State Farm: Disappearing agents

Advertising Agency: Translation, USA
Founder / CEO: Steve Stoute
Chief Creative Officer: John Norman
Creative Directors: Nick Sonderup, Andy Grant
Art Director: Allison Bulow
Copywriter: Jameson Rossi
Partner, Strategy: John McBride
Director of Content Production: Miriam Franklin
Director of Business Management: Thalia Tsouros
Account Director: Susanna Swartley
Account Supervisor: Sara Daino
Assistant Account Executive: Jake Thorndike
Producer: Andy Murillo
Junior Producer: Kristen Cooler
Production: The Directors Bureau
Director: Roman Coppola
DP: Jeff Cronenweth
Executive Producers: Lisa Margulis, Elizabeth Minzes
Producer: Mary Livingston
Editorial Company: Rock Paper Scissors
Editor: Carlos Arias
Assistant Editor: Alexandra Debricon
Post Executive Producer: Eve Kornblum
Post Producer: Lisa Barnable
VFX Company: The Mill
VFX Artist: Gavin Wellsman, Jeff Butler
Executive Producer: Boo Wong
Producer: Colin Moneymaker
Audio Post: Heard City
Mixer: Keith Reynaud, Mike Vitacco
Executive Producer: Gloria Pitagorsky
Producer: Sasha Awn
Sound Design: Henryboy
Sound Designer: Bill Chesley
Executive Producer: Kate Gibson
Original Music: Beacon Street
Composers: Andrew Feltenstein, John Nau
Executive Producers: Adrea Lavezzoli, Leslie Dilullo

Missing Children's Network: Help us trace them

Advertising Agency: TAM-TAMTBWA, Montréal, Canada
Art Director: Annie Vincent
Copywriter: Josianne Dauteuil
Creative Director: Etienne Bastien
Strategic planning: François Canuel
Advisory service: Mélanie Beaudoin, Vicky Harwood
Agency Producer: Mélanie Duguay
Production: Vision Globale, Steven Mercier, Étienne Thériault
Illustrations: Louis Hébert
Music: Apollo, Martin Pelland
Sound: Lamajeure
Published: October 2014

State Farm Offices Sure Are Weird With the Teleporting Agents Constantly Vanishing

State Farm has been running the “Magic Jingle” advertising campaign for a while, in which customers are able to summon their agents out of thin air in times of crisis by singing the famous jingle: “Like a good neighbor, State Farm is there.”

What’s been left unspoken—until now—is how weird the scene must be back in the State Farm offices, with agents constantly disappearing while chatting with colleagues.

This new spot from Translation looks at the campaign from the latter angle, comically checking in on disappearing agents in State Farm offices across the country. The spot was directed by Roman Coppola, with longtime David Fincher cinematographer Jeff Cronenweth handling DP duties.

“There really are endless jokes to make and directions to explore with the concept of teleportation,” Translation creative director Nick Sonderup tells AdFreak.

“We knew the spot worked because there were just so many ways to execute it. On the surface, the idea that a State Farm agent will be there no matter when you need them is only one part of the story. When you consider what those agents might be in the middle of when you sing the jingle, and they’re summoned to your side—that’s when it clicked and we knew things could get really fun.”

“It’s also a response to the way the ‘Magic Jingle’ campaign has become part of culture,” adds Patty Morris, State Farm marketing director of brand content. (Indeed, just look at all the “Magic Jingle” parodies on Vine.)

“We’ve seen so many terrific user-generated parodies and creative ways of approaching the idea. We took the opportunity to re-think it ourselves, and the result was a completely fresh piece of creative that stays true to our original strategy.”

CREDITS
Brand/Client: State Farm
Campaign Title: State Farm Magic Jingle
Spot Title: “Magic Jingle Disappearing Agents”
First Air Date: 1/10/15

Agency: Translation   
Founder & CEO: Steve Stoute
Chief Creative Officer: John Norman
Creative Director: Nick Sonderup
Creative Director: Andy Grant
Art Director: Allison Bulow
Copywriter: Jameson Rossi
Partner, Strategy: John McBride
Director of Content Production: Miriam Franklin
Director of Business Management: Thalia Tsouros
VP Account Director: Susanna Swartley
Account Supervisor: Sara Daino
Assistant Account Executive: Jake Thorndike
Producer: Andy Murillo
Junior Producer: Kristen Cooler

Production: The Directors Bureau
Director: Roman Coppola
DP: Jeff Cronenweth
Managing Director/Executive Producer: Lisa Margulis
Executive Producer/Head of Production: Elizabeth Minzes
Producer: Mary Livingston

Editorial Company: Rock Paper Scissors NY
Editor: Carlos Arias
Assistant Editor: Alexandra Debricon
Post Executive Producer:  Eve Kornblum
Post Producer: Lisa Barnable

VFX Company:  The Mill
VFX Artist: Gavin Wellsman, Jeff Butler
VFX Executive Producer: Boo Wong
VFX Producer: Colin Moneymaker

Audio Post: Heard City
Mixer: Keith Reynaud, Mike Vitacco
Executive Producer: Gloria Pitagorsky
Producer: Sasha Awn

Sound Design: Henryboy
Sound Designer: Bill Chesley
Executive Producer: Kate Gibson

Original Music: Beacon Street
Composers:  Andrew Feltenstein and John Nau
Executive Producers: Adrea Lavezzoli and Leslie Dilullo

Media: OMD

State Farm Marketing Director, Brand Content: Patty Morris
State Farm Advertising Manager: Troy Johnson
State Farm Marketing Analyst, Mass Media Brand Content: Christine Williams
State Farm Marketing Analyst, Mass Media Brand Content: Jeff Greeneberg



MySpace Owners Say Their Ad-Tech is Ahead of Facebook's


Tim and Chris Vanderhook, the brothers who bought MySpace in June 2011, are introducing a new ad-tech platform, pitching the same “real people” targeting that is core to Facebook’s ad offering. And they say their tech is better.

“I feel like they’re coming after us in ad-technology,” said Tim Vanderhook, CEO of MySpace parent company Viant, in an interview alongside his brother, Viant COO Chris Vanderhook. Mr. Vanderhook dismissed a suggestion that MySpace is the one doing the chasing.

“They view advertising as a necessary component to further their business,” Mr. Vanderhook said of Facebook. “We view advertising as our core business. This is what we’ve done for 15 years.”

Continue reading at AdAge.com

Mythical Movie Scenes in Theaters Compilation

La boite de production barcelonaise Tàndem Entertainment a voulu rendre hommage au « méta-cinéma », à cette jolie mise en abyme qu’est « le cinéma dans le cinéma », à travers un montage vidéo intitulé « 120 Years Watching Movies Together ». Des larmes aux rires, du noir et blanc à la couleur, cette compilation retrace et célèbre 120 ans de cinéma, depuis les frères Lumière. Qui, mieux que le cinéma, rend hommage au cinéma ?

120yearswatchingmovies-11
120yearswatchingmovies-10
120yearswatchingmovies-8
120yearswatchingmovies-7
120yearswatchingmovies-6
120yearswatchingmovies-5
120yearswatchingmovies-4
120yearswatchingmovies-3
120yearswatchingmovies-2
120yearswatchingmovies-1

Pictionary: Details


Outdoor, Print
Pictionary

Details have their weak point.

Advertising School:Brother Ad School, Santo Domingo, Dominican Republic
Creative Director:Laura De Jesús Asjana
Art Director:Laura De Jesús Asjana
Illustrator:Laura De Jesús Asjana
Copywriter:Tagore Barba
Additional Credits:Joan Bueno, Alejandro Capellán

Verizon Taps Wieden & Kennedy For Brand, Strategy Work


Verizon, the nation’s largest wireless carrier, has tapped Wieden & Kennedy for brand work, Ad Age has learned.

According to people familiar with the matter, the marketer is enlisting Wieden to handle creative and strategy work for the Verizon brand and its network. Products and services are excluded from the brief, they said.

Verizon spokesman James Gerace confirmed that the company has tapped Wieden, but declined to provide more detail. He added that McGarryBowen remains agency of record for the wireless business and that Interpublic’s McCann remains AOR for its Fios business.

Continue reading at AdAge.com

Shell Names POSSIBLE its Global Digital Agency

1105px-Shell_logoDigital agency POSSIBLE announced today that it has been named global digital agency for Shell, following a competitive review which included four other agencies. Efforts for Shell, beginning with corporate brand work, will be led by POSSIBLE’s London office. A “major launch” is expected from the agency some time in early 2015.

Shell is trying to present itself as an energy company with an “ongoing commitment to meet global energy demand in a responsible way,” despite a track record that suggests otherwise (to put it mildly). This past October, Lego ended its longtime partnership with Shell following a successful Greenpeace campaign. So repairing Shell’s image will be no small task. Still, in a press release POSSIBLE Global CEO Shane Atchison referred to the company as “the ideal client, both innovative in their approach to energy and global client reach and scale.”

“We selected POSSIBLE because they are a forward looking agency partner that can collaborate with us on new ways to reach our customer audience,” said Malena Cutuli, global dead of brand communications and capability at Shell. “They are uniquely positioned to help us engage in this fast moving, socially connected global world that we live in with offices worldwide and core strength in the digital space.”

Verizon Adds Wieden+Kennedy to Agency Roster

verizon logo

A spokesperson for Verizon confirmed today that Wieden+Kennedy will be the latest member of its extensive agency roster.

Details unfortunately remain scant due to the company’s unwillingness to reveal too much of its marketing strategy to its competitors (who obviously read this blog), but we can confirm a few things:

  • Despite any claims to the contrary, mcgarrybowen will continue to serve as AOR for the company’s wireless business, a role it has held since winning the account from McCann in April 2010.
  • Similarly, McCann will retain the FiOS portion of Verizon’s business.

Here’s the official word from corporate:

“We are happy to say we recently added Wieden+Kennedy to our roster of agencies, which number about 40 at this point.”

The client refused to reveal which specific responsibilities it had assigned to W+K, and we cannot confirm which offices will handle the account (though Verizon’s headquarters is based in New York), but observers should expect to see some sort of creative attributed to Wieden+Kennedy within the next few months.

You may note that this news comes just over a week after a Bloomberg piece reported that the company recently approached AOL about a “takeover or joint venture.” That news, combined with November reports on a now-dead “native advertising” site produced by mcgarrybowen, imply that the client plans to dive deeply into the business of “content.”

Wieden+Kennedy offered no comment on the news, deferring to the client.

3 of the Top 4 Most Shared Super Bowl Ads Of All Are Budweiser Ads

budweiser_9_11_11_a.jpg

Despite Budweiser claiming three of the top four most shared ads of all time, Volkswagen’s 2011 spot “The Force” continues to hold onto the top spot, according to data released today by video ad technology company Unruly.

The auto brand’s commercial, which features a mini Darth Vader, has attracted more online shares across social media than any other Super Bowl sponsor’s commercial (5,279,772 shares). However, the VW ad is no longer the most shared ad of all time after it was overtaken by Activia’s World Cup ad, “La, La, La” – featuring Colombian pop princess Shakira last summer (5,875,075) – after more than three years in the #1 position.

Budweiser appeared most frequently on the all-time Super Bowl list, taking up almost a third of the top 10. Its tribute to the victims of 9/11 from Super Bowl 2002 (#2), featuring its famous Clydesdale horses, is the beer company’s most shared Super Bowl ad to date, attracting 3,480,685 million shares. The video trends every year around the anniversary of September 11.

Its next most shared ad is “Brotherhood” (#3), which was the most shared commercial from the 2013 Super Bowl. The most popular ad from last year’s Super Bowl, Budweiser’s “Puppy Love”, is in fourth position after attracting more than 2 million shares.

Movie studios Universal Pictures and Paramount Pictures also make it into the top 10, with two trailers from the Fast and the Furious franchise (#6 and #9) and one from Star Trek (#10), respectively. Memorable spots from Ram Trucks (#5), a ‘trackvert’ from Chevrolet featuring OK GO (#7) and Volkswagen’s “The Bark Side” (#8) also make it on to the list.

Top Super Bowl Ads of All Time

1. The Force: Volkswagen Commercial – Super Bowl 2011 – 5,279,772 shares

2. Budweiser: 9/11 Commercial – Super Bowl 2002 – 3,480,685 shares

3. Budweiser: “Brotherhood” – Super Bowl 2013 – 2,891,209 shares

4. Budweiser: “Puppy Love” – Super Bowl 2014 – 2,002,143 shares

5. Ram Trucks: “Farmer” – Super Bowl 2013 – 1,940,542 shares

6. Universal: Fast & Furious 6 – Big Game Spot – Super Bowl 2013 – 1,504,867 shares

7. Chevrolet: OK Go – Needing/Getting – Official Video – Super Bowl 2012 – 1,342,452 shares

8. The Bark Side: 2012 Volkswagen Game Day Commercial Teaser – Super Bowl 2012 901,587 shares

9. Universal: Fast Five Trailer – Super Bowl 2011 – 886,669 shares

10. Star Trek Into Darkness – Official Teaser – Super Bowl 2013 – 705,935 shares

To see the top 20 Super Bowl ads of all time, click here.

Unruly’s Top 10 Super Bowl Brands data is based on data from the Unruly Viral Video Chart and Unruly Analytics, which ranks videos by the number of shares they attract across Twitter, Facebook and the blogosphere as opposed to the number of views.

Time-lapsed Landscapes Photography

Le photographe Dustin Farrell a passé quatre années à perfectionner sa technique et voyager partout dans le monde pour capturer les plus belles défaillances, ces moments d’alchimies remarquables que la nature peut parfois produire lorsque que ses éléments se rencontrent.

Time-lapsed Landscapes Photography_12
Time-lapsed Landscapes Photography_11
Time-lapsed Landscapes Photography_10
Time-lapsed Landscapes Photography_9
Time-lapsed Landscapes Photography_8
Time-lapsed Landscapes Photography_7
Time-lapsed Landscapes Photography_6
Time-lapsed Landscapes Photography_5
Time-lapsed Landscapes Photography_4
Time-lapsed Landscapes Photography_3
Time-lapsed Landscapes Photography_2
Time-lapsed Landscapes Photography_1

Budweiser cria labirinto de Pac-Man na vida real

pac_man_2.0.0

Já imaginou correr dentro de um labirinto gigante, bebendo uma cerveja enquanto é perseguido por malucos fantasiados de fantasmas? Aparentemente, é isso que a Budweiser vai exibir no seu comercial para o Super Bowl este ano.

O labirinto foi flagrado essa semana em um estacionamento de Los Angeles, agora é esperar para ver o que vem por aí no Super Bowl.

pac_man_1.0

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie

Futuristic Railway Pods – French Design Studio hehe Imagines Urban Railroad Surfing Vehicles (GALLERY)

(TrendHunter.com) French design studio hehe recently unveiled their latest project, a series of railroad surfing vehicles that they imagine will be used as transport in the future. While their project is still very…

Leo Burnett Change Aims to Shock with Cosmopolitan Cover

Cosmo_Karma Nirvana coverLeo Burnett Change, a specialist arm of Leo Burnett dedicated to social change, designed an attention-grabbing cover for Cosmopolitan as part of an awareness campaign for Karma Nirvana, a UK charity aiding victims of so-called “honour-based violence.”

The cover (pictured above) was inspired by the death of of Shafilea Ahmed, a 17-year-old British-Pakistani woman who was suffocated to death by her parents in front of her siblings after refusing to honor an arranged marriage. It depicts a woman who appears to be suffocating, and is encased in a plastic wraparound. A 7-second online video, also created by Leo Burnett, depicts the cover being ripped open as a symbolic representation of the release of women from such violence. The harrowing cover will run on limited editions of the February issue of Cosmopolitan in the UK, and the video will run on the magazine’s social channels, including Facebook, Twitter, Vine and Instagram.

Credits:

Creative Agency: Leo Burnett Change

Executive Creative Director: Justin Tindall

Creatives: Darren Keff and Phillip Meyler

Account Director: Chris Jackson, Sofia Sarkar

Photographer: Erin Mulvehill

Design: Tim Fletcher

Producer: Mickey Voaks

Production Co.: Messrs Group

Kids, Don't Share Photos of Your Willy, Warns Cute but Very Sad British PSA

We live in a pretty amazing time. We can inhale information and imagery to the point where the excess spills over and blows away as fast as it arrived. This is great and all, but if you’re a parent trying to raise kids in this torrent of data, you know how hard it is keeping them safe from the deluge of inappropriate content.

And then there’s teaching them how to manage their own data. How do you give your children the right tools to understand the viral age?

Well, Leo Burnett Change in London (which also did that chilling Cosmo cover for another social cause) and the National Society for the Prevention of Cruelty to Children present this rather candid anecdote of the implications of sharing personal data virtually. In this case, it’s a boy named Alex who’s taken a photo of his, erm, willy—and who is shown the potentially terrible consequences of Snapchatting the pic to someone he trusts.

Take a look below. And thanks a lot, Carlos Danger.

Via Ads of the World.

CREDITS
Client: National Society for the Prevention of Cruelty to Children
Agency: Leo Burnett Change
Copywriter: Alison Steven
Art Director: Liam Bushby
Creative Director: Beri Cheetham
Executive Creative Director: Justin Tindall
Planner: Kit Altin
Agency Producers: Abby Jenkins, Bruce Macrae
Media Agency: OMD
Planner: Alexandra Gill
Production Company: Hornet
Directors: Dan & Jason  
Editor: Anita Chao
Executive Producer: Jan Stebbins
Producer: Cathy Kwan
Storyboard Artist: Carlos Laura Murphy
Lead Character Designer: Adrian Johnson
Designer: Anna Bron
Animation Director: Mike Luzzi
Animators: Angela DeVito, Jacob Kafka, Keelmy Carlo, Krystal Downs, Mike Luzzi, Mark Pecoraro, Natalie Labarre, Nivedita Sekar, Sean Lattrell
Lead Compositor: Ted Wiggin
Compositors: Richard Kim, Stephanie Andreou
Postproduction: Prodigious
Audio Postproduction: Nick Angell



Amazon's Woody Allen Hiring Underscores Risk in TV Push


Amazon’s decision to hire director Woody Allen to create a TV series shows the challenges and potential pitfalls that the web retailer faces as it builds its video offerings.

The director, known for Oscar-winning movies such as “Annie Hall” and “Midnight in Paris,” has never written a TV series before. Hiring talent at his level is expensive and Amazon, even with the two Golden Globe Awards it won this week for its cross-dressing sitcom “Transparent,” hasn’t generated a hit along the lines of HBO’s “Game of Thrones” or Netflix’s “House of Cards.”

“TV is not the same as movies, and few writers or directors make the transition well,” said Michael Pachter, an analyst at Wedbush Securities in Los Angeles.

Continue reading at AdAge.com

KBS Names Guy Hayward First Global CEO


KBS has lured Guy Hayward from Havas-owned BETC Worldwide to be its first global CEO, with a brief to drive growth for the agency’s embryonic international network.

The MDC Partners-owned agency has offices in New York, London, Los Angeles, Montreal, Toronto and Shanghai, but so far has only one global client — technology brand TE Connectivity — which it won in September.

Mr. Hayward said, “The global organization has been built. My job is to bring in global new business and to build relationships with existing clients.” Current KBS clients with a global footprint include American Express, AOL, BMW, Elizabeth Arden, and Puma.

Continue reading at AdAge.com

Toyota Uses Oculus Rift to Educate Teens About Driving Risks


Toyota is hoping a virtual reality experience will convince teens to drive safely.

At the Detroit Auto Show, Toyota launched a distracted driving simulator using Oculus Rift as part of its TeenDrive365 initiative, which offers tools, advice and events to help parents instill safer driving habits in their teens. According to the CDC, motor vehicle crashes are the leading cause of death for U.S. teens.

Once behind the wheel of a stationary Toyota car, users put on an Oculus Rift headset for a virtual reality driving experience down a city street. The challenge is to stay focused and drive safely using the car’s steering wheel and pedals even as traffic sounds, friends’ voices, the radio and text messages pop up as distractions.

Continue reading at AdAge.com

Matter Unlimited Adds New Account Managing Director, CD

-57-56

Strategic and creative agency Matter Unlimited announced the additions of Alexandra Gordon as account managing director and Jake Kahana as creative director, design.

Gordon will be responsible for leading management, developing client relationships and overseeing the internal account team. She joins Matter Unlimited from mcgarrybowen, where she spent approximately the last three years as an account managing director and led several integrated campaigns for Marriott International. Prior to mcgarrybowen, Gordon spent over two years serving as an account director at DDB Sydney, where she worked on the McDonald’s Australia account. Prior to that she served as an account manager for M&C Saatchi.

As creative director, Kahana will manage creative output for all client work, acting as creative lead. He joins Matter Unlimited following over a decade as a freelance art director and designer. During this time his clients included Microsoft, Nestle, Unicef, HBO and President Bill Clinton. He has also worked as an art director for Deutsch LA, a lead designer at 72andSunny and an instructor at Otis College of Art and Design.

“I couldn’t be more thrilled to have these two rock stars joining the Matter Unlimited team,” said Rob Holzer, founder and CEO, Matter Unlimited, in a statement. “They both bring just the right mix of experience and passion to use their skills for positive social impact that make them perfect for our mission and the important work ahead of us.”

Never Thought We'd See This, but Here's an Axe Ad That Has Two Men Kissing

Axe has been trying to move away from its narrow, misogynistic views on relationships and sexuality for some time. But this BBH London spot is easily the Unilever brand’s most inclusive yet.

Airing first in Australia (where the brand is called Lynx) before rolling out to other global markets, the hair-care spot packs a lot into 60 seconds. As our hero flips through TV channels at home, we get brief scenes that take place inside each show—with the protagonist in the lead role.

Around the 30-second mark, though, we get a scene that would be remarkable for many brands—and astounding for Axe. “Kiss the hottest girl,” the voiceover advises the Axe user, “or the hottest boy!” And in the vintage scene, we see the guy do just that.

Even better, they don’t make a big deal of it. And it’s not even mentioned in the press release. (Nick Gill, executive creative director of BBH London, says he’s “enormously proud” of the ad—because it’s “witty, exciting and full on filmic invention,” not because it’s revolutionary in any way.)

The spot has been getting press just for the gay kiss, and no wonder. Axe has been proudly regressive for years. It’s a shock to see it suddenly get this progressive.

CREDITS
Client: Axe/Lynx
Agency: BBH London
BBH Creative Team: Jack Smedley, George Hackforth-Jones
BBH Interactive Art Director: Vinny Olimpio
BBH Creative Director: David Kolbusz, Nick Gill, Gary McCreadie, Wesley Hawes
BBH Team Director: Cressida Holmes-Smith
BBH Team Manager: Freddie Vereker
BBH Strategist: Tom Callard
BBH Strategy Director: Agathe Guerrier
BBH Business Lead: Helen James

Film Credits
BBH Producer: Glenn Paton
BBH Assistant Producer: Katie Burkes
Production Company: Biscuit Filmworks
Director: Noam Murro
Executive Producer: Orlando Wood
Producer: Jay Veal
DoP: Eric Schmidt
Post Production: Framestore
Editor/Editing House: Neil Smith and Saam Hodivala @ Work Post
Sound: Will Cohen @ String and Tins

Print Credits
BBH Producer: Sally Green
Photographer: Photographer: Alan Clarke
Typographer: Rich Kennedy

Local Agency Credits
Client: LYNX Australia
Marketing Director: Jon McCarthy
Senior Brand Manager: Johnny Hammond
Brand Manager: Lindsey Roberts
Digital Agency: Soap Creative
Media Agency: Mindshare
PR Agency: Liquid Ideas