This Might Be Amy Poehler's Best Performance Yet (in an Old Navy Ad)


Every weekday, we bring you the Ad Age/iSpot Hot Spots, new and trending TV commercials tracked by iSpot.tv, a company that catalogs, tags and measures activity around TV ads in real time. The New Releases here ran on TV for the first time yesterday. The Most Engaging ads are showing sustained social heat, ranked by SpotShare scores reflecting the percent of digital activity associated with each one over the past week. See the methodology here.

Among the new releases, Walmart serves up an ad that’s basically about how good it is to its employees, while agrochemical conglomerate Monsanto’s got one that’s basically about how good it is to the planet. And Amy Poehler is back as part of her continuing series of Old Navy ads; this time she’s the daffy, distracted hostess of a hot restaurant.

As always, you can find out more about the making of the best commercials on TV at Ad Age’s Creativity.

Continue reading at AdAge.com

Pop Up Paper Architecture

L’architecte Tereza Hradilkova accompagnée du producteur Kumi Kobayashi ont mis au point des pop-ups en papier représentant une fois dépliés des structures architecturales de monuments Japonais. Ces « porigami » parfaitement dessinés grâce à un système de lasers sont à découvrir dans la suite.

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CHI&Partners and Argos Are Way Ahead of You on Christmas Shopping

One of the few facts we can establish regarding this new CHI&Partners spot for retailer Argos is that it is definitely NOT set in Hollis, Queens.

The latest ad in the biggest-ever “Get Set Go Argos” campaign is a twist on the classic advent calendar: instead of quarters, this one is filled with all the great products you might find in the aisles of Argos (it’s a UK thing we wouldn’t understand).

In case you missed it, the press release tells us that it “sends an upbeat message of festive cheer to Argos customers” and that “the tree- shaped calendar is topped by a child hip-hop dancing – a contemporary twist on the traditional Christmas Fairy.” Didn’t really get that…

The ad, which will air tomorrow on The X Factor, the MTV EMA Awards and several other programmes that we can’t stream live in Brooklyn, follows two others in the series — which we’ve embedded with credits below.

(more…)

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Body Diversity Campaigns – This Dear Kate Ad Celebrates All Different Types of Bodies

(TrendHunter.com) This Dear Kate advertisement was created in response to Victoria Secret’s “homogeneous definition of beauty.”

The lingerie giant recently came under fire for a series of…

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There's Already a Parody of the John Lewis Penguin Ad, and It's Painfully Hilarious

This year’s John Lewis Christmas ad was released today, and it’s super good—it’ll be hard for anyone to top. And in one of the quickest turnarounds ever, Redshirt Films has made a pretty funny spoof of the adorable spot featuring a boy and his penguin.

We won’t spoil it, but let’s just say the creators shine a light on the terrible practice of enslaving these poor little creatures with tiny minds who are forced to perform tricks and act as “fluffy hot water bottles for spoiled rich children.”

Take a look below at this scathing send-up of the instant classic.



Court of Appeal orders retrial of six-year M&S/Interflora trademark battle

The Court of Appeal has ordered a retrial of a trademark battle between M&S and Interflora in what has been described as an “unusual” move “crucial” to the future of keyword and pay per click advertising.

Littlewoods launches pantomime-themed Christmas ad

Littlewoods, the online retailer, will launch a pantomime-themed Christmas ad tomorrow night, following a week long teaser.

Clarks and Partners Andrews Aldridge come out on top in Big Bus Challenge

Clarks’ in-house design group and Partners Andrews Aldridge have won top prizes in the Big Bus Challenge 2014 run by Exterion Media, in association with Campaign.
The footwear retailer’s bus ad triumphed over other national campaigns while Partners Andrews Aldridge’s work for the Royal National Lifeboat Institution’s patrolling of the Thames emerged victorious in the regional category. Cogent Elliott picked up a media commendation for a campaign of simple line drawings for Samaritans. Clarks and the RNLI were awarded 200,000 of national and 25,000 of regional bus advertising respectively and each of the creative teams given 2,000 of department store vouchers to share. Samaritans was handed 20,000 of media space. The winning entries to the second Big Bus Challenge were chosen by a panel of judges and revealed at The London Transport Museum tonight where guests were able to view showcased work, including entries from the 23 regional and 45 national finalists. Clarks’ ad stood out for its “elegance, simplicity and having the courage to keep the design so minimal,” said Paul Domenet, the executive creative director of Johnny Fearless and a Big Bus Challenge judge. PAA’s EastEnders-inspired ad for the RNLI was praised as a “sound concept” by Andy Hunns, the creative director at Clinic and the Publicis executive director Andy Bird described Cogent Elliott’s Samaritans campaign as “brilliant, clever”, with “massive standout”. Four other national finalists were chosen: Cogent Elliott for WD-40; Rapp for the Open University; Lida for Foyles and Proximity London for The Economist. In the regional category, there were three finalists: Publicis Life Brands Resolute for The Passage charity; Rapp for Virgin Media and Bray Leino for Bath Spa University. The judging panel, chaired by Philip Smith, head of content solutions studio at Campaign, consisted of: Martin Hancock, development director, National Express Bus; Gill Huber, group communications director, Posterscope; Chris Marjoram, managing director, Rapport; Richard Jacobs, marketing director, Kinetic; Ross Neil, executive creative director, WCRS; Jason Cotterrell, managing director UK, Exterion Media and Simon Harrington, marketing director, Exterion Media, along with Domenet, Hunns and Bird. The winning and shortlisted entries can be viewed at bigbuschallenge.com

Wild Animals And Music Posters

Basé au Royaume-Uni, le studio de design Dorothy a conçu avec Tracy Worrall une série de posters dédiée à certains classiques du Rock’n’roll. Pour ce faire, le studio à réalisé Rock’n’roll Zoo, une série de 77 illustrations faisant référence à des morceaux où les animaux sont à l’honneur. À découvrir dans la suite, Eye Of The Tiger de Survivor, ou encore Diamond Dogs de David Bowie.

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Abbott Mead Vickers BBDO Celebrates ‘Irrepressible Spirit’ of Rugby for Guiness

Abbott Mead Vickers BBDO has launched a new campaign for Guiness celebrating the “Irrepressible Spirit” of some lesser-known rugby greats for Guiness, just in time for the sport’s end of year Autumn Internationals.

The campaign is composed of four spots celebrating Jonny Wilkinson, Shane Williams, Bill McLaren and the Munster rugby team of 1978, which debuted yesterday in the UK and Ireland. Each ad focuses on “the inspirational character and integrity that is central to the sport,” Stephen O’Kelly, marketing director, Guinness (Western Europe) at Diageo, said in a statement.

In the spot above, for example, Abbott Mead Vickers BBDO tells the inspiring story of Bill McLaren who was diagnosed with tuberculosis and told he would never play rugby again. Rather than accepting defeat, McLaren found his way back into the game as an announcer and became the “voice of rugby.” It’s an emotional approach that should appeal to diehard rugby fans and casual viewers alike, which should be a winning combination for Guiness. (more…)

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We Hear: The North Face Business in Review

The North Face is making a big push to expand its brand. At the end of October, the company launched a new campaign called “Your Land,” its most expensive marketing effort to date; now a source tells us that it might have opened an agency review as well.

First, the spot created by Mekanism (with web experience designed by Colorado’s Factory Design Labs), which will make its TV debut during this week’s edition of Sunday Night Football:

For the record, we really hope the surfer in this spot wasn’t trying to bring his board on the L train at rush hour.

We know that North Face chose Factory Design Labs as its AOR in 2007 and that Mekanism took over the TV portion of the account recently, hence the credits on this new campaign (which has earned coverage in Fast Company, The New York Times, and other pubs).

A source tells us that, as part of this new initiative — which sees the company increasing its marketing spend by 50 percent – the rest of The North Face business is currently in review.

We’ve yet to receive confirmation or information about which agencies might be involved. Updates when they come in and credits for the ad above after the jump via Adhugger.

(more…)

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Puddles the Golden-Voiced Clown Wants You to Ditch the Corporate Drudgery

If you’ve ever been a corporate clown, you can relate to this spot aimed at small business owners who fled the office circus to live their dreams.

Puddles, the Sad Clown with the Golden Voice, sings an altered version of the 1899 song “Keep on the Sunny Side,” made popular in the 1920s by The Carter Family. His version, entitled “Keep on the Corporate Side,” is a satirical ode to all things loathed by corporate wage slaves.

From the mockery that is casual Friday to dreams of vacations we can never take, the song is depressingly accurate. Lines like, “when they give you birthday cake, it just seems a little fake,” might make you rethink every corporate-enforced celebration you’ve ever tried to enjoy. Luckily, Puddles’ antics in the video and his melodious voice keep you smiling. And, of course, the video ends on a happy note as Puddles packs up his desk and quits.

Small business loan service Kabbage Inc. created the spot with Atlanta’s BreenSmith Advertising Agency to appeal to small business owners who’ve jumped the corporate ship (and those about to make the leap).

It’s interesting to note the video encourages people to share their #sadclown stories, since that’s a hashtag already in use by Puddles for his unrelated antics. But hey, you might as well have something come up when people search for your hashtag, and you could do worse than videos of a sad clown with an amazing singing voice.



Lincoln Financial Group to Break Thanksgiving-Themed Campaign


Lincoln Financial Group will break a b-to-c and b-to-b campaign Nov. 10 called “Give Thanks,” which is timed to coincide with Thanksgiving and the holidays.

The integrated campaign, created by Gyro, New York, includes TV, radio, print and online ads. The budget was undisclosed.

“Give Thanks” is an extension of Lincoln’s “You’re In Charge/Chief Life Officer” campaign, which was launched in November 2011 during a broadcast of the “Macy’s Thanksgiving Day Parade.” The campaign was also created by Gyro.

Continue reading at AdAge.com

AntiCast 155 – Da Tinta ao Pixel

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Olá, antidesigners e brainstormers!
Neste programa, Ivan Mizanzuk, Almir Mirabeau, Ricardo Cunha Lima, Diego Maldonado e Luiz Amorim conversam sobre a evolução da Tipografia em comparação com seus suportes: desde o papel até as telas de computador. O programa faz parte da divulgação do DiaTipo 2014, evento de tipografia que ocorre em São Paulo, na FAAP, nos dias 12 e 13 de Dezembro. A programação do Dia Tipo compõe a primeira parte do programa. Caso queira avançar direto para a pauta principal, siga os marcadores logo abaixo.

>> 0h07min11seg Divulgação Programação do DiaTipo 2014
>> 0h51min22seg Pauta principal
>> 1h59min34seg Leitura de Comentários
>> 2h55min10seg Música de Encerramento: “King Size do RJ”, de Estação Segunda das Barcas

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Big Lots CMO Pushes 'Feisty' New Holiday Anthem


Big Lots is hoping to “nail” the holidays with a provocative new TV spot, “Nailing This,” aimed at adding a little fun to the shopping season.

The campaign was led by CMO Andrew Stein, who became known for his well-placed puns at Kmart with campaigns like “Big Gas Savings,” and “Ship My Pants.” Mr. Stein brought that energy with him when he joined Big Lots last fall. This holiday season, he’s using cheeky messaging and catchy tunes to appeal to consumers, particulary women.

“We’re really trying to create a new edge in the work that we do that shows we’re feisty and we’re different,” said Mr. Stein. “We’ve honed in, since I’ve been here, on who our customer is.”

Continue reading at AdAge.com

Hypnotic Digital Lines Portraits

Par le biais d’outils infographiques, l’artiste montréalais Patrick Seymour dessine de remarquables illustrations digitales. Grâce à des effets de lumières, des traits et des courbes, il dresse des portraits hypnotiques d’humains et d’animaux tels que renards, lions ou cerfs. À découvrir dans la suite.

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adam&eveDDB Crafts Holiday Epic for John Lewis

adam&eveDDB crafted what is sure to be one of the most talked about holiday ads of the year with “Monty The Penguin” for John Lewis.

Of course, this hardly comes a surprise, given the pair’s track record with holiday advertising. But “Monty The Penguin” still manages to stand out. The two-minute ad tells the story of a boy and his best friend, a penguin named Monty. We follow them through scenes of their day-to-day activities, and get an idea of their relationship through a charming montage set to a cover of the John Lennon-penned “Real Love” by Tom Odell. Somewhere along the way it becomes apparent that Monty is missing something, as he wistfully watches couples in the park and in movies. The conflict reaches its adorable conclusion on Christmas morning, coupled by a reveal that is effective even if it doesn’t come as a surprise.

The broadcast spot, which cost around $1.6 million dollars to make, is part of John Lewis’ overall $11 million holiday campaign. It is supported by a children’s book called Monty’s Christmas, an audio app version of the book narrated by Dermot O’Leary, a single release of Tom Odell‘s version of “Real Love,” and an in-store experiential event called Monty’s Den, created in partnership with Samsung and including Monty’s Goggles, an Occulus Rift like technology created using Google Cardboard.

“At John Lewis, this time of year is all about helping our customers create their dream Christmas,” Craig Inglis, marketing director at John Lewis, told Adweek. “We hope this uplifting tale of Sam’s love for his friend Monty will remind people of the magic of Christmas through a child’s eyes and inspire them to think how they can make the festive season extra special for their friends and loved ones.”

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Why Every Marketing Person in Canada Is Cursing the Name of This One Agency (NSFW)

Today in amusing Canadian agency videos, we have this one from Cossette—in which marketing people all over the country ask the same bewildered question: “What the fuck is going on at Cossette?”

It’s a good question, as it turns out. And kudos to people from rival agencies who make cameos here, including Carlos Moreno and Peter Ignazi of BBDO and—at the very end—Geoffrey Roche, who founded Lowe Roche. Other folks making appearances include the Trailer Park Boys, Chris Van Dyke of School Editing and Ted Rosnick of RMW Music.

Also, Cossette’s Dave Daga gets points for allowing himself to be hit in the balls.

The video, which was made for Strategy magazine’s Agency of the Year event, is NSFW, mostly due to language, though there a couple of unsightly visuals too.



Dentsu Aegis Buys London-based Mobile Agency Network Fetch


Dentsu Aegis Network has acquired London-based Fetch Media, an international mobile specialist, for an estimated $48 million, and aims to grow the agency around the world — particularly in North America — and boost mobile across the whole group.

Fetch will retain its brand identity but will also work with Dentsu Aegis agencies, which include Isobar, Carat, McGarryBowen, Dentsu and Vizeum.

Nigel Morris, CEO of Dentus Aegis Network Americas & Europe, Middle East and Africa, said in a statement, “Fetch has a very fast growing agency arm in the U.S. and we are looking forward to adding their unique capabilities within our U.S. operating model and to scaling the business.”

Continue reading at AdAge.com