You’ve only got a small window to enjoy Belgian summers before it’s back to darkness and rain.
Ikea "let's relax" (2016) 1:35 (Sweden)
Posted in: UncategorizedRealtor.com "Bathroom" (2016) :30 (USA)
Posted in: UncategorizedRealtor.com "Deck" (2016) :30 (USA)
Posted in: UncategorizedNix Ultra “Nix Out Super Lice” (2016) :30 (USA)
Posted in: UncategorizedICA – National Holiday / Congrats to us all (2016) :30 (Sweden)
Posted in: Uncategorized“I mean here you get to say what you want, think what you want, and love who you want,” he continues, “and we’re both healthier and happier than a lot of other people here on earth.”
“So it’s not all that strange that so many people want to come here, and you and I who wake up here every day, haven’t we won the lottery?”
Stig then joins in, “This we’ll celebrate with some coffee” and Sebastian agrees that one needs to take the opportunity while the sun is out. How superbly Swedish of them both. As a side-note, ICA charge the Swedish government 68 million kronor a year for debit-cards that are handed out to asylum-seekers, so I guess this ad is expanding market.
Carpet One – Big Box Voice – (2016) :30 (USA)
Posted in: UncategorizedContours Baby "Stroller Test-Ride" (2016) 1:47 (USA)
Posted in: UncategorizedTesa, "Save a wall" (2016) 1:02 (Italy)
Posted in: UncategorizedI am hoping something here is lost in translation because in English the lines sound like they were actually written by an victims of domestic abuse. Maybe in the native tongue it’s a lot more tongue-in-cheek. Right?
PIRCH Home Retail Showroom gets cheeky with tastemakers
Posted in: UncategorizedThis May, PIRCH will open a 32,000 sq. ft., three-floor, showroom on the corner of Broome and Lafayette. PIRCH, for those who don’t know, is a luxury appliance retailer that allows you to try out the products in store, creating an experience for the shopper that is unlike any other. Believe me, I’d be way more inclined to buy a Miele oven and dishwasher if I could make dinner and do the washing up as a trial run. Actually that’s not true. When I was doing post-production at my last gig, the production company had a Miele dishwasher I was contemplating on stealing. But I digress.
Pier 1 Imports – Ta-Da! (2002) – 0:15 (USA)
Posted in: UncategorizedIkea – unböring – Lamp (2002) :40 (USA)
Posted in: UncategorizedJBL "Flip" (2013) :30 (USA)
Posted in: UncategorizedEach of the new spots opens on Maroon 5 in what appears to be a live performance of their new hit song Daylight. However, when the camera pulls back, it reveals that the performance is actually happening on a playback device. The device varies with each spot with two cellphones, a tablet and a television featured—each spot also promotes a different type of wireless speaker.
“The spots reveal four different party situations each with a young crowd, but with a slightly different feel,” explains Hayes. “For Micro, a speaker about the size of a hockey puck, we staged a party in a kitchen with a 20-something crowd…another one takes place on a rooftop.”
The transition from the concert to the various party venues involved a cinematic challenge, Hayes notes. In each instance, the camera had to begin within the frame of the display device, then pullback quickly and smoothly to reveal the interior scene. “It required macro lenses and camera tracking, and the talent had to hold the device rock steady,” he says. “It is a lot to accomplish and tricky to pull off.”
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Shaw Floors – "Missing" (2013) :30 (USA)
Posted in: UncategorizedThe imagery consists of beautiful, charming family scenes, with the cut-out objects lending them a magical flair. “It’s as though the creators of Shaw’s Caress line scoured the earth in search of the softest surfaces possible,’” says Ching. “That was our motivation behind every single shot.”
Ching used a variety of subtle camera techniques to enhance the story’s “soft” theme. In some vignettes, the camera dollies slowly, allowing viewers to “discover” the missing squares. In other cases, squares are revealed unexpectedly by an actor’s movement. He also makes the squares seem more surprising to viewers by making them unsurprising to the people on screen. In one instance, a boy is handed cotton candy by a park vendor. “As we crane down, the boy’s eyes light up…but he seems to ignore that fact that the center of his candy is missing,” Ching says.
The director adds further to the gentle atmosphere through careful lighting techniques. “We use nothing but soft, beautiful lighting,” Ching says. “The light tends to wrap around objects, casting diffuse shadows with soft edges. Colors are of variable saturation and tone, but are always true-to-life. The set design is focused on modern living.”
Ching ran a highly efficient production; many of the shooting locations were chosen for their ability to serve as multiple, diverse scenes. That allowed him to capture more story segments than were originally planned in the storyboards. The director also added value to the production through hands-on involvement in post-production. “I like to shepherded projects through post, and edit a majority of the spots that I direct,” he says. “Remaining involved through the post-production process is part of my signature approach and helps to ensure the best spots possible.”
A Common Thread is located at 4081 Redwood Avenue, Los Angeles, California 90066. For more information, call 310.823.7300 or visit http://www.acommonthread.tv
Dunlopillo – the Boredcast – case study (2016) : (Malaysia)
Posted in: UncategorizedDunlopillo is a dream client (pun intended) as they previously created a campaign on that other thing you do in bed with “listen to your mattress” as a date-fixer-upper for couples.