Hasta La Creative!

Actress and comedian Rebel Wilson is a quirky rule breaker, so why should she adhere to some old-school network-TV model for promoting a sitcom? She shouldn't, ya hear? Regular 30-second promo spots? Pshaw.

Wilson, who stars in, writes and co-executive produces ABC's upcoming series Super Fun Night, conceived the idea of a full-length music video to hype the show. The Aussie, who broke out to U.S. audiences in Pitch Perfect and Bridesmaids, wanted to show her vocal chops and give a snapshot of the lovable nerdiness of the fall comedy, which isn't, in fact, a musical. It is, however, self-deprecating in the extreme, with Wilson coining the term "eye broccoli" to describe herself and her pals in the pilot.

The music vid, from Stun Creative, a Los Angeles marketing and promo shop that's now producing its own original content, uses Queen's anthemic "Don't Stop Me Now" to let Wilson and co-stars strut, sing, pose and perhaps stand out from the pack of new TV series debuting in the coming weeks.

Super Fun Night revolves around Wilson, a Manhattan office worker sporting an American accent, and her longstanding weekly date nights with her two geeky besties. Catch the awkward hilarity starting Oct. 2.

If CBS' The Crazy Ones seems like a day at Leo Burnett in Chicago, there's a good reason for that. The agency's executive creative director, John Montgomery, works as a consultant and executive producer on the fall comedy—and, in fact, inspired the show, which marks the network series return of former Mork from Ork Robin Williams.

It's no accident, then, that the pilot has the fictional ad folks working on a campaign for McDonald's, one of Burnett's biggest clients. (They want pop star Kelly Clarkson to shill burgers. "I don't do jingles," she sniffs, but eventually belts out a meat-loving ditty.) The brand didn't pay for the prodigious placement, though Williams told 200-plus reporters at a Television Critics Association panel on Monday in Beverly Hills to "look under your chairs—there's a Happy Meal!"

Expect to see other real brands on the show, likely from Burnett's stable, that were willing to let the creative team poke some irreverent fun at them. Montgomery has been spending several days a week with the sitcom's writers, said executive producer David E. Kelley, giving them agency scoop that's "sometimes crazier than we could imagine." Kelley and Williams also visited Burnett's offices to soak up the agency flavor. Even the show's title comes from advertising—"Here's to the Crazy Ones" was the anthem spot from TBWA's "Think Different" campaign for Apple.

There's another ad connection with The Crazy Ones. James Wolk, who plays the shadowy Bob Benson on AMC's Mad Men, stars as the new show's office lothario and creative whiz. "I only do advertising and marketing shows," he joked during the panel. The workplace comedy, premiering Sept. 26, also features Sarah Michelle Gellar as Williams's pragmatic daughter who's trying to keep her screwball dad in line.

Thirteen, a PBS station in New York City, continues to insist that its programming is better than the dreck you find elsewhere on cable—by inventing more bogus ads for reality shows that don't exist. Back in May, the NYC office of CHI & Partners rolled out posters for three such shows. And now, it's got three more for your guilty pleasure—Clam Kings, Long Island Landscapers and Meet the Tanners. I'd probably watch all of them, or at least pause, intrigued, on my way up the dial. "The fact you thought this was a real TV show says a lot about the state of TV," the promo say abruptly, just as you're getting drawn in. The tagline is, "Support quality programming," and the campaign is using the hashtag #TVgonewrong.

Fox's Family Guy has a new "For Your Consideration" ad for this year's Emmy Awards, because Seth MacFarlane's unfunny Rat Pack schtick hasn't ruined enough award shows yet. The latest ad references an episode of HBO's Girls in which someone received a pearl necklace. Hence the Family Guy headline: "Here's a load of comedy to shoot on your chest." Groan. It's better than the lazy Jew-baiting that MacFarlane and company have been relying on lately, but that Girls episode was beaten to death long before they got to it. But that's to be expected from a show that hasn't been funny since I was in college.