Broken Night: Um curta de horror filmado inteiramente com uma Nikon D800

Comissionado pela Nikon, o roteirista de “Babel” e “21 Gramas”, Guillermo Arriaga, dirigiu um curta de horror inteiramente com a camera DSLR D800.

O filme, que entrou na seleção oficial do Festival de Sundance esse ano, mostra mãe e filha que sofrem um acidente de carro na estrada, e ficam presas no veículo capotado no meio da escuridão.

Segundo a McCann New York, que ajudou a desenvolver o projeto, “Broken Night” mostra a capacidade da Nikon D800 de filmar com baixa luminosidade e em locais apertados.

Janusz Kaminski, contumaz colaborador de Steven Spielberg, é o diretor de fotografia do curta. Kaminski, para citar apenas alguns, foi DP de filmes como “A Lista de Schindler”, “O Resgate do Soldado Ryan”, tendo vencido o Oscar da categoria com ambos, e também de “Minority Report”, “Munique”, e também do recente “Lincoln”.

Broken Night
Broken Night

Brainstorm9Post originalmente publicado no Brainstorm #9
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Commoditised Warfare

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Illustrations of an alternative world where bespoke sports events replace traditional warfare as a means of solving seemingly chronic conflicts. Each sport is designed to reflect the cultural and geopolitical characteristics of the opposing sides, in this case North Korea vs South Korea + Japan + USA, and India vs Pakistan continue

Powerful Melancholic Self-Portraits – Noell S. Oszvald Photos Induce a Strong Emotional Reaction (GALLERY)

(TrendHunter.com) The self-portraits of 22-year-old photographer Noell S. Oszvald are hauntingly beautiful.

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‘Hated’ GoDaddy Super Bowl Ads Increase Hosting Sales 45 Percent

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The two Super Bowl ads that GoDaddy ran this year were roundly chastised for being stupid, immature, silly and just plain dumb. Well the last laugh is on the haters because those two ads delivered GoDaddy its biggest sales day in the history of the company.

According to the company, domain registration were up 40 percent, hosting sales were up 45 percent and mobile customer jumped 35 percent.

Take that, haters!

One of GoDaddy’s ads, Perfect Match, featured supermodel Bar Refaeli sucking face with a geek. Another, YourBigIdea, highlighted would be entrepreneurs mocking the need to immediately register a domain.

The reason these ads worked is simple. They were perfectly matched to the target audience. Registering a domain and dealing with a hosting company rests, for the most part, squarely with low level IT professionals who are mostly male. Silly bathroom humor plays quite well with this audience. It’s really that simple.

There are many companies with whom one can register a domain. When the boss asks the geek to register several new domains, which registrar do you think the geek will select? The one he remembers most. And these ads are memorable. Stupid, maybe, but memorable.

And that’s all that really matter.

CANAL+: Subtitles

“The problem with subtitled movies is that we spend our time looking down and up.”

Advertising Agency: BETC, Paris, France
Creative Director: Stéphane Xiberras, Olivier Apers
Art Director: Julien Schmitt, Damien Binello
Copywriter: Paul Delmas

Budweiser Choose Name For Super Bowl Clydesdale

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When Budweiser ran its Clydesdale Super Bowl ad, viewers were asked to submit names for the featured horse. More than 60,000 suggestions were sent through Twitter, Facebook and other channels.

Submitted names included Stevie, Star, Buddy and Spirit but the winning submission was Hope.

Of the selection process, Budweiser Brand Director Lori Shembro said, “Budweiser fans suggested a lot of great names, and it was a tough decision, but we landed on Hope as the perfect name for this friendly, slightly feisty and just perfect Budweiser Clydesdale mare. Many of our fans wanted a name to reflect their optimism and spirit.”

Hope, as the clydesdale is now known, was born January 16. Anomoly created the commercial which ranked number one on this year’s USAToday Super Bowl Ad Meter.

Interpublic to appoint UK chief executive of IPG Mediabrands

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Parkour in Motion

Armé de son appareil Canon 5D Mark II, le photographe Ben Franke nous propose cette excellente série « Parkour in Motion » réunissant avec talent des clichés de cette activité physique libre dans tous types d’environnements. De superbes images en plein mouvement et en acrobatie à découvrir dans la suite.

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RATP: Art, Literature, Music, Rugby, Handball

Advertising Agency: Publicis Conseil, Paris, France
Chief Creative Officer: Olivier Altmann
Creative Director: Hervé Riffault
Copywriters: Olivier Dermaux, Alexandre Boutry
Art Directors: Mathieu Vinciguerra, Lena Monceau
Account managers: César Croze, Laurence Neveu, Adrien Dumont, Antoine Le Troadec
Illustrator: Tadahiro Usuegi
Art buyer: Soone Riboud

Eurostar: Transfer

David Beckham is joining Paris St Germain! Eurostar and its agency CLM BBDO thought they’d celebrate England’s most famous soccer player’s arrival in Paris in their own way. As Becks announced that his salary would go to charity, the print ad poked fun at the ridiculously low transfer price: 88 euros. The price of a London-Paris return by Eurostar!

Advertising Agency: CLM BBDO, Paris, France
Executive Creative Director: Matthieu Elkaim
Creative Directors: Benjamin Marchal, Olivier Lefebvre
Copywriter: Vincent Cusenier
Artistic Director: Lucie Valloton
Assistant: Julia Deshayes
Managing Director: Julien Lemoine
Account Director: Jonathan Serog
Account Advertiser: Joy Arfi
Planner: Guillaume Martin

Norwegian Airlines: From Cold To Hot

Advertising Agency: Kitchen Leo Burnett, Oslo, Norway
Art Director: Per Erik Jarl
Copywriter: Christian Hygen
Designer: Pia Lystad

Here’s the Super Bowl Ad Blackbery Should Have Run

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Blackberry’s Z10 Super Bowl ad fell a bit flat. The brand chose to focus on what the phone can’t do as opposed to what it can do. The trouble with that concept is that Blackberry has become known as a phone that can’t do anything. Couple these two things together and you’re left with “why would I buy a phone if I have no idea what it does?”

Yesterday, the brand released a new commercial called Keep Moving that intersperses the things people do every day with how the phone fits into those activities. Unlike the Super Bowl ad, it leaves nothing to the imagination. Features and functions are illustrated in relationship with daily needs and activities.

Why the brand chose to run the Can’t Do commercial instead of this one is a bit of a mystery.

The Super Bowl Ad:

Trine Pillay joins B-Reel as executive producer

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61 Commercials from the Super Bowl – From Talking Toddlers to Patriotic Comedian Rants (TOPLIST)

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Tattoo Infographics

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Wearable Aluminum Sculptures – Jennifer Crupi’s Body Language Art Collection Expresses Emotion (GALLERY)

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