Carl Bernstein Plans Memoir on His Cub Reporter Days

The book, which is scheduled for release in 2016, will focus on The Washington Star, where Mr. Bernstein started in the business at 16.

    



$70 Billion TV Ad Market Eases Into Digital Direction


Earlier this year, DirecTV took a step into the future of TV advertising. Rather than let marketers target only shows and geographic markets, it allowed them to zero in on specific audiences — down to the individual home.

“The way our technology works, I can literally take a 30-second TV commercial, I can insert it into a commercial pod and I can target that commercial to the household level,” said DirecTV Exec VP Paul Guyardo. “We don’t serve up the impression until we know the TV is on and the viewer is watching,” he said. “The show doesn’t matter. It’s the audience.”

After years of resisting change, the industry is beginning to sell commercials with an emphasis on precise audience targeting, similar to how ads are sold online. The practice, still in early days, can’t yet reach every household and has been primarily adopted by TV-service providers. But the tech has finally arrived, and it’s poised to play a big role as the industry gets used to it.

Continue reading at AdAge.com

WPP To Announce Deal To Buy Chinese Digital Shop IM2.0

WPP, the world’s largest ad company, bought Chinese digital-advertising agency IM2.0 as part of its expansion strategy in the world’s fastest-growing economies, according to a person familiar with the matter.

WPP purchased IM2.0 through its VML operating company, which is part of the Young & Rubicam network, the person said, asking not to be identified because the transaction hasn’t been announced yet. The deal is subject to regulatory approval.

China is WPP’s third-largest market — behind the U.S. and U.K. — with revenue, including associates, of $1.4 billion and about 14,000 employees. The London-based company is spending as much as $640 million this year, buying digital-ad assets and companies in rapidly expanding markets such as Turkey, Brazil, India and Vietnam to counter slower growth in Europe and North America and capture new business from burgeoning economies.

Continue reading at AdAge.com

Netflix Said to Be in Discussions for U.S. Cable Carriage


Netflix is in talks to add its application to the set-top boxes of U.S. cable-TV operators, letting customers search for web-based movies and television shows alongside traditional programs, according to three people familiar with the matter.

The largest subscription-streaming service has had discussions with providers including Comcast and Time Warner Cable, according to the people, who asked not to be named because the talks are private. Negotiations are furthest along with regional providers and smaller cable operators that use TiVo set-top boxes, one person said. The earliest announcements are weeks to months away, that person said.

The talks suggest cable operators increasingly see Netflix’s $7.99 monthly service as a tool to attract and retain customers, rather than a threat that will lead to cord-cutting. Integration with cable service would let viewers find and watch shows without switching inputs, and may help cable operators promote their own on-demand offerings, the people said.

Continue reading at AdAge.com

Why You Need a Curated, Authentic, Real-Time Mobile Approach to Your Disruption Strategy


"What we need to do," Jeff Bezos recently told ABC News, "is always lean into the future."

That's pretty good advice, particularly the part about "the future," because if you just lean in, à la Sheryl Sandberg, or just lean forward, à la MSNBC, without making sure it's toward or into something specific, like the future, you stand the risk of making people feel crowded — if, you know, there are people right there, which there often are, particularly if you work in an open-format office or a co-working space. And then those people will be, like, "Whoa, step back, close-talker!"

Likewise, if you lean backward, you obviously run the risk of falling on your butt, and if you lean sideways, people might think you have bad posture, or that one of your legs is a little shorter than the other, which is actually pretty common, and you can get special orthopedic shoes to compensate for that sort of thing, so it's not necessarily a big deal — but I digress.

Continue reading at AdAge.com

Artfad 2013 Identity

« Artfad » est une cérémonie se déroulant chaque année à Barcelone et récompensant l’art contemporain. Le studio espagnol Hey a imaginé l’identité graphique de cet évènement pour l’édition 2013, avec des créations colorées très réussis, dont la déclinaison est à découvrir en détails dans la suite.

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Creationists Smite Atheists as Billboard Holy War Moves to Times Square

Creationists have thrown the latest stone in the heated battle to piss off the most number of people with a billboard. "To all our atheist friends: Thank God you're wrong," declares a billboard in New York's Times Square. (There's also one in San Francisco.) Paid for by Answers in Genesis, the ministry behind Cincinnati's Creation Museum (you know, the one where you get to frolic with dinosaurs), the billboard directs people to a site that explains the Young Earth Creationist theory—one which many god-fearing believers don't believe. Dave Silverman, president of the American Atheists tells CNN: "They're throwing down the gauntlet, and we're picking it up," adding that his group will "slap them in the face" with it. I think this means holy war.


    

It’s more risky to recycle an old idea / Copier aussi c’est très risqué?

car_central_clinic_2013_brancozulu_aotw ezetrol_aotw
THE ORIGINAL? 
Central Clinic Cancer Treatment – 05-2013
« Learned how to take risks with his dad.
Started smoking at home »
Source : Adsoftheworld
Agency : Brancozulu Sao Paulo (Brazil)
LESS ORIGINAL 
Ezetrol (against heart-attacks) – 10-2013
« It’s even riskier to keep ignoring
his high LDL_C »
Source : Adsoftheworld
Agency : BCG2 Auckland (New Zealand)

Foursquare lança plataforma de anúncios voltada para comércios locais

Quem deixou de usar o Foursquare por uma questão de privacidade ou porque sempre afirmou que “é uma bobagem compartilhar onde estou”, está perdendo uma valiosa ferramenta para explorar cidades. Nos últimos anos, com a queda da moda do check-in, foi para isso que a própria rede social se voltou: se transformar em um guia crowdsourcing, indo muito além do mero compartilhamento de localização.

Isso resolveu um problema conceitual, mas por outro lado fez a grana minguar. O Foursquare conseguiu diversos anunciantes quando a onda era fazer check-in para ganhar badges. Os mimos virtuais caíram em desuso, ainda existem, claro, mas o formato foi descontinuado para empresas. Mesmo avaliada em 760 milhões de dólares, a companhia faturou apenas 2 milhões no ano passado.

Dessa forma, a rede social lançou hoje um novo formato para fazer receita: propaganda entre os resultados de busca, baseada também na localização do usuário. Ao procurar por determina palavra-chave – provavelmente atrás de indicação de um restaurante, loja ou afins – um anúncio contextualizado é exibido no topo.

Foursquare

Funciona de maneira similar aos Promoted Tweets do Twitter, mas o Foursquare tem outro foco: os pequenos e médios negócios. A intenção da ferramenta é que comércios locais, não tão conhecidos pelo público, possam se destacar em meio as opções de sempre.

É por isso que já começa aberta, com uma plataforma automatizada, não sendo apenas para “empresas selecionadas” como é prática de outras redes sociais. Os anunciantes poderão monitorar os resultados, e além de visualizações e cliques, saberão também quem viu o anúncio e de fato foi até a loja. Se a pessoa fizer check-in, é claro.

Foursquare

O vídeo abaixo apresenta o formato:

Brainstorm9Post originalmente publicado no Brainstorm #9
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Pattern-Trailing Orbicular Lights – The FLIP Color Changing Lamp Changes Color Across the Spectrum (GALLERY)

(TrendHunter.com) On the surface, the FLIP Color Changing Lamp is just a ball of light, but tossing it, throwing it and spinning it in the air turns it into the stuff of raves. Made by NONdesigns, these $485…

Dietzen Out at Energy BBDO

dietzenDetails are vague at this point as it seems half the industry’s out for Columbus Day (when did this become a thing?), but we have received confirmation that Jimmy Dietzen, who spent the last 18 months as VP/creative director at Energy BBDO, is no longer with the agency. For the past week, we’ve been hearing a few interesting stories regarding Dietzen’s “departure” from the Chicago-based agency, which tipsters say was somewhat surprising. We’ll try to dig in a bit but from what we gather for now, though, Dietzen’s time at Energy BBDO actually came to an end at the beginning of the month. During his time at the agency, the senior creative not only worked on clients ranging from SC Johnson to Lay’s but recently art directed and co-wrote (with GCD Rick Hamann) the somewhat touching spot below for Wrigley’s Extra gum.

Prior to Energy BBDO, Dietzen served as an ACD at Leo Burnett on Allstate’s “Mayhem” campaign among other things and has also served as an art director at Tribal DDB during his career.

New Career Opportunities Daily: The best jobs in media.

Compact Portable House

Le cabinet d’architecture Abaton a développé cette maison « Compact Portable House », un lieu de résidence parfait pour un couple. Cette construction APH80 propose une structure simple, avec des matériaux choisis avec intelligence. Plus d’images de ce joli concept dans la suite de l’article.

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Ad-Tech Startups Dwindle, But Dollars Keep Flowing

Continue reading at AdAge.com

Virgin Active SA: Live Happily Ever Active

Advertising Agency: M&C Saatchi Abel, Cape Town, South Africa
Executive Creative Director: Gordon Ray
Art Director: Max Pazak
Copywriter: Kayli Vee Levitan
Agency Producer: Bronwyn Henry
Client Services: Mark Drummond, Alex Band
Production Company: Giant Films
Production House Producer: Emma Lundy
Director: Peri Van Papendorp
Music: Original Track “Up” by Black Handed Kites
Audio Design: Craig Ormond / Big Leap
Published: October 2013

Fiat: Theater in a 500

The beloved Fiat 500 is transformed into a live theater in this one of a kind street action by Leo Burnett Madrid. ?Tickets for the the four original plays were available through a Facebook app and ushers, programs and even concessions were on hand to make it a true theater experience. Ticket holders enjoyed the plays from inside the car while spectators watched, shot, shared and liked from the street.

Advertising Agency: Leo Burnett, Madrid, Spain
Creative Directors: Juan García-Escudero, Hector Losa, Antonio de Federico
Art Directors: Hector Losa, Pouline Atenció
Copywriters: Antionio de Federico, Roberto Luque
Illustrators: Hector Losa, Pouline Atenció
Videographer: Dakota & Durango Producciones
Additional credits: Accounts Team : Ricardo del Campo, Eduardo Gomez-Escolar, Paco Sanchez
Client contact : Alexia Taylor
Published: September 2013

Fiat: Theater in a 500, 4

The beloved Fiat 500 is transformed into a live theater in this one of a kind street action by Leo Burnett Madrid. ?Tickets for the the four original plays were available through a Facebook app and ushers, programs and even concessions were on hand to make it a true theater experience. Ticket holders enjoyed the plays from inside the car while spectators watched, shot, shared and liked from the street.

Advertising Agency: Leo Burnett, Madrid, Spain
Creative Directors: Juan García-Escudero, Hector Losa, Antonio de Federico
Art Directors: Hector Losa, Pouline Atenció
Copywriters: Antionio de Federico, Roberto Luque
Illustrators: Hector Losa, Pouline Atenció
Videographer: Dakota & Durango Producciones
Additional credits: Accounts Team : Ricardo del Campo, Eduardo Gomez-Escolar, Paco Sanchez
Client contact : Alexia Taylor
Published: September 2013

Fiat: Theater in a 500, 3

The beloved Fiat 500 is transformed into a live theater in this one of a kind street action by Leo Burnett Madrid. ?Tickets for the the four original plays were available through a Facebook app and ushers, programs and even concessions were on hand to make it a true theater experience. Ticket holders enjoyed the plays from inside the car while spectators watched, shot, shared and liked from the street.

Advertising Agency: Leo Burnett, Madrid, Spain
Creative Directors: Juan García-Escudero, Hector Losa, Antonio de Federico
Art Directors: Hector Losa, Pouline Atenció
Copywriters: Antionio de Federico, Roberto Luque
Illustrators: Hector Losa, Pouline Atenció
Videographer: Dakota & Durango Producciones
Additional credits: Accounts Team : Ricardo del Campo, Eduardo Gomez-Escolar, Paco Sanchez
Client contact : Alexia Taylor
Published: September 2013

Fiat: Theater in a 500, 2

The beloved Fiat 500 is transformed into a live theater in this one of a kind street action by Leo Burnett Madrid. ?Tickets for the the four original plays were available through a Facebook app and ushers, programs and even concessions were on hand to make it a true theater experience. Ticket holders enjoyed the plays from inside the car while spectators watched, shot, shared and liked from the street.

Advertising Agency: Leo Burnett, Madrid, Spain
Creative Directors: Juan García-Escudero, Hector Losa, Antonio de Federico
Art Directors: Hector Losa, Pouline Atenció
Copywriters: Antionio de Federico, Roberto Luque
Illustrators: Hector Losa, Pouline Atenció
Videographer: Dakota & Durango Producciones
Additional credits: Accounts Team : Ricardo del Campo, Eduardo Gomez-Escolar, Paco Sanchez
Client contact : Alexia Taylor
Published: September 2013

Fiat: Theater in a 500, 1

The beloved Fiat 500 is transformed into a live theater in this one of a kind street action by Leo Burnett Madrid. ?Tickets for the the four original plays were available through a Facebook app and ushers, programs and even concessions were on hand to make it a true theater experience. Ticket holders enjoyed the plays from inside the car while spectators watched, shot, shared and liked from the street.

Advertising Agency: Leo Burnett, Madrid, Spain
Creative Directors: Juan García-Escudero, Hector Losa, Antonio de Federico
Art Directors: Hector Losa, Pouline Atenció
Copywriters: Antionio de Federico, Roberto Luque
Illustrators: Hector Losa, Pouline Atenció
Videographer: Dakota & Durango Producciones
Additional credits: Accounts Team : Ricardo del Campo, Eduardo Gomez-Escolar, Paco Sanchez
Client contact : Alexia Taylor
Published: September 2013

Strangely Surreal Photography – Torbjorn Rodland Unveils His Unusual Photos at the Algus Greenspon (GALLERY)

(TrendHunter.com) Norwegian photographer Torbjorn Rodland is celebrating his first solo show in New York at the Algus Greenspon Gallery. Rodland transforms the ordinary objects and subjects in his photos into…