Em novo filme da Foot Locker, Mike Tyson devolve a orelha de Evander Holyfield

Em 1997, Mike Tyson e Evander Holyfield entraram no ringue para uma segunda luta. A revanche se seguiu após a derrota de Tyson, no ano anterior. E, por mais que o público estivesse preparado para um massacre, é improvável que alguém esperasse que Tyson mordesse e arrancasse um pedaço da orelha de Holyfield. Hoje, 16 anos depois, a Foot Locker lançou um novo filme, All is Right, em que Tyson bate à porta de Holyfield trazendo uma caixinha com um presente especial.

Criado pela BBDO de Nova York, o filme divulga a “semana da grandeza”, quando a loja lança produtos da linha premium que garantem aos clientes que “está tudo certo no mundo”.

É aí que entram a devolução da orelha – devidamente conservada em formol -, a decisão de Dennis Rodman de comprar uma passagem só de ida para a Coreia do Norte, Craig Sager queima seu guarda-roupa e Brett Favre diz que há momentos em que é preciso seguir adiante.

Ficou, no mínimo, divertido.

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Brainstorm9Post originalmente publicado no Brainstorm #9
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ABC Shuffles Its Prime-Time Lineup

The network has struggled most in the ratings this fall, and it announced five new series as it canceled “Betrayal.”

    



The Year of the Horse

A letter to our supporters for the upcoming year.

LEAH MCINNIS

All of us here at Adbusters want to thank you for being a supporter of our foundation. It has been a pleasure to fight the good fight with you … sharing the highs and lows, the defeats and victories, the cultural campaigns and the tantalizing glimpses of a new way of being.

Today, with 2014 on the horizon, we thought we’d send you this year-end round up, give you a rousing pep talk and keep you in the loop on what we have in mind for the upcoming year of the horse.

REVOLUTION IS A RHIZOME

The conditions which spurred on the Greek anarchists, the Arab Spring, the Spanish indignados, #OccupyWallStreet, the Chilean student revolt, Pussy Riot, the Quebec uprising, #idlenomore, Yo Soy 132 in Mexico, and the insurrections in Istanbul, Lima, Sofia and São Paulo have only become more endemic. Inequality is reaching obscene proportions. There is an ever-greater concentration of wealth, ever-bigger banks, a steady increase of high frequency trading, derivative confusion and outbursts of rogue financial algorithms that send markets dipping and soaring beyond any human control.

$1.3 trillion in speculative financial transactions swirl around the planet every day. The stage is now set for a catastrophic market crash bigger than 2008 or even 1929 … one that, combined with apocalyptic climate change, could spell the end of civilization as we know it. People everywhere, especially the youth, are waking up to the fact that if they don’t stand up and fight for a different kind of future, they won’t have one.

In the wake of this huge, existential, planetary problem, a new mode of activism, a “new architecture of protest,” is emerging. What begins as a simple demand — don’t cut the trees, don’t raise the transit fare, don’t build that pipeline — suddenly erupts into an all-encompassing desire to reboot the entire machine. Out of this new insurrectionary design we see three metamemes that could change the game for good.

THREE METAMEMES FOR THE FUTURE

• Economics students and heterodox economists rise up and demand a paradigm shift in economic science. They move to abandon almost everything we thought we knew about progress, happiness and growth. They then re-imagine industry, nutrition, communication, transportation, housing and money, and pioneer a new kind of bionomics, a psychonomics, an ecological economics, a barefoot economics that is up to the job of managing our planetary household. This fight for a shift in the theoretical foundations of economic science is now well underway on dozens of campuses worldwide.

• In the aftermath of Wikileaks and the Edward Snowden revelations, we feel that the global mood is ripe for the birth of a mental environmental movement. More than ever we can see that in the same way we need to clean the physical landscape, so too do we need to brush clean the psychic one. Infotoxins, commercial seduction, 3000+ ads beamed into your head everyday and state & corporate misinformation have become ubiquitous. A potential elixir to reclaim the global mind is a new era of radical transparency … to add the right to live in a transparent world as a new human right in the constitution of every nation and in the Universal Declaration of Human Rights.

• The internet has reversed a centuries-old power dynamic. The street has a renewed fire. Through hacking, rhizomatic organizing and viral memes, mass swarm-like protest can still paralyze cities, bring whole countries to a standstill, send a chill through stock markets and force our leaders to open their ears. Harnessing this new revolution algorithm, in the 21st century, democracy could look like this: a dynamic never-ending feedback loop between entrenched power structures and the street. In this new model, corporate power will be blunted by sustained and clearly articulated demands for new economic, political and environmental policies; capitals will be open for visceral debates and referendums on critical issues, for the revocation of the charters of corporations that break the public trust and for new laws and constitutional amendments on democratic fundamentals like secrecy, corporate personhood and the rules by which nations go to war.

ADBUSTERS IN 2014

Here at Culture Jammers HQ we just put the finishing touches on our first-ever five-part series, The Epic Human Journey. This collection captured our creative and political imaginations like never before, pushing Adbusters into exciting, uncharted, waters. In the new year, we’re launching another series, this one titled The Blueprint for a New World. It promises to deliver a futuristic, anarchic, aesthetic and mental road-map with one goal: catalyzing another global moment . . . one that this time plays for keeps.

The biggest project in 2014 for the Media Foundation is our international Global Warning campaign. We’re creating the most visceral and challenging climate change meme yet, one that will shake the world out of collective denial. Imagine a 15 second, 30 second and 60 second mind-bomb airing on every major news and television station across the world, a wake up call that leaves everyone who sees it transformed, unable to return to a life of ecological amnesia.

We’re also looking to put hard copies of our electronic Spanish edition on newsstands across Latin America and Spain, as well as producing our first ever Adbusters edition in Mandarin! And – if the Gods of publishing show their favor – a book to follow-up Meme Wars, a full-size blast on the New Aesthetic . . . the look that awaits humanity beyond the capitalist horizon.

This human journey of ours is about to enter a 10,000 year dark age . . . without respite, without a new wave of spirited resistance . . . prognosis is terminal. Everywhere there is talk but real action is nowhere to be seen. Every year there are myriad conferences, accords, declarations and commitments . . . all a dramatic ruse. The moment is ripe. The global consciousness needs a shake-up. And we here at Culture Jammers HQ know that we have the serum, the dose, the shot to break through the bullshit . . . so will you continue to help us do it?

Hold on tight, here it comes . . .
the Year of the Horse!

From all of us here at Adbusters

Read more on Adbusters.org

Money Talks

L’architecte et designer Alexander Pincus, à l’origine de Pincus A+D, a imaginé Money Talks, un papier-peint composé de billets de 1 dollar. Et finalement, installer un mur avec ce genre de papier ne coûte pas selon eux forcément plus cher. Un choix étonnant à découvrir en images dans la suite.

Money Talks6
Money Talks5

Tribal Worldwide Crafts 8-Bit Game for UNICEF’s World Toilet Day Campaign

toiletday1

Have you thought about your toilet today? November 19th is World Toilet Day, and Tribal Worldwide chose today to a launch a new campaign for UNICEF called “Access Denied,” which seeks to draw attention to the lack of clean toilets worldwide. While you probably take your home or office bathroom for granted, 36% of the world’s population lives without access to a clean toilet and around one billion people worldwide must defecate out in the open.

To draw attention to this overlooked problem, Tribal Worldwide created a series of posters (examples above and below), a website, and, our favorite message-spreading tool, an 8-bit game. That’s right, to illustrate to an audience who has no idea what it’s like to find a clean, safe place to relieve themselves, Tribal Worldwide created an 8-bit game called Toilet Trek. The game in no way makes light of the issue, as during the course of the game, players are bombarded with obstacles paralleling those of individuals without ready access to a clean toilet. Players are also periodically given facts and information about the problem while advancing to new obstacles within the game. It’s a clever touch, as people who may otherwise gloss over the posters or website can be drawn in with a fun little game that is also educational.

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The game is difficult enough to take a few minutes, during which time players can learn how toilet access is linked to issues of sanitation, disease, privacy, and increased risk of sexual assault. Toilet Trek is also available on the iPhone 4 and iPhone 5s, with an Android version coming soon. If you have a few minutes, give it a shot, it’s pretty fun and you may just learn something about the plights of those for whom a clean toilet is often just out of reach. And the next time you sit down on your porcelain throne, be grateful. Credits after the jump.  continued…

New Career Opportunities Daily: The best jobs in media.

UNICEF World Toilet Day: Access Denied

Advertising Agency: DDB, New York, USA

Crest 3D White whitestrips: Nature intended

Advertising Agency: Publicis Kaplan Thaler, New York, USA

DHA Enhanced Milk: Chinese, Encyclopedia

Advertising Agency: McCann Healthcare Worldwide, Shanghai, China

Hill’s: Adventure

“Get her ready for life’s adventures.
Ideal nutrition for the first year.”

Advertising Agency: Red Fuse, Prague, Czech Republic
Creative Director: Ken Trevor
Art Directors: Jiri Horut, Marek Farkas
Copywriter: Theo Schwinke
Photographer: Miro Minarovych
Digital Artist: Petra Vokjan
Producer: Tomas Tomasek
Account Director: Susana Santacoloma
Account Manager: Cesar Rojas

Raid: Ants, Roach, Moquito

Advertising School: Miami Ad School, Miami, USA
Art Director: Joaquin Alvarez Limón

Ensure Plus Advance: Life in full, 4

The last thing I smashed was my hip.

Advertising Agency: Langland, Windsor, UK
Creative Director: Andrew Spurgeon
Art Director: Andrew Spurgeon
Copywriters: Michael Pogson, Sue Blitz, Dimuthu Jayawardana
Art Buyer: Claire Martin
Account Directors: Philip Chin, Bridget Christie

Ensure Plus Advance: Life in full, 3

I may not be as fast, but I’ve come a lot further.

Advertising Agency: Langland, Windsor, UK
Creative Director: Andrew Spurgeon
Art Director: Andrew Spurgeon
Copywriters: Michael Pogson, Sue Blitz, Dimuthu Jayawardana
Art Buyer: Claire Martin
Account Directors: Philip Chin, Bridget Christie

Ensure Plus Advance: Life in full, 2

This beats having a bed-bath.

Advertising Agency: Langland, Windsor, UK
Creative Director: Andrew Spurgeon
Art Director: Andrew Spurgeon
Copywriters: Michael Pogson, Sue Blitz, Dimuthu Jayawardana
Art Buyer: Claire Martin
Account Directors: Philip Chin, Bridget Christie

Ensure Plus Advance: Life in full, 1

The ball doesn’t care how old you are.

Advertising Agency: Langland, Windsor, UK
Creative Director: Andrew Spurgeon
Art Director: Andrew Spurgeon
Copywriters: Michael Pogson, Sue Blitz, Dimuthu Jayawardana
Art Buyer: Claire Martin
Account Directors: Philip Chin, Bridget Christie

Ozen: Natural Sexual Enhancement

“A natural sexual enhancement.”

Advertising Agency: SOHO Square, Bangkok, Thailand
Executive Creative Director: Torpun Lersin
Art Director: Nuttayut Sankla
Copywriter: Katesuda Yimcharoen
Illustrator: Visionary
Senior Communications Manager: Panupong Piyatanasiriku

YouTube’s Mobile Apps Get Their First ‘Native’ Takeover Ad


YouTube’s highest profile ad placement has a new home and a new look.

This week YouTube extended its homepage-takeover ad to the Google-owned video service’s mobile apps for the first time. And to mark the occasion, YouTube has updated the ad’s look on smartphones and tablets with a so-called native aesthetic.

The mobile masthead ad swaps out the traditional horizontal banner image for a new design that appears akin to a regular video listing, aside from the yellow tag marking it an ad. BTIG analyst Richard Greenfield first spotted the new format.

Continue reading at AdAge.com

National Center for Problems of Healthy Lifestyle Development: Help

Advertising Agency: TBWA Central Asia Caucasus, Kazakhstan

Lilly Oncology: Parking meter, 3

Why put a time limit on advance lung cancer treatment?
Traditional practice in advanced NSCLC would be to limit the patient to a fixed number of first-line treatment cycles. Now evidence shows that following a maintenance approach controls tumour growth and allows people to maintain quality of life for longer.

Advertising Agency: Langland, Windsor, UK
Creative Director: Andrew Spurgeon
Art Director: Andy Barnard
Copywriter: Sue Blitz
Art Buyer: Claire Martin
Account Director: Elizabeth Chamber
Account Executives: Parrus Doshi, Jonathan Holland

Lilly Oncology: Parking meter, 2

Why put a time limit on advance lung cancer treatment?
Traditional practice in advanced NSCLC would be to limit the patient to a fixed number of first-line treatment cycles. Now evidence shows that following a maintenance approach controls tumour growth and allows people to maintain quality of life for longer.

Advertising Agency: Langland, Windsor, UK
Creative Director: Andrew Spurgeon
Art Director: Andy Barnard
Copywriter: Sue Blitz
Art Buyer: Claire Martin
Account Director: Elizabeth Chamber
Account Executives: Parrus Doshi, Jonathan Holland

Lilly Oncology: Parking meter, 1

Why put a time limit on advance lung cancer treatment?
Traditional practice in advanced NSCLC would be to limit the patient to a fixed number of first-line treatment cycles. Now evidence shows that following a maintenance approach controls tumour growth and allows people to maintain quality of life for longer.

Advertising Agency: Langland, Windsor, UK
Creative Director: Andrew Spurgeon
Art Director: Andy Barnard
Copywriter: Sue Blitz
Art Buyer: Claire Martin
Account Director: Elizabeth Chamber
Account Executives: Parrus Doshi, Jonathan Holland