Best Wedding Present Ever? Photographer Remakes Hollywood Posters Starring Bride and Groom

In a world where love is patient and love is kind, one couple refused to play by the rules. This summer, they're going to the chapel and someone's going to get … buried!

OK, so it was actually last fall, and no one died in a fiery blast. But these parodies of Hollywood blockbuster posters for the marriage of David DiCicco and Rachael Batts are still epic enough to make Michael Bay consider a second career as a wedding planner.

The posters were the work of the Virginia couple's close friend, Nashville-based photographer and designer Andres Martinez. After helping them create a Casablanca-themed save-the-date card, Martinez spent about a month creating a series of posters starring DiCicco and Batts, who displayed them at their wedding reception.

"It was definitely a labor of love, for sure," Martinez tells AdFreak. "It was a fun project. There are few people I'd rather do that kind of thing for."

What makes the posters truly impressive is the attention to detail, from recreating the lighting effects of the originals to matching the body positioning as closely as possible. Martinez said it was the perfect outlet for his passion for learning how iconic images are created: "As I've been shooting more and more, I find myself going to magazines and posters and just looking at them, trying to reverse engineer what's going on in the photo."

Late last week, Martinez and the now-married couple decided to share the posters on Reddit, where they rapidly shot to the front page. But their glory was short-lived, as Reddit moderators removed the post from the front page after about an hour because they were concerned about including the full real names of the couple and their friends. 

Check out all the posters and their inspirations below:

 

 

 

 

 

 

 

 




Corona Paints: Princess

Free your walls from doodles.
Washable walls.

Advertising Agency: Sancho BBDO, Bogotá, Colombia
Creative Directors: Hugo Corredor, Giovanni Martinez, Diego Ortiz, Oscar Muñoz, Edward Jaramillo, Norman Tirano
Art Directors: Oscar Muñoz, Norman Tirano
Copywriters: Diego Ortiz, Edward Jaramillo, Andrés Celis
Photographer: Ale Burset
Post: Diego Speroni

Lineveldt Assumes ECD Post at SK+G

macrlineveldtLas Vegas-based SK+G Advertising, which you may remember from the first season of The Pitch and currently works with clients including the Borgata and Andre Agassi Foundation, has landed a new creative leader in Marc Lineveldt, who joins the agency as ECD. Lineveldt joins SK+G after serving in a similar role at Atlanta-based Fitzgerald+CO. It seems SK+G spent some time in its search for a new ECD. In a statement, agency managing partner John Schadler says, “We conducted an extensive and committed search for the perfect ECD candidate who would bring a worldly point of view, honed by experience, which will enhance the company’s position, expand our opportunities for growth and reinforce our pursuit of creative excellence. Marc brings with him an impressive range of achievements and we feel the timing is optimal as we are embarking on taking our business to the next level with continued expansion and global reach.”

During his 24-year ad career, Lineveldt has also served as a co-ECD at TBWA\Hunt Lascaris in Cape Town, and has held creative positions at the likes of Y&R and Saatchi.

New Career Opportunities Daily: The best jobs in media.

I Call B.S. on B-to-B and B-to-C


In today’s digital age, the traditional categories of b-to-b and b-to-c marketing are converging, and frankly, it’s about time. I’ve always believed that making a distinction between the two is irrelevant, but Keith Navratil’s recent column has made it clear that the industry continues to insist on categorizing marketing to businesses and individual consumers as two entirely separate strategies. I’m calling B.S.

All companies face the same challenge: standing for one cohesive idea and tailoring its messaging to a network of audiences, including professionals and consumers. While Keith gets it right that business decision-makers have emotions, he fails to acknowledge that all brands need to appeal to an entire ecosystem of decision-makers — implying that brands like CVS and L’Oreal are strictly consumer, while FedEx and SAP are b-to-b brands.

Marketers should worry less about fleshing out distinct b-to-b and b-to-c strategies and more about thinking creatively about reaching every human who has a potential to touch a brand. To be successful like Apple and GE, which have erased the distinction, companies must ask themselves the following questions:

Continue reading at AdAge.com

Adidas, HP, Windows trial new-look Twitter profile pages

Twitter has expanded its profiles format, giving individuals and brands larger profile photos, customised headers and a ‘pin’ function to let users show off their favourite post.

Lurpak Cook’s Range: Adventure awaits

Advertising Agency: Wieden+Kennedy, London, UK
Creative Directors: Sam Heath, Dan Norris, Ray Shaughnessy
Copywriters / Art Directors: Freddie Powell, Hollie Walker
Producers: Emma Wright, Chloe Roseman
Group Account Director: Helen Foulder
Account Directors / Managers / Planners: Katja Dienel, Angharad Thomas, Jennifer Lewis
Executive Creative Directors: Tony Davidson, Kim Papworth
Agency Executive Producer: Danielle Stewart
Production Company: Blink Productions
Director: Dougal Wilson
Executive Producer: Ewen Brown
Director of Photography: Stephen King Roach
Set Design: Lightning + Kinglyface
Editorial Company: Final Cut
Editor: Joe Guest
VFX Company: The Moving Picture Company
VFX Supervisor: Tom Harding
Flame Artist: Tom Harding
VFX Producer: Marianna Bruynseels
Shoot Supervisor: Bill McNamara
Grade: Jean-Clément Soret
Music+Sound Company: Wave Studios
Composer: Richard Strauss
Sound Designer: Aaron Reynolds

Lurpak Cook’s Range: Wonder awaits

Advertising Agency: Wieden+Kennedy, London, UK
Creative Directors: Sam Heath, Dan Norris, Ray Shaughnessy
Producers: Emma Wright, Chloe Roseman
Group Account Director: Helen Foulder
Account Directors / Managers / Planners: Katja Dienel, Angharad Thomas, Jennifer Lewis
Executive Creative Directors: Tony Davidson, Kim Papworth
Art Director: Freddie Powell
Copywriter: Hollie Walker
Head of Design: Guy Featherstone
Photographer: Ryan Hopkinson

Lurpak Cook’s Range: To new frontiers

Advertising Agency: Wieden+Kennedy, London, UK
Creative Directors: Sam Heath, Dan Norris, Ray Shaughnessy
Producers: Emma Wright, Chloe Roseman
Group Account Director: Helen Foulder
Account Directors / Managers / Planners: Katja Dienel, Angharad Thomas, Jennifer Lewis
Executive Creative Directors: Tony Davidson, Kim Papworth
Art Director: Freddie Powell
Copywriter: Hollie Walker
Head of Design: Guy Featherstone
Photographer: Ryan Hopkinson

Raw Crafted Branding Identities – The Branding Ideas and Solutions for This Company are Spot-On (GALLERY)

(TrendHunter.com) Good branding ideas and solutions should not only be bestowed upon those in the creative fields but to any business that wants to sell the idea of what it is and what its identity is all about. …

Martin Williams Rebrands Mall of America

Minneapolis-based agency Martin Williams recently completed a rebranding effort for Mall of America, the nation’s largest retail complex in Bloomington, Minnesota.

“Mall of America is in the process of expanding and rebranding itself to reflect its vast and unique experience,” explained Tom Moudry, CEO and chief creative officer, Martin Williams. “We’re really excited to have been chosen to be part of this effort.”

The new television campaign focuses on the excitement possible from the array of experiences found at Mall of America, crafting two separate “best day ever” type narratives from the perspectives of visitors, while avoiding the use of the word “mall” — which we’re guessing is a key component of the rebranding campaign. Both spots are created to show a dizzying whirlwind of different experiences at Mall of America, with a short-attention span let’s cram everything in series of events that’s exhausting just to watch. The narrator has to talk really fast to even keep up. “A tiring day spending hundreds of dollars (at least) at Mall of America could get you laid” seems to be the message behind “Couple,” which ends with the line, “Who needs date night when there’s date day?” Okay, so that may be reducing things a bit, but there’s definitely the suggestion that a day at the mall cramming in countless shopping and dining experiences can spark some romance. Positioning a mall as romantic is a hard sell, to say the least, but Martin Williams does a passable job with that premise.

“Girls” meanwhile, shows Mall of America as the perfect place for a girls day out, which makes a bit more sense, although the execution comes off as a bit stereotypical. What do girls do at the mall? Get a crush on a bag; try on jeans, jeans, jeans; find some guys, ditch some guys; eat something and don’t remember what it’s called. (At times things get a bit insulting.) At least they ride the rollercoaster a couple of times for good measure. Both of the 30-second spots end with the “Always new” tagline, emphasizing the ever-evolving nature of the 4.2 million square-feet complex housing over 520 stores. Check out “Girls” below and stick around for some behind-the-scenes footage, along with credits, after the jump.
continued…

New Career Opportunities Daily: The best jobs in media.

Crazy 3-D Newspaper Ad Brilliantly Hides a Whole Kitchen Inside a Classifieds Page

Innovative newspaper ads are a rare beast. We've seen a few fun ones lately—the Game of Thrones ad with the dragon shadow; the ad for the movie The Book Thief with two almost completely blank pages.

Here's an interesting one from Colombia. It's an ad for kitchens hidden inside a fake classifieds page—thanks to a nifty 3-D effect applied to the text. "The kitchen you are imagining is in HiperCentro Corona," says the headline.

You can argue about how effective it might be. Is it too subtle? But it's conceptually strong (it's a great way to illustrate something that could be on your mind while idly reading a newspaper) and executed well, too. Plus, here we are talking about a newspaper ad from Colombia. How often does that happen?

Sancho BBDO copywriter Felipe Salazar posted the ad to his Behance page.

Via Design Taxi.




Burger King Needs a New Global Agency

Burger King is officially conducting a global ad review after performing a bit of a two-step in recent months.

On splitting with Crispin Porter & Bogusky in 2011, the company moved on from its infamous “king” spots to work with CHI & Partners in the UK and Mother New York in the US. Earlier this year, company leaders hinted at changes in the UK after beginning and then cancelling an agency review; global now seems to be the answer.

Where will the brand go? CHI & Partners’ “We wish Burger King well as they make more global marketing arrangements” statement doesn’t sound particularly confident.

We will note, based on this recent New Zealand campaign from Colenso BBDO, that BK has not lost its desire to be weird.

New Career Opportunities Daily: The best jobs in media.

Viewpoint: Cosmo’s Sponsored Cover Is Not a Big Deal


Cosmopolitan magazine is causing a bit of a stir with its upcoming May issue cover. No, it’s not promoting a risque sex survey or planning to scoop Vogue with a Kimye cover of its own. Rather, the publication has the audacity to feature a pasted-on cover for its subscription copies, sponsored by L’Oreal Paris. The extra cover was produced by the edit staff and includes a tease about a L’Oreal contest alongside actual unpaid editorial cover lines. Traditionalists are asking, “Is this a blurring of the lines?” Fashionista raised the question of whether Cosmo had possibly violated The American Society of Magazine Editors’ guidelines.

Are they kidding? Right now, the publishing world should be challenging convention. It needs to. The media industry is being disrupted and the traditional business model isn’t keeping up. Newspapers have been decimated. The magazine business isn’t far behind. According to the Association of Magazine Media, ad pages have fallen a staggering 40% in the past five years. This despite the fact that magazines are showing increased readership when measured across print and digital channels. The magazine publishing industry doesn’t have an audience issue — it has a revenue issue.

For publishers to survive and thrive, they need to find more ways to attract marketing dollars. I applaud this initiative by Cosmo’s publisher Hearst and kudos also to L’Oreal for picking it up. The magazine industry has to find more creative and commercial ways to monetize its assets.

Continue reading at AdAge.com

The Most Beautiful Cherry Blossom Photos of 2014

Voici une compilation par Spoon & Tamago des meilleures photographies de fleurs de cerisiers qui ont été faites en 2014, par différents photographes japonais ou qui ont voyagé dans le pays du cerisier. Les photos de ces beaux arbres blancs et roses très inspirants sont à découvrir dans la suite.


By Yuga Kurita.

By Sue Hsu.

By Yukatan.

By Akio Iwanaga.

By Masato Mukoyama.

By Nobuhiro Suhara.

By Noisy Paradise.

By Saori.

By Onotch.

By Poojartiwari.

By Torne.

By Zhangning.

By Tomosang.

By Takeshi Tanaka.

By Ta3mam.

By Ryosuke Yagi.

By Hikaruno Mikoto.

By Haru Digital Photo.

By Danny Dungo.

By Kyle.

20-kyle
19-Danny Dungo
18-Haru Digital Photo
17-Hikaruno Mikoto
16-Ryosuke Yagi
15-taemam
14-Takeshi Tanaka
13-tomosang
12-zhangning
11-torne
10-poojartiwari
9-onotch
8-Saori
7-Noisy Paradise
6-Nobuhiro Suhara
5-Masato Mukoyama
4-Akio Iwanaga
3-Yukatan
2-Sue Hsu
0-Yuga Kurita

Opulent Goth Dress Editorials – Kristen M. Stars in the Dress to Kill Spring 2014 Editorial (GALLERY)

(TrendHunter.com) Looking dark, seductive and sporting killer dresses, the gorgeous Kristen M. stars in the Dress to Kill Spring 2014 issue.

Adorned in dresses that look fit for an Eastern European princess…

Rudy Hadisuwarno Cosmetics: Toilet brush

For dry and damaged hair.

Advertising Agency: DM Pratama Communications, Jakarta, Indonesia
Executive Creative Director: Maria Sum
Creative Group Head: Devyta Ariessandy
Copywriters: Maria Sum, Billie Hadisutirto
Photographer: Nurulita
Retouchers: Panji Simanjuntak, Ubaidillah, Thoriq Yasirrahman
Account Service: Devidilia Miranda, Shandy Satrio Wizzar
Published: September 2013

Rudy Hadisuwarno Cosmetics: Doormat

For dry and damaged hair.

Advertising Agency: DM Pratama Communications, Jakarta, Indonesia
Executive Creative Director: Maria Sum
Creative Group Head: Devyta Ariessandy
Copywriters: Maria Sum, Billie Hadisutirto
Photographer: Nurulita
Retouchers: Panji Simanjuntak, Ubaidillah, Thoriq Yasirrahman
Account Service: Devidilia Miranda, Shandy Satrio Wizzar
Published: September 2013

Rudy Hadisuwarno Cosmetics: Broom

For dry and damaged hair.

Advertising Agency: DM Pratama Communications, Jakarta, Indonesia
Executive Creative Director: Maria Sum
Creative Group Head: Devyta Ariessandy
Copywriters: Maria Sum, Billie Hadisutirto
Photographer: Nurulita
Retouchers: Panji Simanjuntak, Ubaidillah, Thoriq Yasirrahman
Account Service: Devidilia Miranda, Shandy Satrio Wizzar
Published: September 2013

U.K. Hotshop Has Loads of Talent — But Only One Client


It was a powerfully emotive film that last year won the Film Craft Grand Prix at Cannes and a Black Pencil at D&AD, and was voted a TED Ad Worth Spreading. Yet it wasn’t the work of a traditional agency or even a big network. “Meet the Super Humans” was the work of 4Creative, the in-house shop for U.K. broadcaster Channel 4, a teaser for the network’s coverage of the 2012 Paralympic Games.

Set up in 2001 to service Channel 4’s marketing team, 4Creative has a prolific output of some 900 program promotions a year, most of which isn’t seen outside the U.K., as well as promotions for the channel’s sponsors. Yet it’s responsible for some of the most original, edgy campaigns to come out of the region in the last decade.

Initially led by directors with a background in broadcast, in 2012 the Channel lured two lauded agency creative directors — Fallon London’s Chris Bovill and John Allison — to head it up. The pair said they joined 4Creative precisely because of the quality of the output. “What could be a bigger challenge than joining an agency at the top of its game?” said Mr. Bovill. It helps, Mr. Allison pointed out, that the broadcaster has a specific government remit to be innovative, experimental and distinctive: music to the ears of most creative directors. “We’re really lucky that we’re in a building full of like-minded people; even with our legal team, their default setting is never ‘No,'” said Mr. Allison.

Continue reading at AdAge.com

How Predictive Analytics Can Bring Internet-Like Accountability to TV Advertising

predictive-analytics-resize.jpg

These days, most enterprise marketers use a multichannel brand awareness and business development strategy to spread the word about their company, products and services via a variety of platforms including digital ads and social media marketing. But, sadly, television still gets the lion’s share of ad spend. Isn’t it time for enterprise brand marketers to demand their TV campaigns work harder and smarter?

According to a recent Nielsen report, Internet display ad spending grew 32% in 2013, which demonstrates the growing power of the digital medium. However, Internet display advertising still makes up just 4.5% of total spending, with TV accounting for nearly 58%. And marketers have good reason to put their faith in TV advertising: A Nielsen analyst noted that TV remains the most trusted source of paid media information.

But the question remains: How do brand marketers measure the effect of their TV marketing to make their campaigns more accountable? Predictive modeling platforms can provide the answer by delivering data. The concept of “Big Data” has generated significant buzz in the business world for the past several years, and in this instance, the hype is justified: Big Data can provide unprecedented insights into how advertising drives consumer behavior.

In the past, marketers in sectors such as insurance and telecommunications put brand awareness campaigns on television with no accurate way to measure the return. But predictive modeling technology offers a more scientific and analytical approach, empowering enterprise brand marketers with accurate metrics to demonstrate exactly how campaigns are delivering responses via the web, telephone and retail locations.

With an intelligent marketing platform, enterprise brand marketers can bring all relevant media performance data together with information on fulfillment, cost center data and web analytics. This allows them to tie consumer actions back to the specific airing of direct response TV ads. By using an algorithm similar to that used by day traders, marketers that use predictive modeling technology can accurately project which specific ad slots will drive the desired consumer response.

And who wouldn’t want this Holy Grail of television advertising? A fully accountable media strategy that enables brand marketers to funnel ad spend where it drives the best response and redirect dollars that aren’t generating sufficient ROI. None of this would have been possible just a few years ago, but with predictive modeling technology [ed. which I’ve only just become aware of having attended conference like eMetrics and Predictive Analytics] , it’s not only feasible – it’s affordable. And given what’s at stake in terms of television ad spending, brand marketers would be wise to explore predictive modeling.

This contributed article was written buy was written by Jill Draper, President of Marketsmith Inc.