U.K. E-Cig Ad Shows 'Smoking' on TV for First Time Since 1965


A commercial showing a woman “vaping” an e-cigarette was broadcast on U.K. TV for the first time last night, on the same day that strict rules surrounding the advertising of the nicotine-dispensing devices were relaxed.

The e-cigarette brand VIP was the first to take advantage of the new rules, which now allow advertisers to show the product, as well as to show people in the act of vaping.

VIP co-founder David Levin said in a statement, “This will mark the first time in almost 50 years that TV audiences see someone exhale what appears to be cigarette smoke in an ad. However, it is actually vapor from an e-cigarette that they will see.”

Continue reading at AdAge.com

Your Online Romance

From Adbusters #114: Blueprint for a New World, Part 3: Corpo

Like the millions of others, I recently became a denizen in the world of online dating.

Much to my relief, I quickly found I wasn’t the only twenty–something awkwardly striving to digitally represent myself as a somewhat passable mating partner. What struck me was not only the number of people with pictures stroking half-sedated tigers somewhere in Thailand—and those claiming to enjoy both ‘going out’ and ‘staying in’—but rather how online dating resembled the virtual exchange of atomized singles in a rapidly expanding market. Rather than merely virtual reality, here was the reality of the virtual where the free–market ideology of consumer capitalism inscribes itself into romantic relations.

Over the past five years, traditional profile–based services such as Match or OkCupid have mushroomed into enormous platforms that attract tens of millions of monthly visitors. According to a recent Pew Research Center study, 38 percent of single adults in the USA—9 percent of all American adults—have used internet dating platforms, with one in twenty long–term relationships initiated online. In these vast dating markets, users are transformed into virtual HR departments where profiles function as CVs and prospective applicants are weeded out based on an inventory of eligibility criteria.

Underwriting its growing popularity, it is little wonder that the marketization of romance is fueled by a lucrative online dating industry. With over half of single people using online dating services at some point, the virtual romantic market represents a fast growing $2.1 billion industry. According to Forbes, there are an estimated 2,500 dating services online in the United States alone, with 1,000 opening every year. In the United Kingdom, online dating has become so critical to the economy that the Office of National Statistics recently added online dating to the bundle of consumer goods and services used to calculate the rate of inflation.

By amalgamating singles into virtual romantic stock exchanges of varying densities, online dating has seemingly achieved economists’ fantasy of a frictionless free–market—the “friction,” evidently, occurs later. Transaction costs normally absorbed by signalling sexual interest in conventional mating arenas, such as monetary and time expenditure in nightclubs or lengthy courtship rituals, are virtually eliminated. Moreover, since nearly everyone with access to the internet can create an online dating account, barriers to market entry for new participants is effectively zero. It is little wonder that mainstream economists have been aroused by the prospect of online dating markets. From the American Economic Review to the popular Freakonomics blog, economists marvel at online dating; its efficiency in allocating indivisible goods without an explicit price transfer mechanism. Stanford economist Paul Oyer has gone so far as releasing a new book titled, Everything I ever needed to know about economics I learned from online dating.

For old–timey conservatives and techno–skeptics alike, it is far too easy to demonize online dating as just another sad example of app–dependent millennials replacing real relationships for superficial virtual interactions. Should we romanticize romance? Unless we are willing to adopt a dangerously essentialist view of human relationships in general, or love more specifically, we shouldn’t just assert that the market logic of online dating will necessarily ‘ruin’ anything primordial and inert. What we risk obscuring by adopting a knee–jerk nostalgia is that all social relations are embedded within, and in–themselves sustain, systems of production and power. Romantic relationships, initiated online or otherwise, are not exempt.

While seeming to offer a limitless choice of singles at your fingertips, the online dating market is a virtual articulation of the ideology of consumer capitalism. According to Eva Illouz, a sociologist at the Hebrew University in Jerusalem, the emergence of online dating markets has extended the logic of consumer capitalism to the most intimate of human encounters. Armed with a laundry list of demands and criteria, this sexual consumerism is an excessive experience economy that compares the relative prices of goods and services between potential mates. In the context of freer, cheaper and automated match making systems, the proliferation of limitless sexual choice has transformed the process of dating, with all of its potential risks, into an immersive shopping exercise that generates surplus enjoyment in and of itself.

With a growing phalanx of liberal economists keen on totalizing social relations under the logic of homo economicus, virtual dating is where the hydra of excess enjoyment—the ideological imperative to the continued functioning of consumer capitalism—rears its ugly head. But the true illusion of online dating isn’t in foisting real relationships per se. (For those who have successfully met partners through dating websites, can we cynically arbitrate what is authentic or not?) It is instead conflating a free–market ideology of mass consumption as a vehicle of romantic emancipation while obscuring why we were led to such lonely recesses in the first place.

— Patrick England is a graduate from the London School of Economics who writes about the political economy of oil and violence in the Niger Delta.

Source

Na surdina, George Lucas assina roteiro de nova animação da Disney

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Lá atrás, em outubro de 2012, a Disney anunciou a compra da Lucasfilm pela “bagatela” de US$ 4.05 bilhões, acordo que incluiu também a franquia Star Wars. Na época, George Lucas deu uma entrevista em que falou sobre a aposentadoria e os planos para um futuro que não incluía o mercado cinematográfico. É provável que ninguém tenha acreditado naquela história, nem mesmo o próprio cineasta, que ficou trabalhando na surdina nos últimos dois anos.

Agora, a pouco mais de dois meses da data de lançamento, a Disney anuncia Strange Magic, animação roteirizada pelo próprio George Lucas que deve chegar aos cinemas no dia 23 de janeiro.

Mesmo sem trailer – ou muitos detalhes sobre a produção -, a expectativa já é grande. Ao que tudo indica, a história é inspirada em Sonhos de Uma Noite de Verão, de William Shakespeare, e terá no elenco as vozes de Alan Cumming, Maya Rudolph, Evan Rachel Wood, Sam Palladio, Alfred Molina e Kristin Chenoweth. A direção é de Gary Rydstrom.

Para acompanhar as novidades de Strange Magic, vale ficar de olho no Twitter.

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The Weirdest, Wackiest, Lamest, Sexiest, Most Awesome Ads of the Week

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– They’re kind of a snooze but if you want to watch all of the new Dollar Shave Club TV ads, they are here.

– Yet another weird (and very good) ALDI Australia ad created by BMF.

– Right in line with the odd approach Dollar Shave Club took with its collection of new ads, JWT New York is out with a very manscaping-centric commercial entitled Crib in My Pants. Seriously the weirdest shaving ad you will ever see. But, damn, that “first girlfriend” is of the charts cute!

– A dating club is wrong but a shaving club is awesome. Yea, it’s another shaving brand trying to do the Dollar Shave Club thing.

– If you’ve ever just wanted to stare at thong-clad ass for two and a half minutes, Miss Reef has you covered.

– After watching this JWT London and th2ng-created slice of craziness, you will never look at 25% the same way again.

– In what is, by far, the lamest, most boring entry into the Volvo cannon of feature-focused videos, the brand is out with Volvo Trucks vs Koenigsegg, in which a Volvo truck drives around a race track and two guys talk about the truck’s features. Yawn.

– For all you furries out there, this ad’s for you.

– If you could buy a deoderant that made you smell like a truck river, would you? 42% of these shoppers did just that.

– And then there’s this clearly ramp-assisted parking maneuver designed to illustrate the amazing parking abilities of the new Audi Q3.

– Grupo Gallegos decided to use people’s obsession with taking photos to help cure Alzheimer’s.

– Barton F, Graff 9000 has created a terrific promotional video for The Mentor Act, a bill that would create an official mentorship program designed to keep people out of prison.

Here is an incredible bad — and we mean really, really bad — ad for san Diego-based Stellar Solar. The press release actually dared to call it innovative.

– OK, this is funny! From David & Goliath, this ad demonstrates just how amazing and attention grabbing the new Vizio Ultra HD TVs are. So amazing, viewers don’t even notice the real-life drama going on around them.

– We all have varying degrees of various phobias. But here are some new ones from Saatch & Saatchi Canada for the Toronot Film Festival you may not have heard of.

– If you are going to do stupid things, at least become an organ donor. Thanks for that, Duvall Guillaume!

Taylor Swift’s Stand on Royalties Draws a Rebuttal From Spotify

The decision by Ms. Swift to remove her entire catalog from Spotify has intensified a debate over royalties paid by music streaming services.



Cam Newton Gets Primal for Beats By Dre, With Help From Kendrick Lamar

Beats by Dre is back to motivate you, and this time it’s enlisted Cam Newton.

The Carolina Panthers quarterback sweats it out in a new ad for the headphone maker’s wireless offering from R/GA, following in the footsteps of last month’s commercial celebrating LeBron James’s return to Ohio, and this summer’s starring Serena Williams in the wake of her U.S. Open victory.

Beats once again leans on a pitch-perfect soundtrack to carry its message—in this case, Kendrick Lamar’s verse on Jay Rock’s “Pay for It”—as Newton presses through his routine.

This would be the first time the formula might start to feel a little predictable—if it weren’t for Newton letting out a primal scream at the end, to put an even sharper point on lyrics like “It’s going take a whole lot of you to kill me.”

He’s definitely earned his Gatorade, at least.

Explain It Like I'm Eight: Ad Exchanges


Explain It Like I’m Eight, Ad Age’s series of videos breaking marketing jargon down into terms even kids would understand, continues its return today with a conversation about ad exchanges.

See all the Explain It Like I’m Eight videos — on topics including viewability, programmatic ad tech, and ad fraud — right here.

Continue reading at AdAge.com

Cable Giants Partner For Set-Top Box Data


Time Warner Cable and Cablevision are partnering to provide advertisers with set-top box data that reveals granular viewing trends in the New York market.

The cable operators said they will release a quarterly report based on audience tuning data on more than 300 TV networks, drawn from more than 3.5 million households that represent nearly half of the New York designated market area.

Advertisers are increasingly looking to target TV audiences more precisely than the standard age and sex demographics allow. Time Warner Cable and Cablevision said their new advertiser data is designed to provide detailed insights about New York TV viewing that cannot be garnered from traditional measurement methods.

Continue reading at AdAge.com

New Books: Hooked and Targeted

In Hooked: How to Build Habit-Forming Products, Nir Eyal lays out a four-step process called the Hook Model for creating the types of products and services that keep people coming back for more. Although many of the examples he uses are online-oriented (Yelp, Twitter, The Bible App), there are plenty of lessons here for folks […]

The post New Books: Hooked and Targeted appeared first on AdPulp.

Giant pink condoms covering tall things – Twice

When the giant hot pink condom in Sydney was put on a landmark in Sydney last week, we had a severe sense of Deja Vu. The Aids Council of New South Wales (Acon) created the “I’m ON” campaign to encourage safe sex among gay men, but it’s not the first time we’ve seen giant pink condoms raising Aids awareness.

Adland: 

Badland: 

PHE searches for agency to launch "Living Well" brand

Public Health England is inviting agencies to pitch for the launch of the “Living Well” brand for adults and to manage its flagship Smokefree brand.

Google Leases NASA Airfield to Research Robotics and Space Exploration


Google has agreed to a $1.2 billion lease of NASA’s Moffett Field airfield in California for 60 years, as the company invests in new technologies such as robotics and aviation.

As part of the deal, Google subsidiary Planetary Ventures will invest more than $200 million in improvements at the site, which is near the company’s headquarters in Mountain View, according to a NASA statement. The facility is slated for research, assembly and testing in the areas of robotics, space exploration, aviation and other technologies, it said.

Google is committing more resources to cutting-edge technologies as it looks for new ventures beyond its core online search services. The internet search provider has acquired several companies in a robotics effort that was led by Android co-founder Andy Rubin. Last month, Google said Mr. Rubin was stepping down and that James Kuffner, a research scientist, would take his position. Other research efforts have included wind power, driverless cars, drones and computerized eyewear.

Continue reading at AdAge.com

Could the Model In These New VW Jetta Ads Possibly Have A More Gigantic Smile?

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Normally when an agency creates work for a brand, they want the consumer of that creative to focus on the message contained within the ad for that brand. But sometimes, without anyone intending to do so, there’s an element within a given ad that sometimes garners more attention that it should.

In this case, it’s the gigantic smile on the model in two new Deutsch LA-created ads for the new VW Jetta. Of course the concept, which features a flight attendant (the aforementioned person with the gigantic smile) in the passenger seat reeling off the automobiles awesome features…as if she were doing that whole inflight safety thing…is perfect. Why? Because the spots will be airing in-flight on JetBlue, United and Frontier now through New Year’s.

Great teeth! Uh, I mean, great ads.

180 Amsterdam Launches ‘Welcome to the Future of Play’ for PS4

180 Amsterdam has launched a new campaign for Sony’s PS4 holiday push entitled “Welcome to the Future of Play.”

In what has long been the standard for gaming advertising, players are thrust into the action of a game. “I don’t want to die…again,” says one of the players, as he and a friend hide during a fierce battle. The friend decides they have three options: check YouTube and hope someone shared how to get past the stage via the PS4?s “Share” button; ask their friend Dave how to survive the Viking attack; or invite Nick to join them in the game, even though he doesn’t own the game. The last option illustrates one of the PS4?s big selling points, that you can join a friend’s game remotely, even if you haven’t purchased the title. The way the ad arrives at this point, however, may seem a little forced to some viewers.

The campaign is launching simultaneously in Europe, Australia, New Zealand, India, South Africa and Middle East, as the holiday season approaches. In addition to the broadcast spot, the campaign also includes print and OOH elements, each focusing on one of the key new features for the PS4 promoted in the spot. (more…)

New Career Opportunities Daily: The best jobs in media.

50 Alternative Christmas Tree Ideas – From High Heeled Holiday Trees to Exploding Tannenbaum Decor (TOPLIST)

(TrendHunter.com) These alternative Christmas tree ideas range from high heeled holiday trees to exploding tannenbaums that celebrate the holiday season with a big bang.

While a traditional tree may appeal to the…

It's Starting to Feel Like Christmas on the Viral Video Chart


Two holiday-centric campaigns, from John Lewis and Burberry respectively, sit atop the chart this week. John Lewis’s “Monty the Penguin,” about a boy and his best friend, has taken off like a shot, with more than 14.9 million views over the seven days that ended Sunday, according to Visible Measures. (Check out John Lewis and other U.K. retailers’ cinematic Christmas ads from last year here.)

Burberry’s cinematic holiday campaign stars Romeo Beckham, and it’s accumulated more than six million views during that same span.

Elsewhere, two chart fixtures returned. Save the Children’s Most Shocking Second a Day, which has been viewed more than 41 million times since its March launch, claimed the No. 4 spot after racking up more than 4.4 million views. The Melbourne Metro’s latest work in the “Dumb Ways to Die” campaign, which has appeared on this chart 36 times over the past two years, grabbed the eighth slot, with another 1.4 million views.

Continue reading at AdAge.com

Five Takeaways From Alibaba's Record-Busting $9.3 Billion Shopping Fest


Chinese e-commerce giant Alibaba’s ambitions seem limitless: Bigger, more mobile, more global. During its just-ended annual e-commerce holiday, Alibaba set a new record, selling $9.3 billion in merchandise in a 24-hour festival.

The figure for the 11/11 sale, named for its date, Nov. 11, topped the 2013 record of $5.8 billion. That’s way more than everything people bought on their computers during the five-day U.S. Thanksgiving holiday last year that included both Black Friday and Cyber Monday ($5.3 billion, according to ComScore.)

So what are the big takeaways?

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Ubisoft / Assassin’s Creed Unity: Akiba Stealth

The ad was created to commemorate the Japanese release of Assassin’s Creed Unity. It takes place in Akihabara, Tokyo, hallowed ground for gamers, technology and otaku culture fanatics in Japan and around the world.

Advertising Agency: Dentsu, Japan

Teleclub: We won't ruin your movie, 1

Advertising Agency: Y&R, Zurich, Switzerland
Chief Creative Officer: Markus Gut
Creative Directors: Martin Stulz, Dominik Oberwiler
Copywriter: Parvez Sheik Fareed
Art Director: Sarah Paul
Graphic Designer: Raphael Grob
Account Director: Christoph Schwarz
Published: November 2014

Teleclub: We won't ruin your movie, 2

Advertising Agency: Y&R, Zurich, Switzerland
Chief Creative Officer: Markus Gut
Creative Directors: Martin Stulz, Dominik Oberwiler
Copywriter: Parvez Sheik Fareed
Art Director: Sarah Paul
Graphic Designer: Raphael Grob
Account Director: Christoph Schwarz
Published: November 2014