Creature expands FMCG client roster with Crusha
Posted in: UncategorizedCreature London has deepened its relationship with Silver Spoon, picking up work for Crusha.
Creature London has deepened its relationship with Silver Spoon, picking up work for Crusha.
Advertising Agency: 4VE, United Kingdom
Art Director: Gary Marjoram
Copywriter: Gary Marjoram
Agency Producer: Alisa Wakely
Production: The Rough Idea
Director: Sim Marriott
Inspiré par un voyage qu’il a effectué en Australie, l’artiste Cai Guo-Qiang a imaginé une installation appelée Heritage, permettant de réunir autour d’une piscine maquillée en étang 99 répliques d’animaux venant des 4 coins du monde. Une œuvre magnifique, présentée à la Queensland Art Gallery of Modern Art à Brisbane.
Goodstuff Communications has been awarded the media planning and buying account for the malt loaf brand Soreen.
The Government has struck an agreement with the UK’s energy companies to lower the price of an average household bill by around £50.
Amazon has revealed plans to begin delivering customer orders within 30 minutes by unmanned, miniature drone-style aircraft.
Employees who are appreciated and celebrated can make an impact, writes Nicola Kemp, in the latest in our Forward 50 trends series.
At the end of last year I suggested 2013 would be the year of the “Real World Web”.
When Mullen CEO Joe Grimaldi interviewed Alex Leikikh for the job of director of account service in 2009, he was really looking for a future successor. He knew he’d found it when he asked Mr. Leikikh what job he ultimately wanted at Mullen. Mr. Leikikh’s answer: “Yours.”
Mr. Leikikh, 40, is now getting that nod. He’ll move from president to CEO at the Boston-based Interpublic Group of Cos. shop. Mr. Grimaldi will stay on as chairman for the next two years. He has been with Mullen for 31 years and became CEO 14 years ago, when the company was purchased by IPG.
“Alex is my handpicked successor,” said Mr. Grimaldi in a statement. “I was pretty certain he was the guy by the time our courtship concluded with him joining Mullen. My confidence has grown with every passing month and year as he and the leadership team have created head-turning success. Our agency is at its historical peak today. It is just the beginning of a more distinguished future under Alex’s leadership.”
I was recently headhunted to join Grey Advertising in Singapore. I’ll be Associate Creative Director for the Panadol global account for GSK. Including other brands (Lucozade/Horlicks) for the Asia Pacific region. I just left Leo Burnet Dubai two weeks ago, and currently in London on a break between jobs.
Why are you into Advertising?
Actually fell into it by accident. Was half way through my Chemistry degree at UMIST University in Manchester when I found out about it. Fell in love with the idea of ideas, enrolled for the BA (Hons) Advertising & Marketing Comms course at the Watford campus of University of Hertfordshire, and never looked back.
Did you attend school for fine art or design or Communications?
At Watford, I chose the BA (Hons) degree over the one-year copywriting course just for backup. I practised copy on the side during those 3 years though.
How have awards impacted your career?
Well they definitely get you noticed, but they’re not everything in my opinion. The biggest rewards are the results for the brands, reflected at the Effies. And I sure would prefer a few more of these under my belt. That’s what I personally strive for for every brand.
Were there any particular role models for you when you grew up?
Regarding advertising none at all. In general, my parents and brother. In football, Ian Wright (Arsenal).
Who was the most influential personality on your career in Advertising?
The man who told me I had no future in Advertising. He was the closest person I had to a mentor after completing my degree and when I was struggling for a job. Then he told me to forget advertising and try something else. So walking home I wondered what I was going to do now that I had zero support. Then just before I entered my apartment, I said to him in my head; “fuck you.” And never looked back.
Where do you get your inspiration from?
From within. I have my own objectives wherever I go and the pressure I apply on myself to go one better will always be more than the demands of any agency I work for.
Tell us something about the work environment at Grey Dubai…
It’s Grey Singapore. I’m yet to find out. But I’ll be in touch when I start work there on December 9. I’m currently taking a hard-earned break back at my family home in London.
Do you have any kind of a program to nurture and train young talent?
Read. Absorb everything. Don’t listen to your iPod walking out and about. Look and listen all around you, and be inspired by your surroundings and the behaviours of people. And think holistically as much as possible. Think how an idea can live beyond everything traditional. Bear in mind, digital is fast-becoming ‘traditional’ these days.
What about new and young film makers/photographers? Do you consciously keep looking for newer talent and try someone completely new?
I’m always active and welcoming such talent. As long as their portfolio/reel is genuine, that’s what competition is for. Keeps us all on our toes and helps the industry peak new standards.
What do you think of the state of Print advertising right now. At least here in India, the released work is most often too sad? Why do you think it has lost the shine? Why are the younger lot more interested in TV?
That’s something you can’t escape. TV has always been more glamorous than other other medium. But today there are opportunities to link digital with TV. So perhaps this is another reason. But it’s also up to a special few to try and bring back and elevate the standards of Print work released by convincing clients. It’s always the culmination of a number of factors why standards either decline or increase.
More and more young people are web savvy and want to work on the internet or on more entrepreneurial ventures. Has that affected the quality of people advertising has been getting?
It’s the new breed of people in advertising. I started in digital before touching ATL. And I’m glad my path took me this way rather than the reverse. It’s a necessary evolution for today’s world. It’s not about quality; people will always have ideas. But the nature has changed to become more bold and likely to take risks – and this is exactly what the industry needs on a consistent basis.
Do you think brands whose advertising wins awards, do well in the market?
No. Prime example is Harvey Nichols Dubai. They were with Y&R when I was there back in 2006. They’ve won hundreds of awards from Cannes to Clio to D&AD with their print work. And that was the problem. No balance between award work and day-to-day work. The client wasn’t happy with the progression of the brand and in the last few months Y&R lost their cash-cow account.
What advice do you have for aspiring creative professionals?
Don’t give up. And don’t let anyone make you feel less of a person than who you are. Most of all, don’t believe it. You can do it if you put in the expected effort; from research to continually refining ideas. There were times in Dubai I worked for days on end with no sleep. Or 4 months without a weekend. I hope it’ll never be like this for you. But that’s how I learned; fast and the hard way. Don’t shy away from hard work; it won’t kill you. Just makes you stronger and ready for anything. And don’t forget to have the time of your life.
What is your dream project?
I think I’m about to start it in Singapore.
Mac or PC?
MAC
Who would you like to take out for dinner?
Not gonna tell you everything.
What’s on your iPod?
Don’t own one. For the reasons I mentioned above.
The post Sunny Deo : Interview with an Associate Creative Director appeared first on desicreative.
Editor’s note: Please welcome Nathan Archambault of AKQA in NYC to AdPulp. An earlier version of this article appeared on Maybe I’m Gravy.
The old advertising agency model, the one where Madison Avenue agencies took their sweet and expensive time, isn’t working anymore.
It’s time for a forced retirement.
Sorry, old model. The nature of the business has changed. Client relationships have splintered and the traditional methods by which agencies profited are shrinking or disappearing. Clients want more effective work and they want it faster and cheaper.
Agencies are left with a clear choice: become more nimble, flexible and cost-effective or fade away. As Jeff Goodby recently admitted, we’re past the time for quick fixes.
It’s time to build a more agile agency. Here are a few things agency leaders can do.
Today’s agency doesn’t need the same departments that were once a centerpiece to the creative offering. Goodby folded project management into account management and scaled back in-house production, opting to work with more outside vendors. Other agencies have eliminated the studio department, instead leaving final design responsibilities to creative instead of to a separate department.
Ask your agency: What departments are redundant, outdated or inefficient?
It’s time for agencies to get out of the meeting business and get into the making business. The old model has too much overhead, too much process and too many barriers getting in the way of the work. An agency should feel like a living organism with the sole goal of producing great work, and nothing else should matter or get in the way. Oreo operated like a newsroom during last year’s Super Bowl and we all know how that turned out.
Ask your agency: What can we do to get out of the way of the work?
In the past, clients demanded perfection and the agencies that delivered it thrived. These days, experimentation returns more on investment. Google launches everything in beta and future updates are expected and (mostly) welcome. The important thing today is getting your product, service or campaign idea to market. Once people have access to it, you can gather feedback, revise and repeat. This is what successful startups like Instagram, Foursquare and Path do and it works pretty well for them.
Ask your agency: What can we make today and worry about making better tomorrow?
Agencies used to be able to hire creative teams to sit around and think up big ideas. But teams that lack the craft to build the ideas they come up with aren’t pulling their weight today. They’re requiring the agency to hire someone else to execute and bring the vision to life. The jig is up, big thinkers: Being clever and having good taste is no longer a job. That’s why side projects are the new main course – they’re the work of a doer.
Ask your agency: Who actually makes things around here?
Interpersonal relationships and unique skills matter more than staffing plans. The need may be for an ACD-level copywriter, but it’s important to be open to creative solutions when filling this or any position. An agile agency wants to find people with the right mindset, regardless of whether or how they fit into a particular department or job title. With the right people in place, an agency can cast for projects, not staff for them.
Ask your agency: Are we hiring the best people first and determining their role later?
It doesn’t make sense to implement the same process for every project. These days, unlike when advertising was mostly made of TV and print, each project is different from the last. Michael Lebowitz, Founder and CEO of Big Spaceship, gives his teams a framework instead of a process. This allows each team, each operating as mini-agenices, to bubble up a unique process that leads to more unique work.
Ask your agency: Are we finding new paths to the end goal of creativity?
The different stages of any given project shouldn’t feel like a baton pass. The brief can’t spend weeks with strategy before being handed off to the creative department, and later to production. AKQA CCO Rei Inamoto believes that agencies need to combine strategy, storytelling and software in order to build emotional and useful connections with people. This means that creative, strategy and technology work together from the start, making each team more invested at every stage of the process.
Ask your agency: Is each team member a stakeholder from the beginning?
Maybe you’re not in a position to change the way your agency operates. But there is something you can do: you can join an agency that believes in the game-changing power of agility.
In this agile age, one thing is for certain: the inflexible will be left behind.
Previously on AdPulp: The Google To Adlandia: Be Lean And Agile Like Us, And You’ll Be Rich Like Us
The post Seven Steps To A More Agile Agency appeared first on AdPulp.
The former Virgin Media chief marketing officer, now executive consultant, on Virgin’s integration with Liberty Global and making the leap from CMO to the boardroom.