Seventh Generation "Vajingle" (2016) 1:40 (USA)

72andSunny and Seventh Generation got SNL alum (and Bridesmaids, etc) Maya Rudolph to sing about her vagina. And also about tampons. And not having chemical tampons. In her vagina. Because chemical vaginas are a no-no.
“Who needs that shiz in their lady biz? Not me!” she says. Which is the only part I really remember. Because one thing this spot could have used is a backing track. Because without one it seems like production did a warm up take just to get the mic levels, probably while the creatives were having to rewrite a script for the millionth time. A script that wasn’t ever going to get used because Maya Rudolph.
Let’s be honest here: this isn’t a TV spot or a “film.” This is radio masquerading as TV. Because there was absolutely no reason to film Maya Rudolph standing in a kitchen. Also, had it been radio, we would have been spared 40 extra seconds, which would have made this at leasta decent 60. In radio.. But at least the spot had an insight, which is a new thing for 72!

Google Play "Music that gets ___" (2016) 1:00 (USA)

Online culture meets real world in this Google Play spot that feels a lot like an adidas Originals spot from eight years ago. How many agencies does Google have, anyway?
Apps aside, there’s no difference between Google Play and any other curated site like Apple Music, or Spotify, except for names and UI. Also there’s no difference between those other sites and curating your own damn playlist because I really don’t need an algorithms help. Also, I’m not sure in what world Google lives in that thinks people are having dance offs in front of the school bus. My bigger fear is that bouncy castles have replaced the hanging out on a ratty sofa outside trope that seems to have defined youth for the past decade. By the way, I never saw grown up youths hanging out on ratty sofas outside, either, outside a commercial set. And I live in Venice which is basically west coast hipster central. But you know–sometimes advertising is as myopic as it is superficial.

P.S. 8tracks.com is much better. It’s curated by users. And it has a very simple app.

U.S. Cellular "#MyAnywhere Contest" (2016) :30 (USA)

Where’s your anywhere? No matter where you find it, you have coverage there, thanks to U.S. Cellular. So you can share your anywhere photos. And now if you share them to @USCellular with the #MyAnywhere tag, you could win some prizes including a trip to anywhere in the U.S.

TaylorMade "Just another Sunday" (2016) :30 (USA)

Narrated by pro golfer Jason Day’s son Dash this too cute for words spot features the two of them hanging out, playing golf enjoying family time. Dash says the only time he ever lets his dad win is on Father’s Day. That ending is juxtaposed with footage of Dash running towards his dad after a Barclays Tournament win. Very cute.

Verizon "A better prepaid" (2016) 1:30 (USA)

Goofy dudes dancing in the diner, one of them dropping rhymes about his pre-paid in a nod to Kelis’ hit “Milkshake,” which is now thirteen years old. Dude even drops some Spanish to appeal to the Hispanic market, bringing up the feature of being able to call Mexico. “With my prepaid Mexico feels like home. For my cuates, I’ve never been gone. My grandma thinks I’m a good boy. Bye bye roaming, there’s no extra charge.” I get the sense that Verizon has no idea what “Milkshake” was actually about. But to be fair, very few phone companies can pull off hip, especially when treating the lyrics like one rhyming retail features list.
If people aren’t big fans of it, Verizon should just put the blame fair and square on Lonely Island. If they know who that is. Without Lonely Island, the goofy parody rap would be kept to a minimum.

Carl's Jr "$4 Real Deal feat Lil Dicky" (2016) :30 (USA)

Even though it was a bold move away from its usual T&A for Carl’s Jr, 72andSunny still can’t escape the millennial hype, in this incredibly forgettable spot featuring Lil Dicky. As his wiki bio says, he’s a former account guy turned copywriter named David Burd. So it’s even more meta than it looks. For those of you who didn’t work with Burd, or who aren’t 23 and don’t know who him by his stage name, it’s okay. Like this $4 Real Deal at Carl’s Jr, I’m sure they’ll replace him with someone else next time. Remember kids: it’s called viral because it dies off quickly every year or so. Just like the flu.

Old Spice – the Horrifying Mutant Nightmare Abomination (2016) :90 (USA)

Old Spice - the Horrifying Mutant Nightmare Abomination (2016) :90 (USA)
Old Spice explain this abomination with “Sometimes when two commercials love each other very much, they get together and spawn a radioactive garbage fire that spews flaming jellied gasoline everywhere and kills all the grass in your yard.” Meanwhile, we paraphrase Bill Hicks; ‘They’re going for the stoner dollar. That’s a big dollar. A lot of people are feeling that self-medicated bliss man. We’ve done research – huge market. Lots of potential in the market. Impulse buys are off the chart.’

Old Spice, for when you’ve totally given up on being sober ever again. Also, that ketchup squirt on the models face…. What kind of dank weed are you smoking and where can I get sum?

Injustice 2 "announce trailer" (2016) 2:04 (USA)

In Injustice 2 you build and power up your favorite DC legends so they can fight fight fight! In this trailer you see Batman, Superman, Supergirl, Ironman and the like squaring off and growing armor CGI style while Bryan Cranston (I think, anyway) reads some Very Dramatic™ lines leading up to the main thought: Evolve or Die. I’m not a DC Fanboy so it doesn’t do much for me in terms of making me want to pick up the game, but the claustrophobic direction is pretty sweet. I do wish they would have turned the lights up on the dimmer just a hair. Watching it in the morning light makes it seem a little too murky.

Autotrader "Bottomless" (2016) :15 (USA)

Ah, mom’s purse. It’s always filled to the brim and impossible to find what she needs like car keys. With Autotrader, she could get a car with keyless entry so she wouldn’t have to worry about it. However, she’d still have about fifteen pounds of loose change in the bottom of her purse. Or in this woman’s case, a curling iron. I wish the kid would have been a little more eye-roll about it. But still. This is the kind of idea you can riff :15’s off all day long.

Autotrader "Wedding Date" (2016) :15 (USA)

Man in tux drives like a bat out of hell to stop the lady of his dreams from getting married, only to discover he’s arrived at the wrong church. Simple execution to demonstrate you can find cars with fetaures you need– like navigation– from Autotrader. Well casted spot, too.

Realtor.com "Bathroom" (2016) :30 (USA)

Find the house of your dreams. Geddit? He’s in a dream. Add he can have a dream bathroom, from his dreams, but in real life. Okay.

Realtor.com "Deck" (2016) :30 (USA)

Sorry to tell you but the deck of your dreams won’t be found in real life, even if the deck looks the same because a deck with beer spouting clouds is waaaaay out of your price range, buddy. You’ll have to settle with the deck of your dreams without the clouds that don’t work, but hey, if you put some money into it then you can sell it later at a profit, assuming the cloud market stays up.

Selena Gomez – Kill Em With Kindness – music video (2016)

Selena Gomez has released her new music video “Kill ‘Em With Kindness” from the Revival album (Interscope Records), produced by Ammolite Films/Two Bridges, directed by Ammolite Films’ Emil Nava and edited by Cut+Run’s Sean Fazende. Shot on 16mm film, the video for the track “Kill ‘Em With Kindness” unites strength and beauty.

Nix Ultra “Nix Out Super Lice” (2016) :30 (USA)

Nix Ultra “Nix Out Super Lice” (2016) :30 (USA)
Aardman Nathan Love director Eric Cunha follows up his sleek, all-digital intro film for the Chevy Camaro Six app with an effort that continues the studio’s standout work in the pharma sector. Joining forces with agency Avrett Free Ginsberg, Cunha and the rest of the Aardman Nathan Love team produce an oddball, yet memorable cast of characters in the form of mutated super lice. “It’s easy to gross out an audience when portraying bugs on screen,” Cunha says, “so AFG was interested in creating a really stylized world with appealing character designs.” By infusing their trademark blend of animation, Aardman Nathan Love once again serves up an entertaining spot to shine a light on a not-so-entertaining problem.

Dunkin' Donuts "#KEEPON Anthem" (2016) :30 (USA)

Every day is a gift. A new day. To do something. Amazing. Keep on dreaming. Working. Winning. Losing. Playing. Learning. Loving. Keep on. Being You. #KeepOn

*Eye roll*

? IT’S A BEAUTIFUL LIFE ?

Yeah but what does life have to do with donuts?

? AND NIGHTS OUT IN THE RAIN I LOVE IT JUST THE SAME ?

Big type spewing cliche affirmations and random images. Why is there a kid with a bionic arm?

? IT’S A BEAUTIFUL LIFE. SO OPEN UP YOUR MIND WHILE WE STILL HAVE SOME TIME ?

WTF. While we still have some time? We’d have more time if we didn’t eat donuts, I’ll tell you that much. And then we go from a tech start up working late nights to a woman in the army looking at a laptop with a cup of coffee.

? IT’S A BEAUTIFUL LIFE ?

And after some fitful product shots of drinks and kids making donut eyes, we end on an all female garage band. This is the new Dunkin Donuts. Spewing greeting card philosophy. This ad could be for breakfast cereal. Or McDonald’s. Or 7-11. Or a local artisanal donut shop that always has a line around the block. This ad could be for any competitor. But worse this ad could be for an-y-thing. Insurance. Heart medication. A car. You name it. By taking out any feature or benefit to the product Dunkin’ Donuts has made itself absolutely irrelevant. And what’s worse, by assuming their demographic is literally everyone, it feels like they’ve don’t really know who their audience is.

Dunkin’ Donuts has always been a working class brand. Its most iconic and longest running campaign starred Fred The Baker. A working class employee whose catch phrase was “Time to make the donuts,” which he always said cheerily in the morning. And then at the end of the evening, he’d stumble in weary and shaken saying “I made the donuts.” For the past decade America has been running on Dunkin’ Donuts. Who was America in this context? The working-class. Now this shift to “everyone,” complete with anthem tries to appeal to everyone and comes out flavorless and focused-grouped to death, right down to the hashtag. #KeepOn? I’m good, thanks.

Blue Point Brewery gets a new look

In addition to a hilarious spot, Blue Point Brewery also has a great refresh including print and packaging. The tone is definitely not taking itself seriously, and has a very fun low keyness about it. It’s also quite offbeat. Good stuff. Makes me want to try one. Hm..wonder if they have it out here in L.A?

Blue Point Brewery "Patchogue's Got It All" (2016) :37 (USA)

I love this commercial– the local guy showing you around with all the highlights of Patchogue, none of which include Blue Point Brewery, and yet the Brewery name, logo or product is in every shot.
“Now you flooded it,” is classic. Also, cutting him off at the end when the train rolls by.

This is part of a brand refresh, including print and packaging. I didn’t realize Blue Point is Long Island’s oldest and largest craft brewery.

"The Skin Gap," The Most Pervasive Gender Inequality You've Never Heard Of

Forced modesty clearly subjugates, but what about the pressure to uncover? With summer nearly upon us, newsstands are replete with magazine covers instructing women on how to get the “perfect beach bod,” but this is not a seasonal phenomenon. In an age when gender equality is on everyone’s mind, there is a discrepancy between the sexes that no one is talking about — call it “The Skin Gap.” The term, coined by social media nonprofit, Jew in the City, is illustrated in this thought-provoking new video.

The skin gap is the difference in the amount of skin men and women are expected to show in the same social setting. Images of the nearly flawless, scantily-clad female form bombard girls and women year round via billboards, ads, TV shows, and movies, subliminally conveying how a woman ought to dress and how her body ought to look.

The video forces the viewer to see that from pajamas, to summer street wear, to formal wear, the amount of skin that is “normal” for young, thin girls and women to expose versus their male counterparts is highly inequitable. The skin gap begins in toddlerhood and only ends when a woman has exceeded a certain number in age or pounds and no longer fits the Western Beauty Standard. The video closes by asking the viewer: “Gender equality is demanded everywhere else. Why not here?”

“As a secular American teen, I was so excited to get my first bikini and pair of Daisy Dukes, because it was a sign of being ‘grown up,’” said Allison Josephs, Founder of Jew in the City. “But something unexpected happened: I’d always feel gross when random men would give me the ‘up down.’ I never did anything or said anything because I had no language to express what I was feeling.”

“A few years later, I became an Orthodox Jew and started covering up purely to follow `the rules,’” adds Josephs. “I discovered something fascinating: covering up actually made me feel empowered. The first time I wore a long skirt and a random guy at the mall gave me the ‘up down’ but had nothing to see, inside I screamed, ‘Yes!’ No one can deny that the skin gap exists, and if this video helps one more woman feel more empowered about her body, then we’ll consider it a success.”

Studies show that there is a direct correlation between girls and women viewing scantily clad pictures of perfect-looking women and female body dissatisfaction. As many as eight out of ten women (more than twice as many women than men) are unhappy with their figures, leading to depression, obsessive dieting, eating disorders and plastic surgery.

“The Skin Gap” video aims not only to start a conversation around gender inequality in regards to fashion and dress, but also to raise awareness for Jew in the City and to hopefully make people have a second thought about Orthodox modes of modesty.

About Jew in the City
Unfortunately, most non-Orthodox Jews and non-Jews have a very negative perception of Orthodox Jews and Judaism. When they think of Orthodoxy, words like backwards, repressed, outdated, sexist, and anti-scientific often come to mind. Scandals that reinforce these misconceptions, virtually always concerning individuals, appear in the media all too often. Popular movies, TV shows and books frequently recycle negative stereotypes about religiously observant Jewish people and their lifestyles. (The hole in the sheet, anyone?)

This is the battle that Jew in the City has been fighting since 2007. Our mission is to break down stereotypes about religiously observant Jews and offer a humorous, meaningful look into Orthodox Judaism. Jew in the City is reshaping the way society views Orthodox Jews and Judaism through social media, corporate cultural diversity training seminars, lectures, and consulting services. Our expert assistance helps journalists and media outlets to more accurately convey the nuances of the Orthodox community. The JITC team publicizes the message that Orthodox Jews can be funny, approachable, educated, pro-women and open-minded—and that Orthodox Judaism links the Jewish people to a deep and beautiful heritage, thousands of years old, that is just as relevant today as it ever was.

Athene "Be Brave" :30 (2016)

There are investors who hide their heads in the sand. And investors who panic. And then there is some dude who watches all of it with a sardonic grin from high atop his palatial compound.

Outshine "It's in our nature" (2016) :30 (USA)

Outshine isn’t a movement or a fad. They’re just tasty snacks that are natural.That’s good. because they’re popsicles. And popsicles don’t need a movement or manifesto. Like, ever.