Hasta La Creative!

Vice President Joseph R. Biden Jr. raised the issue as Beijing withholds accreditation for journalists from The New York Times and Bloomberg.

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(TrendHunter.com) The Stablow concept challenges the conventional form of the bowl in a fairly basic way, but this greatly enhances the practicality of this universally common object. Chen Xiaowei, Lu Nannan, Huang…

Chris Hedges on the inevitability of revolt.

From Adbusters #111: The Big Ideas of 2047

MICHEL DE SOUZA

The most important dilemma facing us is not ideological. It is logistical. The security and surveillance state has made its highest priority the breaking of any infrastructure that might spark widespread revolt. The state knows the tinder is there. It knows that the continued unraveling of the economy and the effects of climate change make popular unrest inevitable.

The state knows that as underemployment and unemployment doom at least a quarter of the U.S. population, perhaps more, to perpetual poverty, and as unemployment benefits are scaled back, as schools close, as the middle class withers away, as pension funds are looted by hedge fund thieves, and as the government continues to let the fossil fuel industry ravage the planet, the future will increasingly be one of open conflict.

This battle against the corporate state, right now, is primarily about infrastructure. We need an infrastructure to build revolt. The corporate state is determined to deny us one.

The corporate state, unnerved by the Occupy movement, has moved to close any public space to movements that might reignite encampments. The state has, at the same time, heavily infiltrated movements in order to discredit, isolate and push out their most competent leaders.

The state has used its vast surveillance capacities to monitor all forms of electronic communications, as well as personal relationships between activists, giving the state the ability to paralyze planned actions before they can begin. It has mounted a public relations campaign to demonize anyone who resists, branding environmental activists as “ecoterrorists,” charging activists under draconian terrorism laws, hunting down whistle-blowers such as Chelsea Manning, Julian Assange and Edward Snowden who shine a light on the inner secrets of power and condemning them as traitors and threats to national security.

Occupy articulated the concerns of the majority of citizens. Most of the citizenry detests Wall Street and big banks. It does not want more wars. It needs jobs. It is disgusted with the subservience of elected officials to corporate power. It wants universal health care. It worries that if the fossil fuel industry is not stopped, there will be no future for our children. And the state is using all its power to stymie any movement that expresses these concerns.

Documents released under the Freedom of Information Act show Homeland Security, the FBI, the Federal Protective Service, the Park Service and most likely the NSA and the CIA (the latter two have refused to respond to FOIA requests) worked with police across the country to infiltrate and destroy the encampments. There were 7,765 arrests of people in the movement. Occupy, at its peak, had about 350,000 people – or about 0.1 percent of the U.S. population.

“Look how afraid the power structure was of a mere 1/10th of 1 percent of the population,” says Freedom Plaza Occupier, Kevin Zeese. “What happens when the movement grows to 1 percent—not a far reach—or the 5 percent that some research shows is the tipping point where no government, dictatorship or democracy can withstand the pressure from below?”

Chris Hedges is a Pulitzer Prize–winning author and former international correspondent for the New York Times. His latest books include The World As It Is: Dispatches on the Myth of Human Progress and Days of Destruction, Days of Revolt with Joe Sacco. This is an excerpt of his article, Sparks of Rebellion originally published on Truthdig.

Failure is not an option when it comes to Ford Motor Co.’s global launch of the all-new Mustang.

To celebrate the 50th anniversary of the iconic pony car, the auto maker is launching a worldwide advertising, marketing and publicity blitz around next year’s rollout of the 2015 Mustang.

Over recent weeks, Ford has been using social media to whet the appetite of consumers and Mustang aficionados. On Thursday, Ford finally took the cover off the long-awaited vehicle during simultaneous media events in half a dozen cities across four continents, including Shanghai, Barcelona, Spain and Sydney, Australia.

Continue reading at AdAge.com

(TrendHunter.com) Rosie Holtom’s homeless photography makes one rethink a pervasive social problem. The black and white portrait series humanizes people who live on the streets and in homeless shelters and…

This past Tuesday saw the release of the first game developed by production company Psyop, “Nightmare: Malaria.” Susan Sarandon lent her vocal talents to the game, developed in partnership with Against Malaria Foundation, for the iOS and Android operating systems. “Nightmare: Malaria” hopes to draw attention to the malaria epidemic that claims around one million lives a year, around 70% of them children under five; and that much of this can be prevented with insecticide treated mosquito nets. But don’t think this is another public service advertisement masquerading as a gaming experience.

“This is not another advergame,” said Brian Kehrer, Technical Director of “Nightmare: Malaria. “We focused our efforts on creating a visually rich and enjoyable, if disturbing, experience.” Kehrer, co-founder of Muse Games, was brought in to help Psyop develop their penchant for visual storytelling into their first ever video game. While at Muse, he helmed the award-winning Guns of Icarus Online.

In “Nightmare: Malaria” the player is dropped “into the bloodstream of a young girl infected by malaria. Players make their way through 18 levels of fever-dream visuals, avoiding killer mosquitoes and collecting hard-to-reach teddy bear tokens along the way.” While I can’t say anything about the gameplay, not having played the game yet, the trailer hints at striking, occasionally disturbing visual design — not surprising coming from the Emmy-winning Psyop.

The game was inspired by a Susan Sarandon-narrated PSA created through Psyop’s non-profit initiative, Establishment for the Greater Good, called “Nightmare.” In fact, “Nightmare: Malaria” borrows footage from the PSA for its trailer. If you’re interested in playing the game, you can download it for iOS or Android. And if you’d like to donate to help stop malaria, you can do so here. Stick around for “Nightmare” and credits after the jump.  continued…

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