Dove Wonders Why Women Are Camera Shy

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Along with its hugely successful and Cannes Lions-winning Real Beauty Sketches, Dove is out with Camera Shy, a :60 that focuses on the propensity of many women to shy away from the camera when it’s aimed at them. Created by Ogilvy, the work is accompanied by ose Murphy’s “Peek-A-Boo” as woman after woman hide from the camera until a super asks, “When did you stop thinking you’re beautiful?”

It then shows images of little girls having no fear in front of the camera suggesting camera shyness is culturally induced. Which, of course, may be true. Except for the fact all one has to do is spend a little time on Instagram or Facebook or any number of other image-focused sites to find thousands of mirror shots and selfies.

Which, of course, is not to belittle the fact that, yes, many won are, in fact, camera shy and do question their beauty.

Arnold Worldwide, New Balance Compete to be Most Patriotic

Conveniently timed for the 4th of July, Arnold Worldwide and New Balance have launched a campaign celebrating the latter’s commitment to the United States. In a four-video series titled, “Our U.S. Factory Workers vs. Their U.S. Factory Workers,” actual NB factory workers compete in a hot-dog eating contest, ping-point match, basketball game, and ice hockey challenge. The pitch is their home factory, and the catch is that they have no opponents.

According to the parties involved, while 25 percent of New Balance shoes are made or assembled in the U.S., their competitors represent an embarrassing goose egg: NB employs more than 1300 U.S. factory workers, while their competitors employ none.

One-fourth still isn’t a huge amount, but it’s clearly not an exaggeration to say NB wins the game when it comes to patriotism. That makes for a lot of pride, and a lonely hot dog eating contest.

Credits and other videos after the jump

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ESPN Reminds Viewers that Things ‘Happened’ in ESPYs Promos

The ESPYS are supposed to throw a nudge and a wink in the direction of typical award shows that take themselves too seriously. Athletes get all dolled up in dresses and suits, the host runs through some comedic skits, and the sporting world congratulates itself on the red carpet, all of which has appeal to the average viewer, because the sports world is usually unglamorous for the other 364 days of the year.

For the 2013 ESPYS, ESPN seems to have taken that care-free attitude to a whole new level, a level that borders on creative laziness. Amazing athletes and sporting events “happened.” For example, Robert Griffin III tells us that Gabby Douglas “happened,” and Lebron James “happened, with authority.” ESPN worked with creative agency 77 Ventures to produce a dozen or so spots in advance of the July 17 show that covers just about every positive sports story from the previous year. They all happened. Which makes you want to hit your head and let out a rhetorical, “duh?” ESPN wasted the chance to use its biggest stars like RGIII, Derek Jeter, Danica Patrick, and Ray Lewis to sell great games and plays. We know they happened. These inspiring sports stories can pretty much sell themselves, but this “Happened” campaign pushes the limit of less is more. For once, less is less. Less happened.

You can watch three more promos after the jump.

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Snickers Drops Down the Celebrity Hierarchy with Kenny G

Betty White, Joe Pesci, Robin Williams, and… Kenny G. Aside from picking the most odds-and-sods group of entertainers out there, Snickers and BBDO New York have a knack for choosing celebrities with just enough relevance for the “You’re not you when you’re hungry” campaign. The title for best Snickers jokester is a toss-up between White’s roughhousing football player and Pesci’s whiny wingman. The latest spot, “Cards,” won’t top its predecessors, mainly because Kenny G doesn’t speak throughout the whole clip, but you can always lose yourself in his patented melancholy saxophoning.

It’s strange to think that the first ad with White came out over three years ago, but these spots seem to have enough social support to keep on kicking, even as the celebrities get less celebratory. Maybe for the next one, BBDO could get all four celebs in one room at the same time – a group of hungry people who all need to eat Snickers. That way, we could get Pesci to look at Kenny G and unleash a “Who is this fuckin’ guy?” tirade. Everybody wins, even Kenny G, since he’d be in two commercials in the past decade instead of one. Credits after the jump.

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Bacardi, OW Get Revolutionary with Rum

You rumdrinkers out there might not have known this while pounding down eight dollar shots at trendy bars, but Bacardi Rum has quite the historical significance. Think Cuban Revolution, Spanish-American War, and the Rough Riders. I don’t remember learning about any of these connections in social studies class – hmm, I wonder why, board of education? – but thanks to OppermanWeiss, “¡Vivimos!” the history of Emilio Bacardi Moreau and his company’s revolutionary roots will be on display in the coming weeks with a cinematic spin.

The above clip is the second ¡Vivimos! spot from OW and director Jake Scott, featuring a handsome and thinly mustachioed version of Emilio Bacardi Moreau set to a grainy image filter. The video does embellish a bit, making it appear as if our Bacardi hero was going to be gunned down spaghetti western style. Truthfully, or at least according to the Bacardi website, Bacardi Moreau was exiled from Cuba to North Africa twice, but who are we to nitpick with an actiony marketing campaign 115 years after the fact? Also be on the lookout for the ad in movie theaters, because Bacardi and Screen Vision partnered to put the clip on 100,000 screens across the country. And if you are really into Cuban revolutions, the brand is unrolling added content through Shazam, so everyone can also vivimos with their smartphones out.

Credits after the jump.

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Op-Ed: Let’s Talk Inappropriate Brainstorming

We welcome back monthly contributor Simon Mathews, currently chief strategy officer at West Coast shop, Extractable, who’s also worked on the strategy side at the likes of Isobar and Molecular during his career. So what does the title of his latest opus mean? Well, let Matthews explain and discuss where the bounds of brand permission lie.

I’ve been on the road this week visiting a couple of clients and working with them on their digital planning for the next year, and in some cases beyond.

Over a meal in New York the conversation topic turned to what the assembled diners thought of the NSA story hitting the headlines that day – how allegedly our government has been capturing everyone’s emails, phone records for years. To add to the discussion, I introduced a business idea: If the NSA has all our emails and data, maybe they could launch a backup/recovery service (e.g. Your computer crashes, the NSA provides a backup of all your lost data)?  I’d call this, “SpyVault”.

My fellow diners seemed remarkably unmoved.

In the cold light of day, clearly this is a ridiculous idea. But it is an example of a deliberate thought process we can use to help push digital innovation – “Inappropriate brainstorming”.

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Arnold, Jack Daniel’s Bring Back King Bee, This Time with a Swarm

Jack Daniel’s Tennessee Honey Whiskey has been repped by King Bee for a while now, with the insect always fiercely flying, always backed by rock and roll. In the latest spot, King Bee is followed by his swarm, representing the followers the brand has gained in the last year.

Pre-released on Twitter and Facebook, “Swarm” amassed over 10 million impressions before launching on TV. Though it was apparently carefully calibrated to get the right lighting and “a gritty feeling” (essential for any American whiskey brand), the spot’s not exactly rife with excitement or engagement. It works for exactly 30 seconds, though, and with the accompanying copywriting- “Like any good night out, things get interesting when there’s a swarm.” and “Fly straight. Drink responsibly,” King Bee and his crew get get an A for effort.

Credits after the jump

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Here’s a Quick Update on Verizon’s Multicultural Biz/GlobalHue

It appears that Verizon’s nearly three-month multicultural review has drawn to a close as the telecom giant sent us the statement below late last Friday that basically sums things up:

“We are in an industry that’s changes rapidly and it is important that we stay competitive in every aspect of our business including our advertising.   Verizon Communications has been working with López Negrete Communications for more than two years and we are expanding their scope of work in order to help drive agency efficiencies across all our lines of business.”

Seeing as Verizon has expanded its relationship with Houston-based López Negrete, one wonders where this leaves GlobalHue, which has worked with the brand for years on its multicultural biz. What we do know as of know is that despite what tipsters have been telling us, GH will NOT be closing up its New York office “any time soon.” Sources in the know add that the agency has actually won two more AOR assignments that will be announced in the near future. We’ll keep you posted. Update: Just to clarify, Lopez Negrete will focus on Verizon’s Hispanic business while Chicago-based shop Common Ground will handle its African-American work.

 

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Mizuno Wisely Runs Away From Real-Time Marketing

Like many people, I was impressed watching Texas state Senator Wendy Davis attempt a 13-hour filibuster of an anti-choice law. She couldn’t sit, eat, drink, or even lean on anything for support as she spoke. So it’s no surprise that the Mizuno Women’s Wave Rider sneakers she wore have gained a bit of attention, as evidenced by the many satirical reviews on Amazon.

Over at Digiday, Giselle Abramovich suggests that Mizuno is “missing out on a real-time marketing opportunity.” They might be. It’s also the right call for the company.

For its part, the company issued a statement on its blog that’s pitch perfect — acknowledging the performance of its shoes while not choosing sides in the most contentious issue of modern American society.

Here’s the last paragraph of that statement:

As you do, we love talking about running and introducing new consumers to our quality product. However, this conversation did not start out as a running conversation, thus we have limited our engagement to date. We are fortunate to have benefitted from this conversation and do appreciate Ms. Davis selecting our quality athletic footwear for her “endurance” event; however we do not have a corporate position related to the topic she presented.

This is a perfect example of why real-time marketing might be better left to PR people than social media firms or ad folks. Anyone who would advise Mizuno to rush to capitalize on this particular incident with real-time marketing would be committing malpractice, if there is such a thing in our industry.

The Wave Rider is currently the top-selling women’s athletic shoe on Amazon. So it’s true the extra attention they’ve received has had an incremental effect on sales. But, had Mizuno decided to endorse Senator Davis or her positions, it would’ve been deadly to the brand.

Mizuno would have found itself caught in the crossfire of protests, phone calls, numerous social media blogs and press articles. Some might be positive, a lot would be negative, but none of it would be worth whatever additional sales and notoriety lift the brand might receive. (It should be noted that Mizuno Running’s American headquarters is located in a suburb of Atlanta. Having lived in that area, I’m willing to bet many of its employees simply don’t agree with Senator Davis’ politics. That fact alone means the company’s reticence is justified.)

Some brands have established and well-known ethical belief systems. Even fewer are built on principles that manifest themselves in political issues. Mizuno isn’t either of these. They’re not Chick-fil-A or Ben & Jerry’s. They didn’t ask for the attention they’re now receiving. They’re smart to simply acknowledge the events and the attention as a testament to the quality of their product. Which in the end keeps them focused on the business of making performance sneakers.

Not everything related to a brand, when it’s in the news, is worthy of exploitation. Some topical items can be used to a brand’s advantage, but determining those requires judgment and experience. Let’s hope all the new preachers of the real-time marketing gospel are able to show restraint at the right moments the way Mizuno did.

This blog is about marketing. If you have a comment related to real-time marketing, please feel free to weigh in. Other comments will be deleted.

The post Mizuno Wisely Runs Away From Real-Time Marketing appeared first on AdPulp.

David Shane Writes a Sweet ‘Ghost Story’ for Nerve Dating

Dating–especially online–is nerve-wracking, funny, and requires the bravery of a preteen on a diving team (take a deep breath and pray your bottoms don’t fall off). Dating sites’ advertisements generally don’t help the cause. Match.com and eHarmony spots look like weight loss commercials, and How About We… goes for the student film aesthetic. In contrast, Nerve Dating’s “Ghost Story” is an authentic piece not only about starting a new relationship, but about moving on (which we’re all doing/hoping for every time we do this dating thing).

“Ghost Story” is directed by Emmy award-winning David Shane, the man behind Bud Light’s funny “Swear Jar” and Land Rover’s “Pathological Liar.” It features actors with charming, soft British accents. The heartwarming angle is a surprising move for Nerve, a site infamous for its explicit sex essays before Vice took over. It’s artfully done and helps carve them a unique space in the overdone online dating realm, not for people with dead boyfriends, but for those who need to come alive.

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5 Ways Nonprofits Can Leverage Digital Asset Management

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in the nonprofit world, we strive to fund the causes we care about. And to do this, sometimes we need to think like a business–particularly with regards to branding.

In recent years, our sector has been using high volumes of digital materials to achieve strategic goals. Many of us are now swimming in servers of uncategorized photos, logos, PDFs, and videos. And many more of us are drowning in them.

There are times when we need to spend money to achieve engagement, awareness, and efficiency, and I argue that digital asset management (DAM) is one such expense.

Nonprofits brand, market, and advertise like businesses because that is how we raise awareness. And we have to do it well to stand out in an era of information overload. At our hospital, we’ve used cloud-based DAM to supercharge our marketing efforts. Over the past five years, the bump to efficiency, brand consistency, and collaboration have been immeasurable.

If you’re in the nonprofit world, here are five ways you can leverage digital asset management to amplify outreach.

1. Save time with self-service

We use photos, videos, logos, graphic standards, and branded templates for outreach. This adds up to a colossal number of files–5,867 to be exact.

Pre-DAM, we stored all these files on servers, and when anyone needed a file, they had to reach out to a designated digital asset caddy that could retrieve the right file. This could take hours or days, depending on demand.

DAM is self-service: Everyone who needs files can access them at will. We have a total of 600 users, 50 to 100 of whom use the system daily. None of them needs to request files anymore.

2. Make your brand consistent

How do you know if your team members are using the right digital assets? With a server system, you don’t. If one of your executives has learned that file requests take hours or even days, they will also be tempted to scrape assets from web pages or outdated assets. The results could be a PowerPoint or PDF with low-quality graphics and the old logo.

Our DAM system has protected the consistency of our brand and the quality of our digital assets. Of the 600 users, only a few have uploading privileges. Anyone can download files, but we alone can quickly and conveniently insure that the right files are on the cloud. We know that costly graphics and videos aren’t being shelved in favor of other assets because we can also track who uses the system.

3. Preserve your history

Prestigious, enduring nonprofits have extensive histories. News clips, radio recordings, TV footage, photos, and now web content document our efforts. And we know that in the nonprofit world, a big track record is a big confidence builder. Donors usually prefer to give to organizations that are established, successful, and capable of showing their achievements.

Historical assets help establish this credibility, but they are notoriously hard to store. Indeed, the National Records and Archives Administration estimates that an average recorded CD-R only lasts 5 to 10 years, despite manufacturer’s claims of 25 years. Magnetic media such as audio video tapes have a 10- to 20-year lifespan.

This means that nonprofits need to get CDs, tapes, and perhaps even floppy discs into secure cloud storage with redundancy (i.e., one or more copies in additional server locations). Otherwise, history dies.

Safeguard your history in a DAM system–the time and cost of digitizing this record will save major headaches and disappointment down the road.

4. Repurposing

The digital assets you already have are far more valuable than the assets you don’t yet have–that is, if you can find them. With DAM, we operate on a search first, shoot later basis. All our assets are tagged and keyword searchable so we can immediately determine if we have an image that already fits our purposes. If we don’t, then we can capture and edit additional photos. This way, we save more time and we reallocate resources for major photo shoots.

Our asset development process complements repurposing. Initially, our creative or video teams load raw images and video onto a server that is only accessible to our design team. The server is essentially a warehouse–only after creative services have manufactured the images and footage to perfection do we load them into the DAM system, our internal marketplace for finished products.

If more people use and reuse the finished products, we maximize our current resources.

5. Categorization

It would be nice if marketing and digital teams had the bandwidth to create folders and subfolders for every imaginable type of image–but they don’t. Therefore, one of the biggest payoffs from DAM is categorization.

I have mentioned it above, but let’s dive deeper into the details. Categorization and tagging let asset users conceive and retrieve the way a novelist might tap into his or her own reservoir of ideas. A marketer can think, “I want a photo of a teenage, male, patient interacting with a female nurse,” and filter by those exact tags to find the image–or to determine that it does not yet exist.

DAM categorization lets your team members find the images they know they want instead of the generic photo that is just close enough.

In some nonprofit environments, not everyone is tech-savvy, but that does not mean your digital experts should be solely responsible for the retrieval of branded materials. Yes, have a DAM hero or two that maintains the system, but then save money and time and boost your organization’s reach by letting everyone share in the retrieval and proper use of digital assets.

This guest post was written by Kristy Smith, creative services production specialist at Nationwide Children’s Hospital.

Bar Refaeli Strips, Apple Facepalms, DOMA Celebrated, Cannes Critiqued

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– Bar Refaeli strips down to her lingerie again for a new Passionista ad campaign.

– This Digiday article explores the belief among young agency employees that it’s the agency itself which causes them to job hop so much because staying doesn’t allow them to move ahead. People…same shit, different decade. Nothing has changed in 30 years.

– Apple’s new ad campaign isn’t impressing the critics nor the public.

– The Sun has rounded up what they deem to be the sexiest TV ads of all time, all of which have been covered here on Adrants over the years (Except the 1992 Cindy Crawford Pepsi ad as that was before our time.)

– Social media erupted with joy yesterday in reaction to the Supreme Court’s decision to strike down the Defense of Marriage Act and California’s Proposition 8.

– The Drum gives us its top ten takeaways from Cannes Lions last week. Mentioned: Ogilvy’s award haul, Twitter’s new TV ad targeting tool and Wednesday’s social media peak with Conan O’Brien and Sean Combs.

– Digital marketers were all over the DOMA decision yesterday whipping out quick ads across social media channels.

– Following its recent Facebook Page Insights update, the social media giant has given its Ad Manager an overhaul.

– This Sunday, the iPad version of The New York Times will sport its first page takeover unit. The ad will tout Showtime’s Ray Donovan.

– Former Adrants Editor Angela Natividad offers up her take on last week’s Cannes Lions Festival of Creativity.

NFL Adds Heat to Agency Roster

We’re trying to get some clarification from Grey on this matter, as the agency has been working with the Roger Goodell and crew at the NFL for four years now. But, in the meantime, let’s turn our focus off of Grey for a moment and on to San Francisco-based agency Heat, which has been on radar for some time now mainly thanks to their EA Sports spots (recent Tiger Woods clip above). We’re fairly certain at this point that this isn’t an agency of record assignment, as Heat, which gave us the unforgettable self-promo below, will actually be tasked with handling NFL Network branding and promoting its priority programming including NFL Network’s preseason, GameDay and NFL RedZone programming. There was a review for the account, though we’re still awaiting if there was an incumbent on this biz.

New Career Opportunities Daily: The best jobs in media.

Grey Has Apparently Resigned its E*Trade Biz (Update: Affirmative)

Well, this certainly comes as a surprise this morning. We’ve received what appears to be a legit memo sent from Grey New York president/CCO Tor Myhren and COO Michael Houston to staff regarding one of the agency’s most well-regarded accounts. Read on:

“After a spectacularly successful six-year run, we are resigning the E*TRADE Financial account.
We think it’s in both Grey’s and E*TRADE’s best interests. Think of the history we’ve made. It’s worth celebrating.
Across six Super Bowls, the street-wise baby became synonymous with the E*TRADE brand’s maverick, consumer-championing DNA, proving online investing is so easy a baby can do it.

The E*TRADE baby set new records for popularity and effectiveness in the Super Bowl, delivering sales success and unprecedented media buzz in broadcast, print and social media.  The commercials were ranked among the “most popular” on the game by CBS, USA TODAY, ADWEEK, ADVERTISING AGE, TIME, TIVO and NIELSEN, generating over 60 million YouTube views.  In addition, creative recognition for the baby and his friends included Effies, One Show, London International, AICP and D&AD honors. And it was also voted the best campaign in America two straight years by the Wall Street Journal.

E*TRADE, and all the terrific people we’ve worked with, have our everlasting gratitude and best wishes for continued success. We will always look back on this relationship as one of the best and most famously effective in Grey’s history.

Of course, we will do everything in our power to ensure a smooth transition over the coming months.

Thanks to everyone for all you’ve done on this game-changing account for Grey. Let us never forget this was the brand and the work that began our turnaround.

Tor and Michael.”

Sources familiar with the matter tell us it’s legit, and  if you want to recall some of the good times between Grey and its financial client, see above and below. From what we hear from, Grey “just though it’s time” to part ways with E*Trade, which we’ve been told has gone through seven CEOs since the relationship began.

 

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Fallon Makes Some Cuts

Sorry for the lack of details on this one, folks. While we really have no specifics on numbers and departments affected, sources familiar with the matter confirm the multiple tips we’ve received that Minneapolis-based Fallon has cut staff today due to the Cadillac loss. We’ve been told by sources that both the MPLS and Detroit offices of Publicis Groupe-owned Fallon were affected by GM’s decision to move its global creative duties to the IPG team dubbed “Rogue” (the name–still, ugh), which is consisted of Hill Holliday, Campbell Ewald and Lowe. If you have more details, feel free to chime in via comment thread or tips box.

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Apple States Its Intentions With ‘Intention’

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Continuing its quest to proudly tout the fact everything it does is Designed by Apple in California, the brand is out with a TBWA-created animation entitled “Intention.” The work speaks to Apple’s intention to perfect things versus just make them.

Designed by Apple in California an intriguing effort that shifts focus away from people’s fixation with where something is manufactured to where it’s designed. While brands will always seek out the lowest possible costs to make their products, they’re less likely to outsource the design of those products.

For many decades following the industrial revolution, Made in America was a proud statement of fact; that everything a brand made — inclusive of design — was done in America by Americans. As the world shifted to a global economy and brands began to explore less costly, overseas manufacturing options, Made in America became meaningless as, for the most part, nothing is made in America any longer.

But, America is still in the business of developing, inventing, creating, envisioning and, to use a favorite advertising buzzword, ideating. Apple is capitalizing on that fact and touting it as if the statement were just as powerful as Made in America once was.

“Making stuff” will always be important. But, for now, designing it is way cooler.

Cap’n Crunch Confronts Controversy

Did you know that Cap’n Crunch has his own digital late-night talk show? Because I didn’t. You don’t even need to watch it to know that he’s better than Jay Leno. The latest episode of The Cap’n Crunch Show addressed a recent uniform controversy about whether or not the Cap’n is indeed a captain. (At this point, you’re wondering what’s going on. You aren’t alone). But the “controversy” has been getting play from Stephen Colbert, Jimmy Fallon, Conan O’Brien, and Leno, so Brooklyn-based shop Huge has been behind the latest self-deprecating content from everyone’s favorite cereal captain. The above clip runs about a minute and reveals the ultimate secret: Cap’n’s eyebrows are actually attached to his hat, not his head. It’s good-natured and self-aware, things that are hard to find most days.

If you happen to be interested, the next episode of The Cap’n Crunch Show airs July 9 at 11:30 p.m.

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Fiat’s New Spot Shouts, ‘The Italians Are Coming!’

In Doner’s new spot for the 2014 Fiat 500L, colonial Americans are invaded by a group of red Fiat-driving Italians. To prepare, the American women strip off their bonnets and hoop skirts, revealing cleavage and cocktail dresses. A pub sign is replaced by “Club,” and teacups are shattered to make room for steaming espresso.

Sure, if the Italians invaded instead of the British, we might be less straight-laced when it comes to sex. Our government might engage in fistfights instead of filibusters. But the glamorization of Italy seems to me a boring cliche, an unfounded American fantasy that feeds itself. Because of American media, I expected to see beautiful women and smell-wafting pizza in Rome, but the actual trash-filled streets and knock-off style was less than alluring. The whole thing felt like a self-imposed tourist trap.

Like men in speedos on panoramic beaches, Fiat’s ad is slightly amusing, but I wish it had moved past our traditional perceptions of Italian “fun.” After all, it’s not hard to crack a joke at the expense of Berlusconi and his Bunga Bungas.

Credits after the jump

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Molson Resurrects ‘I Am Canadian’ Slogan via Traveling Beer Fridge

 

Let’s begin yet another hot, muggy day in NYC with an item related to something that’s pretty much always refreshing, especially during this time of year: beer. A decade after moving on from its “I Am Canadian” slogan, Molson has decided to reinstill some native pride, bringing back the mantra via a traveling beer fridge that can only be opened by, what else, a Canadian passport. In its effort to keep it real and spread the word throughout the globe, Molson’s fridge (by the way, nice touch on the bottles), which was concocted by Canadian agency Rethink, has made its way from London to the White Cliffs of Dover to Brussels. While we’re reminded to renew our own U.S. passport, check out the beer fridge spot above and a making of clip along with credits after the jump.

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Xfinity Moves On from Arc?

We’re getting word from those in the know that Arc Worldwide, the marketing services arm of Leo Burnett, has lost its retail agency duties for Comcast’s high-speed internet/digital TV unit Xfinity, which was launched by NBC Universal’s parent over three years ago. We’ve put in inquiries to the comms/biz folks at Xfinity (still not sure about that name), but from what we’ve been told on the Spy line, the review has begun and RFP’s have already been sent out to other agencies.

Arc’s relationship with Comcast on retail marketing dates back six years, when it was named a partner on said component by the media giant. Comcast’s move seems kind of odd considering that Arc won big at the Outstanding Marketing at Retail Achievement Awards a few months ago. Anyhow, we’ll fill in the blanks if we hear more from the client as the agency isn’t providing comment.

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