Streaming Services’ Secret Weapon for Keeping Subscribers: Kids Programs

When HBO partnered with the studio behind Sesame Street in 2015 to relocate Bert and Ernie to the premium cable network, the plan raised some eyebrows. Why was HBO, famous for its decidedly kid-unfriendly programming like Game of Thrones, interested in a cast of colorful Muppets? Four years later, that deal is looking better and…

The copycat summit / Un sommet de pompe (à bière)

donald trump kim jung un summit
THE ORIGINAL?
Heineken / Social Post – 2018
Newsjacking during the Singapore Trump-Kim meeting
Source : Creapills
Agency : Publicis Conseil, Paris (France)
LESS ORIGINAL
Bia Saigon Beer – 2019
Published during the Hanoï Trump-Kim meeting
Source : Cannes Lions Longlist
Agency : Ogilvy & Mather (Vietnam)

Agencies Need to Implement Accessibility Measures When Designing Websites

Virtually every brand has a website, but many fall short when it comes to disability inclusion and accessibility. While a handful of agencies and advertisers are leading the charge for online accessibility, there’s still confusion, misunderstanding and sometimes ambivalence that could easily shift with disability insights and best practices for developers, content creators and clients…

Why Eva Longoria, Adweek’s First Beacon Award Winner, Is ‘Subversive in the Best Way’

The camera loves Eva Longoria, and vice versa, with the Texas-born actor, producer, director and activist filling her social media feeds with a steady stream of snaps that document her life as a Hollywood mom and mogul. But a closer look at those Twitter and Instagram posts, and the pop-culture media coverage that invariably follows…

Upfront Mystery Diary: A Top TV Buyer Takes Adweek Inside One Company’s Negotiations

The upfronts are one of TV’s great mysteries: They’re always the focus of the advertising year, but the negotiation process remains hush-hush, with only a handful of people on both sides engaged in those high-level talks. That changed last year, when a major TV ad sales exec agreed to (anonymously) take Adweek behind the scenes,…

How Brands Are Combatting Influencer Fraud in an Ever-Changing Social Landscape

The marketing industry has a big problem–a $1.3 billion problem, to be exact. That’s the amount marketers are expected to waste on fraudulent influencer marketing this year, according to a July 2019 global study from cybersecurity company Cheq and the University of Baltimore. This means that nearly 18% of the overall amount marketers are spending…

Billy Bush Is Ready for a Return to TV. Will Viewers Welcome Him Back?

A fireball producer is giving him a comeback chance while also trying to revive the tired celebrity news genre. It’s Mr. Bush’s first TV job since the infamous “Access Hollywood” tape.

How Turner Duckworth Gave Subway a Much-Needed Refresh

To say that Subway’s marketing department has been a hot mess in recent years is an understatement. Since 2015, the same year the chain’s former spokesperson Jared Fogle landed himself in prison for child pornography and sex with minors, Subway has dealt with a revolving door of both creative agencies and marketers. Like many established…

Jimmy John's – Fake House :30 (2019) (USA)

Jimmy John’s delivers within a five mile radius wich is great unless you don’t live in the radius. In order to help you, Jimmy John’s is going to buy some lucky person a house within their five mile radius. Neat idea. Fun spot, too. 

This comes at a time when the outrage mob is calling for a Jimmy John’s boycott. Why? Because the founder shot an elephant. Eight years ago. So it’s much needed news and will hopefully generate PR to mitigate something that happened nearly a decade before.

Anyway, if you want to get in the mix for a new house, go to Dreamhomeinthezone.

Credits:

Credits

Advertising Agency: WorkInProgress (WIP), Boulder, CO (USA)        

Partner, Creative: Matt Talbot

Creative Director: Stephen Dalton

Creative Director: Lauren Perlow

Associate Creative Director: Josh Shelton

Associate Creative Director: Haley Garyet

Senior Designer: Jimmy Rosen

Partner, Production: Stafford Bosak

Executive Producer: Molly Schaaf

Partner, Account & Strategy: Alex Guerri

Partner, Account & Strategy: Evan Russack

Director, Account & Strategy: Stacy Moss

Supervisor, Account & Strategy: Sally Kubancik

Partner, Technology: Harold Jones

 

Production Company: Arts & Sciences

Production Service Company: Animals

Director: Adam & Dave

Director of Photography: Benn Martenson

Executive Producer: Marc Marrie

Line Producer: Gillian Marr

 

Editorial Company: Mackcut NYC

Editor: Ryan Steele

Assistant Editor: Devon Flint

Executive Producer: Gina Pagano

 

Color:  Company 3

Colorist            Tim Masick

Producer          Kevin Breheny

 

VFX & Finishing Company: Framestore

Flame Artist: Theo Maniatis (Lead), Eric Bruno

President, Advertising North America: James Razzall

Head of Production: Bethan Thomas

VFX Producer: Georgina Poushkine

Production Coordinator: Jamie Runkle

 

Music House   APM Music

 

 

 

Mix House:  Coupe Studios

Audio Engineer & Sound Designer: Greg Mcrae

Audio Executive Producers: Aaron Lasko & Eric Singer

 

Client: Jimmy John’s  

 

 

Chief Marketing Officer: John Shea

Director of Consumer Engagement: Nathan Louer

Director of Customer Acquisition & Loyalty: Suzanne Derouchie

Senior Designer: Chris Phillips

Marketing Operations Senior Manager: Kristi Kaiser

Head Of Consumer Video & Chief Editor: Spencer Liautaud

immy John's – Holy Moly :15 (2019) (USA)

“This is what happens when you win a house in a Jimmy John’s delivery zone. And you realize ‘Holy Moly, we won a house in a JImmy John’s delivery zone.'”

SO dry. I love it.

“Becuase, sandwich” as a tagline, I don’t love as much. It reminds me of “we have the meats for sandwiches.” We get it you sell sandwiches. Pretty certain Jimmy John’s Gourmet Sandwiches– your name– is all the giveaway I need.

But speaking of giveaways–  it’s kind of bananas they are going to buy a home for people in the five-mile radius delivery zone. Makes for great press. But at the end of the day great press is all it is for a regular ol’ sweepstakes with astronomically low odds of winning.

Now if they sold me on why I should want to try a one of their sammies, I’d be more impressed. But that would be brand building. And who has time for that, amirite? I don’t even have time to read the insane amount of legal copy on this ad.

 Anyway, if you want to get in the mix for a new house, go to Dreamhomeinthezone.

Credits:

Credits

Advertising Agency: WorkInProgress (WIP), Boulder, CO (USA)        

Partner, Creative: Matt Talbot

Creative Director: Stephen Dalton

Creative Director: Lauren Perlow

Associate Creative Director: Josh Shelton

Associate Creative Director: Haley Garyet

Senior Designer: Jimmy Rosen

Partner, Production: Stafford Bosak

Executive Producer: Molly Schaaf

Partner, Account & Strategy: Alex Guerri

Partner, Account & Strategy: Evan Russack

Director, Account & Strategy: Stacy Moss

Supervisor, Account & Strategy: Sally Kubancik

Partner, Technology: Harold Jones

 

Production Company: Arts & Sciences

Production Service Company: Animals

Director: Adam & Dave

Director of Photography: Benn Martenson

Executive Producer: Marc Marrie

Line Producer: Gillian Marr

 

Editorial Company: Mackcut NYC

Editor: Ryan Steele

Assistant Editor: Devon Flint

Executive Producer: Gina Pagano

 

Color:  Company 3

Colorist            Tim Masick

Producer          Kevin Breheny

 

VFX & Finishing Company: Framestore

Flame Artist: Theo Maniatis (Lead), Eric Bruno

President, Advertising North America: James Razzall

Head of Production: Bethan Thomas

VFX Producer: Georgina Poushkine

Production Coordinator: Jamie Runkle

 

Music House   APM Music

 

 

 

Mix House:  Coupe Studios

Audio Engineer & Sound Designer: Greg Mcrae

Audio Executive Producers: Aaron Lasko & Eric Singer

 

Client: Jimmy John’s  

 

 

Chief Marketing Officer: John Shea

Director of Consumer Engagement: Nathan Louer

Director of Customer Acquisition & Loyalty: Suzanne Derouchie

Senior Designer: Chris Phillips

Marketing Operations Senior Manager: Kristi Kaiser

Head Of Consumer Video & Chief Editor: Spencer Liautaud

Jimmy John's – Legal Copy :15 (2019) (USA)

“Jimmy John’s is buying someone a house so they can deliver them a sandwich. Read the legal copy below if you must but we assure you it will be a real house.” So says this ad for Jimmy Johns to tout their “We deliver within a five-mile radius” campaign as much as their sweepstakes for buying someone a house in their delivery radius. At least they made fun of the legal copy which is a crazy amount.

Go to Dream Home In The Zone if you must to learn more.

Credits:

Credits

Advertising Agency: WorkInProgress (WIP), Boulder, CO (USA)        

Partner, Creative: Matt Talbot

Creative Director: Stephen Dalton

Creative Director: Lauren Perlow

Associate Creative Director: Josh Shelton

Associate Creative Director: Haley Garyet

Senior Designer: Jimmy Rosen

Partner, Production: Stafford Bosak

Executive Producer: Molly Schaaf

Partner, Account & Strategy: Alex Guerri

Partner, Account & Strategy: Evan Russack

Director, Account & Strategy: Stacy Moss

Supervisor, Account & Strategy: Sally Kubancik

Partner, Technology: Harold Jones

 

Production Company: Arts & Sciences

Production Service Company: Animals

Director: Adam & Dave

Director of Photography: Benn Martenson

Executive Producer: Marc Marrie

Line Producer: Gillian Marr

 

Editorial Company: Mackcut NYC

Editor: Ryan Steele

Assistant Editor: Devon Flint

Executive Producer: Gina Pagano

 

Color:  Company 3

Colorist            Tim Masick

Producer          Kevin Breheny

 

VFX & Finishing Company: Framestore

Flame Artist: Theo Maniatis (Lead), Eric Bruno

President, Advertising North America: James Razzall

Head of Production: Bethan Thomas

VFX Producer: Georgina Poushkine

Production Coordinator: Jamie Runkle

 

Music House   APM Music

 

 

 

Mix House:  Coupe Studios

Audio Engineer & Sound Designer: Greg Mcrae

Audio Executive Producers: Aaron Lasko & Eric Singer

 

Client: Jimmy John’s  

 

 

Chief Marketing Officer: John Shea

Director of Consumer Engagement: Nathan Louer

Director of Customer Acquisition & Loyalty: Suzanne Derouchie

Senior Designer: Chris Phillips

Marketing Operations Senior Manager: Kristi Kaiser

Head Of Consumer Video & Chief Editor: Spencer Liautaud

‘Angel Has Fallen’ Bumps ‘Good Boys’ From Its Box-Office Lead

The third installment of Gerard Butler’s “Fallen” action series brought in about $21.3 million in its opening weekend.

On the Adweek Podcast: Is Popeyes’ Chicken Sandwich Worth the Hype?

People love that chicken from Popeyes so much, it’s selling out. At least the new chicken sandwich is, thanks to a Twitter fight. On this week’s episode of Yeah, That’s Probably an Ad, we give it a taste test and bring you the backstory of the marketing campaign that made it a phenomenon. Plus, Disney+…

Ad stars 2019 unveils this year’s winners: 9 agencies win 12 grand prix trophies

Joanna Monteiro, Chief Creative Officer at FCB Brasil, joined AD STARS 2019 as an Executive Judge. She says: “I have loved the experience of judging AD STARS because no other awards show gives back to our industry this way – not only is it free to enter AD STARS, but if you win Grand Prix of the Year you are rewarded with US$10,000, which is amazing.”

Jureeporn Thaidumrong, Chief Creative Officer at GREYnJ United, says: “Perhaps the best thing about AD STARS is that agencies don’t have to spend a lot of money on entry fees as we do at other award shows, which means smaller independent companies have a chance to enter. It is supported by Busan Metropolitan City, it is very well organised – there are so many good things about this show.”

Twelve Grand Prix trophies were awarded to the following 9 agencies:

  • –  Impact BBDO, United Arab Emirates, ‘The Blank Edition’ (Media Grand Prix, PR Grand

    Prix and Social & Influencer Grand Prix)

  • –  FCB New York, USA, ‘The Whopper Detour’ (Direct Grand Prix & Mobile Grand Prix)

  • –  TBWA Hakuhodo, Japan, ‘The Most Challenging Ping Pong table’ (Design Grand Prix)

  • –  Colenso BBDO, New Zealand, ‘I’m Drinking it for you’ (Film Grand Prix)

  • –  Serviceplan Korea, Dot Mini (Interactive Grand Prix)

  • –  Ogilvy Group Thailand, ‘Deer’ (Print Grand Prix)

  • –  GREYnJ United Bangkok, Thailand, ‘FACE/OFF’ (Video Stars Grand Prix)

  • –  Casanova/McCann, USA, ‘Second Chances’ (Public Service Announcement Grand Prix)

  • –  BBDO Atlanta, USA, ‘Stop Traffick’ (Public Service Announcement Grand Prix)

 

Hwan-Jin Choi, Chairperson of the AD STARS Executive Committee, says: “AD STARS is a festival where creativity and technology converge. Its core value is ‘humanity’ – we exist to share creative solutions that change the world. Many of this year’s winners are contributing to humanity in exciting ways, and we would like to congratulate them for their work.”

 

Film & Video Stars

 

In the Film category, Colenso BBDO New Zealand won Grand Prix for ‘I’m Drinking it for You’, created for DB Breweries to encourage beer lovers to drink low-carb beer for the sake of their partners.

 

“From strategy through to storytelling, this campaign defies the clichés of low-carb beer. Usually positioned as the beer for people who work out, Colenso BBDO positioned drinking low-carb beer as one of the most selfless acts you can do,” explains Executive Judge Robin Fitzgerald, Chief Creative Officer at BBDO Atlanta.

 

There were also 8 Gold trophies awarded across the Film category:

–       Artplan Sao Paulo, Brasil, ‘The Beatbox Catalogue’ for Etna Home & Décor, won 2 Golds

–       Leo Burnett Taiwan, ‘Souvenirs From Travel’ for China Airlines

–       GREYnJ United, Thailand ‘FACE/OFF’ for Kasikornbank

–       Wolf Bangkok, Thailand, ‘Second job’ for Central Department

–       Grey Tokyo, Japan, ‘Hankograph’ for WILDAID

–       C.Ray Corporation, Japan, ‘The Nanto Family’ for The Nanto Bank

–       Colenso BBDO, New Zealand, ‘I’m Drinking it For You’ for DB Breweries

 

Harshad Rajadhyaksha, Chief Creative Officer at Ogilvy India (West), also judged Film & Video Stars: “All the Gold winners stood out taller than the other finalists. The Nanto Family, for instance, takes the extremely complicated issue of a last will and inheritance and adds loads of un-missable entertainment in a way that has to be delightfully remembered! All of us in the jury room couldn’t stop laughing when we were judging it. Or take the Beatbox Catalogue: they have converted a tough brief into such an unexpected, fun, surprising and yet super hardworking ad through the sheer use of creativity.”

 

In the Video Stars category, the Grand Prix was awarded to GreynJ United, Thailand for ‘FACE/OFF’ (Kasikornbank).

 

“This is such compelling content, and once we learned how quickly ‘FACE/OFF’ became popular, we agreed it really deserved to win Grand Prix. It takes chances with direction and casting, and made something as simple as updating an app feel relatable and compelling. For a financial institution to take these kinds of risks in its storytelling is really great,” says Fitzgerald.

 

Rajadhyaksha adds: “I love its absolutely brilliant Thai brand of humour used to tackle what must have been a complicated and slightly technical brief. Getting people to understand why their banking app needed constant updates, and doing so with this brilliance, deserved nothing but a Grand Prix.”

 

There were four Gold winners in Video Stars:

–       Ogilvy New Zealand, ‘The Most Dangerous Stunt in the World’ (Auckland Transport) won two Golds

–       J. Walter Thompson, Taiwan, ‘My variety father’ for E-Life Home Appliances

–       Casanova/McCann, USA, ‘Second Chances’ (Donate Life California)

 

Design & Print

 

In Design, the Grand Prix was awarded to TBWA Hakuhodo for ‘The Most Challenging Ping Pong Table’, created for the Japan Para Table Tennis Association.

 

Melvin Mangada, Chief Creative Officer at TBWASantiago Mangada Puno in Manila, led the Design & Print categories as Executive Judge. He said: “The jury was unanimous in rewarding the Grand Prix for Design, which stood out above all on craft, elegant design and user experience. We felt that the work celebrated should pave the way for disruptive ideas in design and print craft using new and old tools.”

 

The judges awarded 13 Gold trophies in Design:

–       Cheil Worldwide Hong Kong’s ‘Homework’ and ‘A Sweet Escape’ for Chupa Chups won two Golds

–       TBWA Santiago Mangada Puno, Philippines also won two Golds for ‘This is a tree’ for Pacific Paint (Boysen); and Baybayan’ for Cultural Center of the Philippines

–       Hakuhodo Indonesia, ‘Clever Cash’ for Save Street Child Sidoarjo

–       TBWA Hakuhodo, Japan, ‘The restaurant of mistaken orders’ for DAIKI Angel Help Inc.  

–       The Brand Agency, Australia, ‘Hungry Puffs’ for Foodbank WA

–       The Electric Factory, Uruguay, ‘Chivas Regal Eternity’ for Pernod Ricard

–       Serviceplan Korea, ‘Dot Mini – The First Smart Media Device for the visually impaired’ for Dot Incorporation

–       Colenso BBDO, New Zealand, ‘Kupu’ for Spark

–       MullenLowe Singapore, ‘Cavities (Bubblegum)’ for Unilever Asia

–       Innocean Worldwide, Korea, ‘The Quiet Taxi’ for Hyundai Motor Group

–       Cheil Worldwide, Hong Kong, ‘Gatsby’ for Penguin Random House

 

In Print, the Grand Prix was awarded to Ogilvy Group Thailand’s ‘Deer’ campaign for Freeland Foundation, which also won one Gold and Bronze trophy. “This piece of work excelled in both concept and execution. It was the only campaign in the category that won in both Craft and Products and Services. The jury was intent on rewarding work that reflected more than just the aesthetic of the work. We considered concept and a strong purposeful message, too,” said Mangada.

 

The judges awarded 7 Gold trophies in Print:

–       Cheil Worldwide, Hong Kong won two Gold awards for ‘Gatsby’ for Penguin Random House, and ‘Homework’ for Chupa Chups

–       RedBank China, ‘SHUSH’ for 360 QIKU

–       Impact BBDO, United Arab Emirates, ‘Mutilated Words’ for 28 Too Many

–       MullenLowe Singapore, ‘Cavities (Bubblegum)’ for Unilever Asia

–       Ogilvy Group Thailand, ‘Deer’ for Freeland Foundation

–       DDB Mudra, India ‘Hashtags don’t heal’ for Khalsa Aid

 

Public Service Advertising Diverse Insights, Outdoor, Place Brand, Radio & Audio

 

In Public Service Advertising (PSA), there were two Grand Prix winners: Casanova/McCann, USA, ‘Second Chances’ for Donate Life California; and BBDO Atlanta’s ‘Stop Traffick’ for Street Grace. There were also three Gold PSA winners: Hakuhodo Indonesia’s ‘Clever Cash’ for Save Street Child Sidoarjo; and Serviceplan Korea’s ‘Dot Mini’ for Dot Incorporation, and Cheil Worldwide, Hong Kong’s ‘Fatal Recognition’ for The Hong Kong Stroke Association.

 

Ali Rez, Regional ECD at Impact BBDO, Middle East/Pakistan, helped to judge this category. “Casanova/McCann gives a second chance to organ donors and puts them in the shoes of someone who gets a second chance at life. ‘Stop Traffick’ is brilliant in its scale. It’s easy to throw around statistics, but people become desensitized to them. This campaign makes a statistic about human sex trafficking come alive. Both campaigns take very engaging, novel approaches.”

 

No Grand Prix trophies were awarded in Diverse Insights, Outdoor, Place Brand or Radio & Audio.

 

In Diverse Insights, VMLY&R Australia’s ‘The Half Biscuit’ for RSA won Gold. Jureeporn Thaidumrong, Chief Creative Officer at GREYnJ United, led these categories as Executive Judge. She explains: “This category is about promoting cultural diversity and ‘The Half Biscuit’ was the best example of how local insights can drive the creative solution.”

 

In Outdoor, there were six Gold trophies awarded:

–       DDB Sydney, Australia, ‘Grave of Thrones’ for Foxtel won 2 Golds

–       FCB New York, USA, ‘Whopper Detour’ for Burger King

–       Casanova/McCann, USA, ‘Second Chances’ for Donate Life California

–       BBDO Bangkok, Thailand, ‘7:1 Furniture Collection’ for Homepro

–       Impact BBDO, United Arab Emirates, ‘Toxic Flag’ for Green Peace & Waste Management Coalition

 

“I loved the effort that went into ‘Grave of Thrones’ in terms of craft, and ‘Toxic Flag’ is amazing work,” says Thaidumrong.

 

In the Place Brand category, Airbag Australia picked up the category’s sole trophy, winning Bronze for ‘Carriberrie’.

 

In Radio & Audio, Colenso BBDO, New Zealand won Gold for ‘I’m Drinking it for You’ for DB Breweries. “We’ve seen great songs composed for brands before, but in this instance the idea is good, the execution is great, and the copywriting is brilliant,” says Thaidumrong.

                       

Interactive, Integrated, Innovation, Mobile, Data Insights, Social & Influencer

 

Serviceplan Korea won the Interactive Grand Prix for ‘Dot Mini – The First Smart Media Device for the Visually Impaired’ (Dot Incorporation), while Impact BBDO, United Arab Emirates won Gold for ‘The Blank Edition’ (An-Nahar).

 

“We felt ‘Dot Mini’ deserved a Grand Prix because it gives the industry a view of what we want to see more of. It pushes into the realm of innovation and shows our industry can do more than drive awareness – our ideas can manifest as products or services,” says Joanna Monteiro, Chief Creative Officer at FCB Brasil, who led these categories as Executive Judge.

 

There were no Grand Prix winners in Integrated and Innovation, but Serviceplan Korea also won Gold in Innovation for ‘Dot Mini’. 

 

In Mobile, the Grand Prix was awarded to FCB New York for ‘Whopper Detour’ (Burger King). There were also two Gold winners: Cheil Worldwide, Korea, ‘REDCEIPT’ (Kakao Corp.) and Serviceplan Korea’s Dot Mini (Dot Incorporation).

 

AD STARS introduced the Data Insights and Social & Influencer categories last year. In Data Insights, FCB Brasil won the category’s only Gold trophy for ‘Trending Botics’, created for Congresso em Foco.

 

Keith Byrne, Creative Director at Digitas, Singapore, also judged this category. He says: “It’s clear that agencies and brands are really starting to focus on how they use data to sell a product or improve a service, and there were actually a lot of entries in this category. However, a lot of the work we judged seemed to be created without real purpose and felt a bit gimmicky. ‘Congresso em Foco’ was a really effective, purpose-driven campaign but what won it Gold was actually its data visualisation. The campaign was built around simple, beautiful, shareable and most importantly effective graphic design.”

 

The Social & Influencer Grand Prix was awarded to Impact BBDO, United Arab Emirates for ‘The Blank Edition’ (An-Nahar). There was also one Gold awarded to Wunderman Thompson in Thailand for ‘Narcos – The Censor’s Cut’ (Netflix).

 

Direct, Media, Promotion, PR

 

‘The Whopper Detour’ by FCB New York won Direct Grand Prix and a Gold in Direct.

 

“There is no mistaking the intent of this campaign: it is designed to get the brand noticed and to drive profits. They could have simply handed out Burger King coupons, but instead they found a way to generate eyeballs and start a conversation. When you can’t outspend your competition, you have to outsmart them,” says Ted Lim, Regional Chief Creative Officer at Dentsu Asia Pacific, who led these categories as Executive Judge.

 

There were 3 more Gold winners in Direct:

–       The Brand Agency, Australia, ‘Hungry Puffs’ (Foodbank WA)

–       Impact BBDO, United Arab Emirates for ‘The Blank Edition’ (An-Nahar)

–       Casanova/McCann, USA, ‘Second Chances’ (Donate Life California)

 

In Media, Impact BBDO, United Arab Emirates won Grand Prix and a Gold trophy for ‘The Blank Edition’ (An-Nahar). ADK Japan also won Gold for ‘Make it a runway’ (PVH Japan).

 

“The political context in which ‘The Blank Edition’ was published made it a very brave decision. One act of bravery brought about political and social change,” says Lim. “In the context of what we do as an industry: I believe we are in the business previously known as advertising. Whether we are selling shampoo or bringing about social change, we have to bring purpose to whatever we are working on.”

 

In the Promotion category, there were also two Gold winners: FCB New York’s ‘The Whopper Detour’ (Burger King) and Casanova/McCann, USA, ‘Second Chances’ (Donate Life California).

 

The PR Grand Prix was awarded to Impact BBDO, United Arab Emirates for ‘The Blank Edition’ (An-Nahar), which also won Gold.

 

There were two more Gold winners in the PR category:

–       DDB Sydney, Australia’s ‘Grave of Thrones’ (Foxtel)

–       FCB New York’s ‘Whopper Detour’ (Burger King).

 

 

AD STARS will return in 2020 for its 13th annual festival and awards show. For more information, follow us on Facebook, Twitter, Instagram or LinkedIn or visit adstars.org

‘The Whopper Detour’ and ‘The Blank Edition’ win Ad Stars Grand Prix of the year 2019 and $10,000

In the Ad Stars, FCB New York won Grand Prix of the Year for ‘The Whopper Detour’ campaign, while Impact BBDO in the United Arab Emirates (UAE) won Grand Prix of the Year in the Public Service Announcement (PSA) category for ‘The Blank Edition’, created for Lebanese newspaper An-Nahar.

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The Whopper Detour campaign is an audacious idea that drove burger lovers to McDonald’s, where they could purchase Whoppers for only a penny thanks to an ingenious app with in-built geo-fencing. The campaign led to 1.5 million Burger King app downloads along with global media acclaim.  

 

“When you can’t outspend your biggest competitor, you have to outsmart them,” explains Ted Lim, Regional Chief Creative Officer at Dentsu Asia Pacific and Executive Judge at AD STARS 2019. “This campaign is digital at its best. The agency could have handed out Whopper coupons, but instead they created an app designed to start a conversation, which is what they needed to get the brand noticed and loved.”

 

Robin Fitzgerald, Chief Creative Officer at BBDO Atlanta and an Executive Judge at AD STARS 2019, adds: “We loved that The Whopper Detour is a promo campaign – this is an advertising festival, after all. It was basically a brief to offer coupons for one-penny Whoppers, but the agency went above and beyond to make something much more culturally provocative. Both Grand Prix of the Year winners are brilliant, impactful ideas and they had the full support of the jury, so I feel really good about our choices.”

 

The Whopper Detour also won the Direct Grand Prix and Mobile Grand Prix at AD STARS 2019.

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‘The Blank Edition’ is a completely blank newspaper that was printed in response to a political gridlock that left Lebanon without a government for months. An-Nahar invited the people of Lebanon to write their own headlines, which politicians couldn’t ignore – especially when their messages were shared via social media. The politicians were forced to take accountability for their actions, and citizens finally got the government they demanded. 

 

“The jury had a really good discussion about this campaign because it could have been just another blank newspaper ad. But using a newspaper to spark conversations online was such a great idea,” says Joanna Monteiro, Chief Creative Officer at FCB Brasil.

 

The Blank Edition also won the Media Grand Prix and PR Grand Prix.

 

Kim Pick, Executive Creative Director at VMLY&R in New Zealand, judged the Direct, Media, Promotion and PR categories. She says: “Using a newspaper as a canvas, and handing ownership of the content to citizens, was really clever. This campaign was also really impactful – it ended a political impasse and had a knock-on effect in terms of media coverage.”

Filme de “Breaking Bad” estrelado por Aaron Paul, “El Camino” chega à Netflix em outubro

Há algum tempo, surgiu o boato de que “Breaking Bad” ganharia um filme que continuaria a história exatamente onde a série terminou. Há alguns dias, Bob Odenkirk, que vive o advogado Saul Goodman na história (e no derivado “Better Call Saul”) chegou a dizer que a obra já estava, inclusive, filmada. Eis que no último …

O post Filme de “Breaking Bad” estrelado por Aaron Paul, “El Camino” chega à Netflix em outubro apareceu primeiro em B9.

Carousell unveils bold new logo and brand identity across Asia

Carousell, one of the largest e-commerce platforms in Asia, today unveiled a fresh new look which includes a revamped logo, brand positioning and visual identity developed by next generation, creative brand agency, Superunion. The updated look is being rolled out across Singapore, Hong Kong, Taiwan, Philippines, Indonesia and Malaysia

The new branding captures the power of positive experiences and possibilities living in the Carousell ecosystem, an app-first, peer-to-peer, digital marketplace where consumers and businesses exchange goods and services, including personal items like fashion and electronics, as well as cars and properties.

Ambrish Chaundry, Managing Strategy Director Asia said: “Working on the Carousell rebranding project has been very exciting for us. As they build momentum around regional expansion and widen their offering, it’s a perfect time to remind the world what makes Carousell special – a community of real people, “Carousellers”, who all want what is best for each other.”

Cassandra Leong, Brand Marketing Lead for Carousell, said: “Working with Superunion was a pleasure as they engaged the whole organisation, across departments and seniority, in arriving at a narrative and identity that captures our best selves. They have been true to what we stand for and yet have pushed us forward in terms of the brand identity and customer experience.”

The big idea behind Carousell’s new visual identity is that behind every Carousell transaction is a win-win story. What sets Carousell apart from other online shopping platforms is that two real people, a buyer and seller, come together to make an exchange happen, creating a ‘magic moment.’ The new visual identity leverages pops of colour, charming illustrations, motion and overlapping shapes to bring these magic moments to life.

The Carousell platform itself has also been updated to be in line with the visual identity, simplifying its user interface and marketing communications to focus on Carousellers’ items and stories.

Carousell Logo:

The updated symbol mark maintains the original inspiration of the Carousell name and logo, the Kodak carousel, alluding to the cyclical nature of items going round and round. Superunion modernised the logotype and wordmark to reflect a vibrant yet trusted marketplace, and enabled the brand to live successfully in a digital-first environment. The five outward ‘fins’ in the symbol mark represent the company’s five core values, strongly embodied throughout Carousell’s product and culture.

 

Colours:

Red remains the core Carousell brand colour, now brighter, to represent the ambition of the brand looking into the future. A new suite of secondary colours have also been included to showcase the diversity of the Carousell marketplace.

 

Motion:

As a natural extension of the digital brand, motion has been incorporated into the visual identity, celebrating energy and movement, representative of the liveliness of the platform itself and serendipitous moments which occurs in its ecosystem.

 

The new visual identity is being rolled out formally in the coming weeks, beginning with app changes, as well as a brand campaign which will launch in September.

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CREDITS

Scott Lambert, Creative Director – Superunion

Pete Tong, Designer – Superunion

Danley Stone, Client Director – Superunion
Charlotte Cheong, Client Executive – Superunion

Ambrish Chaudhry, Managing Strategy Director – Superunion

Sherman Chia, Senior Designer – Superunion

Cassandra Leong, Brand Marketing Lead – Carousell

Jem Seow, Senior Brand Marketing Specialist – Carousell

Davina Tjandra, Creative Design Lead – Carousell

Quek Siu Rui, Founder – Carousell

Marcus Tan, Founder – Carousell

Lucas Ngoo, Founder – Carousell

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