O que você faria se tivesse apenas 17 minutos de vida?

Apesar de estar disponível no YouTube desde julho, só agora que o último comercial do aplicativo Do.com está ganhando o merecido destaque. Criado pela MUH·TAY·ZIK | HOF·FER, o filme tem como cenário um asilo, onde um dos moradores/pacientes é informado pelo médico que tem apenas 17 minutos de vida. Em vez de se abalar com a má notícia, ele resolve organizar uma festa de despedida com a ajuda de seu tablet e Do, o aplicativo de gerenciamento de tarefas.

Apesar de ter quase dois minutos de duração, o comercial é bastante divertido, mostrando que não importa se o prazo é apertado, mas com a ajuda do aplicativo, fica muito mais fácil conseguir distribuir e executar as tarefas.

Personagens coloridos e antenados – é preciso lembrar que a tecnologia está cada vez mais presente na terceira idade -, uma trama divertida e que, apesar de uma má notícia, ainda consegue ter um final feliz, além de uma apresentação inesperada do produto são o destaque deste filme, que consegue evitar aquele tradicional caminho de focar na eficiência e modernidade seguido por muitas marcas. Boa, Ernie.

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Brainstorm9Post originalmente publicado no Brainstorm #9
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Google celebrates 15 years of search with piñata game

Google turns 15 today and, to celebrate, has created an interactive game of piñata-playing letters.

YouTube offers online video consultancy with ZenithOptimedia

ZenithOptimedia has teamed up with YouTube and Wildfire, Google’s social marketing software, to launch a global branded content consultancy service for its clients.

Nationwide CMO Says Insurance Ad ‘Arms Race’ to Continue


Proving there is a day for everything, Oct. 2 is “National Name Your Car Day.” And Nationwide Insurance is trying to make the most of it.

In the latest installment of the marketer’s one-year-old “Join the Nation” campaign, Nationwide on Sunday will debut a TV spot featuring an oversized baby as a metaphor for the passion people have for their cars. On social media, the insurer is running a “meet my baby contest” in which car owners will be asked to submit pictures of their “baby” (i.e. their car) along with the nickname they have given it. Prizes include $2,500 in free gas and a grand prize award of $5,000, so that the winner can take a road trip with their “baby.”

The campaign, by McKinney of Durham, N.C., comes as Nationwide makes larger marketing adjustments in an effort to stay competitive in the cut-throat car insurance category. For instance, the company recently said it would end its title sponsorship of Nascar’s Nationwide Series, shifting resources into the more high-profile Sprint Cup Series, where it sponsors individual drivers Dale Earnhardt Jr., Danica Patrick and Ricky Stenhouse Jr.

Continue reading at AdAge.com

WellPoint Amps up Digital on Eve of Health Reform


As big changes in the health care space loom, WellPoint is embracing a digital-heavy strategy.

Last October, the health-care giant, which is a licensee of Blue Cross Blue Shield, launched an app called WellPower, which tracks and incentivizes users’ physical activity. Almost a year later, the company analyzed the behavior of more than 100,000 users and found that people on Facebook are most interested in quizzes and “interactive learning,” the company told Ad Age. It’s one finding that will help inform the company’s strategy beginning in October, which marks the first time consumers will be able to purchase health insurance through new, state-run online exchanges as part of the Affordable Care Act.

The period during which consumers can purchase a plan is called open-enrollment, and it’s a critical time for insurers to attract new consumers and gain share in the crowded insurance market. WellPoint, one of the largest health benefits companies in the U.S., is placing its bets on analytics and digital marketing, as well as new digital and social agency Rokkan, according to the health care company’s CMO Patrick Blair.

Continue reading at AdAge.com

Seductive Elevated Editorials – Ben Tsui Photographs a Mountainous Location in ‘Rocky Road’ (GALLERY)

(TrendHunter.com) Photographer Ben Tsui snaps high-reaching landscapes while focusing on models Destiny Sierra and Karen Maruszewska within ‘Rocky Road.’ The models look as if they could be twins with…

Eric Tabuchi for BMW

La marque BMW déjà présente dans le domaine de la photographie (Paris Photo, Rencontres d’Arles…), s’est alliée à Eric Tabuchi pour La Route du Photographe. A cette occasion, il a créé une série de photos inédites d’espaces péri-urbains vides de toute présence humaine, qui retrace son parcours du 16 au 25 septembre.

La Route du Photographe invitait les internautes à participer et à suivre Eric Tabuchi, pas à pas sur Facebook et via Google Maps, pendant 10 jours sur 4 000 km à travers la France, pour réaliser une série de photos de son road trip, exposées en ligne et au Brand Store BMW George V à Paris en octobre. Pour en savoir plus ici.

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Interview with Addie Wagenknecht

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Addie made a painting using a drone as a brush, enrolled a stern industrial robot to rock a baby cradle, asked online sexcam performers to replicate classical paintings, and built a chandelier using CCTV cameras continue

Other Countries Talk Tough on Data Privacy, but Enforcement Is Weak


With so many eyes trained on the National Security Administration’s PRISM program, it’s easy to forget that data collection and use, and privacy rules that govern it, exist across the globe — not just in the U.S. and Europe. In Latin America, India, Africa, Australia, Canada and elsewhere, the privacy rules tend to be more strict than here in the U.S. But, insiders point to one significant differentiator: enforcement is stronger in the U.S.

Following the footpaths of other Latin American countries including Mexico, Chile and Brazil are exploring new privacy rules, said Matthew DelNero, a partner at Covington and Burling, who spoke earlier this month at the Privacy Identity Innovation conference in Seattle.

“I sort of look at it as E.U. plus,” he said, suggesting that the laws being established throughout Latin America tend to be inspired by the European Union’s 1995 Data Protection Directive, which spells out requirements for handling personal data.

Continue reading at AdAge.com

BrandMAX: fans moderated complaints about ‘end Marmite neglect’ says Unilever exec

Marmite fans “moderated” the negative reaction to its “end Marmite neglect” campaign on social media, according to Sarah Mansfield, the UK and Ireland media director for Unilever, speaking at BrandMAX yesterday.

Illusory Stone Comforters – Stay Cozy and Warm with the White Marble Duvet Set (GALLERY)

(TrendHunter.com) The white marble duvet set is the perfect bedding to keep you warm during the winter months. Although the comforter looks extremely uncomfortable, it’s actually very soft and you’ll have…

Boris Johnson and mayor Bloomberg boost London and New York tourism

Mayor of London Boris Johnson and New York’s mayor Michael Bloomberg have signed a year-long strategic marketing partnership to boost tourism between the two cities.

McGlothin, Leo Burnett Part Ways

shannonleoSources familiar with the matter confirm that Shannon McGlothin, who last we recall served as EVP/global executive creative director at Leo Burnett, is no longer with the agency. No word on where McGlothin is headed to or reasons for departure, but if our memory serves us right, the creative exec last worked on this Samsung Galaxy spot. You might remember that McGlothin joined Leo’s L.A. office to head up its creative department after working at the likes of Deutsch LA and CP+B. He was also a member of Leo Burnett’s worldwide creative board. No word yet if there are plans to replace, but we’ll keep you posted.

New Career Opportunities Daily: The best jobs in media.

Portland Interior Design

Jessica Helgerson a transformé une ancienne bibliothèque de Portland en maison habitable. En conservant les volumes initiaux et en ajoutant des extensions pour les chambres et la salle de bain, l’agence crée vraiment une structure originale et accueillante. Un très beau projet à découvrir dans la suite.

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The View From The Shard looks for creative shop

The View From The Shard is looking for a creative agency to help promote the attraction in 2014.

Mercedes Benz: Winter

Advertising Agency: Jung von Matt/Limmat, Zurich, Switzerland
Executive Creative Director: Alexander Jaggy
Creative Director: Maurus Zehnder, Andy Lusti
Copywriter: David Hugentobler
Art Director: Lorenz Clormann
Graphic: Melanie Sellmann
Account Manager: Marco Dettling, Danijel Sljivo, Meret Lauener, Roman Meister
Composing: Mackevision Medien Design

Bodum: Knife, Blade, Whisk

Advertising Agency: DM9 Jayme Syfu, Makati City, Philippines
Chief Creative Officer: Merlee Jayme
Executive Creative Director: Louie Sotto
Art Director: Dee Taar
Associate CD / Copywriter: Biba Cabuquit
3D: Pinoy Reyes Final Artwork
Associate Creative Director: Allan Montayre
Accounts: Carla Dado, Tam Salonga
Print Producer: Sheila Villanueva
Photographer: Jay Tablante

Frutacid: Candy, Bar, Fast Food

“Paper puts up with anything you place in it, your stomach not.”

Advertising Agency: Crea DraftFCB, San José, Costa Rica
Creative Director: Carlos Jiménez
Art Directors: Carlos Arias, Roberto Corrales
Copywriter: Agustín Espósito
Illustrator: Andrés Webb
Photographer: Alex Zúñiga
Additional credits: Borja Prado. Calox Costa Rica, Jorge Barboza

Tulipán: Horoscope Signs

“Signs are all compatible.”

Advertising Agency: Young & Rubicam, Buenos Aires, Argentina
Executive Creative Directors: Martin Mercado, Diego Tuya, Darío Rial, Martin Goldberg
Creative Directors: Gonzalo Fernández, Juan Ignacio Galardi
Art Director: Bruno Macri
Copywriter: Juani Martinez Cima
Account Directors: Eugenia Slosse, Agustin Coste
Account Executive: Santiago Cony Etchart
Agency Production: Fernando Costanza
Photographer: Ale Burset
3D & Integration: Zombie Studio
Realization: Martina Urtubey
Digital Retouching: Daniel Romanos, Gabriel Chouy

Unox Cocktail Sausages: Chicken Footprints

“100% free-range chicken.”

Advertising Agency: TBWA\NEBOKO, Amsterdam, Netherlands
Art Director: Chris Sant
Copywriter: Dieuwer Bulthuis
Illustrator: Ronald Tijs