Greene King IPA "King Snare" (2014) 2:00 (UK)
Posted in: UncategorizedNoted jazz drummer Steve Noble does a one-take improvised drum solo. King Snare for Greene King IPA. Just awesome.
Noted jazz drummer Steve Noble does a one-take improvised drum solo. King Snare for Greene King IPA. Just awesome.
Le Poladarium 2015 est un calendrier détachable publié par les éditeurs allemands Seltmann + Söhne. Il réunit une sélection de 365 Polaroïds pour chaque jour, indiquant les informations du photographe derrière la photo. Une technique d’impression de très bonne qualité sur un papier brillant, le tout présenté dans une belle boîte, à découvrir.
The privately held music streaming service said it had about $1 billion in 2013 revenue, and $80 million in net losses.
TDA_Boulder is looking for a new art director, but the interview process will be unique. In fact, if all goes well, it might end up looking like outtakes from The Hangover.
Yes, the agency plans to interview the top candidate over two days in Las Vegas.
“There’s only so much you can learn about an applicant over the course of an hour-long interview,” says the agency. “Which is why TDA_Boulder is taking a new approach to hiring an art director—bringing you along on our two-day holiday party in Las Vegas. Given that Vegas has a tendency to bring out the best (and worst) in people, it’s the perfect proving ground for anyone who’d like to work at TDA.”
The invitation to apply (see below) is styled like a fingerprint card for the Clark County Sheriff Dept. You can apply at tdaboulder.com/contact by Dec. 3. TDA will then conduct interviews via Skype to select one candidate for the trip, beginning Dec. 7.
“Airfare, food, lodging, golf and/or spa included. Work not included. Hanging included. Bail not included,” says the agency.
Zach Galfianakis need not apply.
CREDITS
Agency: TDA_Boulder
Art Director: Austin O’Connor
Copywriter: Dan Colburn
Creative Director: Jonathan Schoenberg
Wieden + Kennedy recently created a pretty incredible out-of-home tourism installation for Travel Portland: the tallest freestanding cuckoo clock in the U.S.
Chainsaw sculptor J. Chester Armstrong carved the clock, made from a single Oregon maple, in the national forest just outside Portland. It took three months to make—with help from metal sculptor Nicolas Gros, clock designer/gear consultant Laurent Worme, electronics consultant Mark Keppinger, and local illustrator Patrick Long (who did the illustrations for the clock face). The clock features references to a number of Portland icons—Mt. Hood, Portlandia, beer, wine, bikers, farmers markets, roses, rivers, bridges and even Sasquatch.
W+K recently took the clock—which thematically ties into the “Portland Is Happening Now” campaign—to Seattle and Vancouver for tourism events in those cities. Every hour on the hour, hand-painted, wood-carved miniatures appear when the clock chimes. The events also featured “Portland-themed surprises, like coffee and donuts, a poet reading, a comedian performance, a tax-free tea party and naked bike riders,” the agency says.
The clock is 24.1 feet tall by 9.5 feet wide and weighs more than three tons. W+K is now looking for an indoor location in Portland to house the clock through the winter months. Check out more images below, all courtesy of the Portland Oregon Visitors Association/Travel Portland.
CREDITS
Client: Travel Portland
Project: “Portland Is Happening Now”
Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Hal Curtis / Antony Goldstein / Jeff Gillete
Copywriter: Becca Wadlinger / Jared Elms / Ian Fairbrother
Art Director: Nate Nowinowksi
Designer: Patrick Nistler / Cassandra Swan
Media Team: Wieden + Kennedy
Interactive Strategy: Jocelin Shalom
Media/Comms Planning: Stephanie Ehui
Strategic Planning: Lisa Prince
Account Team: Ken Smith / Kristin Postill
Production: Byron Oshiro / Kristin Holder / Heather Hanrahan
Project Manager: Danna Dolich / Shannon Hutchinson
Studio Manager: Abby Marten
Executive Creative Directors: Joe Staples / Mark Fitzloff
Event Partners
Social Agency: Edelman Digital
Public Relations Agency: Lane PR
Digital Agency: Rally Group
Event Producer: Sue Cool
Design & Construction Team
Project leader and metal sculptor: Nicolas Gros (Nico),
Chainsaw carving: J. Chester Armstrong
Clock and gears design development / consultant: Laurent Worme
Microprocessor and pneumatic consultant: David Butts
Electronic consultant: Mark Keppinger
Welder: Cameron Visconty
Lead Carpenter: Matt Sykes
Fabricator: James Harrison
Lighting and carpentry assistant: Julia Zell
Carpenter: Dave Laubenthal
Sign paint: Ardis Defreece
Miniatures and Clock Face Painting: José Solis
Advertising Agency: The Martin Agency, USA
Chief Creative Officer: Joe Alexander
Group Creative Directors: Steve Bassett, Wade Alger
Creative Director / Art Director: Sean Riley
Senior Copywriter: Ken Marcus
VP/Agency Executive Broadcast Producer: Molly Schaaf
Bid/Prep/Shoot/Edit Producer: Alex Scheer-Payne
Vfx/Finishing Producer: Sam Tucker
Agency Junior Producer: Emily Taylor
Business Affairs Supervisor: Suzanne Wieringo
Senior Integrated Production Business Manager: Amy Trenz
VP/ Group Account Director: Brad Higdon
Account Supervisor: Parker Collins
Account Executive: Meg Ingraham
Senior Project Manager: Jason Ray
Production Company: Hungry Man
Director: Wayne McClammy
Director of Photography: Bryan Newman
Executive Producer: Mino Jarjoura
Producer: Nate Young
Editorial Company: Mackenzie Cutler
Editor: Ian MacKenzie
Assistant Editor: Nick Divers
Executive Producer: Sasha Hirschfield
Editorial Producer: Evan Meeker
Telecine: The Mill
Colorist: Fergus McCall
Audio Post Company: Rainmaker Studios
Engineer: Jeff McManus
Conform: Running With Scissors
Conform Artist: Chris Hagen
Executive Producer: Scott Friske
Producer: DeeDee Ray
Music to your ears.
Advertising School: Brother Ad School, Santo Domingo, Dominican Republic
Copywriter: César Salcedo
Art Directors: Hugo Quezada, Sara Paz
Illustration: Reison Vasquez
Published: September 2014
Advertising Agency: Laboratory Group, Budapest, Hungary
Creative Director / Art Director: Sándor Haszon
Cyclist: Ádám Papp
Account Executive: Edit Czakó
Advertising Agency: Wieden+Kennedy, New York, USA
Creative Directors: Stuart Jennings, Susan Hoffman
Executive Creative Directors: Susan Hoffman, David Kolbusz
Art Directors: Jaclyn Crowley, Jeff Dryer, Morgan Sheehan
Copywriters: Laddie Peterson, Al Merry, Heather Ryder
Producer: Alison Hill
Head of Integrated Production: Nick Setounski
Director of Brand Planning: Erik Hanson
Planner: Hayley Parker
Director of Interactive Strategy: Marshall Ball
Interactive Strategist: Jordan Schenck
Account Director: Tamera Geddes
Account Executive: Molly Friedman
Production Company: The Directors Bureau
Director: Sofia Coppola
Executive Producer/Managing Director: Lisa Margulis
Executive Producer/Head of Production: Elizabeth Minzes
Line Producer: Youree Henley
Director of Photography: Eric Gautier
Editorial Company: Consulate
Editor: Chad Sipkin
Post Executive Producer: Alan Lopez
Editorial Assistants: Ryan McCally, Elizabeth Navarro
VFX Company: The Mill
VFX Lead Flame: Jamin Clutcher
Producer: Clairellen Wallin
Telecine Company: CO3
Mix Company: Sonic Union
Mixer: Steve Rosen
Advertising Agency: Wieden+Kennedy, New York, USA
Creative Directors: Stuart Jennings, Susan Hoffman
Executive Creative Directors: Susan Hoffman, David Kolbusz
Art Directors: Jaclyn Crowley, Jeff Dryer, Morgan Sheehan
Copywriters: Laddie Peterson, Al Merry, Heather Ryder
Producer: Alison Hill
Head of Integrated Production: Nick Setounski
Director of Brand Planning: Erik Hanson
Planner: Hayley Parker
Director of Interactive Strategy: Marshall Ball
Interactive Strategist: Jordan Schenck
Account Director: Tamera Geddes
Account Executive: Molly Friedman
Production Company: The Directors Bureau
Director: Sofia Coppola
Executive Producer/Managing Director: Lisa Margulis
Executive Producer/Head of Production: Elizabeth Minzes
Line Producer: Youree Henley
Director of Photography: Eric Gautier
Editorial Company: Consulate
Editor: Chad Sipkin
Post Executive Producer: Alan Lopez
Editorial Assistants: Ryan McCally, Elizabeth Navarro
VFX Company: The Mill
VFX Lead Flame: Jamin Clutcher
Producer: Clairellen Wallin
Telecine Company: CO3
Mix Company: Sonic Union
Mixer: Steve Rosen
Advertising Agency: Wieden+Kennedy, New York, USA
Creative Directors: Stuart Jennings, Susan Hoffman
Executive Creative Directors: Susan Hoffman, David Kolbusz
Art Directors: Jaclyn Crowley, Jeff Dryer, Morgan Sheehan
Copywriters: Laddie Peterson, Al Merry, Heather Ryder
Producer: Alison Hill
Head of Integrated Production: Nick Setounski
Director of Brand Planning: Erik Hanson
Planner: Hayley Parker
Director of Interactive Strategy: Marshall Ball
Interactive Strategist: Jordan Schenck
Account Director: Tamera Geddes
Account Executive: Molly Friedman
Production Company: The Directors Bureau
Director: Sofia Coppola
Executive Producer/Managing Director: Lisa Margulis
Executive Producer/Head of Production: Elizabeth Minzes
Line Producer: Youree Henley
Director of Photography: Eric Gautier
Editorial Company: Consulate
Editor: Chad Sipkin
Post Executive Producer: Alan Lopez
Editorial Assistants: Ryan McCally, Elizabeth Navarro
VFX Company: The Mill
VFX Lead Flame: Jamin Clutcher
Producer: Clairellen Wallin
Telecine Company: CO3
Mix Company: Sonic Union
Mixer: Steve Rosen
Advertising Agency: Wieden+Kennedy, New York, USA
Creative Directors: Stuart Jennings, Susan Hoffman
Executive Creative Directors: Susan Hoffman, David Kolbusz
Art Directors: Jaclyn Crowley, Jeff Dryer, Morgan Sheehan
Copywriters: Laddie Peterson, Al Merry, Heather Ryder
Producer: Alison Hill
Head of Integrated Production: Nick Setounski
Director of Brand Planning: Erik Hanson
Planner: Hayley Parker
Director of Interactive Strategy: Marshall Ball
Interactive Strategist: Jordan Schenck
Account Director: Tamera Geddes
Account Executive: Molly Friedman
Production Company: The Directors Bureau
Director: Sofia Coppola
Executive Producer/Managing Director: Lisa Margulis
Executive Producer/Head of Production: Elizabeth Minzes
Line Producer: Youree Henley
Director of Photography: Eric Gautier
Editorial Company: Consulate
Editor: Chad Sipkin
Post Executive Producer: Alan Lopez
Editorial Assistants: Ryan McCally, Elizabeth Navarro
VFX Company: The Mill
VFX Lead Flame: Jamin Clutcher
Producer: Clairellen Wallin
Telecine Company: CO3
Mix Company: Sonic Union
Mixer: Steve Rosen
This is the official Destiny Trailer for their first expansion pack, The Dark Below, featuring DrCrispy93– voiced by SNL’s Pete Davidson.
Le vidéaste Jaume R. Lloret a monté une vidéo qui s’intéresse exclusivement aux scènes de transports que l’on peut voir dans les films de Wes Anderson. La vidéo met en évidence la signature du réalisateur à opter pour le point de vue subjectif à travers des scènes de vélos, motos, voitures, avions, trains et sous-marins.
Films :
– Life Aquatic (2004)
– The Darjeeling Limited (2007)
– Fantastic Mr. Fox (2009)
– Moonrise Kingdom (2012)
– The Grand Budapest Hotel (2014)
Ogilvy teamed up with Coca-Cola Germany for “Make Someone Happy,” the brand’s holiday ad which notably replaces the polar bears of recent years with Santa, also a longtime holiday standby for the brand. According to AdAge, this “marks the first time since 2011 that the brand’s classic Santa character has been the centerpiece of its holiday TV campaign in the U.S.,” although that publication points out that the polar bears will still have “a supporting role for store-level retail executions.”
In the 60-second spot, set to the Jimmy Durante version of the song of the same name, we see Santa drinking a Coke while thumbing through a book called “How to Make Someone Happy.” The ad then focuses on a series of small good deeds performed by people to make others (often strangers) happy, such as a man giving up his umbrella to a passer-by during a snowstorm and a young man giving a stranger waiting for a train a bottle of Coke. At the end of the spot, Santa has a surprise for everyone. “Make Someone Happy’ manages to communicate a holiday-specific sentiment while also functioning as a continuation of Coca-Cola’s general “Open Happiness” campaign.
Andy McMillin, VP of the Coca-Cola trademark for North America, told AdAge that while the polar bears are ” a very important equity for us,” Santa was a better fit with the message to “look beyond the presents and focus on the true spirit of the holidays,” adding that the character “just fits that so well as the ultimate symbol of giving and caring and bringing joy to others.”
“Make Someone Happy” will debut on NBC Thanksgiving day, and will run until the end of December on broadcast and cable channels including NBC, ABC, ABC Family, USA, Lifetime, TBS and Food Network.
New Career Opportunities Daily: The best jobs in media.
Mother and client Stella Artois released a series of spots this week that put a light twist on the sentimental holiday classic: real-life stories starring real-life people!
The campaign, which will roll out over the globe in the coming weeks, centers on a series of short films illustrating truly unexpected gifts in an effort to showcase “loss and redemption, love and community, timeless romance and artistic beauty.”
Here’s the first film, “Lights,” which coincidentally stars the owner of a Christmas tree farm:
Three more below.
New Career Opportunities Daily: The best jobs in media.
J.C. Penney will contine its efforts to reconnect with customers this holiday season. “Jingle More Bells,” which launched last year, aims to show consumers that the brand is both “heart and wallet responsible” through the idea of giving, said Debra Berman, CMO at J.C. Penney.
“We were disconnected for a long time, so this is a big deal for us,” she said, acknowledging J.C. Penney’s ongoing battle to attract consumers. “We will spend the whole season helping people unlock what it feels like to give.”
J.C. Penney saw a 3% rise in sales last holiday season, according to quarterly reports, which was on par with overall retail growth in the industry. Ms. Berman said J.C. Penney’s media spend will be in line with a year ago.
Consumers in their 50s and 60s feel that they are ignored by brands and do not recognise themselves in ads aimed at them, according to research from JWT London.