Top five most shocking marketing blunders
Posted in: UncategorizedFord last week suffered huge embarrassment after a series of animated ads featuring images of scantily bound and gagged women were leaked online.
Ford last week suffered huge embarrassment after a series of animated ads featuring images of scantily bound and gagged women were leaked online.
It appears that the finance and tech departments at Ogilvy & Mather’s digital media/performance marketing network Neo@Ogilvy did take a slight hit this week. Sources familiar with the matter confirm that said division did part ways with higher-ups including finance director, North America Dan Berman, partner/technology officer Antonio Fraser and director of advertising technology, O’Neill Stanleigh. No official reason was given, but spies allege that account losses played a part in the trimming–though camp Ogilvy says it’s recently hired up to 70 people. All three were based in the New York office, which is reporting no other losses in the Neo@Ogilvy unit.
Berman had served in his post for two-and-a-half years and previously worked as a CFO under the IPG umbrella, Fraser (pictured) spent nearly five years at Neo@Ogilvy and once held an SVP post at Digitas while Stanleigh spent five years as well at Neo and held posts at the likes of OMD during his career.
New Career Opportunities Daily: The best jobs in media.
Disney has closed LucasArts, the video games business of LucasFilms, just months after completing its $4.1bn (£2.5bn) acquisition of the ‘Star Wars’ film maker.
“Legendary Frosty Freshness. ”
Advertising Agency: Leo Burnett, Moscow, Russia
Executive Creative Director: Mikhail Kudashkin
Creative Group Head: Alexandr Ovsyankin
Senior Art Director: Mikhail Yarovikov
Junior Copywriter: Yulia Samoylenko
Creative Director of the Design Studio: Dmitry Jakovlev
Designer: Kirill Sirotin
Illustrator: Ilia Orlov
Group Account Manager: Ekaterina Georgievskaya
Group Production Manager: Oksana Severin
Producer: Anna Flankina
Cheil UK has appointed Duncan Cargill, the former Fallon creative, as creative director and Emma Perkins, from Saatchi X, as its first shopper marketing creative director.
Graphology is a technique used to determine whether a particular person is speaking the truth or telling lies by making them write a few lines. This campaign is based on graphology experts in Mumbai, which have a team of handwriting analysts who can determine the genuineness of the actual events. The illustration is a medium used to describe the actual story behind each sentence written.
Advertising Agency: Makani Creatives, Mumbai, India
Creative Director: Ashish Makani ,Sameer Makani
Art Director: Rahul Patel, Prasad Rao
Copywriter: Shivnay Sabharwal
Illustrator: Siddhartha Choudhary, Sameer Surwade
Advertising Agency: DDB, Barcelona, Spain
General Creative Director: José María Roca de Vinyals
Executive Creative Director: Fernando Barbella
Creative Directors: Carolina García-Siñeriz, Guillermo Santaisabel, Jaume Badia
Copywriter: Carolina García-Siñeriz
Art Director: Jaume Badia
Account Director: Maria José Moreno
Account Executive: Roser Vila
Strategic Planner: Cristiana Zito
Agency Producer: Vicky Moñino
Production Company: Puente Aéreo
Director: Félix Fernández de Castro
Producer: Xus Aparicio
Executive Producer: Gemma Soler
Director of Photography: Ángel Iguacel
Post Production: Metropolitana
Sound: BSO
Music: Lascia Ch’io Pianga, Handel
Focus sur Adrià Navarro et Di Shin qui ont imaginé ce projet « Inkscapes ». Une impressionnante performance réalisée sur un mur interactif au « Interactive Corps Building » dans la ville de New York. Trois artistes dessinent sur des iPads pour créer du contenu en temps réel. Le tout est à découvrir en vidéo dans la suite.
Do one thing well
180 Amsterdam and the street artist INSA have taken the craft of painting traditional outdoor advertising and updated it for the digital age. First, they repainted a wall over and over again, creating four ‘frames’. Then they edited the frames together to form an animated GIF, or ‘GIF-iti’ as INSA calls it. Click image to see the animation.
Advertising Agency: 180, Amsterdam, The Netherlands
Executive Creative Director: Al Moseley
Creative Director: Galen Graham
Art Director: Ben Bartels
Copywriter: Joe Craig
Illustrator: INSA
Published: March 2013
Advertising Agency: The Kingdom, Australia
Executive Creative Director: Josh Welbourn
Creative Director: Troy O'Brien
Digital creative: Resin
Photographer: Richard Lyons
Fashion Stylist: Kirsty-Marie Roenfeldt
Published: April 2013
Advertising Agency: The Kingdom, Australia
Executive Creative Director: Josh Welbourn
Creative Director: Troy O'Brien
Digital creative: Resin
Photographer: Richard Lyons
Fashion Stylist: Kirsty-Marie Roenfeldt
Published: April 2013
Advertising Agency: The Kingdom, Australia
Executive Creative Director: Josh Welbourn
Creative Director: Troy O'Brien
Digital creative: Resin
Photographer: Richard Lyons
Fashion Stylist: Kirsty-Marie Roenfeldt
Published: April 2013
Alguém quis fazer graça, e uniu o comercial-genérico do Novo Classe A com o “hit” “Passinho do Volante”, aka “Ah, Lelek, Lek, Lek”.
Isso obviamente não tem nada ver com o histórico da marca. Não que a Mercedes-Benz seja sisuda por trás de seu luxo, mas quando faz humor, o faz com ironia e inteligência. Nada de forma gratuita como parece ser essa tentativa de viral. A assinatura no final busca justificar o chocante resultado, mas não ajuda.
É preciso destacar que o juízo de valor que faço aqui não é sobre estilos musicais ou classes sociais, mas sobre adequação de comunicação. Querendo ou não, representa uma ruptura no posicionamento notório da empresa.
Para uma marca que trabalha pouco (pra não dizer nada) conteúdo online no Brasil, é um começo com no mínimo estranho, que me faz imaginar o processo de aprovação dessa peça e até me certificar se realmente partiu de um canal oficial da Mercedes. Vamos acompanhar os próximos passos.
Post originalmente publicado no Brainstorm #9
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