CP+B Alum Reilly Heads to McCann as Part of Global Creative Shift

robreilly1Barely a month after parting ways with Crispin Porter + Bogusky, Rob Reilly, who last served as partner/worldwide chief creative officer at said agency, has moved over to McCann Worldgroup, where he assumes the role of global creative chairman. Reilly, who spent a decade at CP+B, and now joins an agency that is promoting Linus Karlsson to creative chairman of its Chevy-focused unit, Commonwealth, and Andreas Dahlqvist haCCO of said unit as well as president of the McCann Creative Leadership Council. Karlsson and Dahlqvist had previously served as CCO and deputy CCO, global brands, respectively of McCann Erickson.

In a statement, McCann Worldgroup chairman/CEO Harris Diamond says, “With the addition of Rob and with Linus and Andreas’ new roles—teamed with Luca Lindner (President, McCann Worldgroup) and our other Worldgroup creative leadership that includes Prasoon Joshi, Washington Olivetto, Joyce King ThomasMonica Moro, Leandro Raposo and John Mescall, as well as the rest of our creative teams around the world—we continue to strengthen our focus on global client leadership and our commitment to delivering McCann’s highest standards of creative excellence.”

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Solomons Assumes Global Post at R/GA

sethsolomonsWhat gives, R/GA? We inquired six weeks ago about this and no response, but yes, Seth Solomons has indeed joined “the agency for the digital age” as EVP/managing director of its New York hub and global chief client services officer. Who knows how their PR machine works, but it doesn’t seem to be intact as we’ve been told that Solomons joined well over a month ago after serving as CEO of CRM365 and spending a dozen years at Digitas, last serving as global CMO prior.

During his career, Solomons also served as SVP/account director at Wunderman, where he spent nearly a decade. In his current role at R/GA, Solomons is tasked with overseeing not only client services but analytics, planning, CRM, media and digital on a global scale.

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Michaels, Walter Part Ways with DigitasLBi

suzannedigitas2And now, back to the grind. We’ve received confirmation that Suzanne Michaels, who’s spent the last four-and-a-half years at the Chicago branch of what is now DigitasLBi, is leaving the agency effective Jan. 6 During the last 18 months of her time at DigitasLBi, Michaels, who we’ve been told is joining up as executive creative director at Critical Mass, served as SVP/creative and led digital, mobile and social efforts for Team Sprint. From what we’ve been told, Lewis McVey, currently GCD, is stepping up as SVP, creative leader for Sprint, effectively immediately. As for Michaels, prior to her time at DigitasLBi, the creative exec worked at the likes of Tribal DDB and JWT.

Along with the departure of Michaels, DigitasLBi Chicago is also losing Rick Walter, technology manager, who’s leaving his post effective Jan. 3 and moving into a project management role at a small startup consulting group. From what we gather, both partings are amicable.

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F**k Cancer: Friends of Nate Naylor Exceed Fundraising Goal

Nate NaylorCreative director Nate Naylor, who’s worked at the likes of W+K Amsterdam and Modernista! during his career, was recently diagnosed with lymphoma cancer and some friends set up a fundraising page to help pay for his astronomical medical bills. The response has been very positive: with 74 days left, they have already surpassed their goal by almost $15,000.

The fundraising effort was organized by Chris McPherson, Scott Murphy, and Jeff Church, who report that Nate had surgery back in October and “is currently into his 4th treatment of Chemo.” McPherson, Murphy, and Church, however, remain confident that Nate will beat lymphoma, noting that Naylor is “tough as nails and his attitude has been upbeat.”

While Naylor faces a tough holiday season in the hospital receiving chemo treatments, he can rest assured that he has the support of friends and colleagues. And before you feel too sorry for the guy, remember that he dated Scarlett Johansson for awhile.

Update: The above comment was meant ironically, and intended solely to inject some lightness into a very depressing subject (and not, in any way, to make light of Nate’s condition). I apologize if this offended anyone, especially those close to Nate. We here at Agency Spy wish Nate all the best, and a quick and full recovery.

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Lund to Join Barbarian Group in New Year

robertmccannAfter spending the last two years at McCann New York, creative director Robert Lund is moving on. From what sources familiar with the matter tell us, Lund is joining up in a similar role as CD at The Barbarian Group come Jan. 6. Copywriter by trade Lund joined McCann in fall 2011 alongside his creative partner, art director Adam Ulvegärde, after working on accounts on accounts including IKEA and Reebok at Stockholm-based Forsman & Bodenfors for a handful of years. During his time at McCann, Lund also served as a creative at the agency’s Chevy-dedicated unit, Commonwealth, and has picked up a Titanium Lion among other prizes along the way.

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Ivan Cash Asks New Yorkers About Their ‘Last Photo’

San Francisco-based interactive artist, independent creative and Miami Ad School SF instructor Ivan Cash (who you may remember from his October talk “Reality is Malleable”) went around New York asking strangers what the last photo on their phone was, and its backstory, for a project called “Last Photo – New York.” The results are sometimes surprising, and often reveal a lot about the personalities behind the photos. It makes for an interesting look at the the citizens of the Big Apple (kind of like Humans of New York) and peoples’ relationships with their camera phones.

Some highlights include a photo of cat shit, a dude playing Guitar Hero naked while lying on a bean bag, a broken lamp and a duct-taped gingerbread house. “Last Photo – New York” is also probably the only place you’ll hear, “I’m over there with the cucumber water and all of that shit” — which is something I wish I heard more often.

“Last Photo – New York” is part of an ongoing series that also includes Los Angeles and San Francisco. We’re just glad Cash didn’t talk to Anthony Weiner. You can check out his “Last Photo- LA” installment after the jump.

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Organic Makes Some Strategic Changes

organicSources familiar with the matter confirm that Organic has parted ways with both Anna Banks, VP/strategy and planning, VP/marketing intelligence, Tom Thomas. No word yet on if there are plans to replace, but from what sources tell us, Omnicom-owned Organic is in the process of “restructuring.” Prior to her five-year stint at Organic, Banks served as VP/digital strategy and innovation at Organic while Thomas has worked on the client side at the likes of Sprint and Oracle before his stint at the agency.

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Op-Ed: Leave No Trace— Year of SnapChat

 virginiahugeVirgnia Alber-Glanstaetten, group director of planning at Huge, has returned with her monthly column for this here site, now discussing the year that’s been, most exclusively about the startup that we’ve admittedly never used. Take it away, Virginia.

 

For me, 2013 was the year of SnapChat. Let me qualify: not SnapChat as a platform or startup (though let’s acknowledge how innovative the product itself is, not to mention the guts—youthful bluster?—it took to turn down Facebook’s massive offer). No, I mean SnapChat as enabler of a major shift in user behavior this past year, which will have big implications for marketers.

 

When a client asked me recently what I’d be looking for in 2014, I realized how easy it is to focus on specific platforms or tools. Too often though, the hottest new service is really just a smart add-on. They don’t alter the overall picture. Big changes in the way people navigate the digital world, on the other hand, are tectonic, and SnapChat facilitated just such a big change.

 

With its here-today-gone-in-seconds visual messaging service, SnapChat managed to introduce impermanence back into our lives. In the last few years, that once timeless concept had become pretty quaint. We got used to everything being saved, and most of it shared (even if unshared, we learned that Facebook is probably looking at our unpublished updates and selling that data). Of course, the NSA swept up every last byte. Everything—every dumb drunk photo, stupid tweet, half-baked thought—was on our permanent record.

 

Enter SnapChat. Suddenly, there is no publicly available record of your unfortunate love confession to your cat. Or any number of indiscretions. Or just silly, ephemeral moments—you know, life. It allows us to live in the moment, and it restores “moments” to being momentary.

 

Now, there’s a big asterisk, of course—Already we know people  are finding any number of ways around the fleetingness of SnapChat, whether through screenshots or hacks. And of course, the company itself might decide to make things a little more lasting as it seeks to monetize. But the larger phenomenon remains intact: users have responded enthusiastically to a digital experience fundamentally different from every other social experience to date.

 

From a marketer’s perspective, these developments present a big challenges in how to engage users in newer, less predictable and engageable environments. Just as we seemed to be hitting our stride in reaching people on existing platforms in smart and targeted way. We better figure it out. We’re just going to see more and more fragmentation in social media and norms. I’m not surprised.  How, when and where we socialize is a constant evolutionary process—but at the core—our need to sometimes forget or ignore or just leave experiences in the past remains rather primal. It’s how memory works after all. Props to Snapchat and younger generations for remembering that…what you did last night, can stay just where it was, last night.

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And Now, a Note from Dentsu’s CEO to Staff

timandree

We always love the memos and at least, this one seems like a positive one from Tim Andree, global chief exec of Tokyo-based holding company Dentsu, which among other things, acquired Aegis Group to the tune of $5 billion in spring of this year. We can reserve further explanation as Andree, who helms an agency roster that includes mcgarrybowen, 360i and Firstborn, says it all.

 

“Dear Dentsu Network Family,

In March of this year, we completed the deal to bring Aegis Media together with the Dentsu Network.  Since that time, you’ve all done an amazing job at maintaining stability across our businesses, while continuing to provide first-class service to our clients.

We’ve seen some very positive signs of the market’s interest in our combined offering, with a number of joint new business wins including:

·      Sony: digital projects including Sony PlayStation in the U.S.
·      Burberry: global media and digital account
·      Mondelez: creative, digital and media projects across North America, Europe and Asia
·      Kraft Lunchables: creative, design, digital, media and PR across North America
·      Staples: media, creative and digital across North America

In addition, we have jointly won a number of local and international opportunities which have been equally important for the momentum of our combined businesses.

As we approach the New Year, we are preparing to take the next step toward integrating our two companies.  As of January 1, 2014, Dentsu Network and Aegis Media will both be replaced by the Dentsu Aegis Network.

While this won’t have great impact on most of your day-to-day roles, it will tie us more closely together as a network, helping us deliver more meaningfully on our vision to be the most collaborative and convergent agency network, and creating a stronger platform for growth.

In the coming months, we will be communicating more detail on how our strategy, vision, values and branding for the new group will evolve.  For the time being, though, all branding – including the current websites for Aegis Media and Dentsu Network – will remain in place until further notice.

THE OPERATING MODEL
One of the great assets we gained in our acquisition of Aegis Media was an operating model that Aegis began implementing in 2010.   This operating model is driven by the same values and principles that have built Dentsu Inc. over the past 100 years but we had only started developing outside of Japan with the launch of Dentsu Network in 2012.   A huge differentiator in our industry, this operating model was designed and has been proven to enable frictionless collaboration across multiple agencies, with a range of holistic and specialized capabilities.  And the resulting offering has significantly contributed to Aegis’ growth in recent years.

In 2014, we will be integrating all of Dentsu Network’s agencies into this collaborative operating model.  What this means for you is a whole new world of globally scaled and locally relevant partners, able to provide you and your clients with a broad and complementary range of holistic and specialized expertise, including:

Six Global Network Brands: Carat and Vizeum (holistic media planning and buying), Posterscope (out-of-home specialization), iProspect (search & performance digital), Isobar (digital creative & production) and the Dentsu-branded agencies (integrated media, creative content & innovation)

A strong portfolio of Growing, Multi-Market Brands: including mcgarrybowen (holistic strategic & creative), 360i (digitally led creative & media), Amplifi (global trading & investment platform), Data2Decisions (business metrics modelling & analytics), psLive (event planning & activation), and Mitchell Communications Group (PR).

A diverse and exciting portfolio of Local and Specialist Brands: which enhance our network offering with local knowledge and vertical expertise.

HOW WE ORGANIZE
I will continue to lead the Dentsu Aegis Network as Executive Chairman, alongside Jerry Buhlmann as CEO.  And leaders from Aegis Media and Dentsu Network will come together to form a new Executive Committee, the Dentsu Aegis Network Executive, which will oversee the continued integration and growth of our agencies and client relationships.  From the Dentsu side, this Executive will include Gordon Bowen (Founder, Chairman and Chief Creative Officer of mcgarrybowen), Yuzuru Kato (responsible for the management of the Dentsu agency’s 6000 clients, and a board member/Executive Vice President of Dentsu Inc.), Kuni Matsushima (Vice Chairman of Dentsu Aegis Network and a board member/Senior Vice President of Dentsu Inc.) and Kaz Iwagami (global head of Dentsu Media and an Executive Officer of Dentsu Inc.).

Our functional teams from around the network’s agencies and offices – Finance, HR, Legal, Communications, Technology – will be more connected than ever before through global functional teams, who have already begun working together to leverage best practices across the organization.

Moving forward, each region will continue to have its own regional management executive, responsible for the operational management of the group and for the development of specialist and local brands. The Americas and EMEA Dentsu Aegis Network Regional Executives will be led by Nigel Morris, and the APAC Dentsu Aegis Network Regional Executive will be led by Nick Waters, both of whom have previously held those responsibilities for the Aegis Media network.

LOOKING AHEAD
We can be really proud of all our achievements in 2013 — a year that was destined to be a year of transition for all of our businesses — and even more excited by our prospects for the year to come.

More than ever before, we have a unique offering and strong position in the market with enhanced profiles in the US, Europe, and Asia Pacific. We are highly competitive, with a wide range of first-class, global and distinctive products and services that we will we invest in for the future.  An important part of our coming together will be familiarizing everyone with the incredible capabilities we now have in the network.  This work has already begun, but 2014 will be an important year for continuing to build the ties across our network.

The opportunities ahead are exceptional. Backed by the power and innovative heritage of our parent company Dentsu Inc., and now joined by our colleagues from Aegis, we have a tremendous opportunity to grow our clients’ businesses and our own.  Dentsu Aegis Network is a start-up of sorts and we should all approach it with the same kind of energy and enthusiasm that all successful start-ups have. Today’s announcement is an important and exciting next step in the evolution of our collective business, as the newest power player in our industry. I have no doubt that with clear eyes on the road ahead and pure hearts which will drive collaboration and growth, our team can’t lose.

Thank you for your continued hard work and commitment. Have a wonderful holiday, get some rest, and let’s work together to make 2014 our year to shine!

Best regards,

Tim

Tim Andree | ?????????
Director, Executive Vice President, Dentsu Inc.
Executive Chairman, Dentsu Aegis Network

DENTSU AEGIS NETWORK
32 Avenue of the Americas
New York, New York 10013
Tel. <redacted>
Fax. <redacted>
DENTSU INC.
1-8-1 Higashi-shimbashi
Minato-ku, Tokyo, 105-7001  Japan”

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Bess to Step Down at Havas

ronbessWe’ve been hearing about this for a little while and now, we’ve received confirmation that Ron Bess, who’s spent nearly a decade at Havas Worldwide, where he currently serves as president of North American ops and CEO of its Chicago office, is stepping down from his post come year’s end. We’ve obtained an internal memo from Havas global president Andrew Benett regarding Bess’s move, which you can read below. From what sources familiar with the matter tell us, Bess will stay on in a consulting role, the parting is amicable and he’s not leaving the ad game altogether. During his 40-plus-year ad career, the Chicago ad man, who took over as president of Havas North America over four years ago, has also worked at the likes of what are now DDB and Draftfcb. Anyways, read on below:

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The ‘Ideas Man’ Sends His 2013 Season’s Greetings

It’s been over six months since we’ve heard from one Floyd Hayes, the “ideas man” who’s actually had a fairly productive year considering that he’s launched not only what he’s dubbed “the world’s fastest agency” but also a guerilla marketing school. Anyhow, with the year coming to a close and the holiday season upon us, Hayes, the former creative director at U.K./NY shop Cunning, has emerged to give us this holiday-themed, self-promotional clip, which is pretty self-explanatory. Well, he is the ideas man, after all.

 

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BBH ECD Ari Weiss Talks UNICEF’s ‘Good Shirts’ in Latest ‘Behind the Cube’ Clip

ADC Behind The Cube: BBH’s Ari Weiss discusses “Good Shirts” from ADC Global Network on Vimeo.

Last week, we brought you news of ADC’s “Behind the Cube” video for Student Thesis Gold Cube winner Dani Wolf. This week, ADC has a new “Behind the Cube” installment, featuring BBH New York executive creative director Ari Weiss.

Weiss discusses UNICEF’s “Good Shirts” campaign — which sold t-shirts depicting an item of aid, priced at the amount it cost UNICEF to donate that item — and its unexpected success. As a driving force behind the campaign, Weiss believed “Good Shirts” would be the “conversation piece” of the campaign, building buzz and getting more people to donate. Instead, the idea really took off, and the t-shirts raised around half a million dollars — including the sale of a $300,000 shirt to an anonymous San Francisco buyer. It’s an interesting look at the process behind one of the more buzzworthy Gold Cube campaigns from last year, including a look at some of the excellent t-shirt designs, and an excellent reminder that sometimes even the creatives behind a campaign can be surprised by its results.

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Brady, Hayes Leaving Huge

conorbrady1After getting deluged with tips last night, we’ve received confirmation this morning that Chris Hayes and Conor Brady, chief marketing officer and chief creative officer, respectively, at Huge, are indeed parting ways with IPG-owned agency–each, though, for their own reasons we’ve been told. Here’s a statement from Huge to clarify a bit: “Conor Brady and Chris Hayes will both leave Huge in the new year to pursue other opportunities. They both contributed to what was another record year of growth at Huge where we grew by 40% globally. We’ll be announcing a replacement for Chris in January but don’t see the need to replace Conor at this time. Jon Jackson, who has done an amazing job managing the creative group in Brooklyn, will continue to lead creative in New York.”

No word yet on where either exec is headed to next, but Hayes joined Huge approximately 18 months ago from Y&R, where he spent nearly two years and served in roles including CMO/North America and managing partner/global new business development. Brady (pictured), meanwhile, joined Huge 15 months ago after spending a half-dozen years at Organic, where he last served as chief creative officer. As for Jackson, the executive creative director worked for over a half-decade at Sapient before joining Huge three years ago.

 

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Filmmaker Shows Us How to Truly Sell a Crappy Car

Recently, Orlando-based Ikonik Studios filmmaker Luke Aker created a luxury car ad to sell his 1996 Nissan Maxima, as reported over at HappyPlace, and it’s pretty clever and hilarious.

Utilizing pitch-perfect voice-over, the ad begins by declaring that “the most iconic monuments seem to be those that stand the test of time.” It isn’t until about twenty seconds into video that the object of the ad is revealed: a used 1996 Nissan Maxima GLE. The ad then begins touting the vehicle’s features, bragging that the Maxima is “fully loaded with an engine, wheels, tires, and an automatic transmission: a thrilling combination that has lasted over a decade.” The Maxima can “guarantee that it will get you from point A to B — most of the time.” The video manages to be simultaneously a perfect satire of the typical, ridiculous luxury car ad and an ode to shitty used cars.

If you’re interested in purchasing the vehicle (and who wouldn’t be after a sales pitch like that?), it appears to still be available, as Aker’s Craigslist ad is still up. On Craigslist, Aker mentions a few extra features, such as “steering fluid that has been designed to leak out from underneath the car when it has been exhausted from the majestic work that it has done.” He’s asking for $900, or best offer. That’s right: this majestic ride that is “as smooth as a Pegasus’ backside” can be yours for under one grand. What a steal.

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New ADC ‘Behind the Cube’ Video Features Student Thesis Gold Cube Winner Dani Wolf

The latest installment in the Art Directors Club “Behind the Cube” series features Dani Wolf, winner of the Student Thesis Gold Cube at the ADC 92nd Annual Awards last April for his final project at Bezalel Academy of Arts & Design in Jerusalem.

Wolf offers an intriguing look at the inspiration and process behind his Cube-winning “Disform 2012,” which, if you haven’t already seen it, is a really impressive series of signage-in-motion designed for a music festival. He explains how the inspiration for the project came from music and moving sculpture, and gives a small glimpse into his creative process. Looking back fondly on the experience, Wolk calls the process of spending three months on one thesis project “a one-time chance.” It’s a nice, brief (2:44) look at an impressive project from a young designer who should make waves in the future, but may never again have the opportunity to lavish all his attention on one pet project again. Wolf’s “Disform 2012″ project, and this “Behind the Cube” installment really speak for themselves, so please check out the video above. And feel free to chime in with your thoughts in the comments section.

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Lindner Assumes Newly Created Role of McCann Worldgroup Prez

lucalindnerJust over a year after taking on an expanded position as president of McCann Worldgroup Americas, adding to his existing role as president of Latin America, Africa and Middle East, Luca Lindner has now been elevated to the role of McCann Worldgroup president, proper. The nine-year McCann vet, as you may know, most recently served in a co-president role at Worldgroup alongside, with each leading their respective regions. Of course, Martinez left McCann to take on the role of global president of JWT, with the plan being to succeed the latter’s chairman/CEO Bob Jeffrey in 2015.  As a result, Lindner has been promoted to the newly created global role, overseeing all McCann Worldgroup operations and reporting to CEO, Harris Diamond. From what we’ve been told, there are no plans to replace Lindner’s former position at the agency.

Lindner, wh0 kicked off his ad career at TBWA\Paris, spent a handful of years as vice chairman of Leo Burnett EMEA and president of its Fiat Coordination Center.

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Sawyer Parting Ways with Cheil NA

buzcheilThe folks at Cheil have announced that after three years at the helm as CEO of the holding company’s North American operations, Buz Sawyer is leaving come end of 2013. The soon-to-be ex-chief exec will not be replaced as Cheil-owned agencies McKinney and The Barbarian Group will take on growth/development efforts in the U.S. In a statement, Sawyer, who also spent several years as managing director of W+K New York (marking his second stint at the agency) along the way, says, “Cheil remains committed to transformation on a global scale and market-by-market,” said Sawyer. “I’m pleased to have helped put the network on the path to long-term growth and competitiveness in the US, Mexico, Canada, and in South America, and wish Cheil continued success. I’m expanding my role at Hyper Island beyond board chairman to strategic development adviser as the company builds towards exponential growth, and I’ll be consulting with creative people and businesses seeking to embrace change driven by tomorrow’s transformative technology.”

You may recall that Sawyer took on a strategic development post at Sweden-based digital school Hyper Island in summer 2010. During his long career in the ad biz, the departing CEO also spent time at Lowe Lintas and BBDO.

 

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Bajibot Designs New Site for DJ Pierce’s Global Glue Project

We reported back in June, that former KBS+ executive creative director DJ Pierce had turned his attention to his Global Glue Project after announcing his resignation from KBS+ in May. It appears that the Global Glue Project is beginning to take off, with a new website designed and developed in collaboration with Bajibot.

In case you were wondering, the Global Glue Project is “A documentary series of couples around the globe that share their challenges and the glue that keeps them sticking together.” The idea is to create 56 Glue films, with four already complete. The series hopes to function to preserve the relationship role models that are becoming harder and harder to find. Think of Global Glue Project as the antidote to the revolving door relationships depicted in celebrity gossip culture. They describe their mission as being to “capture and share the secrets of healthy long-term relationships through interviews with real couples of all kinds, without any discrimination of race, sexual orientation, or religious affiliation.” I’m sure we’ll get a lot of snark about the this one from commenters, but I think Global Glue Project fills a valuable need for committed couples who want to stick together.

The project emphasizes the difficulties inherent in long term commitment, something that is rarely discussed. With so many examples of the disposability of relationships, and even marriages (think Kim Kardashian), we really need something like Global Glue Project. If you’re interested, you can read about the first four couples on the website, and watch their documentaries. The most impressive has to be Helen and Sydney, who have been married 70 years, and overcame the stillbirth of their first child.

The Global Glue Project, having completed four of its films, is currently looking for funding to complete the remaining 52. If you’d like to help out, or just learn more about the project, head on over to their Kickstarter page. The project will only be funded if they meet their $50,000 goal by January 18th. Once the project is funded, Global Glue Project plans to send its backers “one Glue Film a week for a year, prior to its release on our website.” Check out the above video for an overview of Global Glue Project, and head on over to the site for the full videos. With any luck, there will be weekly updates in the near future.

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Hamlin Takes Over for LePlae at Arnold

pamhamlin

Wow, it’s that kind of day. Well, this is big news as we’ve received confirmation from Arnold and its parent company Havas that Pam Hamlin has been promoted to the position of global president/Arnold Worldwide, effective immediately. As a result, Hamlin replaces global CEO Robert LePlae, global CEO, who, after “a period of transition, will leave Arnold to pursue other interests.”

Regarding the appointment of 15-year agency vet Hamlin, Havas chairman Yannick Bolloré, “I’ve had the opportunity on numerous occasions to spend time with Pam and the leadership team of Arnold Worldwide. They are a passionate and talented group of leaders, and David and I are confident in their dedication to clients and their expertise in delivering creative ideas that drive business.” At this point, we’re not sure if LePlae’s departure has to do with losing Volvo (and judging from the Spy line, don’t even know if it was amicable) but we’ll take the “transition” explanation for the time being. The former global CEO spent just 15 months at Arnold after serving as North American president at both McCann and TBWA for a couple of years.

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Reilly Out at CP+B

robreilly1Wow, figured the encroaching holidays would be a slow time but just got official word that Rob Reilly, 10-year vet and partner/worldwide chief creative officer at Crispin Porter + Bogusky is leaving the agency to “pursue new ventures.” According to the Crispin camp, which also lost UX lead Matt Walsh recently, the creative department has been restructured as a result of Reilly’s departure, which will now all allow all of its camps including Boulder, L.A. Miami, London and Gothenburg to have “increased autonomy.”  The “restructuring,” which follows Reilly leaving along with his wife, 16-year CP+B vet and managing director/partner Laura Bowles, was concocted by Reilly, CEO Andrew Keller and CP+B chairman, Chuck Porter. From the announce,  executive director of creative development Evan Fry  (who rejoined CP+B over a year ago) and director of art & design Dave Swartz (the CD who we most recently noted in this Roman Coppola-directed Microsoft effort) will help guide the new creative structure while still reporting to Keller.

So, what does CP+B CEO Andrew Keller have to add? Well, in a statement, he says, “I am extraordinarily lucky to have Rob and Laura as friends and to have worked with them as partners through some of the most exciting and courageous times at CP+B. This structure really speaks to the immediate needs of our clients and our vision for meeting those needs. This is an incredibly exciting step in delivering outstanding creative work to our clients.”

During their career, both Reilly and Bowles led CP+B accounts including Domino’s, Burger King and more. As for Bowles, the MD moved up the charts during her career at CP+B from content supervisor to VP/account director to her most recent role as partner/managing director, working with other clients including Hotels.com and on new biz efforts. Sources say the parting was on good terms but we no word as to what Reilly and Bowles are up to next.

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