After Tension, Lions Gate Consolidates Its Movie Marketing

Tim Palen, top marketer at the studio’s Lionsgate label, will take over the responsibilities of Nancy Kirkpatrick of the Summit label, who is leaving.



‘Noah’ Is No. 1 Despite Complaints

The biblical epic directed by Darren Aronofsky raked in an estimated $44 million in domestic ticket sales over the weekend, including $6.2 million from giant Imax screens.

    



‘Divergent’ Ticket Sales Justify a Franchise

Summit Entertainment’s film “Divergent” arrived to solid if not spectacular ticket sales at North American theaters, but it generated enough interest to introduce a major new series.

    



South by Southwest Festival Adds a TV Section

The Austin, Tex., festival will preview six series, including HBO’s “Silicon Valley” and a pilot for El Rey Network from Robert Rodriguez.

    



ThinkFilm, a Short-Lived but Wily Distributor, Still Influences Industry

Alumni of ThinkFilm have become a force in an industry that has been learning to think smaller, make do with less and live more by wit than a fat bankroll.

    



The Movies With Pasts Ruled the Year

Sequels drove a solid year at the box office, as future-minded producers are planning new franchises.

    



Strong Profit Margin at Paramount Pictures Underlines a Hollywood Shift

Brad Grey of Paramount Pictures has chosen to produce fewer films, giving up revenue, but increasing profitability as the industry moves into survival mode.

    



‘Frozen,’ Disney’s New Fairy Tale, Is No. 2 at Box Office

Disney’s “Frozen” took in $93 million over the holiday weekend, partly because its marketing strategy played down the princesses in the film, in order to attract more boys.

    



Media Decoder: Hercules and the Rival Studios

Two big-budget movies about the mythological figure, from different studios, are scheduled for release next year.

    



‘Catching Fire’ Wins at Weekend Box Office

The second installment of the “Hunger Games” franchise set a November box-office record with its opening weekend in North America.

    



Steve McQueen’s Film Is a Box-Office Test Case

The movie industry is waiting to see if “12 Years a Slave,” a story focusing on an African-American, can garner a global audience.

    



Latest Overhaul of the MGM Studio Appears to Be a Moneymaker

After emerging from bankruptcy and cutting costs, the venerable studio is generating cash and has a number of movies and TV shows in the works.

    



It’s the Economy: Hollywood’s Tanking Business Model

After a series of big-budget bombs at the box office, Hollywood could learn a thing or two from economists.

    

Huge Summer for Hollywood, but With Few Blockbusters

Ticket revenue in North America totaled $4.71 billion, up 10.2 percent from last summer, but a competition glut hurt films that could have been hits in a thinner field.

    



The Rise and Fall of the Computer-Animated ‘Foodfight!’

The ill-fated, computer-animated “Foodfight!” took multiple food-brand corporate mascots and made them characters.

    

Dispute Over Value-Added Tax on Movie Tickets in China Appears Near End

While working on a resolution, the China Film Group has held up payments to American studios for the distribution in China of blockbusters like “Skyfall.”

    

With 2 Hit Series Ending, a Transformed AMC Is at a Crossroads

From a sleepy movie channel to an incubator of signature television, AMC is hoping to seize the moment and create new, profitable hits.

    

Film Academy’s New Leader Starts by Sizing Up Oscars

Cheryl Boone Isaacs, who was elected head of the Academy of Motion Picture Arts and Sciences on Tuesday, started her presidency talking to the producers of the Oscars.

    

Cheryl Boone Isaacs Chosen to Head Film Academy

Ms. Isaacs, a veteran film marketer, is the first woman to hold the presidency of the motion picture academy since 1983, and the first African-American in the role in the group’s 86-year history.

    

Clones Rule as Hollywood Beats Drum at Comic-Con

Many of the movies offered to fans in San Diego were sequels or retreads, raising questions on whether “more of the same” was about all Hollywood had.