Y&R Expands Relationship with BMO

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Nearly two years after forming a relationship with BMO, Y&R has now added more responsibilities for the financial institution as it’s now serving as lead agency for its client. What does this entail? Well, the agency’s teams in New York, Chicago and Toronto will oversee all brand and integrated retail banking marketing across traditional and digital media platforms, effective immediately. BMO CMO/head of strategy Joanna Rotenberg says in a statement, “Throughout the review process and in our experience working with them in the past, Y&R has consistently demonstrated superior strategic thinking, presenting thoughtful insights which have been closely aligned to BMO’s vision, brand and strategy. We look forward to deepening our partnership with their integrated North American practice to develop breakthrough, business-building creative.”

We’ve been told that there was a review in Canada for the BMO biz, which was previously handled by Cossette up north. The agency, though, declined to participate in the review. Y&R Canada’s first work as lead agency of brand and retail marketing is slated to be unveiled in the first quarter of 2014.

New Career Opportunities Daily: The best jobs in media.

H-57: H-57 online store

“1000 perfect moments to go shopping on H-57 online store.”

Advertising Agency: H-57, Milan, Italy
Creative Director: Matteo Civaschi, Gianmarco Milesi
Art Director: Matteo Civaschi, Teresa Fontes, Cristina Rocchetti
Copywriter: Gianmarco Milesi
Illustrator: Teresa Fontes, Cristina Rocchetti

DIY Computer Kit

L’agence londonienne MAP Project Office a collaboré avec Kano Computing pour imaginer ce « Do It Yourself Computer Kit » utilisant un Raspberry Pi, que toute personnes peut assembler et monter en 20 minutes. Un projet passionnant proposé sur kickstarter à découvrir dans une série d’images dans la suite.

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Ebay aims to inspire with ‘world’s first shoppable panto’

Ebay is placing “inspiration” at the heart of its Christmas marketing activity, with the “world’s first shoppable pantomime” and its first TV sponsorship deal.

5 Big Brand Social Media Experts Share Their Secrets

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To help you craft powerful social marketing campaigns that drive awesome results, we brought together a team of five leading brand strategists to answer five pressing social questions.

  • What are the factors your company considers before launching a social campaign?
  • How has social integration evolved within your organization?
  • How do you think social will influence your campaigns in the future?
  • Why is it important to involve your audience with your company?
  • What advice would you share with someone who is developing a social campaign?

Download the Mass Relevance report now to learn how brands like TaylorMade, Finish Line and Lexus think about social.

Ad Blogger Copyranter Goes Out With a Bang After Getting Fired From BuzzFeed

BuzzFeed, the curator of all things viral on the www, fired Mark "Copyranter" Duffy last month after employing him for a year and a half. And he did not go quietly. In a new article on Gawker titled "Top 10 Best Ever WTF OMG Reasons BuzzFeed Fired Me, LOL!", Duffy pulls no punches.

He reveals that he took a $43,000 annual pay cut to leave the agency world, worked as many as 70 hours a week for BuzzFeed, ranked seventh out of about 100 writers for traffic—and yet was canned anyway over "creative differences." A photo shows his termination paperwork with a sticky note that says "CUTE" on it—perhaps BuzzFeed's most egregious error in all of this. "A 53-year-old man, BuzzFeed's oldest ever employee, jobless and without health insurance? CUTE as a fucking bug's ear," Duffy writes.

He then shares, BuzzFeed style, 10 reasons why he might have been fired. They range from "Age" (reason No. 10—Duffy is 53, while most of his colleagues are in their 20s) to "I regularly challenged editors" (reason No. 6) to "I am just an asshole" (reason No. 3). He also admits to sending out inappropriate company-wide emails and drumming at his desk incessantly, which are their own entries, though they could probably also fall under No. 3.

The article includes a lengthy response from BuzzFeed's Ben Smith, the target of most of Duffy's criticisms, who closes with: "I'm sorry the Cute sticker upset him." The comments are worth a read, as well, either ripping BuzzFeed for choosing fluffy clickbait over Duffy's tougher material or ripping Duffy for being, e.g., "an entitled fucking whiner, dude."

From an outsider's point of view, the Duffy/BuzzFeed marriage just didn't seem like the best fit for either party. We hope he gets a column at a publication that suits him, as well as a soundproof office and maybe some well-padded mittens.


    

Twerking Turkeys Celebrate Thanksgiving

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This is just silly enough and timely enough to get a good run at going viral. Dallas-based ad agency Firehouse is out with a video entitled Happy Twerky Day that, as the name indicates, involves turkeys and twerking. And it’s a bit infectious.

Maybe it’s just us but the video’s choreography and music are mildly reminiscent of the Harlem Shake meme from earlier this year. Which, is to say, not a bad thing. We love Harlem Shake.

The video is set to the tune “DJ Turn It Up” by Yellow Claw.

The California Lottery: When You Give, You Win

Advertising Agency: David & Goliath,
Chief Creative Officer: David Angelo
Executive Creative Director: Colin Jeffery
Creative Director / Art Director: Eron Broughton
Art Director: Shaun Wright
Copywriter: Peter Hughes
Strategic Planning Director: Kristen Knape
Junior Account Planner: Jessica Watts
Managing Partner / Director of Client Services: Brian Dunbar
Account Director: Stacia Parseghian
Management Supervisor: Janet Wang
Account Executive: Lindsay Brown
Assistant Account Executive: Brea Talsness
Manager Broadcast Production: Carol Lombard
Senior Producer: Karen Jean
Digital Director: Josh Crick
Director of Digital Delivery / Technology: Robert Boucher
Digital Producers: Michael Karney, Erica Tremblay
Developer: Brandon Yano
Director of Print Services: Meredith Walsh
TV Production Company: Smuggler
Director: The Guard Brothers
Director of Photography: Joost Van Gelder
Managing Partner/Co-Founder: Brian Carmody
Executive Producers: Allison Kunzman, Carole Hughes
Line Producer: Alexandra Lisee
Editorial Company: Spinach
Editor: Lucas Eskin / Courtesy of Beast LA
Assistant Editor: Ryan Dahlman / Courtesy of Beast LA
Post Producer: Jonathan Carpio
Color Correction Studio: Company 3
Colorist: Sean Coleman
Color Correction Producer: Matt Moran
Online / Compositing: Method Studios
Smoke Artist: Aaron Neitz
Executive Producer: Robert Owens
Online Producers: Colin Clarry, Stephanie Allis
Music Company: Human
Song Title: Suite Bergamasque – III. “Clair de Lune”
Composer: Claude Debussy (1862 – 1918)
Musical Arrangements: Human
Executive Producer: Jonathan Sanford
Sound Design: Barking Owl

Buzz Beyond Facebook, Twitter: Gnip Pools Data from Tumblr, WordPress


In a reminder that brand chatter doesn’t just happen on Facebook and Twitter, one data middleman is bundling together the conversation stream from four of the web’s most pervasive blog and commenting platforms.

Gnip — the conduit to the so-called Twitter firehose is getting into what you might call the packaged-data goods business. The firm already provides access to several digital data streams used by social analytics firms and marketers, but today will start offering a combined data set with content from Tumblr, WordPress and commenting platforms Disqus and IntenseDebate.

The four companies are already partners of Gnip (pronounced guh’nip), and their data feeds will still be available la carte. But firms that want a combined view of what people are saying on blogs and in story comments will have access to a much larger pool of social data.

Continue reading at AdAge.com

Turn Your Client Request Into Your Next Line of Business


Dave Oliveira

Say you’re an independent agency with visions of being full service, and your top client asks you to expand your media solutionwhether that’s seeking out your help in TV, digital programmatic, or anything else.

Continue reading at AdAge.com

Third Cannes Chimera Receives 900 Entries From 79 Contries

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The third Cannes Chimera global communications challenge, answering to the competitive creative brief “Help Lead the Fight Against Extreme Poverty,” has received a total of 900 entries from 79 different countries, more than half of which are from advertising and brand communication agencies.

The brief, set by Cannes Lions and the Bill & Melinda Gates Foundation, was launched during the 60th Cannes Lions International Festival of Creativity in June this year, with a bid for new communication concepts that will incite the public to support an emerging international agenda to ensure that poverty is virtually eliminated by 2030.

Of the response, Cannes Lions CEO Philip Thomas said, “This is an outstanding response from our industry. I’m delighted to see such engagement for this latest Cannes Chimera challenge, showing how passionate people in our industry are to use their skills for the greater good. This is a chance to use the power of communicating creatively to change people’s behavior that will have compelling consequences for humankind.”

Chimera members from 2011, 2012 and 2013 are now judging the first round of the 900 submissions. This will be followed by a second round of judging by 2013 Cannes Chimera members, made up of winners of all the Cannes Lions 2013 Grand Prix awards, who will make the final selection of up to ten winners to each receive up to $100,000 to take their concept to the next level.

The winning ideas will be announced early next year and those behind the ideas will go on to take part in a two-day workshop in March at the Bill & Melinda Gates Foundation campus in Seattle during which they will be mentored by the Cannes Chimera. Each winner will have the opportunity to apply for up to $1Million to implement its idea in partnership with the Bill & Melinda Gates Foundation and its global partners.

Last month, the second Cannes Chimera two-day workshop took place in Seattle with the 2012 Chimera members working with the nine winners of the second “Aid is Working. Tell the World” communications challenge submitted in the four specific categories of Mobile, Data, Young Audiences and The Progress of Development, to brainstorm and perfect their ideas.

The Cannes Chimera Initiative was launched by the Cannes Lions International Festival of Creativity and the Bill & Melinda Gates Foundation, in an effort to generate communications ideas that motivate global audiences to support change and take actions that address critical development issues. The initiative issues a competitive brief to the creative community each year, at the Cannes International Festival of Creativity.

Look Beyond The Obvious In Apple’s Primesense Buy


JAMES MCQUIVEY

This week Apple confirmed the longstanding rumors that the company has agreed to acquire Primesense, the Israeli company that invented the technology behind the original Kinect for Xbox 360. All of Apple’s moves are scrutinized closely but this one is worth paying closer attention to than most.

Continue reading at AdAge.com

Homeless Shelter Raises Money by Offering Naming Rights to Everything in the Building

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In the spirit of Thanksgiving and the holidays, McKinney has launched Names for Change, a new campaign for Urban Ministries of Durham that asks and important question; if brands are willing to pay millions of dollars for the naming rights to a sports stadium, what can a shelter in Durham raise when it sells naming rights to all of the items in the building?

Visitors to namesforchange.org can claim the naming rights to an item and customize a certificate in their own name or in honor of someone else. From toilets to teddy bears to tomato sauce, it’s all to help more people get from homelessness into homes of their own.

Free Arts NYC, Red Peak Spell Out New Alphabet

Some brief morning news that combines philanthropy and creative design – Free Arts NYC, a non-profit that focuses on providing arts education to “underserved children” just launched a rebrand with Red Peak. The organization’s A to Z Project solicited artistic renderings of 45 letters, numbers, and characters from sources such as Warby Parker and Harper’s Bazaar. Presumably, the characters will be used on merchandise and as a new font for Free Arts, as outlined a bit vaguely in the promo video. The artwork itself is worth a look: most of the designs fall into a sleek, street-arty aesthetic that seems to fit the organization’s direction. If you’re interested in donating to Free Arts NYC, you can more find relevant information here.

New Career Opportunities Daily: The best jobs in media.

The AT&T Kids Have a Very Odd Plan for Thanksgiving Dinner

Kids still say the darndest things. AT&T and BBDO New York keep up their rich tradition of child-centric, ad-lib style spots (they are lightly scripted but most quickly become improvised) with this Thanksgiving gem.

Even granting the it's-so-easy-kids-can-get-it premise, Beck Bennett's opening question this time—"What's better: better or not better?"—is a little too obvious (or maybe just dumb) to elicit much more than an annoyed twitch. But what follows—the idea of bringing a pet turkey to T-Day dinner—is plenty entertaining, if arguably low-hanging fruit as well.

Regardless, the kid is right: A live turkey would be a way less boring Thanksgiving guest than a dead one. Nobody really likes to eat the bird anyway.


    

Inside a Data-Driven TV Ad Buy


The set-top box data-fueled television ad trend is still emerging, and there are no shortage of young firms getting in on the ground floor. But is it really all it’s cracked up to be?

Unlike the growing lot of startups claiming their secret data insights sauce is better than the next guy’s, Seattle’s PrecisionDemand aims to offer some proof. The firm recently revealed details of a series of tests it claims prove machine-based TV buys are smarter than human-determined ones.

There’s nothing new about a TV targeting company touting the benefits of data-centric ad buying. Yet, it’s not often that such firms pull back the covers on the algorithms they’ve developed, or present direct comparisons of campaigns planned with their modern methods to traditional TV audience targeting.

Continue reading at AdAge.com

100 Gift Ideas for Wine-Lovers – From Infinite Wine Glasses to Repurposed Cork Decor (TOPLIST)

(TrendHunter.com) Most of us have that friend—you know, the one that orders an entire bottle of pinot at dinner just for themselves—which is why gift ideas for wine-lovers can be really helpful this holiday season….

Mercedes-Benz Actros: Seat, Table, Bed

“More space. With the new SoloStar Concept in the Actros. A true driver’s driver cabin.”

Advertising Agency: dieckertschmidt, Berlin, Germany
Creative Directors: Kurt Georg Dieckert, Stefan Schmidt
Art Director: João Peixoto
Copywriters: Tobias Arsalan Wenke, Sascha Thieme
Agency Account Manager: Lisa Benischek
Client Account Director: Sascha Thieme, Kerstin Bustos Barros
Photographer: Markus Bachmann
Photographer Assistant: Luca Abiento
Production Company: Lovestone Film
Production: Martina Kersten
Production Assistant: Julia Regett
Post-production: Markus Weber, Nureg

Land Rover 4×4 Vehicles: Personal Extinction Prevention Book

We designed a practical Personal Extinction Prevention Book as a giveaway to all Land Rover owners. We researched every dangerous creature and the effects of different natural oils, scents, and everyday ingredients on them. The book not only gives tips to survive against some of the animals someone might encounter in the wild, but it actively protects its owner. Each page is a resealable packet that contains wet wipes coated with natural oils or an everyday ingredient that will repel or neutralize dangerous creatures.

Advertising Agency: Y&R, Dubai, UAE
Chief Creative Officer: Shair Zag
Creative Director: Shahir Zag, Joseph Bihag
Copywriter: Shahir Zag, Guillaume Calmelet
Art Director: Joseph Bihag, Khaled Said
Photographer: Jeevan Nambiar
Head of Production: Amin Soltani
Agency Producer: Leng Panganiban, Binnu Cherian
Producer: Khaled Said
Account Supervisor: Zaakesh Mulla
Advertiser’s Supervisor: Jean Atik
Account Manager: Pierre Farra

? Miami /ESPM lança mais de 30 workshops e oficinas para o fim de ano

O criativo não pode ficar parado, tem que buscar sempre novas formas de pensar e nunca consumir as mesmas referências o tempo todo. Pensando nisso, a Miami Ad School/ESPM lançou o Miami PRO, com mais de 30 opções, entre workshops e oficinas, para profissionais e interessados nas diversas áreas da economia criativa, na qual a matéria-prima é exclusivamente a criatividade – exemplos: entretenimento, fotografia, moda etc.

Os cursos de fim de ano acontecerão entre os dias 22 de novembro e 13 de dezembro, e terão condições interessantes para quem quiser se inscrever. As categorias oferecidas serão: Criação Publicitária; Design; Digital; Planejamento, Mídia & Atendimento e Non-advertising to Advertising, este último mais abrangente, não necessariamente ligado diretamente a propaganda.

Os workshops e oficinas do Miami PRO oferecerem ao mercado um leque de opções para que os interessados busquem inspiração em vários mundos, não só no publicitário. “Se você quer melhorar seu repertório, aqui é o lugar certo. Queremos oxigenar as ideias dos alunos, já que criatividade em si, se encontra em várias áreas, como moda, música etc, sempre com os melhores profissionais daquele tema”, informa Paulo Sérgio Quartiermeister, Diretor da Miami/ESPM. E finaliza “É importante lembrar que este é apenas o primeiro bloco de cursos do Miami PRO, teremos muito mais novidades ao decorrer de 2014”.

Confira a relação completa dos cursos oferecidos pela Miami PRO no site www.miamipro.com.br, lá tem os workshops e oficinas agora de fim de ano e já alguns que serão oferecidos em 2014.

Miami/ESPM PRO: Workshops e Oficinas
Período: de 22/11 a 13/12 |Especial Fim de Ano
Local: Miami/ESPM São Paulo
Endereço: Rua Dr. Álvaro Alvim, 123 – Vila Mariana – São Paulo-SP

Saiba mais e inscreva-se: www.miamipro.com.br

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