Positivity Celebrates ‘Heroes of Summer’ for Oberto

Positivity launched a digital campaign for Oberto entitled “Heroes of Summer” featuring Seahawks star cornerback Richard Sherman and three “everyday unsung American heroes.”

In his spot, Sherman visits his old high school to provide encouragement, support and advice for students…and pose for an unending onslaught of selfites. Sherman extolls the virtues of hard work and dedication in the uplifting online spot, with as little awkwardness as is possible when speaking in front of a group of high schoolers. The online spot could have been aided by being edited down from its lengthy run-time, which would have made it a lot more sharable, and the (rather flimsy) connection brand only comes at the end with the “You Get Out What You Put In” tagline. Still, the positivity — which is also evident in spots highlighting Adrianne Haslet-Davis, an aspiring dancer and Boston Marathon bombing survivor, visually impaired marathoner/mountain climber Randy Pierce and leukemia patient Brady Wein —  is nice to see from the brand. Pierce’s spot ties in to the brand’s Tough Mudder sponsorship by highlighting the athlete as he prepares for the competition. The spots starring Sherman and Pierce launched the campaign, which is driven by paid social media, today, with other spots rolling out next month.

“Oberto is honored to shine a light on everyday heroes across America — from those overcoming overwhelming obstacles to those supporting their communities – that embody our brand message of ‘You Get Out What You Put In,’” said David Lakey, vice president of marketing at Oberto Brands. “Our ‘Heroes of Summer’ program aims to inspire Oberto consumers with diligence, perseverance and optimism, that they can achieve their personal goals and overcome life’s hurdles.”

M&C Saatchi Sneaks PSA in Porn for Blue Ball Foundation

Sydney’s M&C Saatchi teamed up with porn film studio Digital Playground nonprofit organization Blue Ball Foundation for a testicular cancer PSA. If the idea of combining a cancer PSA and porn sounds familiar, that’s because it’s become something of a trend lately, with DDB Bolivia launching the “first fake erotic video on Pornhub” with a breast cancer PSA for Alcázar Gynecology Institute and its own testicular cancer PSA McCann Lima teaming up with pornstar Charlotte Stokely for .

For M&C Saatchi’s effort, they worked the PSA into unfortunately titled X-rated Game of Thrones parody Game of Balls (Come on guys, Game of Bones was staring you right in the face!), for what they dubbed “the world’s first porn-terruptive message.” Actress Eva Lovia breaks character to deliver a message directly to the viewer, instructing them on how to properly check for testicular cancer, and directing them to PlayWithYourself.org. M&C Saatchi’s effort is slightly different from its predecessor as it delivers its message within a porn video, rather than creating a video of its own, adding another level of stealth to the campaign. They also initially did nothing to promote it, instead letting it spread on its own and get discovered by media outlets, eventually racking up 1.5 million views.

“We’re overwhelmed with the amount of feedback we’ve been getting, from emails to Facebook messages to phone calls from all over the world,” Blue Ball founder Jamie Morgan told Adweek.

Leo Burnett London Shows Us Where the Beef Is in McDonald’s Campaign

As McDonald’s rebranding efforts in the US focus on lovin’ over hatin’ and a sexy new Hamburglar, Leo Burnett London took a near-opposite approach with its latest campaign promoting the client.

“Cow,” a new minute-long spot that launched in the UK last week, focuses instead on the ingredients in an apparent attempt to reach consumers concerned about the purity of their food…or to clarify rumors that may or may not have been shared by the local hairdresser.

We certainly get what the client is trying to do here. Its like a less specific version of the “What are our fries made of?” campaign that launched in the US earlier this year with the help of Grant Imahara of Mythbusters fame.

That one got more than six million YouTube views, though it wasn’t quite as popular as 2014’s infamous “pink slime” instructional video.

Still, we can’t help but wonder whether consumers’ main concerns regarding the Golden Arches concern the quality of beef used in its products…and whether this clip will satiate their hunger for THE TRUTH.

 

TV Credits

Project name The Cow

Client Steve Hill, Head of Marketing, Brand and Experience, McDonald’s

Creative agency Leo Burnett
Executive Creative Director Justin Tindall
Creative Directors Richard Robinson and Graham Lakeland
Copywriter/Art Director Adam Tucker
Planner (creative agency) Sarah Sandford, Josh Bullmore

Media agency OMD

Planner (media agency) Kat Howcroft
Production Company Sonny London
Director Guy Manwaring
Editor  Mark Edinoff  Work editorial

Post-production company      MPC

Audio post-production company     Sam Robson at 750MPH
Exposure National television; VOD

We Are Pi Helps Launch Hotel Brand Geared Towards Creative Types

Will Zoku spell the end of the hotel room as we know it?

It’s way too early to tell, but that’s the bold proclamation already made already by the parties behind the new loft chain, which, all hyperbole aside, serves as a compact home office/bedroom hybrid. Aimed at a sector of business travelers labeled “global nomads,” Zoku–which will officially open its first venue in Amsterdam in fall 2015–aims to transcend the standard hotel experience by unveiling what it deems “social spaces” within a hive-like environment that encourages work, play and longer stays.

How so? Well, the idealistic brand not only provides a loft-style sleeping space but an alcove desk with office supplies, a four-person table for dining and even retractable staircases–so in essence, a playroom for adults.

To help initiate Zoku’s Amsterdam launch, the brand collaborated with hometown agency We Are Pi to develop a brand identity, etc. The brief film above provides a glimpse into the loft, which was conceived following crowdsourcing and research efforts by London-based consultancy, The Future Laboratory. In a statement, Future Laboratory co-founder Chris Sanderson–whose firm worked with interior design/architectural firm Concrete to bring Zoku to life–coins a new term, saying:

“The merging of business and leisure – a trend we have identified as bleisure – represents one of the fastest growing and dynamic business opportunities in recent years. Today’s business travellers are re-writing the rules. Their outlook on work and play demands new services and a new approach to the hospitality sectors. The business hub will be the opportunity of the next decade in terms of hospitality value creation.”

Along with Amsterdam, Zoku plans to target more creatives throughout Europe by opening up operations in Paris, London and Berlin, with global expansion on the horizon.


Film credits
:

WE ARE Pi

Managing Director: Alex Bennett Grant
Partner: Patrick Garvey
Strategy Director: Jessica Perri
Strategist: Andrea van den Bos
Executive Creative Director: Rick Chant
Executive Creative Director: Barney Hobson
Creative Design Director: Nessim Higson
Art Director: Kaz Salemink
Account Manager: Sam Speed
Account Executive: Hollie Beever
Executive producer: Kimia Farshidzad
Project Manager: Ambar Surastri

Film and Photography Production

Photographer: Bill Tanaka
1st Assist: Collin Hill
Art Director / Props: Meike Sier
Catering: Nanja Theus

Editor: Sanne van Hecke
Animation Production: Joe Flemming
VO artist: Jason Huggings, Intervoiceover
Music and sound design: Michael Kneebone, Toolbox

TBWA Floats House Down Thames for Airbnb

TBWA London created a pretty eye-catching way to garner attention for Airbnb and celebrate new rules allowing Londoners to share their homes for up to 90 days per year. After all, it’s not every day you see a house floating down the Thames.

The house — which contains two bedrooms, a living room, a bathroom and a garden complete with grass, a doghouse and an apple tree — will float down the river, passing under Tower Bridge and making its way past Parliament and the London Eye before finally completing its voyage this Saturday. Listed on Airbnb, the house will make stops in neighborhoods including Chester, Westminster and Canary Wharf, holding community events and hosting overnight stays during its voyage. TBWA teamed up with production company Star Events for the stunt, who built the structure over the past four months.

“Airbnb are an iconic, disruptive brand who want iconic, disruptive campaigns, said Richard Stainer, CEO, TBWALondon.”The floating house is a perfect example of this. Creating it together has been a pleasure and we look forward to many more campaigns of similar ilk to come.”

W+K Amsterdam Mines Lionel Messi’s Tears for FIFA 15

W+K Amsterdam launched a spot starring Lionel Messi promoting the release of EA Sports’ FIFA 15, entitled “The Bitter-Sweet Taste of Football.”

The spot sees Messi hooked up to a bizarre machine mining his tears of joy from victory and sadness from bitter defeat. As the tears make their way down the Wonka-esque contraption they pass screens showing in-game footage and finally are turned into bitter defeat dark chocolate and sweet victory white chocolate bars, which are then fused together and packaged (think Kit Kat). It’s an imaginative and visually intriguing approach to the usually predictable category of sports video game advertising, even if it doesn’t do a whole lot to highlight the game’s selling points (at this point, FIFA is such a dominant franchise that hardly seems necessary).

“Football is bitter-sweet. One moment you are crying the sweet tears of victory, and the next, you are crying the bitter tears of defeat,” explained W+K Amsterdam creative director David Smith. “So what better way to show the emotion of football than to make a chocolate bar from the tears of Lionel Messi? A man who feels football more than any other man in the world.”

Creating the crazy contraption was no simple feat. W+K Amsterdam teamed up with a team of engineers and industrial designers to bring the idea to life as an “actual, moving, spinning, 10-meter long installation complete with conveyor belt.” That sounds like a pretty impressive piece of machinery. And if it works well with Messi’s waterworks, imagine what it could do with the tears of unfathomable sadness.

Credits:

EA SPORTS
Group SVP, Global Marketing: Todd Sitrin
VP, Global Marketing: Jamie McKinlay
VP, Advertising & Design: Dana Marineau
Director, Creative Strategy: Dustin Shekell
Senior Manager, Creative Strategy: Mark Evans
Creative Strategy Manager: Anne Fournais
Campaign and Adaptation Manager: Clement Berta
Senior Manager, Global Product Marketing: Matt McKie

WIEDEN+KENNEDY AMSTERDAM
Executive Creative Director: Mark Bernath and Eric Quennoy
Creative Director: David Smith and Alvaro Sotomayor
Art Director: Max Gebhardt
Copywriter: Max Arlestig
Head of Broadcast Production: Joe Togneri
Broadcast Producer: Elissa Singstock
Associate Producers: Beau Brouwer, Judd Carraway
Planner: Ben Armistead
Group Account Director: Kirk Johnsen
Account Director: Nick Campion
Account Manager: Kerstin Haag
Project Manager: Janna Harrington
Business Affairs: Justine Young, Melissa Kincaid, Kacey Kelley

FILM PRODUCTION

PRODUCTION COMPANY: IMPERIAL WOODPECKER
Director: Mark Zibert
Director of Photography: Greig Fraser
Producer: Matt Wersinger
Executive Producer: Doug Halbert

EDITING COMPANY: WHITEHOUSE POST

Editor: Russell Icke
Assistant Editor: Iain Whiteright

AUDIO POST: GRAND CENTRAL RECORDING STUDIOS
Sound Designer/Mixer: Raja Sehgal

MUSIC: MASSIVEMUSIC AMSTERDAM
Artist / Title: EA Fifa Messi Chocolate Delight
Music Company: MASSIVE MUSIC AMSTERDAM

POST PRODUCTION: MPC
VFX Producer: Amy Richardson
VFX Supervisor: Iain Murray
3D Supervisor: Michael Diprose
Colourist: George K

The Cyranos McCann Takes on Prejudice for Coke

The Cyranos McCann launched a new campaign for Coca-Cola entitled “Let’s take an extra second” which aims to raise awareness of commonly held prejudices and encourage people to take an extra second to overcome them.

At the center of the campaign is the “Experiment” in which the agency showed participants pictures of different individuals and then asked them what they thought about them. They found that in just a few seconds, the participants had built up an idea about the person based on personal prejudice. But the participants had a surprise in store. After shattering their prejudices with a few extra images, the agency introduced participants to the individuals they were judging, who were behind the screen the whole time. Other ads in the campaign take a similar approach, shattering prejudiced notions about certain types of individuals in “Grandma” and “Blonde,” while also tackling “Bullying.”

“Today, all the world’s leaders agree on one thing, inequality is the biggest problem humanity is facing, and the main driver of inequality are prejudices,” said Leandro Raposo, creative president of The Cyranos McCann. “Coca-Cola is probably the brand that talks the most about equality in its communication, and also as product is one of the most democratic in the market. That’s why is only natural for us to be developing this campaign where we speak about prejudices, but not by stigmatizing ourselves as a society, or being politically correct, but by portraying real cases in an almost interactive way; prejudice in first person. To a greater or a smaller degree, we are all biased, what is serious about that is to live without questioning it or going against it. This campaign asks us to take one more second to get rid of generalization as a way of looking at the other.”

TBWA Reminds Us That Heart Health Starts with a Nut

Yesterday TBWAChiatDay debuted a new campaign for client Planters.

The purpose of this work–promoted with support from Olson Engage–is to emphasize the health benefits of George Washington Carver’s favorite legume.

Here’s the first spot, starring the ubiquitous Mr. Peanut and created with the help of animation studio House Special:

As you can see, this campaign is all about selling nuts as a healthy snack with a particular focus on the client’s new “heart-healthy” mix.

FWIW, this claim is less completely false than most made in food ads; a Harvard study released earlier this month showed that peanuts are just as healthy as their pricier friends like Stephen Colbert’s favorite, the pistachio.

The campaign will, of course, include digital and social components, but it hasn’t quite launched in full yet.

We expect more from Mr. Peanut, who is simply “being himself” here:

Take a deep breath. That’s open-air entertaining you’re smelling. pic.twitter.com/Aq2cRCU2Ax

— Mr Peanut (@MrPeanut) May 13, 2015

While the aforementioned bachelor may be health-conscious, he’s not afraid to have some calorie-heavy fun. Expect more from him in the days to come.

After man invented fire, I went back and invented a reason not to need it. #PlantersSmores

Posted by Mr. Peanut on Thursday, May 14, 2015

Client: KRAFT
Product: Planters “Nut-rition” Nuts
Agency: TBWAChiatDay
Title: “Dictionary” :15; “Heart Health” :30 & :15; “Science” :30 & :15
Release Date: 5/18/2015
First Release Country: US
Medium: stopmo
URL        
                
Animation Production:  HouseSpecial
Creative Director: Kirk Kelley
Animation Director: Mark Gustafson
Executive Producer: Lourri Hammack
Sr. Producer: Rebecca Bowen
DP: John Nolan
Editor: Cam Williams
                                
DESIGN                
Storyboard Artist: Tom Price
Background/Environment Design: Huy Dang
                
FABRICATION    
Sculptor: Tony Merrithew
Character Fabrication: Katie Mello, Margaret Meyer
Prop Fabrication: Greg Boettcher, Joe Schmidt
Set Fabrication: Jake Hauswirth, Javid Howell, Rob Melchior, Dan Strong
Art Department Coordinator: Javid Howell
                
STAGE   
Animator: Julianna Cox, Wendy Fuller, Chris Ohlgren, Suzanne Twining
Swing/Electric/Grip/AC: Jake Hauswirth
Wrangler: Rob Melchior
Motion Control: Joshua Livingston
Fabrication/Stage Dept. Manager: Erica Johnson
                                
CG          
Animator: Wendy Fuller, Chris Ohlgren
Lead  Technical Director: Chris Immroth
Graphics/Motion Graphics: Stephen Bodin
Modeling & Texture Artist: Nikie Monteleone
Lighting Artist: Clay Connally
                
PRODUCTION SUPPORT               
Production Coordinator: Nicole Fitzhugh
Production Assistant: Emma Van Halsema
                
POST PRODUCTION – EXTERNAL
Post Facility: Mission Control
Flame Operator: Mike Quinn
                
POST PRODUCTION – INTERNAL
Additional Compositing: Rex Carter, Nick Childs, Michael Nicholas
Tape Room Op: Dino Coons
                
AGENCY               
Company: TBWAChiatDay
City, State: New York, NY
Executive Creative Director: Matt Ian
Creative Director: Kris Wixom
Creative Director: Alisa Wixom
Art Director: Nicholas Troop
Head of Integrated Production: Chad Hopenwasser
Production Director: Jason Souter
Account Director: Kristen Frank
Account Supervisor: Kristina Fraites
                
CLIENT  
Company: Kraft Foods, Inc
City, State: Northfield, IL
Director of Advertising: Christopher Miles
Sr. Associate Brand Manager: Courtney Dugan

TDA Boulder Promotes ‘Anywhere Account’ for FirstBank

TDA Boulder promotes the convenience of FirstBank’s Anywhere Account with a new 30-second broadcast spot featuring a guy and his self-driving car.

“I like easy. That’s why I got this self-driving car. And why I?signed up for the FirstBank Anywhere Account” he says from the backseat of the vehicle. Unfortunately for him, the car isn’t as smooth a ride as anticipated. It beeps in response to a basketball rolling into the street, but runs it over anyway. And when the car comes upon a pedestrian at a crosswalk, the response is…unexpected. The over-the-top humor is meant to highlight FirstBank’s “Easy Should Be Easy” tagline but is perhaps a bit too much of an exaggeration to adequately drive home its point.

The spot will run in Colorado and Arizona, mostly during prime, late night and sports programming on major networks and cable. It is supported by two Spanish-language 15-second spots, which will run on Telemundo and Univision. The campaign also includes outdoor, radio, print and paid social components.

Credits:

AD: Barrett Brynestad
CW: Tim Kelly
CW Spanish: Javier Osorio
CD: Jeremy Seibold
ECD: Jonathan Schoenberg
Account Dir.: Danielle Borden
Account Sup.: Charlie Wright
Agency Producer: Susan Fisher

Production Co.: MJZ, Los Angeles
Director: Mike Maguire
D.P.: Neil Shapiro
Exec Producers: David Zander, Kate Leahy
Line Producer: Tracy Broaddus

Editorial/Post: Cosmo Street Editorial, Santa Monica
Editor: Katz
Asst. Editor: Jason Overbeck
Producer: Gigi May

Color Correct: Company 3, Santa Monica
Telecine Operator: Mike Pethel

Mix/Sound Design: Lime Studios, Santa Monica
Engineer: Dave Wagg

Ogilvy Cape Town Shares ‘Moments’ for Volkswagen

Ogilvy Cape Town crafted a new spot for Volkswagen from over 50 hours of one girl’s childhood video footage, entitled “Moments.”

The approach is designed to show the significance of the Volkswagen’s safety systems. After playing through grainy video footage of the girl growing up, ending with her graduation, the footage rewinds to show “The moment that mattered most.” That moment is so seemingly insignificant that most viewers probably won’t even notice it the first time around, but the ad puts the footage into new perspective. It’s an affective approach, as the viewer is then forced to consider the significance of it and how Volkswagen’s safety systems (namely a rearview camera) were an important factor.

Credits:

Chief Creative Officer: Chris Gotz
Art Director: Monique Kaplan
Copywriter: Oskar Petty
Production House: Deliverance Post
Editor: Anthony Lee Martin
Director: Robin Goode at Giant Films

Toronto Stunt Turns Clean Rides into Dusty, ‘Mad Max’-Approved Machines

With Mad Max: Fury Road hitting theaters today, we have a timely outdoor stunt from Toronto’s Lowe Roche to help hype the film (as if the trailers and rather impressive 99% on Rotten Tomatoes weren’t enough already).

Keeping with Mad Max‘s grimy, industrial, post-apocalyptic themes while playing off Pimp My Ride in the process, Lowe Roche created a “Dusty Car Wash” in downtown Toronto where a host of professional artists and Hollywood set dressers–in an appropriate setting filled with scrap metal, colored smoke grenades and pyrotechnics–transformed the average automobile into a moving ad for Fury Road.

As the case study video demonstrates, people’s wheels were fitted with skulls, flames, gears, film quotes and, hell, even release dates for the movie (if they were so inclined). The hard part, we imagine, will be removing the team’s handiwork once its novelty wears off.

Client: Warner Bros. Pictures Canada

Creative Agency: Lowe Roche
Executive Creative Directors: Mark Mason, Jane Murray
Copywriter: Kelly Finnamore
Art Director: Matt Camara
Designer: Ben Coles
Co-Presidents: Jeff Dack, Marie-Lise Campeau
Account Manager: Hillary Pitcher
Agency Producer: Beth MacKinnon
Producer: Jonny Pottins
Directors: Jonny Pottins, Jon Simonassi
Production Art Director: Nick Haraszty
Editor: Jon Simonassi
Artists: Zachary Melo, Elysse Melo
Production House: Zink
VFX Creative Director: Raj Dias
Producer: Natasha Daly
Lead VFX Artist: March De Laurentiis

RKCR/Y&R Offer ‘Taste of the British Isles’ for M&S

Rainey Kelly Campbell Roalfe/Y&R launched a new spot for Marks & Spencer, offering up a “Taste of the British Isles.”

The spot is an ode to the chain’s locally sourced and/or British inspired offerings, from summer fruits and veggies to a juicy burger and British beer. Eschewing any narrative, RKCR/Y&R lets the food do the talking with 40 seconds of stylish food porn. While the resulting ad may not be groundbreaking, it is visually dazzling and more than a little hunger-inducing. Part of the ongoing “Adventures In” campaign for the brand, the spot will be followed up by 20-second ads focusing on summer occasions, such as “Adventures in Seaside” and “Adventures in Teatime.”

Credits:

Animation
Typography: Tivy Davies

Creative Agency: Rainey Kelly Campbell Roalfe/Y&R
Account Director: Leigh Roberts
Art Director: Chris Hodgkiss
Copywriter: Pip Bishop
Creative Agency: RKCR/Y&R
Creative Director: Mark Roalfe
Producer: Alex Shillingford

Digital Production Company
Photography: Karen Thomas

Music and Sound
Sound Design: Parv Thind @ Wave

Offline
Editor: Bruce @ The Quarry, Bruno @ Food Film

Production Company: Food Film
Producer: Francesa O’Brien
Director: Michael Roulier, Phillppe L’Homme

CP+B’s Evan Fry Sheds the Monster for People for Bikes

Evan Fry, creative development chief at CP+B, teamed up with photographer Jamie Kripke to create “Shed the Monster,” an ode to the transformative power of cycling for enthusiast organization People for Bikes.

In the spot, a man in an over-sized monster mask becomes angry with everyday frustrations like opening the fridge to find an empty carton of milk. When he goes to the garage he finds that the car is taken, and angrily pedals away on a bike instead. Soon, though, he’s enjoying the bike ride so much that he slowly becomes more and more human, and by the time he reaches the grocery store he has “shed the monster” and is a normal dude again. For Fry, it was a personal passion project, with the message echoing his own relationship with and life-long love of bicycles.

“I know this will sound corny and pretentious as hell,” Fry told AdFreak, “but ever since I was a little kid, cycling in one form or another has been my therapy, my church, my athletic pursuit, my trusted friend and my main vehicle for growth. I’ve always felt that jumping on a bike, no matter how long the ride, really does help you ‘Ride away the grrrr.”

Credits:

Writer/Director: Evan Fry
Writer/Director/DP: Jamie Kripke
Producer: Corey Bartha
Monster: Darin Toonder
Edit: Beast
Editor: Sam Selis
Producer: Erin Dykman
Executive Producer: Ron Rendon
VFX/Online Artist: Jim Reed
Colorist: Dave Ludlam
Executive Producer, Color: Thatcher Peterson
Color Producer: Antonio Hardy
Color Coordinator: Diane Valera
2D Lead: Tim Robbins
VFX Producer: Kiana Bicoy
VFX Coordinator: Jillian Lynes
Music: Beacon Street Studios
Composers: Andrew Feltenstein & John Nau
EP/Head of Production: Leslie DiLullo
Mix and Sound Design: Beacon Street Studios
Mixer: Mike Franklin
Assistant Mixer: Aaron Cornacchio
Monster FX: AFX Studio
Producer: Kate Vadnai

HelloFlo Writers Craft ‘Theresa the Baristapist’ for In Your Corner

Pete Marquis and Jamie McCelland — the writing/directing team behind HelloFlo’s “First Moon Party” and “Camp Gyno” — wrote and directed the comical “Theresa the Baristapist” for text/video-chat counseling service In Your Corner.

The ad portrays Theresa, a deluded barista who fancies herself a great unlicensed therapist (thus the term “Baristapist) — or as she puts it “like a Freudian Jesus.” She “can do things real therapists can’t,” like spray a misbehaving child with whipped cream or suggest that you go ahead and kill your boss. The point of the whacky character is to illustrate that “Sometimes the best advice is expert advice.” Theresa is the kind of character who would be terrifying in real life, which makes her work perfectly as a humorous exaggeration of what can go wrong when seeking advice in the wrong places. The spotwas designed with the approach of removing the stigma from therapy with humor.

“The idea came from the insight that people are hesitant to seek actual, professional therapy, but still get it from everywhere—their friends, relatives, their hairstylist, even the barista,” Marquis explained to Adweek. “We wanted to have fun with the idea that she’s giving unlicensed advice with no accountability or concern for anyone’s long-term mental health,” McCelland added.

FCB Ulka Launches ‘Project Resume’ for Salaam Bombay Foundation

“In most parts of India, the birth of a girl is considered a curse,” begins the video of FCB Ulka’s “Project Resume” for NGO Salaam Bombay Foundation, which explains why the organization, which provides education to underprivileged girls in India, exists in the first place. But faced with an increasing population of girls in need of an education, the organization needed corporate donations to keep up.

So for “Project Resume,” FCB Ulka and Salaam Bombay Foundation created resumes for three of the foundation’s brightest students “based on their dreams and ambitions,” and landed them job interviews. Surprised HR professionals walked into the room expecting seasoned professionals and were instead greeted by the three girls. The message was clear: these companies can help turn the girls’ dreams into reality — and perhaps have a dedicated employee in the future as a result. “Project Resume” was effective, as its clever and impactful  approach helped raise enough money to educate more than 200 girls.

Åkestam Holst Trolls Russian Navy with Gay Swedish Sailor

Today in stories that you may not tie back to the advertising industry, a certain (virtual) gay Swedish sailor has been winning headlines for trolling the Russian navy with an underwater “sign” that repeatedly sends out a signal in Morse code:

“This way if you’re gay.”

The little stunt has earned all sorts of headlines and interviews for members of the Swedish Peace and Arbitration Society; Vladimir Putin is obviously not a fan.

Our readers may or may not be surprised to learn that there’s an ad agency behind this stunt: it’s Åkestam Holst, the same shop responsible for those odd “have your wedding at IKEA” ads.

First, here’s the video:

ICYMI, 1944 is the year Sweden “legalized” homosexuality, well ahead of the rest of the world (as usual).

From the press release:

“If there is a submarine down there beneath the Baltic waves and the crew should happen to see or hear the Singing Sailor they are welcome to join us in the Stockholm Pride Parade on the 1st of august. In times of unrest, love and peace across boundaries is more important than ever. We want to break-up with the violence. Our invitation is also extended to Swedish subs and military personnel and all others that want to join us, says Daniel Holking, Communications-and fundraising manager with the Swedish Peace and Arbitration Society.

The Singing Sailor is also a contribution to the debate that we all should shift military resources into development and rethinking security.”

We don’t have any comment from the agency itself, because the client’s explanation should suffice. We do have the credits, though…

Agency: Åkestam Holst

Client: The Swedish Peace and Arbitration Society
 
Art director: Fredrik Josefsson
Copywriter: Adam Reuterskiöld
Creative Director: Andreas Ullenius
DOP/Editing: Eric Karlsson
Innovative producers: Johan Wahlberg, John Müllersdorf
Producer: Johan Eklund
Web Developer: Kalle Peterz

Peruvian Firefighters May Just Have to Start Stripping

We head back down to Peru once again to turn our focus to a new campaign from Lima-based Quorum Saatchi & Saatchi that brings a lighthearted sensibility to a rather serious topic.

This is news to us, but Peru, in fact, is one of the few countries in the world in which the state doesn’t finance fire departments. As a result, all firefighters in that country are volunteers who essentially rely on donations to do their jobs.

With its campaign dubbed “Stripper,” Quorum joins forces with the Asociación Amigos de los Bomberos Voluntarios to make us aware that if donations are lacking, volunteer firefighters might just have to resort to jobs like stripping (not that there’s anything wrong with that) in order to make money.

While the featured dancer in the spot could learn a thing or two from Magic Mike when it comes to moves, the overall serious message at the end–which has a touch of The Wrestler to it–is loud and clear: “They need your help.”

Quorum Saatchi & Saatchi

Executive Creative Director: Daniel Fierro
Creative Director: Rodrigo Melgar, Juan Durrieu
Art Director: Juan Durrieu
Copywriter: Rodrigo Melgar
Account Director: Diego Reves
Agency Producer: Veronica Robles, Uchi Mesinas
VP Planning: Mario Nicolini

TBWA, Gatorade and Michael Jordan Love Sweat

TBWAChiatDay’s latest ad for Gatorade officially launched yesterday, and it has a few key elements in common with the agency’s past work for the brand: Michael Jordan and sweat. Lots of sweat.

As Jordan himself clarifies in his role as narrator, however, Gatorade doesn’t love all sweat:

The point made by Jordan with the help of fellow athletes Serena Williams, Usain Bolt, April Ross and JJ Watt is that Gatorade helps athletes deal with the good kind of sweat–the kind that comes after a hard workout rather than, say, the kind that stems from anxiety about the legal status of your startup.

Unlike TBWA’s last campaign for the client, this one does not lean on classic taglines. It does, however, reinforce Gatorade’s key message: that its product serves as the fuel on which the world’s top athletes run. As the release tells us, the ‘ade has “been fueling athletes for over half a century” and will continue to do so.

TBWA will also continue to help spread that message: last month the agency promoted Renato Fernandez, the creative who’s been working on Gatorade for years (first at AlmapBBDO) to the position of worldwide creative director “with responsibility for the Gatorade brand.”

Readers were slightly confused by the promotion because TBWA told us that the role played by its global CD for the Gatorade account will not change in light of Fernandez’s promotion. The point, though, is that the sports drink will continue to be one of the Omnicom shop’s marquee clients for the foreseeable future.

Just look at all these credits!

Agency: TBWAChiatDay
Client: Gatorade

Chief Creative Officer: Stephen Butler
Executive Creative Director: Brent Anderson
Worldwide Creative Director: Renato Fernandez
Copywriter: Scott Cleveland
Art Director: Pierce Thiot

Executive Producer: Sarah Patterson
Producer: Lacy Plunk
Managing Director: Peter Ravailhe
Brand Director: Simon Nicholls
Brand Manager: Robyn Morris
Sports Marketing AE: Erika Buder
Associate Brand Manager: Samantha Sabine

Group Planning Director: Scott MacMaster
Global Planning Director: Martin Ramos
Planner: Matt Bataclan

Director of Business Affairs: Linda Daubson
Senior Business Affairs Manager: Laura Drabkin
Talent Payment Manager: Mirielle Smith
Traffic Manager: Judy Brill
Executive Project Manager: Karen Thomas

Production Company:  Imperial Woodpecker
Director:  Mark Zibert
Executive Producer: Charlie Cocuzza
Producer:  Matt Wersinger
DP: Mattias Rudh

Editorial: Whitehouse Post
Editor: Charlie Harvey
Assistant Editor: Devon Bradbury
Producer: Jonlyn Williams
Executive Producer: Joni Williamson

Post EFX:  The Mill
Senior Exec Producer:  Sue Troyan
Exec Producer: Enca Kaul
Senior VFX Producer:  Kait Boem
Shoot Supervisor:  John Leonti
Executive Creative Director: Phil Crowe
Creative Director : John Leonti
2D Lead: Narbeh Mardirossian
3D Lead: Simon Brown
2D Artists:  Tim Bird, Scott Wilson Edward Black, Jale Parsons, Tara DeMarco
3D Artists: Josh Hatton, Kelvin Liang, Krystal Sae Eua, Monique Espinoza, Richard Fallat, Robert Chapman, Jenna Kind, Steven Olson, Thom Price, Bridget Warrington, Juan Zavala, Katie Yancey, Mike Di Nocco, Ashraf Ghoniem, Phill Mayer, Koen Vroeijenstijn, Ed Boldero, Brett Angelillis, Berk Hakguder

Matte Painting: Itai Muller, Chris Goodrich
Motion Graphics: Justin Sucara
VFX Coordinator  Daniel Midgley & Greg Dupree
Colorist:  Adam Scott
Color Exec Producer: Thatcher Peterson
Color Producer: Antonio Hardy

Post EFX End Card: The Mill

Music Supervision:
Music Supervisor: Andrew Kahn, Good Ear Music

Music Licensing: Mega, Inc.
Madeline Adami
Danny Socolof

Sound Design & Final Mix:

Mixer: Rohan Young
Assistant Mixer:  Jeff Malen

Music:

Song: “Step Up”
Artist: Mapei

Peruvian Celebs Embrace Dubsmash to Address Country’s Child Abuse Issues

While Dubsmash–the mobile app for creating selfie videos with famous sounds–is commonly used for fun and hijinks, it’s recently been put to a more socially productive use in a campaign from McCann Lima.

The agency aims to highlight the distressing matter of child abuse in Peru; according to advocacy group Save the Children, Peru has the highest rate of child abuses cases in Latin America at nearly 60 percent. Many abuse cases unfortunately go unreported due to fear, so McCann Lima enlisted the services of several native celebrities to use Dubsmash in order to get the public’s attention.

As you can see in the case study video above, the campaign drew in not only familiar Peruvian faces, but many others who embraced #HablaPorEllos (or #SpeakForThem), a project in which Dubsmash’s familiar silly voices were replaced by those of children.

Since its March 27 release, the #Speakforthem campaign has reached 12 million people and garnered over 6.2 million media impressions. Most importantly, the number of Peruvian citizens reporting child abuse allegations has risen since the campaign began.

Agency: McCann Lima
CCO: Mauricio Fernández Maldonado/ Nicolas Romanó
Copywriter: Frank Martí
Art Director: Christian Silva
Production: Luis Cisneros / Carlos García
Audio House: Sordo
Production House: Rebeca
Post Production House: Playpost
Client approval: María Gabriela Villalobos

Committee LA, Heidi Klum Pitch Business Ventures for Wix.com

Creative/production hybrid studio Committee LA released a continuation of its “ItsThatEasy” Super Bowl campaign with a 60-second spot starring Heidi Klum.

Actor Rex Lee returns as Klum’s agent, shooting down her half-baked ideas for business ventures. A disgruntled Klum admits he’s always right, but then comes up with something she knows he’ll approve of. With Wix, she gets the business off the ground with a website before proudly showing it to Lee. The pacing works better here than with the Super Bowl effort, which had to juggle the stories/businesses of multiple football greats in about the same time frame. While the humor may cross the line to the overly goofy at times, it does make a dry subject a bit more memorable and the setup is a good way to display Wix’s capabilities. The cross-channel marketing campaign also includes social media activations and exclusive content for YouTube, Facebook, and Twitter promoting the #ItsThatEasy hashtag.

“When technology gives people the freedom to get creative, the way Wix does, it creates a space where function, beauty and self-expression come together” said Wix chief marketing officer Omer Shai. “Heidi is the perfect person to drive this message home. She’s an entrepreneur who knows the value of a comprehensive solution that lets you stay in charge and effectively grow your business exactly the way you want it.”