RTÉ "TV License: Susan" (2014) :50 (Ireland)

“First world problem? yes. Costly one? You’re damn right.” This spot is encouraging young Irish men and women to pay the piper for their TV license, otherwise they’re fined a crazy amount of dosh. Nice use of the word “Flamingo” in this one.

Agency – Publicis Dublin
Client: RTÉ
Title: Unfortunate Stories
Creative Director – Ronan Nulty
Copywriter – Luke O’ Reilly
Agency Producer – Rachel Murray
Account Executive – Ian Hollinshead
Account Director – Shona Byrne
Marketing Manager – Anne Faulkner

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RTÉ "TV License: Tomas" (2014) :50 (Ireland)

This radio spot from Ireland encourages you to pay for your radio license and avoid a huge fine. Because “watching TV in your underpants shouldn’t be a crime.” Hats off to Publicis Dublin for bringing the funny– and to RTÉ for not being your typical Government stick-in-the-mud client.

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D&AD "Wish you were here?" (2014) 1:55 (brazil)

Holy moley what a crazy fun animated mashup of like the most recent D&AD winners.

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DoubleClick ads go down across the web

Google’s DoubleClick for Publishers ad server globally has gone down, costing publishers millions.

Crianças conhecem câmeras fotográficas antigas e evidenciam evolução da fotografia

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A tecnologia às vezes é engraçada. De repente, ela se torna tão comum, tão ubíqua, que você nem repara mais quão diferentes estão os processos, o quanto a sua rotina mudou e as coisas ficaram mais práticas.

Esse vídeo recente do canal The Fine Bros evidencia isso ao mostrar uma câmera fotográfica antiga, que usava filmes, para crianças. Com o equipamento em mãos, os pequenos tinham uma dificuldade razoável em aprender como ligar a máquina e como fazê-la efetivamente fotografar – é preciso inserir o filme antes – mas o interessante mesmo é a surpresa delas quando descobrem que não dá para ver a foto instantaneamente.

“Que dificuldade para tirar uma simples fotografia!”, reclama uma das meninas, enquanto a outra pensa na trabalheira de ter que levar o filme para revelar em uma loja.

“E quando foi que as câmeras de verdade chegaram, para você não precisar fazer tudo isso?”, questiona um dos meninos, cansado só de imaginar o processo completo.

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Amazing Installation in Paris for FIAC

A l’occasion de la FIAC 2014, la galerie d’art Philippe Gravier a commandé au japonais Sou Fujimoto une installation composée de cubes d’aluminium de différentes tailles, dont certains servent de réceptacles à des arbres. Exposée actuellement dans le jardin des Tuileries, l’oeuvre donne l’impression d’une faille matricielle, une pixelisation totalement aléatoire de la nature. Une belle manière de mêler un concept digital avec le monde qui nous entoure, et d’étendre ainsi la perception de notre environnement. A découvrir.

Amazing Installation for FIAC_4
Amazing Installation for FIAC_3
Amazing Installation for FIAC_2
Amazing Installation for FIAC_1
Amazing Installation for FIAC_0

Sherwin-Williams Confirms Deutsch NY Win

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On Monday we reported that Deutsch New York had won a portion of the Sherwin-Williams account, and yesterday the company confirmed the news with a press release. Specifically, Deutsch won the Diversified Brands Division of S-W and will “assume all marketing responsibilities, including media planning and buying, for the portfolio of brands.”

The brands involved include Minwax, Krylon, Purdy, Thompson’s WaterSeal, Dutch Boy, Pratt & Lambert, Dupli-Color, and others.

From Crain’s Cleveland, a Sherwin spokesperson said that the account, which had previously been handled by multiple agencies, went to Deutsch so the client can “‘align portfolio brands’ and ‘drive efficiencies of the portfolio.’”

While the company did not disclose billings on the account, The Wall Street Journal recently reported that its Q3 sales totals rose by 11 percent thanks to acquisitions and sales growth. No word on when to expect new work.

New Career Opportunities Daily: The best jobs in media.

DDB Brussels Attempts to Stop People from Googling Medical Symptoms

Belgium’s Flemish government recently commissioned DDB Brussels to come up with a way to get people to stop googling their medical symptoms, leading to myriad, and potentially harmful, (self) misdiagnoses.

The agency came up with a pretty intriguing solution, buying Google Adwords for the top 100 searched symptoms and directing searchers to the Gezondheid en Wetenschap (Health and Science) website through a message stating, “Don’t Google it, check a reliable source.” They also made a promotional clip (featured above) for the campaign, introducing the issue of the perils of self-diagnosing via Google search. “I have a deadly disease, and I’m going to die in six weeks,” says a man with a solemn expression on his face. Suddenly, though, his expression relaxes and he adds, “Or at least that’s what I thought when I used Google to diagnose my twitching eyelid.” It’s a good way to get your attention, using the most dire of scenarios to draw attention to the ineffectiveness of using a tool like Google for self diagnosis, as 75 percent of the population does. Since, on the Internet, “anyone can be a doctor,” the video states, you’re likely to find the wrong solution, which can potentially make things worse (as it illustrates through comic exaggeration). It’s a clever campaign, and by placing the information in the right place at the right time, DDB Brussels just may help change people’s behavior. (more…)

New Career Opportunities Daily: The best jobs in media.

Tesco Puts On an Insane Christmas Light Show, Proves Commitment to Holiday Spirit

The annual British Christmas ad wars are heating up, and Tesco wants people to know it’s armed with lots of the obligatory bright lights, and endearingly ridiculous ornaments.

A new TV commercial from the supermarket chain and Wieden + Kennedy London dramatizes everyman preparations for the holiday—pulling tangled string lights out of the dusty attic, scaling a ladder with a wobbly reindeer, and grinning slack-jawed as a two-story inflatable Santa reaches full stature.

It aims to build toward that wondrous moment when the electricity flips on—another in a string of familiar visual cues that are appropriate, if not particularly risky. And it has some pretty fierce competition in the the quiet charisma of this year’s penguin-as-childhood-best-friend ad from department store John Lewis.

But the real gem in Tesco’s campaign is the insane outdoor light show it put on at a store in Wigan, outside Manchester (with some of the resulting footage edited into the TV spot). See below for that.

Spurred by a local journalist’s Twitter gripe last year that the location’s sign didn’t have a Christmas hat, Tesco responded with a Christmas rock spectacular that includes a guitar-shredding Santa, turkey Rockettes and a brain-melting bass drop into a Elven electronica dance routine. In the grand finale, Saint Nick basically Hadoukens a neon green crown out of his guitar through the air, onto the “O” in Tesco.

In other words, be careful what you wish for at Christmas—you might get it, and then some.



Wil Wheaton, Giant Beer Geek, Humorously Introduces Newcastle's Scotch Ale

Newcastle has tapped Wil Wheaton as its latest anti-advertising star, enlisting the actor and Internet folk hero for a couple of amusing online videos introducing a new Scotch Ale.

Wheaton does an amusing job of delivering the pitch under duress, as the Droga5 production is self-consciously faux-low-budget. He’s also a well-known home-brew geek, and mixes some knowledge in with the humor.

“Newcastle Scotch Ale is a well-balanced, malt-forward brew with a delightful velvety finish,” he says in the press release. “Basically, Newcastle and Caledonian made a kick-ass beer that does not suck.”

The Scotch Ale is the first in a series of what Newcastle is calling “collaboration edition” beers made in partnership with some of Europe’s finest and oldest breweries. This first partnership is with its Edinburgh-based sister brewery Caledonian.

“One of our dreams is to get rid of the ‘intimidation’ factor that prevents so many people from foregoing boring ‘yellow beer’ and enjoying more interesting brews,” says Brett Steen, brand manager for Newcastle Brown Ale. “Wil is an inviting and knowledgeable guy, and we’re stoked that he’s taking this herculean effort of humor and wisdom onto himself so we don’t have to.”



Post-Photography: The Artist with a Camera

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The real world is full of cameras; the virtual world is full of images. Where does all this photographic activity leave the artist-photographer? Post-Photography tries to answer that question by investigating the exciting new language of photographic image-making that is emerging in the digital age of anything-is-possible and everything-has-been-done-before continue

Honda: A gift to remember, 1

Advertising Agency: RPA, USA

Honda: A gift to remember, 2

Advertising Agency: RPA, USA

Honda: A gift to remember, 3

Advertising Agency: RPA, USA

Honda: A gift to remember, 4

Advertising Agency: RPA, USA

Honda: A gift to remember, 5

Advertising Agency: RPA, USA

Honda: A gift to remember, 6

Advertising Agency: RPA, USA

Vodafone: Local heroes

Advertising Agency: Rainey Kelly Campbell Roalfe/Y&R, UK
Executive creative director: Mick Mahoney
Art director: Richard Barrett
Copywriter: James Manning
Director: Pete Riski / Rattling Stick

Virgin Active: Spider Monkey

Advertising Agency: M&C Saatchi Abel, Cape Town, South Africa
Creative Director: Gordon Ray
Art Director: Ntobeko Ximba
Copywriter: Kayli Vee Levitan
Producer: Sarah Matthes
Account Directors: Faheem Chaudhry, Amanda Crawley
Studio: We Love Jam
Sound Engineers: Hannes Burger, Arnold Vermaak
Published: September 2014

Virgin Active: Brave Heart

Advertising Agency: M&C Saatchi Abel, Cape Town, South Africa
Creative Director: Gordon Ray
Art Director: Ntobeko Ximba
Copywriter: Kayli Vee Levitan
Producer: Sarah Matthes
Account Directors: Faheem Chaudhry, Amanda Crawley
Studio: We Love Jam
Sound Engineers: Hannes Burger, Arnold Vermaak
Published: September 2014