevideo, Uruguay
Executive Creative Director: Emiliano Vargas
Art Director: Rafael Ramírez
Account Team: Bruno Petcho
Published: June 2015

Hyundai: Crash, 3

Advertising Agency: Punto Ogilvy, Montevideo, Uruguay
Executive Creative Director: Emiliano Vargas
Art Director: Rafael Ramírez
Account Team: Bruno Petcho
Published: June 2015

MINI: The coolest

Advertising Agency: La Despensa, Madrid, Spain
Creative General Managers: Javier Carrasco, Miguel Olivares
Client Service Director: Sergio Sancho
Creative Director: Jorge Tabanera
Art Directors: Alex Katz, Rubén Garrido
Copywriters: Javi Iñiguez de Onzoño, Carlos Garralda
Account Supervisor: Harold Vas
Account Executive: Isabel Espartosa
Social Media Manager: Auxi Barea
Film Producer: CiB Arts
Film Director: Luís Álvarez
Film Executive Producer: Mihail Vesselinov
Film Production Directors: Fernando Fernández, Elena Moreira
Film Published: May 2015

RBC: The Mortgage – Sci-Fi

Advertising Agency: Engagement Labs, Toronto, Canada
Chief Creative Officer: Anthony Wolch
Art Director: Randolph Burlton
Copywriter: Michael Appleby
Director: Alex&Steffen
DOP: Simon Coull
Production Company: Unexpected.de
Producer: Pete Oad
Music & Sound design: BOOMBOX Sound Toronto
Music Supervision: Roger Leavens
Published: June 2015

Microsoft and Oculus Are Ganging Up on Playstation


If virtual reality is going to change everything about the world, its impact will be felt first in the video game industry. It seemed in recent months that the battle lines were becoming clear as competing headsets were being built by Facebook-owned Oculus, HTC and Valve, Sony, and Microsoft, with the first commercial release dates set for 2016. Now Microsoft has suddenly thrown in its lot with Oculus.

Oculus held a press conference on Thursday to fill in a few key details about the headsets. The company said it would begin selling the devices by the end of March 2016, announced a $10 million fund to help independent developers make Oculus games, and demonstrated prototype controllers that players will hold in each hand to navigate virtual environments. Brendan Iribe, the company’s chief executive officer, said that the headsets will ship with Xbox controllers, and he described how Oculus will have a “tight integration with Windows”. He said players will be able to stream Xbox One games onto the Oculus headsets.

It’s not yet clear how developments in the virtual reality industry will play out. Customers and developers have yet to cast their votes as to which headset should win. Tim Merel, managing director of Digi-Capital, a firm that advises companies on augmented and virtual reality, says the current landscape “feels a bit like the smartphone market before the iPhone.” A collaboration with Microsoft could tip the scales further in Oculus’s favor. Developers tend to want to build applications for the widest possible audiences, and Microsoft’s audience will be a big draw.

Continue reading at AdAge.com

Twitter to Eliminate 140-Character Limit in Direct Messages


Twitter, the home of 140-character messages, is removing the space limit in its private messages.

The change comes next month, the San Francisco-based company said Thursday on its website for developers. Direct Messages are different from tweets in that they are only visible between individual users.

“We’ve done a lot to improve Direct Messages over the past year and have much more exciting work on the horizon,” Sachin Agarwal, Twitter’s product manager for Direct Message, wrote. “You may be wondering what this means for the public side of Twitter. Nothing! Tweets will continue to be the 140 characters they are today.”

Continue reading at AdAge.com

Gawker’s Moment of Truth

Gawker Media, which says it’s doing fine, faces a lawsuit and is confronting the same challenges as a lot of establishment media companies.




W+K London Shares ‘1,000 Years of Less Ordinary Wisdom’ for Finlandia

W+K London launched a new anthem ad for vodka brand Finlandia, featuring advice from some “less ordinary” sources.

The “1,00o years” of the title refers to the combined age of the offbeat individuals offering up nuggets of wisdom. These include a drag wrestler advising, “Be nobody’s bitch but your own,” 93-year-old fashion icon Iris Apfel claiming “Too old is a lousy excuse” and kinetic sculptor Theo Jansen saying “Get your ideas out of your head.” The only one of these that is readily applicable to the brand is a mixologist who quips, “Life is too short for bad drinks.” There’s plenty of interesting individuals and wisdom over the course of the ad, but the overall approach feels like a pretty ordinary anthem ad (to say nothing of the ridiculousness of connecting the quotes to a vodka brand). And at over two minutes long, one piece of wisdom that could have benefited the ad is Shakespeare’s “Brevity is the soul of wit.”

Credits:

Client: Finlandia
Agency: Wieden + Kennedy London
Creative directors: Scott Dungate, Graeme Douglas
Copywriter: Paddy Treacy
Art director: Mark Shanley
Executive creative directors: Tony Davidson, Iain Tait
Executive producer: Danielle Stewart
Group account director: Paulo Salomao
Account director: Matt Owen
Account manager: Sophie Lake
Head of planning: Beth Bentley
Planning director: Martin Beverley
TV producer: Michelle Brough
Production company: Knucklehead
Director: Siri Bunford
Executive producer: Matthew Brown
Director of photography: Ben Smithard
Editorial companies: Lucky Cat, Whitehouse Post
Editors: Xavier Perkins, Lucky Cat; Adam Marshall, Whitehouse Post
Post producer: Anandi Peiris
VFX company: MPC
VFX supervisor: Bill McNamara
Flame artist: Bill McNamara
VFX producer: Anandi Peiris
Grade: MPC
Colorist: Matthieu Toullet
Titles/graphics: Ryan Teixeira
Music/sound company: Factory
Sound designers: Anthony Moore, Phil Bollard
Song: Undeniable, Richie Sosa
Interactive producer: Dom Felton
Director of relations: Marta Bobic
PR manager: Charlotte Corbett

We Hear: Alma DDB Wins Sprint’s Hispanic Business

We have no official confirmation at this time, but sources tell us that the latest winner in Sprint’s ongoing relaunch/review is Miami-based Hispanic agency Alma DDB.

As we know, Marcelo Claure became president/CEO of the phone company last August–and since then he has taken the traditional new executive route by tweaking everything about the company he runs, including its relationships with all of its agencies.

One aspect of his “rollout” was a campaign created by Dallas-based Inspire, which won the sprint advertising and PR accounts in 2012. The ad, which ran on Univision, marked the company’s attempt to peel a larger share of the Spanish-speaking market away from its key competitors Verizon, AT&T and T-Mobile.

The spot starred Claure, who used the opportunity to introduce himself to Hispanic audiences and review his accomplishments as “not only the first Hispanic CEO of Sprint, but the first foreign-born Hispanic to lead any major U.S. telecommunications firm.”

Here it is via AdAge:

A spokesperson for Sprint told us today that the company has “nothing to announce at this time,” and DDB also declined to comment.

This is not particularly surprising. We broke news of Deutsch LA’s pending victory over Arnold in the Sprint creative review last November nearly six weeks before the client gave the “exclusive” to AdAge.

Updates when they come in.

BMX Session in an Abandoned Stadium

Dans une nouvelle vidéo, Red Bull a filmé une session de BMX du jeune espoir de la discipline Tyler Fernengel, originaire du Michigan, dans le célèbre Silverdome de Pontiac dans la banlieue Nord de Détroit, abandonné depuis 2001. Le sportif enchaîne les figures dans les travées en ruines et les tribunes désertes de l’enceinte sportive. Une vidéo où modernité et époque révolue se côtoient à merveille.

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Dove: Live life in full colour

Advertising Agency: HeyHuman, London, UK
Creative Director: Shnoosee Bailey
Art Director: Dai Roberts
Copywriter: Dave Mance
Agency Producer: Laura Oxley
Account Director: Leah Duquemin
Production Company: The Armoury
Director: Olly Lambert
Producer: Clare Gibson
Published: June 2015

Velocità: The Gift of Running

Advertising Agency:? Mullen Lowe Brasil, Sao Paulo, Brazil
Creative Directors: Fernando Nobre, Fabio Brigido
Art director: Fabio Nunes
Copywriter: Maria Rita Angeiras
Executive Creative Directors: Jose Borghi, Fernando Nobre
Production company: Vetor Filmes
Director: Fernando Sanches
Sound production: Liquo
Sound Producers: Flavio Marchesin, Felipe Engel
Graphic Producers: Walmir Coronate, Douglas Almeida
Agency producers: Marcia Coelho, Jacqueline Silva
Account team: Marcelo Sarti, Vitor Lossavaro
Published: April 2015

Nascar Marketing Lead Kim Brink Joins WPP's Team Detroit


Nascar Senior VP of Marketing, Kim Brink, has joined WPP’s dedicated Ford agency, Team Detroit, as chief operating officer, the company said.

Team Detroit’s CEO, Satish Korde, had stepped in to manage the team during the search to fill the position after COO Mark LaNeve took a position with Ford in January as VP of U.S. marketing sales and service.

Ms. Brink has led all marketing initiatives at Nascar since 2011, spearheading the launch of Nascar’s current Hispanic outreach efforts, as well as the development of its youth marketing platform, Acceleration Nation. She also led a review that resulted in the selection of WPP’s Ogilvy & Mather as agency of record .

Continue reading at AdAge.com

Licensing Expo: Sports Brands Are Here, But Where Are the Leagues?


We’ve seen many brands that consumers truly love on display at the Licensing Expo this week. However, few brands inspire as much passion, exhilaration (and yes, sometimes heartbreak) as those of major league sports teams.

This year there is an expanded lineup of sports brands exhibiting. The Major League Baseball Players Association is represented, as are NFL Players Inc. and Tottenham Hotspur Football Club, a popular soccer team from England’s Premier League, among others.

The reason for the uptick is simple: In 2014, sports-related products made up more than 14% of all retail sales of licensed goods, to the tune of $14.1 billion in sales, according to industry association LIMA. The sports category grew for the fourth consecutive year with $698 million in royalty revenue in 2014. Sports merchandise is set to remain a billion-dollar moneymaker for years to come. With consumer interest trending upward, the leagues and their licensees must innovate to turn fan devotion into revenue.

Continue reading at AdAge.com

Toyota "Father's Day Reunion" (2015) 2:55 (USA)

Toyota Camry sent one son on a journey to see his Dad for Father’s Day. Nice branded content for Toyota. Father and son still have a strong bond, despite not having seen each other for years. It’s a very touching story without being overly sentimental or patronizing. Judos to Toyota for shining the spotlight on real people in real ways. Not many companies want to talk about divorce, separation and the struggle to keep a family together. Toyota was nice enough to get out of its own way and let the people do the talking.

Toyota "Father's Day redo" (2015) 2:41 (USA)

Just in time for Father’s Day Toyota Camry presents two spots. The first was an intimate story between a father and son reunited. This one is a man-on-the-street interview in which sons and daughters admit Father’s Day isn’t as big a deal to them, but their dad really is. We then see the same people calling their dads, telling them they love them. Then somewhere in the third act we pick up with the story of the son going to see his father for the first time in ages. As a lead in to the spot I linked above it works, but as a stand alone piece, I’m not sure how we got from dozens of people being interviewed about their dads, to telling one guy’s story.

GreyShopper Names Viento to ECD Role

This week, Grey Group named Peter Viento to the ECD role at the New York offices of GreyShopper, its shopper marketing unit.

Viento was previously ECD at Colangelo Synergy Marketing in Connecticut, but in recent years he also spent time as a creative director with Ogilvy and Saatchi & Saatchi X, another shopper operation. (After leaving Saatchi in a wave of layoffs in late 2011, he told us that he’d landed at the New York offices of MARS.)

Viento is not the only creative to leave Colangelo in recent months: in February, we reported that Dave Clemans–formerly of CP+B, GS&P and more–would no longer be the agency’s ECD. At the time, tipsters told us that Colangelo’s creative department was going through an upheaval of sorts. Sources now claim that Viento’s move coincided with budgetary issues and that ECD Ben Applebaum, who has been with Colangelo for more than a decade, will be running creative operations in its Darien, Connecticut office following his departure.

Here’s the memo on Viento’s from Grey Global CEO of Shopper Marketing Joe Lampertius.

Please welcome our newest addition to the GreyShopper team. Peter Viento. ECD for GreyShopper NY.

He’s a creative guy who is all about the work that drives brand love & effective results. Sound familiar?

His primary role is to build a world class shopper creative team integrated within Grey NY & Global for the P&G Grooming business.

He will work closely with Leo & Jeff in Grey NY, Matt in Grey Shopper London and other key offices to ensure our creative teams work seamlessly across markets.

Throughout his career he has been fortunate enough to work on the most iconic brands in the world at some of the best creative agencies in NY. He joins us most recently from Colangelo, an Omnicom shopper/activation agency. He led through-the-line initiatives for every DIAGEO brand in North America, Imperial Tobacco, and Church & Dwight.

Before that he worked at Saatchi X on P&G and General Mills brands and at Ogilvy Action on Unilever and J&J brands for a number of years. He started his career at J Brown which became G2, so just another example on how circular the world can be. We’re very fortunate to have such an awarded shopper creative person join our NY team.

Please welcome & congratulate Peter to the Grey team!

Saatchi & Saatchi LA Offers ‘Father’s Day Redo’ for Toyota

With the Hallmark holiday around the corner, Saatchi & Saatchi Los Angeles launched a Father’s Day campaign for Toyota.

Based around the insight that people spend around $7 billion less for Father’s Day than Mother’s Day, the agency offers people a “Father’s Day Redo” to show their fathers that they care. The agency interviewed people in the street and discovered some pretty lackluster Father’s Day gifts, including a painted rock and socks, while many others don’t do anything at all for the holiday. So, Saatchi & Saatchi and Toyota offer them a chance to make things right by calling up their dads to tell them how much they love them. Getting people to explain what it is they love about their dads puts a little substance behind the stunt and the ad ends with a closer look at one father-son relationship that gets explored further in “Father’s Day Reunion” which sees a son celebrating Father’s Day with his dad for the first time since he was 12 or 13. Their unique relationship makes for a more interesting view than most such efforts, avoiding feeling like a cheap tearjerker. Toyota stays in the background for most spots, letting dads have their turn in the spotlight. There’s also an OOH component to the campaign, as Toyota hired DJ Neff to create a large “I Heart Dad” monument, which will be unveiled at the Santa Monica Pier next Tuesday and remain until the 22nd.

Credits:

Client: Toyota
Agency: Saatchi & Saatchi Los Angeles
CCO: Jason Schragger
CD: Erich Funke
Copywriter: Nick Cade
ACD/Art Director: John Kritch
Executive Director of Integrated Production: Lalita Koehler
Director of Content Production: Sara Seibert
Senior Content Producer: Pamela Parsons
Production Coordinator: Anthony Circo
Group Account Director: Erica Baker
Account Director: Carla Tanchum
Management Supervisor: Chris Crockett
Account Executive: Tracey Horwitz
Director of Public Relations  Nick Ammazzalorso
Product Information Specialist: Paul Watson
Strategic Planning Director: Evan Ferrari
Management Supervisor Social Media: Hansoul Kim
Engagement Manager, Social Media: Allie Burrow
Executive Communications Director: Gwen Conley
Media Director: Janet Waters
Associate Communications Director:  Breanne Carpenter
Senior Project Manager: Jill Savage
Account Director, Social Media: Bryan DeSena
Business Affairs Director:  Keli Christy
Senior Business Affairs Manager:  Kate Bestic

Client:
Group Vice President – Marketing Jack Hollis
Vehicle Marketing & Communications National Manager -Sedan Ann Masse
Vehicle Marketing & Communications Manager – Camry Angie White
Vehicle Marketing & Communications Planner – Camry Jessica Geremia
Social Media Strategy & Operations Director Monica Peterson
Social Media Strategy & Operations Manager Florence Drakton
Social Media Marketing Planner Brian Carroll

Production Company: Cash Studios
Executive Producer: Melissa Abe
President Of Production Company: Ivan Cash
Line Producer: Asori Soto
Director: Ivan Cash
DP: Daniel Addelson
Editing Company: Cosmo Street
Executive Producer: Yvette Sears
Producer: Marie Mangahas
Editor: Bill Chessman
Assistant Editor: Zoe Mougin
Telecine: CO3, Stefan Sonnenfeld

Finishing: Brickyard
Finishing Artist: Patrick Poulatian
Finishing Producer: Diana Young

Music: Asche & Spencer

Sound Design
Mix: Lime Studios
Mixer: Loren Silber

Monument Credits
CCO: Jason Schragger
CD: Erich Funke
Copywriter: Nick Cade
ACD/Art Director: John Kritch
Executive Director of Integrated Production: Lalita Koehler
Director of Content Production: Sara Seibert
Senior Content Producer: Pamela Parsons
Senior Art Producer: Dogan Dattilo
Production Coordinator: Anthony Circo

Finlandia Packs 1,000 Years of Offbeat Inspiration Into One Crazy Ad

Finlandia is gunning hard for the title of most inspirational vodka commercial ever.

A new two-and-half-minute ad, “1,000 years of less ordinary wisdom,” features offbeat heroes like a drag wrestler and reindeer racer offering tips on how to make it in the world, like “Be nobody’s bitch but your own” and “You’re only as fast as your reindeer.” In other words, a lot of the advice is, in spirit, not really that different from standard motivational fare, even if it comes from unusual sources and their unconventional contexts (though fashion icon Iris Apfel is not exactly out of the spotlight these days).

As for the title, the 1,000 years refers to the sum of the ages of the people in the commercial. A number of them are long in the tooth, which is cool, because listening to one’s elders is generally a good thing—they’re often less boring and clueless than young people. But the spot also makes sure to feature more sprightly accomplished types, too, like a prima ballerina and volcanic scientist (because it can’t really exclude representing the money demo, too).

Created by Wieden + Kennedy London, the spot relies heavily on a driving (mostly) instrumental version of the song “Undeniable,” by Donnie Daydream featuring Richie Sosa. That strings together the disparate footage from director Siri Bunford (though it might be worth mentioning that Adidas also just used the record as a soundtrack for its own sports-themed montage-qua-anthem).

Game of Thrones fans might enjoy that, as Fast Company notes, the strong man—Hafthór Júlíus Björnsson—is also a actor on the show. (He’s the latest in a string to play “The Mountain” Gregor Clegane, largely absent this season but for the occasional twitch from under a blanket on a laboratory table, the pseudo-zombie experiment of some sinister wizard. P.S.: If that’s where drinking Finlandia leads, no thanks.)

In all seriousness, though, the concept is pretty moving—a nice snapshot of various walks of life, with some clever and charming moments. Overall, it might even be convincing, except what drinking vodka really makes people want to do is drink more vodka and then pass out hard and sleep in the next day—not a great way to tear through that bucket list.

CREDITS
Client: Finlandia
Agency: Wieden + Kennedy London
Creative directors: Scott Dungate, Graeme Douglas
Copywriter: Paddy Treacy
Art director: Mark Shanley
Executive creative directors: Tony Davidson, Iain Tait
Executive producer: Danielle Stewart
Group account director: Paulo Salomao
Account director: Matt Owen
Account manager: Sophie Lake
Head of planning: Beth Bentley
Planning director: Martin Beverley
TV producer: Michelle Brough
Production company: Knucklehead
Director: Siri Bunford
Executive producer: Matthew Brown
Director of photography: Ben Smithard
Editorial companies: Lucky Cat, Whitehouse Post
Editors: Xavier Perkins, Lucky Cat; Adam Marshall, Whitehouse Post
Post producer: Anandi Peiris
VFX company: MPC
VFX supervisor: Bill McNamara
Flame artist: Bill McNamara
VFX producer: Anandi Peiris
Grade: MPC
Colorist: Matthieu Toullet
Titles/graphics: Ryan Teixeira
Music/sound company: Factory
Sound designers: Anthony Moore, Phil Bollard
Song: Undeniable, Richie Sosa
Interactive producer: Dom Felton
Director of relations: Marta Bobic
PR manager: Charlotte Corbett