Porsche Names Miami’s Markham & Stein as Its Agency of Record for Latin America

Markham & Stein, the Miami agency launched by two CP+B veterans back in May, has posted its first headlining account win by picking up Latin American agency of record duties for Porsche after a creative review.

This means that the shop will handle the luxury auto brand’s integrated  marketing work for 17 importers in 23 countries across Latin American and the Caribbean. Cramer-Krasselt has been Porsche’s creative AOR since 2007, beating out McKinney, CP+B and Droga5 in a 2013 review to retain the business. Agency principals Markham Cronin and Jeff Steinhour both worked on Porsche while at C-E, with Cronin as a creative director and Steinhour on accounts. They also handled Mercedes Benz, MINI and VW work during their tenures at CP+B.

The review was the end result of an effort by Porsche to reorganize its promotional operations in Latin America by centering all related efforts in Miami.

Sebastian Hölzel, director of marketing for Porsche Latin America, said: “We were looking for a smaller, more nimble agency partner with global brand experience to support us in further strengthening the Porsche brand experience in our region – Latin America and the Caribbean.”

“As a life-long Porsche enthusiast, I am thrilled to get this opportunity to work on the iconic Porsche brand with Sebastian and his team,” said Cronin in a statement. “We can’t wait to get started.”

Interestingly, Markham & Stein was the only agency in the review that does not identify as Hispanic. It does, however, employ many Latino Americans in Miami and also has operations in Puerto Rico. Other agencies in the pitch included Omnicom’s Alma and GrupoUno, which had been Latin American AOR on the brand since winning a 2003 review.

The agency has already begun work on planning and initial projects, with its debut campaigns set to launch over the next few months.

Markham & Stein named its first global client, Mercury Marine, when announcing its launch back in May. To date, the team has also produced a variety of work for companies such as pizza chain Mellow Mushroom, Popcorn Indiana and Oriental Bank.

WNBA Star Elena Delle Donne and Her Sister Take Center Stage in TBWAChiatDay’s Latest ‘Win From Within’ Gatorade Spot

When Chicago Sky forward Elena Delle Donne stepped away from a UConn basketball scholarship to continue spending time with her sister, Lizzie, who suffers from cerebral palsy and can’t see or hear, people assumed it was so she could take care of her sibling.

But, as Delle Donne explains in “For The Wind,” TBWAChiatDay’s latest installation in its “Win From Within” campaign for Gatorade, “she was the one helping me, getting me out of the worst rut of my life. She gives me perspective.”

It’s a touching story, explored well in the two-minute spot which benefits from letting Delle Donne provide the narration herself. She goes on to explain how she felt after picking up a basketball for the first time after taking time off to be with family and how it felt like “fate” that she was drafted by the WNBA’s Chicago Sky and currently plays in the Windy City, given the unique perspective on wind her relationship with her sister has given her.

In addition to the two-minute spot, there’s also a supporting art installation. Created by artist Michael Murphy and inspired by Lizzie’s love of the wind, the kinetic sculpture installation features 1,606 spinners suspended by cables. The spinners each act as a pixel to create an image which changes based on the viewer’s perspective from where they’re standing. Check out the behind-the-scenes video below to see it in action.

Joan’s First Campaign for Netflix Helps Viewers Understand the ‘Modern Woman’

In case you missed it, the first public campaign from Joan, the agency launched by Jamie Robinson of W+K and Lisa Clunie of Ogilvy and Refinery29 this spring, debuted during the Emmys on Sunday night.

The spot for Netflix is an alternate take on “She Rules,” which was essentially a compilation of all the badass female characters in Netflix’s original shows. It mocks the sort of “how to behave like a woman in present-day society” educational reels that one imagines ’50s schoolchildren might watch (in black and white, of course). We’re not sure we’ve ever seen any of those, but the archetype is familiar and we are fairly sure they would make great midnight viewing.

The most important aspect of the spot is the choice of scenes to go along with the eye-roll narration. It manages to showcase most of Netflix’s original programming and get a few striking contrasts in there; we particularly liked the Jessica Jones “give your man a squeeze” death scene.

So this is the agency’s first publicly visible work, but they do have “unspecified yogurt, snack and meal-focused projects” in the pipeline for their first client General Mills, and we also talked to Robinson and Clunie at Cannes about their plans and how female creatives so often get assigned to work on “feminine” brands. Look for more work from Joan soon.

CREDITS
Client: Netflix
Title: Rules For The Modern Woman
Agency: Joan
Chief Creative Officer, Co-Founder: Jaime Robinson
Art Director: Marques Gartrell
Executive Producer: Sherri Levy
Production Coordinator: Lauren Teng
Edit house: Rock, Paper, Scissors
Editor: Parker Whipple
Assistant: Tania Mesta
Producer: Jenny Greenfield
After Effects: Harry Truman
Music: Ring the Alarm

BBDO, Michel Gondry and Bacardi Spend a Night Out on the Town

BBDO New York teamed up with acclaimed director Michel Gondry (Eternal Sunshine of the Spotless Mind, music videos for, Björk, The White Stripes, Beck and others) in a new 30-second spot for Bacardi to launch the brand’s largest-ever global ad campaign. 

As you may recall, BBDO New York released its first campaign for Bacardi as AOR last October, after winning creative duties that April following Bacardi’s decision to consolidate creative and media without a review.

In the new spot, “The Night,” they’re clearly going for the younger crowd. The spot celebrates those who emerge after dark: the “brave shirts” and the “still-at-work shirts,” or a bunch of total bros who stand “united against all dress codes.” These groups are “illuminated by 1,000 likes” and seem exist for the sole purpose of partying as much as possible before catching the last train home. It ends with the tagline, “We Are The Night.”

It’s a type of blanket nightlife celebration designed to appeal to to party-happy 20-somethings, which makes sense for the brand.

There are traces of Gondry’s signature style here and there, though these touches aren’t quite strong enough to elevate the spot above a series of like-minded ads despite its fine direction and an obviously sizable production budget. It feels a bit plain for a project with Gondry’s name attached to it, though we wonder if the parties involved might go more abstract if given some room to move.

Credits:
Agency: BBDO New York
Client: Bacardi
Spot: “The Night”
Chief Creative Officer Worldwide: David Lubars
Chief Creative Officer New York: Greg Hahn
Executive Creative Director: Danilo Boer
Executive Creative Director: Marcos Kotlhar
Associate Creative Director: Marcus Johnston
Associate Creative Director: Jim Connolly
Global Executive Producer: Angelo Ferrugia
Producer: BreeAnn Stuart
Business Manager: Matt Friday
Jr. Music Producer: Julia Millison
Evp, Senior Account Director: Steven Panariello
Account Director: Joshua Goodman
Account Manager: Meghan Wood
Account Executive: Lindsay Vellines
Evp, Group Director, Behavioral Planning: Gordon Mclean
Head of Communications Planning: Julian Cole
Communications Planning Director: Patrick Tomasiewicz

Production Company: Partizan
Director: Michel Gondry
Director of Photography: Shawn Kim
Production Designer: Maxwell Orgell
Head of Production: Molly Griffin
Executive Producer: Lisa Tauscher
Producer: Raffi Adlan
Production Manager: Debo / Joseph DeBartolo

Edit House: Final Cut
Editor: Jeff Buchanan
Head of Production: Jen Sienkwicz
Executive Producer: Sarah Roebuck
Producer: Penny Ensley
Assistant Editor: Spencer Campbell

Vfx & Design: The Mill
Producer: Chris Harlowe
Production Coordinators: Chris Lewis, Carlos Zalapa (New York)

Shoot Supervisors: Glyn Tebbutt and Felix Urquiza
2-D Lead Artist: Glyn Tebbutt
3-D Lead Artist: Felix Urquiza
2-D Artists: Katerina Arroyo, Tom Van Dop, Brad Scott, Dag Ivarsoy, Jake Elbers, Peter Sidoriak, Chris Knight
3-D Artists: Cory Cosper, Juan Salazar, Ahmed Elmatarawi, Blake Guest, Monique Espinoza, Troy Barsness, Mahmoud Elragheb, David Tyler Young, Michael Lori, Danny Garcia, Steven Olson

Matte Painting: Ed Laag
NY 2-D Lead Vfx/Finishing: Krissy Nordella
Colorist: Fergus Mccall
Executive Producer, Color: Dee Allen
Color Producer: Natalie Westerfield
Production Coordinator, Color: Evan Bauer

Audio Post: Heard City
Mixer: Philip Loeb
Producer: Talia Rodgers

Music: Soundtree
Song Title: “Night Creatures”
Composers: Luis Almau and Peter Raeburn For Soundtree Music Limited
Publisher: Soundtree Music Publishing Limited
Managing Director / Music Supervisor: Jay James

Additional Credits for Social and Bar Call:
Social and Bar Call Films Editor: Spencer Campbell
Finishing: Significant Others NY
Creative Director: Dirk Greene
Sound Mixer: Terressa Tate
Finishing Producer: Alek Rost
Color: Color Collective NY
Colorist: Mike Howell

Google Allo chega com a promessa de mais do mesmo

google_allo

Depois de lançar o Duo, aplicativo de videochamadas que promete não deixar a conexão interferir na qualidade da chamada, o Google lançou hoje o Allo, a nova ferramenta de mensagens que diz oferecer uma melhor experiência de conversa para os usuários. Veja acima como ele funciona. Dentre as principais características do Allo, estão as “respostas […]

> LEIA MAIS: Google Allo chega com a promessa de mais do mesmo

Apple Ads Keep Dominating Online Video, but McDonald's Takes Second Place


Apple is keeping up the push for its newest releases, posting and promoting online video about its Watch Series 2, new on this week’s Viral Video Chart and taking the place of Apple’s presentation-summary at No. 1, and its latest phones, which declined in views from last week’s No. 2 spot.

Not strictly a measure of “viral” activity, our ranking courtesy of Visible Measures includes a hefty dose of unspecified paid advertising views.

Continue reading at AdAge.com

Marketer MVPs: 'Stranger Things' Kids Lift Netflix on Twitter and Tumblr


Netflix scored two wins in social media last week, when a photo of the kid stars of its show “Stranger Things” at the Emmys gave it the most engaging posts on both Tumblr and Twitter, according to ListenFirst Media.

Starbucks, it should be noted, also won two platforms, and without the benefit of adorable child actors.

Check out all of the week’s most-engaging brand posts on major social-media platforms, and click on the chart to see the original posts in their native social habitat.

Continue reading at AdAge.com

Watch Out, Siri and Alexa: Google's New Digital Assistant Is Here


Apps and web services from other companies will be integrated with the Assistant in coming months, Mr. Fox added, citing Priceline Group’s OpenTable restaurant-booking business as an example. The Assistant already uses third-party data to answer questions about flights, he said.

Google decided to give the Assistant a personality, and it tells jokes when asked. Inside Allo, a text saying “Tell me a joke” produced the following gag: “Did you know that all clouds have dandruff? That’s where snowflakes come from.”

Google didn’t give the system a name — a contrast to Siri, Alexa and Cortana. That’s in part because Google designed its assistant to learn and evolve to be a different helper depending on the user. You can say, “My favorite sports team is the San Francisco Giants,” and it will reply, “OK I will remember that.” Later, when you ask, “What’s the latest score for my team?” it will send the score of the latest Giants baseball game, Fox said.

Continue reading at AdAge.com

Skoda: KM Converter

Vaincre Noma: Noma

Orgain: Get picky with your protein

Subaru: Virtual test drive

Everything, all the time, in 360° distracts driver’s attention while driving. Subaru Outback’ safety systems are watching the road, whatever distracts the driver. We give the viewers an opportunity of virtual experience to feel how that systems work in 360 degrees video.

Wrangler: Body Bespoke


Online
Wrangler

Advertising Agency:We Are Pi, Amsterdam, Netherlands
Executive Creative Directors:Rick Chant, Barney Hobson
Creative Director:Nessim Higson
Creative Lead:Anne Fleming
Art Director:Kazimier Salemink
Producer:Ekaterina Golovkina
Head Of Strategy:Jessica Perri
Strategist:Andrea van den Bos
Managing Director:Alex Bennett Grant
Senior Account Executive:Vienna Hartley
Business Affairs:Barrie Williams
Project Manager:Emma Valk
Production Company:Mr. Frank
Director:Brett de Vos
Director Of Photography:Noel Schoolderman
First AD:Miguel Teixeira
Makeup:Aga Dobosz
Hair:Aga Dobosz
Stylist:Richard Sloan
Teaser Film Editor:Brett de Vos
Teaser Film Grading:Amator
Main Film Editor:Sjoerd Dekker
Main Film Grading:De Grot

Pennzoil: Joyride Tundra


Online
J. Walter Thompson, Atlanta, USA

Advertising Agency:JWT, Atlanta, USA
Executive Creative Director:Jeremy Jones
Group Creative Director:Dustin Tamilio
Associate Creative Directors:Troy Leyenaar, Daniel Prado
Account Director:Erin McGivney
Producer:Daryll Merchant, Trevor Cawood, Joey Fisher
Production Company:Lemonade Films
Director:Ozan Biron, Michael Nielsen
Executive Producer:Ted Herman
Production Supervisor:Philip Fyfe
Director Of Photography:Macgregor
Editorilal:Cycle Media
Editor:Matthew Griffiths, Dan Luce
Visual Effects:The Embassy
Vfx Supervisor:David Casey
Sound Design:Source Sound Inc. L.A
Supervising Sound Designer:Charles Deenen
Mixer:Charles Deenen
Sound Designers:Csaba Wagner
Sound Editing:Braden Parkes
Sound Recordists:John Fasal, Travis Pratert, Charles Deenen, Colin Hart
Composer:Joshua Crispin
Colorist:Dave Hussey, Company 3
Content Production Team:Grain and Glass

Vitalis: Thirst


Film
Vitalis

Advertising Agency:Havas WW, Lisbon, Portugal
Creative Director:Paulo Pinto
Art Director:Marco Gonçalves
Copywriters:Nuno Leal, Leo Gomez
Account Director:Tita Martins
Account Executive:Vera Pinto
Producer Company:Trix
Director:Pedro Pinto
Director Of Photography:Leandro Ferrao

Xbox: Gears ink


Media
Xbox

Advertising Agency:twofifteenmccann, San Francisco, USA
Chief Creative Officer:Scott Duchon
Creative Director:Neil Bruce
Art Director:Ryan Carver
Copywriter:Latasha Ewell
Director Of Integrated Production:Alex Spahr
Senior Producer:Kacey Hart, Emily Avoujageli
Producer:Brandon Chen, Shadd Williams
Director Of Business Affairs:Mary Beth Barney
Business Director:Peter Goldstein
Account Supervisor:Bryant Marcia
Account Executive:Sam Brody
Director Of Strategy:Gabrielle Tenaglia
Strategy Director:Brian Wakabayashi
Strategist:Daniele Dominguez
Production Company:Duffy Williams
Editorial:Duffy Williams
Co-Director:Shadd Williams, Michael Duffy
Director Of Photography:Michael Duffy
Production Coordinator:Lea Dunn
Editors:Michael Duffy, Shadd Williams, Sharif Nakhleh
Finishing:Ntropic
Color Producer:Kevin Miller
Associate Producer:Yvonne Pon
Lead Flame Artist:Matt Tremaglio
Flame Artist:Steve Zourntos
Colorist:Nick Sanders
VFX Assistant:Gillen Burch
Mixing:One Union Recording
Sound Design:One Union Recording
Mixer:Eben Carr
Composer:Alex Sargent

Odyssea: Re_use


Online
Odyssea

Advertising Agency:Odd Bleat, London, United Kingdom
Advertising Agency:Odd Bleat, Athens, Greece
Creative Directors:Manos Gerogiannis, Yannis Zoumakis
Art Directors:Manos Gerogiannis, Yannis Zoumakis
Copywriters:Manos Gerogiannis, Yannis Zoumakis
Animation:Manos Gerogiannis, Yannis Zoumakis
Illustrator:Yannis Zoumakis
Sound Design:MD Recording Studio
Music:MD Recording Studio
Voice Over:Melissa Chambers

OBI: Ugly


Film
Obi

Advertising Agency:180heartbeats + JUNG v. MATT, Warsaw, Poland
Creative Director:Mikolaj Sadowski
Associate Creative Director:Martin Winther
Art Director:Pablo Dominguez Agregan
Copywriters:Juan Molina Coloma, Agata Tomaszewska
Experiential Director:Marek Zawada
Account Manager:Ma?gorzata Jakimowicz
Client Account Director:Grzegorz Kurowski
Manager:Grzegorz Kurowski
Strategic Planner:Jacek Studzin?ski
Strategist:Jacek Studzin?ski

Samsung: The Olympians


Film
Samsung

Advertising Agency:Cheil, Kiev, Ukraine
Creative Director:Vladyslava Denys
Art Director:Eugene Ovchar
Copywriter:Dmytro Zezyulin
Account Director:Elena Budyk
Production Studio:Magai Production
Director:Alexander Stekolenko
Director Of Photography:Denis Lushchyk

Take5: Remixer


Direct Marketing
Take5

When Hershey relaunched its TAKE5 bar this year, it focused on remixing everyday experiences. Its latest project with agency Barkley takes remixing literally with the TAKE5 remixer, which turns packaging into a beat box. Created in partnership with IPG Media Labs and Novalia, the TAKE5 Remixer uses conductive ink to create music on the spot. The limited release TAKE5 Remixer allows users to immediately remix music with built-in speakers. Unlike other packaging-based music devices, it doesn’t require an app to run. The battery-powered Remixer includes five rows of three beats with pause and stop buttons to produce more than 30,000 track combinations. The lo-fi sound is a throwback to the keyboards of the 80s and 90s. “In a world of headphones and streamed music, the Remixer lets people collaborate together in a group music-playing experience,” says Dan Mohnshine, director of Take5 brand. On September 17th, the limited edition TAKE5 Remixer debuts at Hotel Thrillist. In a New Orleans-style welcome, the TAKE5 brand is giving more than 500 guests their own Remixer. People can also get a chance to win a Remixer by retweeting @TAKE5 using #RemixerSweepstakes for a limited time (now through September 19th).

Advertising Agency:Barkley, Kansas City, USA
Executive Creative Director:Jason Elm
Creative Director:Katy Hornaday, Scott Varland, Novalia
Art Director:Tanya Karpitskiy
Copywriter:Zack Browne
EVP Account Leadership:Mike Goff
SVP Group Account Leader:Bryan Herrman
Account Director:Tyler Cook
Account Supervisor:Julie Ray
Strategy:David Weaver
Creative:David Weaver
Strategist:Molly Griffin
Creative Production Director:Dustin Schirer
Motion Designer:Michael Martin
Producer:Dany Gimeno
PR Account Director:Anita Strohm
Pr Account Supervisor:Tyler Bowser
Vp:Melanie Klein
Engagement Director:Melanie Klein
Social Content Director:Marianne Gjerstad
Content Manager:Brandon Painter
Executive Producer:Margaux Ravis, IPG Media Lab
Client Services Director:Samantha Holland, IPG Media Lab
Ceo:Kate Stone, Novalia
Inventor:Kate Stone, Novalia
Designer:Madeleine Kelleyan, Novalia