Google Made a Tiny Programmable Choir Out of 300 Android Devices

Google Japan wanted to draw attention to a little Android app called Androidify, which makes tiny android avatars. So, it synchronized 300 Android devices, each with their own little avatar, to create a tiny android avatar chorus.

The digital choir was installed in the Omotesando Hills shopping center in Tokyo, where the little creatures flail their arms in time to the preprogramed music for the amusement of shoppers. Anyone brave enough can actually step up and attempt to “conduct” the tiny, tinny choir through a gesture-sensing program.

If you don’t want to travel there, you can enjoy the online videos of the choir performing.

Apparently the stunt is more than cool. It also has some relevance to the brand message of “Be together. Not the same,” since each little avatar is unique. Isn’t it nice when fun things actually support your brand message instead of getting shot down by the brand police?

Nice job, Google Japan.



Frisko: Melt, 1

Advertising Agency: Revolt, Copenhagen, Denmark
Creative Director: Morten Meisner Jensen
Art Director: Malte Sebastian Gaarde
Photographer: Theis Spillemose Bothman

Frisko: Melt, 2

Advertising Agency: Revolt, Copenhagen, Denmark
Creative Director: Morten Meisner Jensen
Art Director: Malte Sebastian Gaarde
Photographer: Theis Spillemose Bothman

Frisko: Melt, 3

Advertising Agency: Revolt, Copenhagen, Denmark
Creative Director: Morten Meisner Jensen
Art Director: Malte Sebastian Gaarde
Photographer: Theis Spillemose Bothman

General Mills Eyes Organic, Natural Food Growth


The future of General Mills could depend as much on Larabar and Annie’s as Cheerios and Betty Crocker, according to growth plans the company outlined on Tuesday.

The global food giant wants to grow its $600 million natural and organic food business to $1 billion by 2020, executives told investment analysts. The ambitious plan is a reflection of the reality that smaller, healthier food brands once considered niche are quickly going mainstream. The consumer shift has caused headaches for big food companies that for decades have relied on selling mass-marketed, heavily processed foods.

Earnings growth for big companies “looks increasingly hard to come by,” with consumers “shifting into healthier eating patterns,” Sanford C. Bernstein stated in a recent report.

Continue reading at AdAge.com

This Native Advertising Solution Combats Clickbait And Drives Engagement With Promoted Content

inPowered_shot.jpg

In the past several years, native advertising has risen to the top of the online marketing conversation. And, for the most part, it’s done so because other forms of online advertising have failed miserably. But native advertising, for all its popularity and success, has brought with it a very dark side; the blurring of editorial church and state.

To some, this blurring is no big deal. To others — the smart ones, it is the downfall of society as we know it. Some approaches to native advertising have resulted in worthwhile, informative, education and helpful content readers can consider valuable. Other native advertising efforts — sadly, most — have resulted in poorly written, spammy, listicle, brochure-like content that irks, annoys and just plain sucks.

What if there were a way to do native advertising where the content used to advertise were truly native? And by that, I mean it was created irrespective of influence from anyone remotely involved with the topic on the content? In other words, it’s not an ad.

So if it’s not an ad, how, then, could it still be native advertising? Well it’s something different really; promoted content. Yea, yea. Promoted content is nothing new but a company called inPowered has added a bit of a twist.

inPowered marries brands with already existing, expert-written content that wasn’t created because some brand paid to have it created. You know, good old-fashioned editorial.

inPowered has a super fancy technology that seeks out and identifies existing content as it relates to any brand, product or topic and ranks the experts who wrote the content. Experts are ranked on consistency – consistent focus on a particular topic, depth – insightful, educational, helpful content that isn’t a regurgitated press release and validation – how often the content is shared. In all, inPowered tracks 50 million article a month qualifying 50,000 subject matter experts across 10,000 topics.

Brands can then come to inPowered and be matched with the expert in their area of interest. That content is then connected to the brand with automagically created, programmatically placed ads which appear across ad networks and social networks.

In terms of success metrics and in order to weed out the clickbait effect prevalent in other promoted content models, inPowered ads only “count” and are paid for if the content the ads point to is actually read (measured by at least 15 seconds spent with the content) or shared (out to social networks like Facebook and Twitter).

It’s really a very simple and effective ad model. Basically, it’s an engine that identifies already existing content a brand would find beneficial and gives that brand a mechanism to direct that content towards those most likely to act on the content.

Humanaut Wants to ‘Save the Bros’ for Organic Valley

Speaking of protein, Chattanooga agency Humanaut created this mock PSA for Organic Valley, which claims to want to save bros from the garbage in their protein shakes.

The satirical tone is established early on, celebrating bros as “innovators” and “patriots” who “consume two thirds of our nation’s light beer and 100 percent of our Axe Body Spray,” before lamenting the fact that bros are in danger from the “scary chemicals and artificial ingredients” inside their protein shakes. If the trend continues, the spot laments, we could face a “total bro colony collapse.” Asking “What would happen to Las Vegas? Or the beaches of New Jersey?” the spot presents Organic Valley’s Organic Fuel as the solution. “Just tell a bro it has a ton of protein, and he’ll pound the shit out of it,” suggests an Organic Valley representative.

“Save The Bros” hits the satirical mark pretty dead-on, managing to make fun of bros and PSAs at the same time. The mock PSA format can be a pretty tired gag, but Humanaut pulls it off here by virtue of the ad actually being funny. And while they may have picked an easy target, they go after it in appealing, often hilarious, way. What’s not to like about seeing a bro doing yoga (broga?) or staring down an eggplant like he’s never seen one before (he hasn’t) as examples of the kind of life changes Organic Valley’s product can spark? By spreading the “Save the Bros” message Organic Valley also makes it clear that their Organic Fuel is a protein shake that someone other than bros actually might want to drink.

Credits:

Client: Organic Valley
Product: Organic Fuel
Campaign: “Save the Bros”
Agency: Humanaut
Creative Adviser: Alex Bogusky
Creative Director: David Littlejohn
Associate Creative Director: Mike Cessario
Copywriter: David Littlejohn / Mike Cessario
Art Director: Stephanie Gelabert / Sean Davis
Production Company: Fancy Rhino, Chattanooga, TN
Director: Daniel Jacobs
Producer: Katie Nelson
Director Of Photography: Annie Huntington
Editor: Tyler Beasley
Production Designer: Chad Harris
Music Company: Skypunch Studios
Composer: Carl Cadwell

Team Detroit Pranks Unsuspecting Dudes for Ford Mustang

Team Detroit teamed up with production company The Work to troll some unsuspecting guys with this prankvertising stunt for Ford Mustang, setting them up on a date with professional stunt driver Prestin Persson.

After leaving a restaurant with each of the guys and getting into her Mustang, Persson plays the ditz, pretending to not really know how to drive a stick shift. One guy even suggests he can show her what the car can really do. In fact, most of the guys engage in some pretty cringe-worthy bragging before Persson flips into stunt driver mode and the guys alternately hold on for dear life or shout in excitement. At the end of the spot, Persson reveals her identity and that the men were in fact, filmed for a Mustang commercial.

If you’re tired of prankvertising, “Speed Dating” isn’t going to do anything to change your mind, although it does offer something at least a little bit different within the format. Persson plays her part well, convincingly seeming to struggle with the vehicle one minute and then — as one gentleman put it — whipping the shit out of the car with a grin on her face. “I guess you’re showing me how to drive this thing, aren’t you?” the guy from earlier admits. It’s pretty satisfying to see Persson make him eat crow (and humble a few of the other guys as well), but the spot, which clocks in at over three minutes, could have used some tighter editing.

CP+B Reminds You That Kraft Mac & Cheese Contains Protein

CP+B reminds viewers that Kraft Mac & Cheese contains protein (like most food items involving dairy products) in a new 30-second spot for the brand, part of its ongoing “You know you love it” campaign.

The spot, entitled “Pots Galore” opens on a mother arriving home and asking, “Did you make Kraft Mac & Cheese for the kids? Did you cook some protein to go with it?” To this, the dad replies that it has nine grams of protein per serving, although the mom has a few questions about his cooking techniques. While the spot attempts to retain the humorous tone of the “You know you love it” campaign, the protein line feels a little forced, and we have a hard time believing anyone is going to purchase this product for its nutritional benefits.

Sara Braun, senior marketing director on Kraft Macaroni & Cheese, explained to Adweek that the approach was about addressing millenial parents who fear their kids aren’t getting enough protein. “It’s about making sure that these parents have the nutritional reassurance they need to feel better about serving Kraft Mac and Cheese,” she told the publication.

Domenico Vitale, founder of People Ideas & Culture, questioned the approached, however, telling Adweek, “The comfort food angle of Kraft has always been very powerful for them. I don’t think they can become what they’re not.”

Two other spots rolling out this month stick more to the brand’s traditional approach, playing for laughs while emphasizing the comfort food angle. One of these, “Young At Heart,” stars Estelle Harris (best known for playing George Costanza’s mother on Seinfeld) as a grandmother who sits at the children’s table at a family event so she can eat Kraft Mac & Cheese. The more straightforwardly comic approach is much more natural fit for the brand, emphasizing it strengths rather than starting a conversation it may not be ready for.

Zulu Alpha Kilo Vets Launch New Agency

the garden

Industry veteran Shane Ogilvie, who spent the last three years as ECD at Toronto’s Zulu Alpha Kilo, has left that shop to co-found his own business with former Zulu Executive Planning Director Shari Walczak.

Their venture, The Garden North America, will function as a self-described “new breed of creative company.” What does that mean?

The key, it seems, is flexibility. The agency wants potential clients to know that it can do traditional advertising…but it can also do lots of other stuff too.

As the release puts it, “Anything can grow in a garden.” From Ogilvie himself:

“Our output will be different for every company because it will be based on their individual needs…could be a brand repositioning or social strategy, or it could involve operational design or customer experience innovations. Because the process starts further upstream, the possibilities are endless.”

Rather than hire in-house teams to do that work, The Garden will outsource it:

“Ogilvie and Walczak say The Garden will employ a unique model wherein teams of experts will be custom built and brought in to address specific problems.”

Ogilvie writes from experience: after starting his career at Holmes and Lee (now Reason Partners), he spent more than six years as a senior copywriter and ACD at DDB Canada, working on Capital One, State Farm, Budweiser, Subaru, and various other accounts; Grey Canada later hired him as a creative director.

At Zulu, Ogilvie’s ECD credit appeared on recent campaigns created for Corona, Audi, and Coke Zero.

Walczak also brings two decades of agency experience to the new role: prior to joining Zulu in 2012 as executive strategy director, she was strategic planning director at fellow Toronto shop john st.; previous titles include VP/GM/senior brand strategist at Cossette and account-based roles at Leo Burnett’s Toronto office.

The Garden has not signed formal agreements with any clients at the moment, but its principals are “currently working with several companies who have shown interest in the new model,” so we should have updates soon.

How Jesus and His Marketing Team Came Up With the Craziest Ad Stunt in History

Jesus Christ pulled off some pretty impressive brand stunts in his day: turning water into wine; healing the blind; feeding the multitude with the loaves and fishes. But when it came to one of the biggest stunts of his career, he turned to Montreal’s 1one Production—at least, according to this “never-before-seen original footage” of Christ and his marketing team from a couple thousand years ago.

As self-promo films go, it’s pretty well done. “With the evolution of media, and the viewer becoming more intelligent (and cynical) towards traditional advertising, we need to create stunts that can’t look like anything short of amazing,” says Jean-René Parenteau, executive producer and associate at 1one. “When it comes to doing that, you want an expert, not someone who’s just hoping they can pull it off. This has been our focus for the past five years. Stunts aren’t a new trend for us. It’s what we’ve always done and focused our expertise towards.”

CREDITS
Client: 1one Production
Agency: lg2
Copywriter: Philippe Comeau
Director: Pierre Dalpé
DOP: Barry Russell
Producer: Jean-René Parenteau
Production House: 1one Production
Music and Sound Design: 1one Production



Agency Lays It Out Completely For Those Starting Shops

I’ve met many agency CEOs and founders in my time. And if there’s one thing they all have in common, it’s that none of them know what they’re doing. I don’t mean that in a bad way. It’s simply that every agency is different and its principals always bring different skills the mix. There’s no […]

The post Agency Lays It Out Completely For Those Starting Shops appeared first on AdPulp.

Digital Collages by Tom Reznikov

Tom Reznikov est une jeune artiste de 29 ans et graphiste basée à Tel Aviv. Diplômée depuis 2011 en communication visuelle à l’académie de design de Wizo Haïfa, l’artiste travaille principalement le collage digital. Elle utilise ses propres photos auxquelles elle ajoute une multitude de matériaux physiques comme de l’aquarelle ou du crayon.

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PoopyPets Poopycat: A day at the Poopy Cat Office


Media, Promo, Direct Marketing
PoopyPets

At Poopy Cat we have cats living in the office permanently. This way we can develop, test and improve our concepts in close collaboration with the end-user. They make our employees and visitors smile and they provide enchanting ‘aaawww’ moments.

Cats want their hard working humans’ undivided attention. If not serviced immediately this may result in serious consequences… Meowing thru calls, screen blocking, keyboard naps, all examples of distracting and unprofessional cat behavior! At the end of the day though, we love the crazy catmosphere at our office and we would not want it any other way!

We decided to make a short video of a regular office day to show cat lovers around the world how awesome cats can be in an office environment! A day at Poopy Cat, enjoy…

Creative:Poopycat

Pantone: LGBT 2018 FIFA World Cup Russia


Media, Promo, PR
Pantone

During the 2018 FIFA World Cup, every person flying over Sochi and those checking the city on Google Earth will see the biggest and most beautiful LGBT flag in history.

Advertising Agency:Miami Ad School, New York, USA
Art Director:Frank Garcia, Giulia Magaldi
Copywriter:Begoña Mas

Vibrant Mongolian Fashion – Mongol's Fall Collection Updates the Past with Pops of Color (GALLERY)

(TrendHunter.com) Blending the styles of traditional Mongolian fashion with luxurious materials and bright pops of colors, it’s easy to imagine that the Mongol Fall 2015 collection is exactly what you’d…

TAB: Soccer

The odds can change in an instant. Bet live.

Advertising Agency: 303LOWE, Perth, Australia
Creatives: Richard Berney, Dave Wilson, Ross Dungey, Joe Hawkins
Photographer / Retoucher: Luke Carter Wilton

TAB: Cricket

The odds can change in an instant. Bet live.

Advertising Agency: 303LOWE, Perth, Australia
Creatives: Richard Berney, Dave Wilson, Ross Dungey, Joe Hawkins
Photographer / Retoucher: Luke Carter Wilton

TAB: Tennis

The odds can change in an instant. Bet live.

Advertising Agency: 303LOWE, Perth, Australia
Creatives: Richard Berney, Dave Wilson, Ross Dungey, Joe Hawkins
Photographer / Retoucher: Luke Carter Wilton

McCafe: Heavy night, 1

Advertising Agency: Leo Burnett, Sydney, Australia
Creative Director: Andy Dilallo
Art Directors: Bruno Nakano, Vince Lagana
Copywriter: Grant Mcaloon
Illustrator: Bruno Nakano