The Times & The Sunday Times: The Art of Satire
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Advertising Agency: Grey, London, UK
Creative Directors: Dave Monk, Phil Lind
Production Company: Betsy Works
Director: Liz Unna
Advertising Agency: Grey, London, UK
Creative Directors: Dave Monk, Phil Lind
Production Company: Betsy Works
Director: Liz Unna
Advertising Agency: M&CSaatchi.GAD, France
Creative Directors / Founders: Daniel Fohr, Antoine Barthuel
Co-Creative Directors: Jorge Carreno, Robin de Lestrade
Production: Iconoclast
Director: Canada
Published: October 2014
Advertising Agency: Pro>Target, Novo Hamburgo, Brazil
Creative Director: Ricardo Müller
Art Director: Gilberto Basualdo
Copywriter: Vitor Kretschmer
Additional credits: Estúdio Composto
Published: October 2014
Advertising Agency: Publicis D, Dublin, Ireland
Creative Director: Eddie Gardner
Art Directors: Cormac O’Connor, Barry Smith
Copywriter: Briain Wright
Illustrator: Bob Venables
Planning Director: Dr Ken McKenzie
Published: October 2014
Advertising Agency: Publicis D, Dublin, Ireland
Creative Director: Eddie Gardner
Art Directors: Cormac O’Connor, Barry Smith
Copywriter: Briain Wright
Illustrator: Bob Venables
Planning Director: Dr Ken McKenzie
Published: October 2014
Advertising Agency: Don’t Panic, London, UK
Creative Directors: Richard Beer, Joe Wade
Art Director: Sarah Jenneson
Copywriter: Richard Beer
Production: Unit 9
Published: October 2014
Advertising Agency: David&Goliath, USA
Founder & Chairman: David Angelo
Chief Creative Officer: Colin Jeffery
President: Brian Dunbar
Group Creative Directors: Ben Purcell, Steve Yee
Copywriter: Patrick Que
Art Director: Allen Yu
Director of Broadcast Production: Paul Albanese
Group Account Director: Jennifer Mull
Account Supervisor: Kammie Dons
Assistant Account Executive: Karolyne Crowe
Planning Director: Kristen Knape
Director of Business Affairs: Rodney Pizarro
Production Company: MJZ
Director: Dante Ariola
President: David Zander
Sr. Executive Producer: Scott Howard
Producer: Natalie Hill
Director of Photography: Philippe LeSourd
Production Designer: Floyd Albee
Editorial: Spinach
Editor: Adam Bright
Assistant Editor: Michael Weiss
Producer: Jonathan Carpio
Post-Production: Method
VFX Supervisor: Rob Hodgson
Compositing Supervisor: Dominik Bauch
Tracking Supervisor: Messrob Torikian
Executive Producer: Stephanie Gilgar
Senior Producer: Pip Malone
Coordinator: Karena Ajamian
Original Music: Human
Audio Mix: Margarita Mix, Santa Monica
Mixer: Nathan Dubin
Advertising Agency: David&Goliath, USA
Founder & Chairman: David Angelo
Chief Creative Officer: Colin Jeffery
President: Brian Dunbar
Group Creative Directors: Ben Purcell, Steve Yee
Copywriter: Patrick Que
Art Director: Allen Yu
Director of Broadcast Production: Paul Albanese
Group Account Director: Jennifer Mull
Account Supervisor: Kammie Dons
Assistant Account Executive: Karolyne Crowe
Planning Director: Kristen Knape
Director of Business Affairs: Rodney Pizarro
Production Company: MJZ
Director: Dante Ariola
President: David Zander
Sr. Executive Producer: Scott Howard
Producer: Natalie Hill
Director of Photography: Philippe LeSourd
Production Designer: Floyd Albee
Editorial: Spinach
Editor: Adam Bright
Assistant Editor: Michael Weiss
Producer: Jonathan Carpio
Post-Production: Method
VFX Supervisor: Rob Hodgson
Compositing Supervisor: Dominik Bauch
Tracking Supervisor: Messrob Torikian
Executive Producer: Stephanie Gilgar
Senior Producer: Pip Malone
Coordinator: Karena Ajamian
Original Music: Human
Audio Mix: Margarita Mix, Santa Monica
Mixer: Nathan Dubin
Advertising Agency: BBH London, UK
Creative Director: Hamish Pinnell
Production Company: Academy Films
Director: Peter Cattaneo
Producers: Juliette Harris, Jodie Sibson
DoP: Florian Hoffmeister
Consultancy ICF is set to acquire Minneapolis-based agency group Olson, the companies said Tuesday.
The deal is expected to close in mid-November, subject to regulatory approval and other closing conditions, they said.
Olson is one of the larger independent digital agencies in North America, with over 500 staffers and $93.5 million in U.S. revenue in 2013, according to the Ad Age DataCenter.
After six straight quarters of overall revenue declines, Yahoo CEO Marissa Mayer may have finally turned around Yahoo’s business — thanks to search advertising, not display.
Yahoo reported on Tuesday that its overall revenue grew by 1% to $1.15 billion in the third quarter to beat analysts’ estimates. That marks the first time Yahoo’s overall quarterly revenue increased over the previous year’s mark since the fourth quarter of 2012. And for the first time Yahoo (somewhat) reported its mobile revenue, which the company said was north of $200 million for the quarter. But those weren’t the only firsts under Ms. Mayer that Yahoo marked on Tuesday.
For the first time since the former Google exec became CEO in July 2012, Yahoo now makes more money from search advertising than it does display ads.
Laughlin Constable is launching its first campaign for BOD Man, Parfum de Coeur’s (PDC) popular fragrance brand for men with three new 15-second broadcast spots produced in-house.
In the ads, Laughlin Constable channels the hypersexualized approach Axe took years ago, with two of the three spots dialing up well past innuendo. In “Walk of Shame,” for example, a man walks out of an apartment complex with disheveled hair. A voiceover shares “BOD Man Tip #44?: “Never turn down the impossibly rare opportunity to double-down and turn the walk of shame into the walk of game,” as a young redheaded woman sniffs the dude and smiles at him, a sign that she’s clearly down. It’s hard to tell over the course of the ad’s 15 seconds if this is a parody of over-the-top men’s fragrance advertising or just over-the-top men’s fragrance advertising.
The other spots in the campaign take a similar tone, with one emphasizing that “What you spray on in the morning could very well determine what you take off at night,” which obviously translates to “This product will get you laid” to horny adolescent males. A third spot takes a slightly more toned-down approach, but doesn’t completely shy away from the suggestiveness. The broadcast spots will run nationally on ESPN starting today, and feature a live integration on SportsCenter. They will be supported by a large digital effort, as the campaign actually marks “a shift of more than half of the brand’s media spend into digital,” as well as social media and OOH components. (more…)
New Career Opportunities Daily: The best jobs in media.
Adobe, the creators of creatives favorite tools have sponsored Behancé’s Bully Project Mural, a social action campaign inspired by the award-winning film BULLY.
Ironically, this is now getting them bullied on twitter.
Throughout an earnings call to discuss Omnicom’s third-quarter results on Tuesday, nearly every analyst asked about the growth potential for so-called programmatic ad buying and its impact on the agency giant, reflecting the broader thirst to understand a new way of doing business and getting paid in the advertising services industry.
Omnicom executives expressed excitement about the fast-growing and lucrative tech-driven buying process, but also tried to tamp down expectations for its immediate impact.
“While this area is relatively new and presents good opportunity for growth, and we are comfortable with our position and investment, it’s still small today,” CEO John Wren said during the call.
Here’s an agency ethics question from a reader to go along with the almost completely accurate stock photo above.
Reader’s former agency colleague has since moved on to a bigger gig as a consultant overseas. Good enough — but when this colleague shared the notes someone took from a recent presentation on the old social media, reader noticed that:
“…the presentation contained content that was lifted, word-for-word, from the old agency’s deck.”
Reader knows this because reader has a copy of the deck to which he/she refers from time to time…for reference, not as a source for new “thought leadership.”
The question: should reader call out former colleague or just sit in silent judgment of an industry professional swiping someone else’s work and calling it their own?
New Career Opportunities Daily: The best jobs in media.
BBH London has released a new spot for KFC in the UK entitled “Fans.”
In the 90-second spot, two brothers support rival footie clubs — Stirling Albion FC and Dunfermline FC — and each attends a match with one of their parents. Both diehard fans are quite serious about the match but only one team comes out on top. But in heartwarming yet predictable fashion, KFC brings the family back together, and soon the boys are bonding over the new Colonel’s Brownie Bucket. While it may not exactly be breaking new ground, it’s a cute spot and well-executed enough to not seem over-the-top. (more…)
New Career Opportunities Daily: The best jobs in media.
Today MRY named Brad Cohn ECD of its West Coast office (which is about to turn eight months old). The agency also announced that it will be social/digital AOR for top banana Del Monte.
Cohn has a more extensive agency background than most. While the release tells us that he joined MRY from McCann, where he was ECD on the HP account, his resume indicates that he left twofifteenmccann in 2012 after one year with that shop and five years as VP/ECD at McCann Worldgroup San Francisco and spent the past two and a half years working freelance.
The rest of his history reads like a who’s who of Midwestern agencies: art director/copywriter at BBDO and Doner, ACD at DDB, VP/CD at Y&R, creative director on Coors for FCB Chicago.
On Del Monte, the agency will begin handling the client’s social/digital presence this month — but the first campaign complete with activations aimed at “existing canned food consumers” will arrive in early 2015.
Said campaigns will focus on the E-word, “engagement” — and MRY will be part of a team including Starcom MediaVest Group, Saatchi X, Integer, Juniper Park, and PR Hacker.
No word on which clients Cohn will handle at MRY West, though the agency writes that the Del Monte account now leads its Bay Area office’s roster.
New Career Opportunities Daily: The best jobs in media.
Fred Savage will soon be the new voice of Honda. But he’s not exactly a voiceover specialist (that’s Daniel Stern you’re thinking of, Wonder Years fans). So, Honda agency RPA came up with a fun way to help him practice—by having Fred narrate your home videos first.
Anything you’ve got, feel free to throw at him. Babies, animals, vacations, weddings. Whatever you have documented on film, Fred wants to describe in his presumably dulcet tones. Just tweet your video with the hashtag #HondaPromo to get on the actor’s radar.
But are his tones dulcet? RPA says, actually, that Honda is hiring Savage because his voice stands out and doesn’t feel like a traditional car spokesperson. So, we’ll just have to see how that goes. It’s a more reasonable option, anyway, that the plea from someone on Twitter to “bring back Burgess Meredith.”
Fred Savage is the new voice of our ads & wants to practice. Tweet your video w/ #HondaPromo & he might narrate it. http://t.co/imXQLL1RNf
— Honda (@Honda) October 17, 2014
Dans sa collection « Maple », les designers de chez Grovemade ont conçu un support fonctionnel pour les claviers d’Apple auquel ils ont ajouté des rangements supplémentaires pour nos bureaux. Fait avec du bois d’érable, nous pouvons y ranger des stylos, des piles ou encore des cartes. A découvrir en images et à travers une vidéo.