Oscar-winning director Anthony Minghella dies

LONDON – Anthony Minghella, director of ‘The English Patient’ and ‘Truly Madly Deeply’, has died at the age of 54.

Ogilvy creatives illustrate Spitzer’s downfall

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New York magazine does its big Eliot Spitzer wrap this week, and commissioned 10 artists to capture the former New York governor’s fall from grace. Three entries are from Ogilvy & Mather staffers, including the pithy one above, by Tom Godici and Greg Ketchum. Ogilvy’s Andy Gray created the other two. See those after the jump.

—Posted by Tim Nudd

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Spitzer3

Covergirl: Telephone

Covergirl: Telephone

Advertising Agency: Grey, Buenos Aires, Argentina
Executive Creative Directors: Pablo Gil, Sebastián Garín
Creative Directors: Diego Rubio, Coco Olivera
Art Director: Diego Rubio
Copywriter: Alejandro Dieguez, Thiago Halvez

Charlie Rose suffers black eye due to MacBook Air

Techcrunch explains why Charlie Rose was sporting a huge black eye and sporting a bandage over part of his forehead while doing his show last night. No, he hasn’t been in a barfight – he tripped on a pothole while walking on 59th Street in Manhattan. At the time though, he was carrying his shiny new MacBook Air, so he had a decision to make, catch himself or the Macbook Air? He chose the Air.
“In doing so, he pretty much hit the pavement face first, unfortunately,” the producers said “The Macbook Air is fine, he showed us the blood stains on it this morning.”
All hail Rose the gadgetgeek with the right priorities.

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Jeep: Adventure

Jeep: Adventure

Advertising Agency: Silva, Bogotá, Colombia
Creative Director: Juan Manuel González
Art Director: Marco Barreto
Copywriter: Daniel Ávila

FX / Sexy Camera: Soap

FX / Sexy Camera: Soap

Enjoy the show.

Advertising Agency: AM-NEWTON21, Italy
Creative Directors: Gabriella Ambrosio, Luca Maoloni
Art Director: Andrea Savelloni
Copywriter: Stefano Battistelli
Released: March 2008

Sparring Partner Gym: Hanging

Sparring Partner Gym: Hanging

Advertising Agency: Leo Burnett, Italy
Creative Director: Licia Martella
Art Director: Hilde Capra
Copywriter: Federico Russo
Photographer: Daniela Dirienzo

Don Hertzfeldt hovers over Pop Tarts ads

Considering cartoonist Don Hertzfeldt‘s numerous criticisms of commercials as “lies” and his frequent refusals to lend his talents to the ad game, it’s only natural that Kellogg’s Pop Tarts has done a line of ads that look just like his work. “Freedom” (above) and “Photo Booth,” which I saw last night, blatantly lift the squiggly-line style and black humor that have become Hertzfeldt’s trademarks (“Rejected” being the most famous example). It could be a huge coincidence, but I’m not so sure. If we see a Corn Flakes commercial with a kid talking about how his spoon is too big, we’ll know for certain.

—Posted by David Kiefaber

Madonna single accompanies Sunsilk ad

Madonna’s first single from her new album has debuted in a new Sunsilk hair products TV advert.

Traffic Police Mumbai: Waving

Traffic Police Mumbai: Waving

Be careful this new year.

Advertising Agency: Ogilvy, India
Executive Creative Director: Piyush Pandey
Creative Directors: Abhijit Avasthi, Shekhar Jha, Mahesh Gharat
Art Director / Designer: Makarand Joshi
Copywriter: Anurag Agnihotri

Curse words finally have their day in court

Cursing
If the expletives are so fleeting, why is the battle over broadcast obscenity taking so f——— long? The Supreme Court on Monday agreed to hear arguments over the FCC’s policy on swearing, and we can safely assume it will focus on video transmissions (like Cher and Nicole Richie on the 2002 Billboard Music Awards, or Bono on the 2004 Golden Globes) and not on any dirty jokes that FCC chairman Kevin Martin happens to tell in the workplace. As far as the court goes, Antonin Scalia and Clarence Thomas seem like potty mouths—and maybe Ruth Bader Ginsberg, too, because it’s always the ones you least expect. The rest are so stodgy and self-righteous, it’s likely the pro-swearing contingent is headed for a 6-3 defeat. Perhaps Scalia, writing for the minority, will blast such a ruling as “f——ed up.”

—Posted by David Gianatasio

Ford: Ghost

Ford: Ghost

Most used cars have a story you don’t want to hear. All of ours do: Full history, a minimum of 1 year warranty, a maximum of 40 000 km.

Advertising Agency: FP7, Dubai, UAE
Regional Creative Director: Marc Lineveldt
Copywriter: Vincent Fichard
Art Directors: Vincent Fichard, Joanna Chaker
Published: February 2008

Ford: Stunt me

Ford: Stunt me

Most used cars have a story you don’t want to hear. All of ours do: Full history, a minimum of 1 year warranty, a maximum of 40 000 km.

Advertising Agency: FP7, Dubai, UAE
Regional Creative Director: Marc Lineveldt
Copywriter: Vincent Fichard
Art Directors: Vincent Fichard, Joanna Chaker
Published: February 2008

Ford: Rocket science

Ford: Rocket science

Most used cars have a story you don’t want to hear. All of ours do: Full history, a minimum of 1 year warranty, a maximum of 40 000 km.

Advertising Agency: FP7, Dubai, UAE
Regional Creative Director: Marc Lineveldt
Copywriter: Vincent Fichard
Art Directors: Vincent Fichard, Joanna Chaker
Published: February 2008

Ford: Big mama

Ford: Big mama

Most used cars have a story you don’t want to hear. All of ours do: Full history, a minimum of 1 year warranty, a maximum of 40 000 km.

Advertising Agency: FP7, Dubai, UAE
Regional Creative Director: Marc Lineveldt
Copywriter: Vincent Fichard
Art Directors: Vincent Fichard, Joanna Chaker
Published: February 2008

Ford: Burn

Ford: Burn

Most used cars have a story you don’t want to hear. All of ours do: Full history, a minimum of 1 year warranty, a maximum of 40 000 km.

Advertising Agency: FP7, Dubai, UAE
Regional Creative Director: Marc Lineveldt
Copywriter: Vincent Fichard
Art Directors: Vincent Fichard, Joanna Chaker
Published: February 2008

Channel 4 fined – again – for interrupting movies with commercials.

I told you guys back in 2004 about Vilgot Sjöman & Claes Eriksson’s case against Channel 4 (sweden) that lead to Channel 4 being fined for interrupting these directors movies with commercials. Well, Channel 4 wasn’t going to let that slide so they’ve been dancing around in the courts ever since – and today Swedens Högsta Domstol (highest court) slapped the channel once more. In the judgment the courts say that TV4 (channel four) have “by abruptly breaking up the movies for commercials, violated both directors distinctive character in the movies ”Hajen som visste för mycket” and ”Alfred” according to swedish copyright law.”

Result: Channel four not only pays the old fine but now also the court costs for themselves and both directors for these past years. Also, Claes Eriksson says to Resume that the new judgement is “even more precise and more to our advantage” as well as “the judgement isn’t just about mine and Vilgot’s films, but movies in general.”
Uh-oh. Yes indeed, the judgement cements that an advertising break actually ruins the viewers entire impression of the movie. Even if the commercial break is placed in between scenes, they’ll break the rythm that the director has envisioned, and to add to that the movie becomes longer which according to the court isn’t an unimportant detail.
They also state that the commercial interests behind the film do not have more rights than the director in how the work should be shown. Channel four will have to pay both directors court fees and a fine of 300 000 SEK. Since the last fine was only 50 000 SEK, and the judgement only applied to these two directors films instead of movies in general, it seems channel 4 should have left well enough alone aye? I wonder how this will affect all the commercial channels in Sweden, and possibly the rest of Europe… Stay tuned.

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Online ad tracking service launched

A new online tracking service has been launched to deal with the growing problem of ads being placed on inappropriate websites.

FHM launches 100 sexiest women viral drive

LONDON – H Bauer’s monthly lads’ mag FHM is launching a viral campaign to encourage votes for its reader participation 100 Sexiest Women in the World Poll, which is being fronted by glamour model Keeley Hazell.

EnBW “Earth Plug” promotion – Ambient


EnbW is building the first geothermal power station in Germanys Baden-Württemberg, making the company a pioneer in this field. This idea, via agency Jung von Matt/Elbe, Hamburg, aims at making people aware of EnBW’s commitment. The concept is very simple; those gray traffic bollards were combined this sticker (to the left) on the ground: the result gave the impression of a giant highly realistic, three domensional electric plug. See more inside.

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