After debuting on the stock market with a pop in March, Reddit chief marketing and consumer experience officer Roxy Young joined ADWEEK’s Social Media Week event in New York this week to bust some myths for advertisers still leery about appearing on the community-driven platform. Young outlined the platform’s performance prowess and how the community…
His negotiations led to Dan Rather’s elevation from “60 Minutes” to anchor of the “CBS Evening News” and sent Diane Sawyer from “60 Minutes” to ABC.
Time can seem to stand still in action movies when the star gives a big speech during a disaster or while a countdown ticks towards calamity. French broadcaster Canal+ pokes fun at this trope with an ad where the classic inspirational monologue doesn’t go as planned. The nearly four-minute film starts with a frantic call…
His negotiations led to Dan Rather’s elevation from “60 Minutes” to anchor of the “CBS Evening News” and sent Diane Sawyer from “60 Minutes” to ABC.
In this week’s episode, host Cathy Hackl returns from Summit at Sea where she shared a talk about spatial computing and wearables. The hosts discuss Apple discontinuing the Apple car. They discuss Apple and home-focused development like robots and security within the Apple ecosystem. Lee brings up the FCC to vote on restoring net neutrality…
A Sprite, conhecida por sua refrescância e proximidade com a geração Z, lançou no Brasil a campanha “The Knocklace Collection”. Como parte de sua plataforma “Clima Quente, Cabeça Fria”, a marca introduz uma abordagem humorística para um problema comum entre os jovens: a falta de privacidade em casa. Tecnologia a favor da privacidade ? Em …
Leia “The Knocklace Collection”: Sprite lança pingentes tecnológicos para jovens que buscam privacidade na íntegra no B9.
In this week’s episode, host Cathy Hackl returns from Summit at Sea where she shared a talk about spatial computing and wearables. The hosts discuss Apple discontinuing the Apple car. They discuss Apple and home-focused development like robots and security within the Apple ecosystem. Lee brings up the FCC to vote on restoring net neutrality…
A Coca-Cola se uniu à Marvel para lançar “Coca-Cola x Marvel: Os Heróis”, uma série de embalagens especiais que trazem 36 ilustrações de heróis e vilões. Esta edição limitada, disponível em quase 30 países da América Latina, inclui uma experiência em realidade aumentada, permitindo que os fãs interajam digitalmente com seus personagens favoritos. Uma campanha …
Leia Coca-Cola e Marvel lançam edição limitada de latas com realidade aumentada na íntegra no B9.
The digital age has ushered a revolution in media consumption, with livestreaming becoming a pivotal battleground for audience attention. Amidst this shift, platforms that prioritize interactivity and community are emerging as leaders, reshaping entertainment, gaming and social communication. Ben Keighran’s live sports broadcasting platform, Caffeine, epitomizes this transformation, offering a glimpse into the future of…
Medium is taking a stand on AI-generated writing. An email from Medium arrived in my inbox a few days ago describing changes that are coming to the publishing platform. Beginning May 1, 2024, stories with AI-generated writing (disclosed as such or not) are not allowed to be paywalled as part of Medium’s Partner Program. Accounts […]
The post Medium Separates from the AI Pack appeared first on Adpulp.
When AT&T Business teed up a brand campaign targeting mom-and-pop shops with a reunion of The Office cast, The Masters provided the perfect grounds for an opening drive. Actor Rainn Wilson (The Office’s Dwight Schrute) joined AT&T and its partners on an integrated Omnicom team led by BBDO, teasing the latest installment of AT&T Business’s…
Our indifference to plants is odd. Odd and dangerous. First, because without the plants, humans and other animals would have no oxygen to breathe. Meals would be remarkably boring too. Second, because while we pay plants little attention, multinationals and states with a colonising view of the world know that they are an immense source of economic profit that can be appropriated, controlled, or even modified if needed. We see the consequences of this extractivist rationale in newspapers every day (even though they might not always occupy the front/home pages): large companies are claiming intellectual property over new seed varieties, Europe has still not banned weed killer glyphosate despite its impacts on wild bees and humans, cacao now costs more than copper, rainforest carbon credit schemes are putting Indigenous communities at risk, Gaza has long been the scene of what Forensic Architecture calls an Herbicide Warfare, etc.
Adriàn Balseca, El esfuerzo, 2021
Matteo de Mayda, The Om Salvarech (Wild Man), Rivamonte Agordino (Belluno), 2022
All is not lost! Fortunately. All over the world, artists, indigenous communities, activists, foragers, designers are devising creative strategies to help us co-evolve in a more sympathetic and mutually beneficial way with the oldest and most important -in terms of biomass- inhabitants of this planet.
I’ll be exploring the evils and wonders of our relation to flora in the upcoming online course art & politics for plants with the School for Machines Making and Make-Believe. I run the classes 3 years ago already and I learnt soooo much from the participants. This edition will be slightly different because the worlds of ideas and artistic strategies have changed in the meantime. And because there was so much I never got the chance to cover in that first 5 week course.
All the details for the classes are available on the website of the School for Machines Making and Make-Believe.
Manuela Infante, Estado Vegetal, 2016
Ambreen Butt, Arsenal of Ambiguity, 2023
Zheng Bo, Pteridophilia 2, 2018
Isadora Neves Marques, Semente Exterminadora [Exterminator Seed],, 2017
Karoline Hjorth & Riitta Ikonen, Eyes as Big as Plates, #Karin Norway, 2019. Preus Museum collection.
Love Hultén, Desert Songs, 2023
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Haneen Hadiy, Mesopotamia, 2022
Kapwani Kiwanga, Flowers for Africa (installation view, Stories of Almost Everyone at Hammer Museum, Los Angeles), 2018. Photo: Brian Forrest
Nandita Kumar, The Unwanted Ecology (powered by Solar Panel and sound installation responsive to humidity sensor), 2017
Adrien Missika, Unkrautpflege, 2018 – ongoing
Mohamed Bourouissa, Resilience Garden, 2018. Photo: Pete Carr
<img data-attachment-id="35532" data-permalink="https://we-make-money-not-art.com/psa-an-art-politics-for-plants-online-course/0eeneddo-harmnanline_online/" data-orig-file="https://we-make-money-not-art.com/wp-content/uploads/2024/04/0EENeddo-harmnanLINE_online.jpg" data-orig-size="700,525" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"EDDO HARTMANN","camera":"Tiff File","caption":"Onderzoek door Rijks Universiteit Groningen. Gefotografeerd in opdracht van Noorderlicht en RUGnMei 2018 tot juli 2019","created_timestamp":"1564835113","copyright":"Please contact Public Affairs University Groningen and/or Eddo Hartmann","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"1"}" data-image-title="0EEN+eddo harmnanLINE_online" data-image-description="" data-image-caption="
Onderzoek door Rijks Universiteit Groningen. Gefotografeerd in opdracht van Noorderlicht en RUG
Mei 2018 tot juli 2019
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Eddo Hartmann, Collective Landscape
Michael Wang, The Drowned World, First Forest, 2018. Polypodiopsida, Cycadopsida, and Araucariaceae species installed in coal gas plant; irrigation system; steel viewing platform. Installation detail
Anna Safiatou Touré, Caldarium, 2019-2020
Carsten Höller, Solandra Greenhouse, 2004
Andres Saal and servant on a rubber plantation. Courtesy of the Estonian Literature Museum (via)
Biswarup Ganguly, a Photosynthetic Bubble and Recorder used and built in the early twentieth century by Jagadish Chandra Bose
David Claerbout, Wildfire (meditation on fire), 2019-2020
Mónica De Miranda, When Words Escape, Flowers Speak, from the series Twins, 2017
Rashid Johnson, Antoine’s Organ (detail), 2016. Installation view, Unlimited, Art Basel, Basel, 2018. © Rashid Johnson
With his longtime co-host Jim Lehrer, he delivered thoughtful reports that stood in stark contrast to the commercial networks’ ever more sensational newscasts.
When AT&T Business teed up a brand campaign targeting mom-and-pop shops with a reunion of The Office cast, The Masters provided the perfect grounds for an opening drive. Actor Rainn Wilson (The Office’s Dwight Schrute) joined AT&T and its partners on an integrated Omnicom team led by BBDO, teasing the latest installment of AT&T Business’s…
When AT&T Business teed up a brand campaign targeting mom-and-pop shops with a reunion of The Office cast, The Masters provided the perfect grounds for an opening drive. Actor Rainn Wilson (The Office’s Dwight Schrute) joined AT&T and its partners on an integrated Omnicom team led by BBDO, teasing the latest installment of AT&T Business’s…
How Nielsen and other media companies are navigating the measurement upheaval, plus industry reactions.
A OpenAI anunciou a disponibilidade do GPT-4 Turbo para os usuários pagos do ChatGPT. A atualização, divulgada através do X (antigo Twitter), traz melhorias notáveis nas habilidades de matemática, raciocínio lógico, programação e escrita. O novo modelo promete respostas mais diretas, menos prolixas e com uma linguagem mais conversacional. Integrações e Funcionalidades Ampliadas ? Em …
Leia OpenAI lança GPT-4 Turbo para usuários pagos do ChatGPT na íntegra no B9.
Heineken estreia sua nova campanha global “The First Ahhh!”, desenvolvida pela agência LePub, que captura o alívio e a satisfação do primeiro gole de uma cerveja gelada. A campanha, dirigida por Alex Feil, ilustra a ansiedade e a expectativa pelo refrescante sabor de uma Heineken, enfatizando momentos em que, devido a contratempos, o gole desejado …
Leia “The First Ahhh!”: Heineken lança campanha global capturando o prazer do primeiro gole na íntegra no B9.
After its viral Super Bowl campaign featuring actor Michael Cera, skin care brand CeraVe is again blurring the lines between advertising and entertainment with a movie trailer for a romantic comedy. The trailer previews a fake film, The One Under the Sun, that has all the makings of a Netflix romcom sensation, with a woman…
Heineken estreia sua nova campanha global “The First Ahhh!”, desenvolvida pela agência LePub, que captura o alívio e a satisfação do primeiro gole de uma cerveja gelada. A campanha, dirigida por Alex Feil, ilustra a ansiedade e a expectativa pelo refrescante sabor de uma Heineken, enfatizando momentos em que, devido a contratempos, o gole desejado …
Leia “The First Ahhh!”: Heineken lança campanha global capturando o prazer do primeiro gole na íntegra no B9.
This is site is run by Sascha Endlicher, M.A., during ungodly late night hours. Wanna know more about him? Connect via Social Media by jumping to about.me/sascha.endlicher.
