This Stripped-Down, High-Tech Vehicle Could Change Auto Advertising Forever

When you’re shooting an automotive commercial, why bother using the actual car being advertised? That’s so 2015. 

Wouldn’t it save time, money and effort to employ a motorized, highly malleable rig that could transform into virtually any car on the planet? A rig you could use over and over to stand in for different makes and models? 

Production and visual effects company The Mill—working in tandem with JemFX, Performance Filmworks and Keslow Camera—won a coveted Innovation Lion at Cannes last month (one of only nine such Lions bestowed) for developing such a vehicle.

It’s called the Blackbird. At the push of a button, it can change its length by four feet and its width by 10 inches, as well as alter its wheels and suspension. This allows the rig to mimic just about any chassis design—plus, its programmable electric motor lets it adopt a wide range of driving characteristics. 

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Google and The Mill Take Mobile Filmmaking to the Next Level With 360-Degree 'HELP'

Visual effects studio The Mill and Hollywood director Justin Lin (The Fast and the Furious 3-6) have collaborated on the latest film in Google’s Spotlight Stories—a series of immersive movies made uniquely for mobile. This one is groundbreaking because it combines live action and computer graphics in a 360-environment—and it required a completely new kind of camera rig that The Mill invented to give Lin the 360-degree live-action shots he needed.

The film, titled HELP, features aliens in a cityscape. But the narrative unfolds differently for every user, as you watch it on your mobile device—and move the device around to see different parts of the scene around you. (In this way, it approximates virtual reality.) The film is available for free with the new Google Spotlight Stories app via Google Play (and will be soon be on iOS via the App Store).

You can see a linear version of part of the film here:

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As you can see in the behind-the-scenes video below, The Mill developed a proprietary software solution called Mill Stitch that takes images from multiple cameras and “stitches” the output into a continuous 360-degree view. This helped the director and cinematographer see the entire world they were filming as it happened. The Mill then combined the live action with the vast CG environments in postproduction.

Google’s Advanced Technology and Projects (ATAP) unit is behind the Spotlight Stories program. (Yes, the group’s tagline really is “We like epic shit.”) “Collaborating with Google’s ATAP team of experts and with such an acclaimed live-action director as Justin Lin allowed The Mill to flex its creative and technical muscles to solve new and complex challenges,” says The Mill CEO Robin Shenfield.

“It’s been, to say the least, a colossal learning experience and given us very valuable insight into the technical and creative challenges involved with new immersive and VR filmmaking. It’s a perfect fit for us to be at the epicenter of a new format and pioneering a new way of telling stories.”

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Deutsch NY Brings All 12 Days of Christmas to Life for PNC

Today is the day that Deutsch NY client PNC Bank releases its annual “Christmas Price Index,” which helps put the old 12-day carol in perspective by pricing every gift on the list.

A release tells us that the agency noted that the song had hit an all-time low in popularity this year and sought to reinvigorate it by presenting users with a “modern twist” on each item.

The corresponding “The Great Carol Comeback” site features an intro explaining PNC’s role in the project as well as a page for each present. First comes the partridge in his pear tree, which has risen in price thanks to both inflation and a healthy tech addiction (readers should click for the full interactive book experience):

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We liked the Grinch-worthy ending. Next: the videos.

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New Career Opportunities Daily: The best jobs in media.

Mother and Stella ‘Give Beautifully’ for the Holidays

Mother and client Stella Artois released a series of spots this week that put a light twist on the sentimental holiday classic: real-life stories starring real-life people!

The campaign, which will roll out over the globe in the coming weeks, centers on a series of short films illustrating truly unexpected gifts in an effort to showcase “loss and redemption, love and community, timeless romance and artistic beauty.”

Here’s the first film, “Lights,” which coincidentally stars the owner of a Christmas tree farm:

Three more below.

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New Career Opportunities Daily: The best jobs in media.

Zambezi, Hungry Man Release Another Awkward fruitwater Spot

Last month, vitaminwater’s fruitwater  brand got a little weird with Christina Applegate in the first of its new ads in a campaign created by Venice agency Zambezi and production studio Hungryman.

Today the company released its follow-up, another entry in the “painfully awkward” genre. Here’s “Decoy”:

The earlier one after the jump in case you missed it:

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New Career Opportunities Daily: The best jobs in media.

Mekanism Goes All the Way to The White House to Prevent Sexual Assault

This newly released PSA created by Mekanism for a tiny, no-name client known as the United States government includes quite a few famous faces aligned behind a single cause: reducing sexual assault rates via personal responsibility.

In fact, the spot begins with some (literal) in-your-face testimony from everyone’s least favorite fictional creative director:

The release tells us that Mekanism “developed the It’s On Us campaign’s concept, creative, and design” with production help from The Mill and Park Pictures while the White House brought the power of celebrity to bear on the project.

Like most PSA campaigns, this one includes multiple elements encouraging viewers to get involved.

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New Career Opportunities Daily: The best jobs in media.

Às vezes, uma dose é o suficiente…

A mensagem é simples e direta: se você for beber, planeje uma carona sóbria. Não importa quantas vezes a gente já tenha visto campanhas que alertam sobre os perigos de se misturar álcool e direção, parece que ainda existe uma dificuldade generalizada de se entender que às vezes basta só uma dose de bebida para nosso julgamento ser comprometido. É o que mostra Restaurant, filme produzido pela B-reel para o Texas Department of Transportation.

O que chama a atenção neste filme é que ele consegue captar a violência de um acidente de carro sem necessariamente mostrar o acidente, apenas simulando o movimento em uma mesa de bar.

Com direção de Josh Miller, Restaurant teve algumas cenas filmadas em um restaurante de verdade. Depois, em um estúdio, foram registradas as cenas do acidente, a 600 quadros por segundo. Por incrível que pareça, não houve trabalho de computação gráfica neste filme, e tudo foi capturado pela câmera.

Restaurant contou, ainda, com desenvolvimento da Sherry Matthews Advocacy Marketing, edição do Final Cut e pós-produção do The Mill.

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The Mill Showreel 2013

Afin de résumer tous les grands projets sur lesquels les équipes ont pu travailler au cours de l’année 2013, The Mill, studio américain spécialisé dans les effets visuels, propose un showreel d’une grande qualité. Un montage superbe réunissant divers travaux dont nous avons pu parler à découvrir dans la suite.

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Sony PS4 – Greatness Awaits

Voici la première publicité consacrée à la nouvelle console de Sony, la Playstation 4. Réalisée par Rupert Sanders, cette vidéo « Greatness Awaits propose de suivre un personnage dans un décor en transformation, multipliant les références aux jeux vidéos. Une création sublimée par le travail en post-production de The Mill.

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John Jameson, a lenda do uísque

Se você já viu algum filme da campanha Tall Tales, deve ter percebido que as lendas contadas em torno de John Jameson seguem uma pegada Chuck Norris Facts. O fundador da marca de uísque que leva o sobrenome de sua família já salvou sua criação de se perder no oceano, livrou uma jovem das garras de um gavião e impediu uma cidade de ser engolida pelo fogo. Agora, em sua aventura mais recente, ele resolve domar um cavalo de ferro.

É claro que seus grandes atos são uma consequência de algo muito maior, salvar o uísque, o que torna tudo muito mais divertido, assim como a maneira cool como o personagem resolve tudo. A campanha é da TBWA/Chiat/Day e, para este novo filme, os efeitos especiais são do The Mill.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Christmas Wish Machine transforma tuítes em dinheiro para a caridade

Dentro de alguns dias, as agências devem começar a soltar suas newsletters desejando boas festas a clientes e parceiros, e muita coisa bacana acaba pintando. Um bom exemplo que vem de fora é do pessoal da The Mill. Este ano, a agência resolveu celebrar a data angariando fundos para a Crisis, uma entidade dedicada aos sem-teto, e criou a Christmas Wish Machine.

O projeto, uma parceria com a INT Works, é uma vitrine que exibe uma máquina que cria um efeito de tempestade de neve com papéis, para chamar a atenção de quem passa. Feito isso, as pessoas são convidadas a tuítar seu desejo de Natal para @themillwishes. A cada tuíte recebido, a The Mill vai doar 10p para a Crisis. Para se ter uma visão física da quantidade de tuítes recebidos, eles serão representados por um floco na neve de mentirinha.

O legal é que não é preciso estar em Londres para ajudar.

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The Mill US Showreel 2012

Comme désormais chaque année, voici le nouveau showreel 2012 de la référence en post-production et VFX, le studio The Mill. Une sélection des meilleurs travaux développé par la filiale américaine depuis leurs bureaux basés à New York et Los Angeles. A découvrir en images et en vidéo HD dans la suite.

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Unleash Your Fingers : Next Generation

Après la première vidéo « Unleash Your Fingers », la marque coréenne Samsung récidive avec Heaven pour Unleash Your Fingers : Next Generation et la sortie du Galaxy S3. Jay Funk est de retour dans une chorégraphie impressionnante sur une musique de Justice et sur des effets spéciaux par The Mill.


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Nike – My Time is Now

Voici la nouvelle campagne publicitaire de Nike Football a l’occasion de l’Euro 2012. Intitulée « My Time is Now », elle s’articule autour des nouveaux talents et de nombreux joueurs Nike comme Cristiano Ronaldo ou Franck Ribéry. Produit et réalisé par Wieden Kennedy et The Mill. A découvrir dans la suite de l’article.



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Mad in Spain Titles

L’agence Süperfad a pu réaliser à l’occasion du festival Mad in Spain 2012 une séquence pour annoncer les intervenants. Nando Costa a pensé des créations typographiques autour de lettre en céramique peintes à la main. Un rendu en time-lapse à découvrir.



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Audi Brandfilm 2012

Voici la nouvelle et superbe campagne TV du constructeur Audi pour 2012. Produit par l’agence Kempertrautmann et réalisé par Christopher Hewitt, la post-production a été confié au studio The Mill et la bande son à Ben Lukas Boysen et Ludovica Nardone. A découvrir en images dans la suite.



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Holi Slow Motion

Découverte de cette superbe vidéo en slow-motion intitulée “Holi”, réalisée et produite par Jonathan Bregel et Khalid Mohtaseb du studio Variable. Sur une post-production de The Mill, le sound-design est signé par Salomon Ligthelm. A découvrir dans la suite.



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The Mill Showreel 2012

Comme chaque année, le studio The Mill nous présente son nouveau showreel 2012. Avec une sélection de leurs meilleurs travaux sur le morceau Velvet de The Big Pink, The Mill nous rappelle à quel point leurs différents studios sont des viviers de talents.



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Offf Istanbul 2012

Produite par Hellohikimori, voici la vidéo de présentation pour le Offf On Tour à Istanbul qui s’est déroulée début mars. Autour du skater Matt Messiha assemblant puis utilisant son skateboard dans les rues de Paris, cette vidéo très réussie introduit les différents protagonistes du festival.



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IBM – Data Anthem

Une superbe campagne pour IBM afin de montrer la gestion des données virtuelles et mondiales. Une réalisation sous forme de data-visualisation par James Frost (clip d’Ok Go et de Radiohead). Produit par l’agence Ogilvy & Mather NY, sous une post-production du studio The Mill.



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