Westone Earphones: Fly, Bees, Mosquitos

Advertising Agency: DDB, Hong Kong
Group Executive Creative Director: Jeffry Gamble
Creative Director: Asawin Phanichwatana, Nateepat Jaturonrasmi
Copywriter: Jeffry Gamble, Thomas Selby
Art Director: Asawin Phanichwatana, Nateepat Jaturonrasmi
Photographer: Surachai Puthikulangkura
Illustrator: Surachai Puthikulangkura, Supachai U-Rairat
Account Supervisor: Benny Ko, Jan Lee
Producer: Annie Tong, Anotai Panmongkol, Somsak Pairew, Illusion Co Ltd

British Gas launches Mobile Energy brand to tap into young house sharers

British Gas is attempting to build a brand called Me (Mobile Energy) around a new app that is targeting customers in their twenties who live in rented accommodation.

Land Rover SOS Mobile App: Monkey,

Advertising Agency: Y&R, Dubai, UAE
Chief Creative Officer: Shahir Zag
Creative Director: Shahir Zag/Kalpesh Patankar
Copywriter: Shahir Zag
Art Director: Kalpesh Patankar
Account Supervisor: Zaakesh Mulla
Advertiser’s Supervisor: Jean Atik
Account Manager: Pierre Farra
Head Of Production: Amin Soltani
Other Agency: MEC Dubai

ACCEM: USA Flag, UK Flag

“Integrating refugees, keeping identities.”

Advertising Agency: Draftfcb, Madrid, Spain
Executive Creative Director: Pedro Soler
Copywriter: Íñigo Andiarena, Álvaro Navarro
Art Director: Alfredo Vaz, Antía García, Paco Marcos

Google blames warm British weather for fall in ad revenues

Google has reported its first slowdown in UK ad revenues for the first time in eight quarters in the three months to 30 June, blaming exceptionally warm weather and tough comparisons.

Miami Ad School ESPM: Einstein, Marilyn, Che

“Let him/her rest in peace.”

Advertising Agency: Ogilvy, São Paulo, Brazil
Chief Creative Officer: Anselmo Ramos
Executive Creative Director: Roberto Fernandez, Paco Conde
Creative Director: Paco Conde
Copywriter: Felipe Machado
Art Director: Thiago Di Gregorio
Account Supervisor: Gabriela Malta
Advertiser’s Supervisor: Paulo Sergio Quartiermeister, Paulo Andre Bione
Account Manager: Luis Carlos Fraco, Ana Paula Perdigão
Planner: Bruno Cunha, Luiz Arruda
Other Credits: Patricia Cortes

Heineken: Departure Roulette

Advertising Agency: Wieden + Kennedy, New York, USA
Executive Creative Director: Eric Quennoy, Scott Vitrone, Ian Reichenthal, Mark Bernath
Creative Director: Erik Norin, Eric Steele
Copywriter: Will Binder
Art Director: Jared White
Director: Dan Levin
Executive Producer: Nick Setounski
Interactive Producer: Victoria Krueger
Assistant Producer: Kristen Johnson
Account Team: Patrick Cahill, Jacqueline Ventura, Sydney Lopes
Social Strategist: Jessica Abercrombie
Project Manager: Rayna Lucier
Sr. Community Manager: Mike Vitiello
Director of Interactive Production: Brandon Kaplan
Head of Integrated Production: Lora Schulson
Business Affairs: Sara Jagielski, Lisa Quintela, Quentin Perry
Global Travel Director: Colleen Baker
Lead/Sr. Travel Consultant: Angela Wootan
Sr. Travel Consultant: Joelle Wainwright
Post-Production Company: Legs Media In Collaboration with BrehmLabs
Editors: Frederic T. Brehm, Ian Park, Gabriela Tessitore
Sound Designer: Eric Hoffman
Colorists: Frederic T. Brehm, M. Scott Vogel
Information Display System Fabricator: Solari Corp.
Design & Build Team: The Guild

Carefree Cottage Catalogs – The Free People July 2013 Lookbook Stars a Boho Eniko Mihalik (GALLERY)

(TrendHunter.com) Summer is a time for camping and cottaging, the latter of which the Free People July 2013 lookbook focuses on. Becoming one with nature in a chic and feminine way, model Eniko Mihalik showcases the…

Silence is Grey

Le photographe espagnol Juan Sebastian Rodriguez Moranta expose au Patio del Palau de la Diputació de Tarragona une série de clichés appelée « Silence is Grey » qu’il a réalisé durant 2 ans à force d’aller courir le matin le long de la côte à Barcelone, mettant en avant le calme du matin et le ciel gris.

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Here comes the 1000-year dark age

Who’s to blame?

From Adbusters #108: The Epic Human Journey: Part 2, Summer

ROY LICHTENSTEIN

Our planet is currently heating up fifty times faster than it has at any point during human civilization. Meanwhile, Goldman Sachs doubles its profits and ExxonMobil’s CEO, Rex Tillerson, goes home smiling with a 15% raise – pulling in $40.2 million.

As sea levels rise and the Arctic permafrost begins to bubble, Tillerson announces that ExxonMobil is doubling the acreage it is currently exploring. Shale oil bonanzas are appearing everywhere and Australia’s Arckaringa Basin has $20-trillion worth of recoverable crude reserves – more than Alberta’s tar sands.

As the hunt for more oil and gas escalates, thousands of scientists around the world including dozens of Nobel winners warn us that if we continue doing business as usual, the Earth will experience temperature changes that humanity as we know it simply cannot endure.

Yet despite the math, the evidence, the common sense, most our intellectual elites are still calmly sipping their lattes … reports of record temperatures, unprecedented flooding and forest fires pop up almost daily, but these narratives are somehow disconnected from the larger story of planet Earth in peril. Distracted by fiscal crises, the growth imperative and maintaining power, our Obamas, Harpers, Camerons, Putins and Rudds pass no urgent climate legislation … Big Oil prevails by paying off legislators and funding disinformation campaigns whenever their business model is threatened.

Meanwhile the Federal Reserve keeps pumping $85-billion of stimulus a month into the financial system to keep the capitalist corpse twitching.

It’s a crazy do or die moment we’re living through and the big bang at the end of it may well shock us all.

Remember when unexpected blips started popping up on Wall Street in 2010? The Dow Jones plummeted 600 points only to recover twenty minutes later. It happened again in 2012 when 150 stocks spiraled 10 percent in seconds. And last April 23 the Dow suddenly lost 130 points in two seconds. What triggers these blips? An oil spill? A natural disaster? A rogue algorithm? An errant tweet? A hacker?

Could the mother of all blips be just around the corner? One fine day – maybe tomorrow morning – will this human experiment of ours on planet Earth spiral into the abyss and stay there for a thousand years…?

Pravin Sutar : Interview

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Pravin is a Senior Art Director with Leo Burnett, Kuala Lumpur.

A few words about yourself: This one is as challenging as doing a self-portrait. But this is what I’ve heard from my friends and colleagues that yes, I’m a simple person. Very passionate about my work and ?my profession. Some of my friends think that I’m a workaholic kind of guy, which is very right. ?I believe in being a good listener, I guess that’s a great way to grow.
With name and fame in advertising, there is one more thing which will keep following you every now and then and it’s called the STRESS. I keep the stress away, listening to music. I’m also addicted to the movies. Now days cooking is a new hobby of mine.

Why are you into Advertising?
Being random and spontaneous always works in advertising and it has worked for me as well in my life. After school, I took the admission in Parla College for further studies. I joined commerce. I realized I’m bad with numbers. I realized that this number game is not my cup of tea. At the same time, I use to look at my elder brother Mahesh Sutar, who is also from advertising. He used to work for the big agencies like Lintas, Network, and Mudra.
I use to look at his dedication and passion about advertising and I got even more charged up. ?I realized that there are more challenges, more excitement and there’s more satisfaction working in advertising compared to any other occupation. And I was right. Though I was contemplating between becoming a chef versus doing advertising. My eldest brother Kiran and my mother was the one who helped me clear the haze in front of me and I decided to follow what I liked the most.
Now I’m happier and satisfied when I see my ideas shaping up the brands.
Advertising helps you learn new things every day. Advertising is for people and about the people, that’s how you start learning the insights and human behaviors.
Advertising for art people is much more challenging, I feel. Now days, Art directors have to ?play a different role. Calling them art directors would be wrong. They are more than that.
The new age of advertising clearly has a touch of technology. So there is a need to adapt yourself digitally. When I say digitally I mean, the possibilities are endless in that craft.?At the same time its fun because you are creating something different from the usual stuff.

Did you attend school for fine art or design or Communications?
I was always fascinated by the paintings done by my father Mr. Vilas G Sutar. He was a great artist. My father was known as S. Vilas and was very well known for his mythological paintings. ?I used to get amazed by seeing the passion and the dedication of my father and my elder brother Mahesh towards their profession.
So these people are the main reason because of whom I convinced myself to go to the art school.
So quickly I made up my mind and took the admission in the art school. It was a five years course. I did my Diploma In Applied Arts from Raheja School Of Arts, Bandra.
But I believe the learning is still not over yet.

Tell us something  about your most recent campaign?
My recent campaign was for Samsung Galaxy Grand. Another brilliant product from Samsung. ?Which comes with a bigger screen. So the idea was very simple. ?The idea was “See The Bigger Picture.” We really had fun when we were writing the scripts. There were plenty of ideas. It was difficult for us when we had to freeze on one idea. We somehow managed to seal one idea, which our client also appreciated. We went ahead and shot the TVC and we got a good response to it. Its not only the creative team that is responsible for good creative, but I believe you need to have an understanding client with you.

Were there any particular role models for you when you grew up?
Yes. There were lots. As I mentioned earlier any person who brought the change for the human kind and the one who really changed the game are my role models. And that list will just go on.

Who was the most influential personality on your career in Advertising?
As I said it all began with my father Vilas G Sutar. After that when I started strolling in the creative land I came across the great minds of the advertising. I read about the legends and game changers of the advertising business. And I really respect all of them. So I think its unfair to name one particular person. For me any creative person with great potential to give a different perspective on advertising is an influential personality.

Where do you get your inspiration from?
My inspiration is always been around me. Everywhere I see it. I like to observe it and ?study it. All I need to do is keep my eyes open. My inspiration is nothing but the “PEOPLE” around me. The hawker, the rich man, the poor man, criminal, young, old, boy, girl, dogs, birds, etc… I think calling them “people” would be wrong. For me they are stories.
They are the source for the insights. Their behaviors are the key ingredients to make your idea stronger and bigger. I believe that’s the ultimate soul of the “IDEA”.

Tell us something about Leo Burnett, Kuala Lumpur environment.
When I accepted the job from Leo Burnett, Malaysia, I was really skeptical about my decision ?of moving from Mumbai to Malaysia. I was bit worried about the culture, people and lots of other things. I was confused yet very excited. I use to think how am going to survive over there. But, I really want to thank, my friend Tejali Shete who really helped me gather my courage. She really pumped up my confidence.
Leo Burnett, Malaysia is a place where you look around and you will find that the pure talent and the people full of skills surround you. It’s a place, which has the stronger foundation of Yasmin Ahmad’s values. It’s a place that has been driven by the pure passion of Eric Cruz. He has added a new edge and a dimension to this organization. There is a lot to learn from him. People like Iska Hashim (Creative Director) are the real boost up for any creative people.
I’ve been able to learn a lot with people around me in LB.

Tell us about your 1st brief as an art director in the field of advertising.
I started as a trainee in FCB Ulka. After completing 2 years in Ulka, I got an offer from Everest advertising. They wanted me to join the agency really quick but I was serving my notice period in Ulka. One fine day, my creative director from Everest called me and told me that we need to do one campaign for the pitch and we are running out of time and we have to deliver it. Being a junior guy it was difficult for me to say no to him. I was scared and confused.
So finally I told him to brief me. As a junior art guy I only use to get briefed on leaflets, brochures, and stickers. But I got charged up when I got briefed on the print campaign. My excitement was multiplied when I heard that its car brand. I got excited so much that I spent my entire night thinking about the ideas and the execution on that brief.
Next morning I woke up early and went with my ideas and execution to meet my new creative director. He was very happy to see some new directions and thinking coming from a junior art guy. He gave me some very encouraging talk and I felt very confident after that. As a junior person, for me that entire episode was very adventures.

Do you think brands who’s advertising wins awards, do well in the market?
Sometimes they do. I strongly believe that awards are a form of reward for winning the hearts of consumers.

What advice do you have for aspiring creative professionals?
On my journey of advertising I have noticed one thing, which hurts me a lot. That is, some creative people think, just because they are “creative” we are special and they tend to loose respect for others. They need to understand that ideas come from anywhere and from anybody. So earning respect from your client and from the people around you is the key.?Another thing, which is missing now days is the patience. I understand it’s a fast world but patience will plays a major role. The key Mantra is “Never Say Die.”

Who would you like to take out for dinner?
Each person has a different way to look at life. That’s why I would defiantly want to go out with random people. Strictly no no to any person from the advertising background. Because I feel the stories, which comes from the ad person, are very structured and composed or else it will revolve around the advertising world.
What’s on your iPod?
My music, and the pictures of my loved ones. For me that’s the ultimate stress buster.?The notes to write the ideas and poems.

Mac or PC?
Mac always.

 

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Beko Mother’s Day: No day can be this special

Advertising Agency: Pure, ?stanbul, Turkey
Creative Director: Taci Yalcin
Art Director: Uygar Kilic
Copywriters: Omer Ceran, Dogan Cetin, Cenk Karatas
Account Executives: Selcuk Alpaycetin, Beste Gurses
Director: Murat Abdullahoglu
Production Agency: Tesla Films
Published: May 2013

Harly Bar: Chopper’s spirit

For real chopper’s lovers

Chopper is not just a motorbike. It is a lifestyle and a spirit that is expressed in everything, even in the way you eat. And Harley Bar knows and feels it better than anyone.

Advertising Agency: Friends, Moscow, Russia
Creative Directors: Arina Avdeeva, Denis Eliseev
Art Director: Mitya Katkin
Copywriter: Ilya Torgovnikov
Designers: Alexander Zavatsky, Alexey Pushkarev
Creative Producer: Teymur Aliev
Production: Masked Brothers
Published: March 2013

Bon Bril Sponges: Dirty Layers

Advertising Agency: ARS DDB, Venezuela
Creative VP: Eugenio Reyes, Maria Carolina Jaso
Creative Director: Gustavo Rubel
Copywriters: Gustavo Rubel, Igor Bastidas, Carlos Behrens, Luis Redondo, Eduardo Sepulveda
Additional credits: Ramblin Man Studios
Published: March 2013

Advertising: A Cook-Off Among Chefs to Join Delta’s Kitchen

The contest, the Cabin Pressure Cook-Off, will feature four chefs cited by Food & Wine as “best new chefs.”

    

Clones Rule as Hollywood Beats Drum at Comic-Con

Many of the movies offered to fans in San Diego were sequels or retreads, raising questions on whether “more of the same” was about all Hollywood had.

    

Digital Fairytale Mirrors – ‘Tell Me, Mirror’ by Yoori Koo Reacts to Movements with Ambient Light (GALLERY)

(TrendHunter.com) The familiar scene in Snow White featuring a wicked queen and a beauty-rating mirror is one that many know all too well, which is something taken into consideration with ‘Tell Me, Mirror’ by…

Lexus IS: #LexusInstafilm

Advertising Agency: Team One, Los Angeles, USA
Chief Creative Officer: Chris Graves
Executive Digital Creative Director: Alastair Green
Senior Digital Producer: Chad Bauer
Group Creative Director: Craig Crawford
Broadcast Producer: Amy Gershwin
Associate Creative Director / Copywriter: Molly Grubbs
Creative Technologist: Joe Hall
Associate Producer: Reilly Park
Art Director: Davide Vismara
Management Supervisor: Bryan DeSena
Account Executive: David Yuan
Executive Producer: Sam Walsh
Production Company: Bandito Brothers
Director: Jacob Rosenberg
Executive Producer: Suzanne Hargrove

KSMC: Street lights, Trees

“It takes about five minutes for your eyes to move slowly under your eyelids. Don’t drive sleepy!”

Advertising Agency: Bold Creative Boutique, Riyadh, Saudi Arabia
Creative Director / Illustrator: Mohamad Baalbaki
Art Director: Sayed Alam
Copywriter: Abeer Alessa

Goodyear GPS Duraflex Tyre: It lasts forever

Advertising Agency: Y&R, São Paulo, Brazil
Chief Creative Officer: Rui Branquinho
Executive Creative Officer: Flávio Casarotti
Creative Directors: Rui Branquinho, Flávio Casarotti
Art Director: Eiji Kozaka
Copywriter: Marcelo Conde
Illustrators: Estúdio Filet com Fritas
Photographer: Imagebank / Shutterstock