Staffing Changes at Y&R, Hawthorne Direct, And More

Y&R_Logo_RGB

Ronny Northrop is now ECD at Y&R California. Northrop, who will report to CCO Mimi Cook in the agency’s San Francisco office, previously spent extended stints as a copywriter at CP+B and creative director at GS&P. Before joining Y&R, he spent time freelancing for 72andSunny, Butler, Shine, Stern & Partners and others. While Northrop’s resume indicates that he joined Y&R in February, AdAge mentioned the change for the first time today.

Hawthorne Direct promoted John Pucci to the position of Chief Marketing & Creative Officer. Pucci, who joined the agency in 2011, has served as SVP/CCO since 2013; in his new role he will oversee all “marketing, publicity and promotional activities.” Prior to joining Hawthorne, Pucci served as ECD at Havas Edge in Hollywood, and his recent agency history includes SVP/ECD stints at Publicis and RAPP. Earlier in his career, he worked as art director at Saatchi & Saatchi, held the GCD position at DDB LA, and served as a partner at TracyLocke.

He has also worked in-house for organizations as varied as Walt Disney World, E! Networks and Mattel.

(more…)

New Career Opportunities Daily: The best jobs in media.

The House Worldwide Does Euro Intrigue for GHD

How frustrating is your hair dryer?

In a campaign set to cover 12 markets across Asia, Europe and the Americas, The House Worldwide and its husband/wife directorial team hint that every woman simply needs a good excuse to break up with her hair dryer in the most dramatic fashion possible.

The answer to the problems faced by these sleek, passionate women is–of course–the GHD Aura. Whatever it does, it’s surely must be better than the archaic pastel pieces that lead them to “[destroy] their hairdryers in order to get the must have hair accessory.”

Credits after the jump.

(more…)

New Career Opportunities Daily: The best jobs in media.

Final Cut, Backyard Sign New Directors

C StruthersCreative editorial company Final Cut added Oscar-nominated editor Crispin Struthers, best known for his work with director David O. Russell, to its roster.

Struthers–who received Academy Award nominations for his editing work on Russell’s last two films “The Silver Linings Playbook” and “American Hustle”–will join the facility in its Los Angeles office to do creative work for clients.

Beyond his film pedigree, Struthers has a history in advertising: he began his career in the TBWA\Chiat\Day editorial department.

continued…

New Career Opportunities Daily: The best jobs in media.

Às vezes, uma dose é o suficiente…

A mensagem é simples e direta: se você for beber, planeje uma carona sóbria. Não importa quantas vezes a gente já tenha visto campanhas que alertam sobre os perigos de se misturar álcool e direção, parece que ainda existe uma dificuldade generalizada de se entender que às vezes basta só uma dose de bebida para nosso julgamento ser comprometido. É o que mostra Restaurant, filme produzido pela B-reel para o Texas Department of Transportation.

O que chama a atenção neste filme é que ele consegue captar a violência de um acidente de carro sem necessariamente mostrar o acidente, apenas simulando o movimento em uma mesa de bar.

Com direção de Josh Miller, Restaurant teve algumas cenas filmadas em um restaurante de verdade. Depois, em um estúdio, foram registradas as cenas do acidente, a 600 quadros por segundo. Por incrível que pareça, não houve trabalho de computação gráfica neste filme, e tudo foi capturado pela câmera.

Restaurant contou, ainda, com desenvolvimento da Sherry Matthews Advocacy Marketing, edição do Final Cut e pós-produção do The Mill.

alcool

 

Brainstorm9Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie