Agencies battle for £20m Coors media
Posted in: UncategorizedLONDON – Molson Coors is reviewing its £20 million UK media planning and buying account.
LONDON – Molson Coors is reviewing its £20 million UK media planning and buying account.
LONDON – Universal McCann has ended its search for a European chief by appointing Jim Hytner to the role.
LONDON – General Motors is reviewing its estimated £400 million media planning and buying account across Europe.
“Mouse”
Agency: Pratisaad Communications Pvt. Ltd., Pune, India
Creative Director: Abhijit Joag
Sr. Art Director: Nasir Shaikh
Art Director : Girish Rapatwar
Account Executive – Shreyas Bangad
‘The vehicle of Lord Ganesha also drives banking at Saraswat’
A recent work by the well known design studio Non-Format.
Just saw it around the web and really liked it. I’ll try to share this kind of works under the new category ‘Inspiration’, so expect more of these!
NEW YORK (AdAge.com) — Best Buy got props on Sunday when its weekly supplement came equipped with a 3-D notebook computer — that is, if you had a webcam and held the circular up to it, you'd see a 3-D image of a Toshiba laptop, thanks to the technology known as augmented reality. So is it a passing fad or truly useful in creating richer digital-marketing experiences?
Basé et surtout très fortement inspiré par le succès du clip Her Morning Elegance d’Oren Lavie, voici cette campagne conçue par la chaîne de magasins australien Target. Une séquence en stop-motion autour de la couleur, dirigé par Dael Oates. A découvrir dans la suite.
“Every Colour You Can Dream” par l’agence The Campaign Palace, Melbourne.
Como a Netflix entrega DVD’s tão rapidamente para os seus 10.6 milhões de assinantes, e os segredos por trás dos galpões escondidos.
Post originalmente publicado no Brainstorm #9
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Choose A Different Ending is an interactive film that allows you to decide what happens next. You can interact with it, choose what to do and decide how it ends. In Choose A Different Ending you decide whether to live or die.
Advertising Agency: Abbott Mead Vickers BBDO, London, United Kingdom
Agency Producer: Ben Catford
Director: Simon Ellis
Production: Mad Cow Films
Post Production: The Mill
Brand: COI
MINNEAPOLIS (AdAge.com) — Many are questioning the judgment of "American Idol" judge Paula Abdul after she tweeted she would be leaving the Fox reality show. While some are sympathetic to the fact that she was relatively underpaid compared with her more famous foil, Simon Cowell, and the host, Ryan Seacrest, many more are asking, "What's plan B?" Never fear, there's bound to be another reality show that wants her.
Author Martin Lindstrom, like many others who are drawn to the razzle-dazzle of new mind-mapping technology, often overlook the real nuts and bolts of what makes marketing really great.
Being great in brand building, in my humble opinion, does not start with technology, but with the power of a creative heart. Unlike Mr. Lindstrom who believes that until now marketing and science were "apparent opposites," I can tell you that much of what Mr. Lindstrom described in the book as powerful branding techniques were not new to me. Why? Because great creative minds in the agencies were using these techniques all along; we just didn't have the technology or the fancy names to label what we knew anyway.
No, this isn't "the year for location" in mobile. That phrase has become industry cliche by now. But it's hard to ignore the hype that one location-based service called Foursquare is getting in some circles — and no advertiser should. The NYC-based startup has built a sticky platform, an avid fan base and, quite possibly, the next-generation platform for proximity marketing.
LONDON – The British Film Institute (BFI) is seeking a CRM agency as it embarks on the merger of its customer and prospect databases to help drive membership, ticket and product sales.