Ad Review: E-Trade Can’t Quite Put Away Its Childish Things


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Playful Food Associated to Idioms

Après sa série Cut Food, Beth Galton revient avec la série « Idioms » dans laquelle elle fait des diptyques de nourritures et d’objets qui font référence à des idiomes et expressions courantes telles que « c’est la goutte d’eau qui fait déborder le vase » ou « l’oeuf ou la poule ? ». Une approche minimaliste à découvrir.

Beth Galton’s portfolio.
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iProspect appoints chief media officer among four senior hires

iProspect, the Dentsu Aegis digital and data network, has bolstered its UK team with a raft of new senior roles, including Matt Adams who will join iProspect UK as chief media officer, from DigitasLBi.

Visit Flanders: Les Flamants Osent


Print
Visit Flanders

Translation: Seriously unreasonable “Les flamants osent” : Beyond its literal meaning “Les Flamands osent” play on words as it both refer to “Flemings dare” and “Pink Flamingo” in French.

Advertising Agency:DDB Nouveau Monde, Nantes, France
Creative Director:Philippe Robin
Art Director:Tristan Omnes
Copywriter:Francois Dupuy
Photographer:Sacha Goldberger

Amazon rumoured to launch 3D smartphone in September

Amazon is rumoured to be preparing to release a “3D” smartphone in the second half of this year as it increases its hardware push against the likes of Apple.

Video Game-Inspired Photography – This Grand Theft Auto Photo Series Mixes the Virtual with Reality (GALLERY)

(TrendHunter.com) There is no longer a divide between the real world we live in and the virtual world of video games as this grand theft auto photo series proves.

In the ‘Crossroad of Realities’ grand…

Facebook to allow European users to store and transfer money on site, claims report

Facebook is reportedly on the verge of becoming an “e-money” institution in a move that will allow its members to store money on the social network, and use it to pay and exchange with other users.

Unilever pilots multi-brand advertising with YouTube beauty channel

Unilever has created a YouTube channel filled with hair styling tutorials from well-known video bloggers as a platform to advertise a range of its hair brands.

DFS pitches direct and data accounts

Furniture retailer DFS is to pitch its direct marketing, data analytics and planning and content strategy accounts through the AAR, with a shortlist currently being drawn up.

Black And White Long Exposure Photography

Le photographe autodidacte Darren Moore fait des photos pleines de pureté en noir et blanc avec de la longue exposition : des photos au-dessus de l’eau, de ponts brumeux et abandonnés, des bâtisses au milieu de l’eau ou d’un lieu reculé et vide. Une sélection de ses photos est à découvrir dans la suite.

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Google becomes major UK advertiser after boosting spend by 50% in 2013

Google was among the UK’s biggest advertisers last year, after a 50 per cent lift in total spend.

Hansa-Taxi: The Hansa-Taxi


Media, Direct Marketing, PR
Hansa-Taxi

By creating a message with sparkles in a drink, we made people take a cab instead of drinking and driving. “You Drink. We Drive. 211 211 Hansa-Taxi”

Advertising Agency:Jung von Matt/Elbe, Hamburg, Germany
Creative Director:Hans-Peter Sporer
Art Director:Thimon Machatzke, Christian Baur
Copywriter:Luitguard Hagl, Peter Goeke
Sound Designer:Kolja Bustorf
Agency Producer:Dennis Wendt
Producer:Alexander de Lukowicz
Fritz Nutze:Director
Composer:Alina Schmidt, Yannis Panther

THT Safety Doors: Pope

Keeping Distances

Advertising Agency: SOME, Brasília, Brazil
Creative Director: Thiago Rezende
Art Director: Davi Caramelo
Copywriter: Thiago Rezende
Illustrator: Bigod
Published: April 2014

THT Safety Doors: Vampire

Keeping Distances

Advertising Agency: SOME, Brasília, Brazil
Creative Director: Thiago Rezende
Art Director: Davi Caramelo
Copywriter: Thiago Rezende
Illustrator: Bigod
Published: April 2014

THT Safety Doors: Taliban

Keeping Distances

Advertising Agency: SOME, Brasília, Brazil
Creative Director: Thiago Rezende
Art Director: Davi Caramelo
Copywriter: Thiago Rezende
Illustrator: Bigod
Published: April 2014

Premier Protein: Office

Advertising Agency: Venables Bell & Partners, USA
Creative Director / Co Founder: Paul Venables
Executive Creative Director / Director: Brien Holman
Executive Creative Director: Jayson Whitmore
Executive Creative Director: Will McGinness
Creative Director: Tyler Hampton
Art Director: Matt Keats
Copywriter: Matt Miller
Agency Producer: DP Odishoo
Agency Business Manager: Sametta Gbilia
Post Production Company: Royale
Executive Producer / Managing Director / Partner: Jennifer Lucero
Executive Producer: Chris Volckmann
Art Director: Andy Lyon
Designers: Belinda Rodriguez, Renzo Reyes, Alex Amezcua
Character Designers: Tuna Bora
Character Modeler: Brandon Perlow
Character Rigger: Lee Wolland
3D Animators: James Lane, Tyler Lancaster, James Parris, Richard DeForno
3D Lighting: Juan Carlos Cuadra, Dan Blank
Compositors: Renzo Reyes, Brinton Jaecks
Head of Production: Melissa Johnson
Producer: Karla Fay Sylvester
Coordinator: Jack Arnold

Premier Protein: Busy Mom

Advertising Agency: Venables Bell & Partners, USA
Creative Director / Co Founder: Paul Venables
Executive Creative Director / Director: Brien Holman
Executive Creative Director: Jayson Whitmore
Executive Creative Director: Will McGinness
Creative Director: Tyler Hampton
Art Director: Matt Keats
Copywriter: Matt Miller
Agency Producer: DP Odishoo
Agency Business Manager: Sametta Gbilia
Post Production Company: Royale
Executive Producer / Managing Director / Partner: Jennifer Lucero
Executive Producer: Chris Volckmann
Art Director: Andy Lyon
Designers: Belinda Rodriguez, Renzo Reyes, Alex Amezcua
Character Designers: Tuna Bora
Character Modeler: Brandon Perlow
Character Rigger: Lee Wolland
3D Animators: James Lane, Tyler Lancaster, James Parris, Richard DeForno
3D Lighting: Juan Carlos Cuadra, Dan Blank
Compositors: Renzo Reyes, Brinton Jaecks
Head of Production: Melissa Johnson
Producer: Karla Fay Sylvester
Coordinator: Jack Arnold

Bangalore Traffic Police / Castrol: The Good Road

URL: http://thegoodroad.in

Advertising Agency: Ogilvy, Bangalore, India
National Creative Directors: Abhijit Avasthi, Rajiv Rao
Group Creative Director: Shamik Sengupta
Executive Creative Director: Joono Simon
Business Heads: Poran Malani, Tithi Ghosh
Creative Technologist: SV Ramanan
Creative Director / Art Director: Vinci Raj
Creative Director / Copywriter: Sraman Majumdar
Illustrator: Sneha Nidhin
Account Management: Asheesh Malhotra, Purab Bhat, Heval Patel, Sindhu Menon, Akshatha Poojari, RV Ishwar
Tech Partner: Circuitects
Production Houses: Eye Wish / Adbhut Films, Triangle Films, Rolling Dice
Additional Credits: Yousef Anani, Hemanth Kumar, Vishwanath, Srikanth, Arun, Jayanth, Abhilash, Ayelin, Kegan, Raka, Arvind

Interview with Zohar Furniturewala– ECD Scarecrow Communications, Mumbai

Creative, adventurous, non conformist. Thats how Zohar would describe himself.
Why are you into Advertising?
Because I was convinced by my family in not joining the army. Since I was very good in art so joining an Art college was the next option, after passing out or applied arts, advertising was a natural choice.

Did you attend school for fine art or design or Communications?
I have graduated from the Sir JJ Institute of Applied Arts specializing in Typography.

Were there any particular role models for you when you grew up?
Not any in Particular, I was and am influenced by different people for different things at different times.

Who was the most influential personality on your career in Advertising?
Again no one in particular, but in college and even later was very inspired by the work done by Pentagram Designs, Saul Bass, Michael Bierut, Paul Rand, Paula Scher, Milton Glaser, Albert Watson, Herb Ritts, David Carson, Neville brody, and above all my college Professor Prof. Saynekar. ?From the industry: Elsie Nanji, Divya Thakur, Cyrus Oshidar, Rajiv and Mahesh (RIP).

Where do you get your inspiration from?
Good Design around the world, in everything, not limited to only advertising. ?By great work done by other creative people as well.

What do you think of the state of Print advertising right now?
What you see in the mainstream is very mediocre with flashes of some brilliant work here and there. In selective medias people are doing good work. The possibility to do great work is always there. I also don’t differentiate between print and other medias. As a communication and creative person I believe great work can be done on any platform and in any media.

How do you think Advertising should move into a new age with severely segmented media, short attention spans and declining print and TV viewership amongst the young??
I am not an expert on advertising per se but one has to adapt to the reality of the times we live in. ?If you are referring to creative work then by doing eye grabbing work, in whichever media and space one gets to do.

Do you think brands who’s advertising wins awards, do well in the market?
Yes it does.

What advice do you have for aspiring creative professionals??
For your work to be fresh and relevant, you have to adapt with the times and trends (unless you yourself are a trendsetter). ?Expose yourself to other arts outside advertising. ?You are as good as the last piece of work you have done, it means the hunger to do good work has to always be there, otherwise you are on your way to becoming obsolete and outdated.? Be very serious about your work but don’t take advertising and yourself too seriously.

Mac or PC??
Both.

Who would you like to take out for dinner?
My Wife and son.

What’s on your iPod?
I prefer silence.

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Advertising: Maxwell House, Aiming to Reclaim Coffee Crown, Starts Makeover

The new campaign includes logos, packaging, products, a presence in digital and social media and advertising with the theme, “Say good morning to a good day.”