mcgarrybowen and the U.S. Open Would Like to Know Whether You’re In or Out

You may have missed it amidst all the #Lochtegate aftermath coverage, but the U.S. Open started yesterday and mcgarrybowen Chicago was on it three months ago.

The organization doesn’t just have a standard TV campaign. The agency also helped stage a “a US Open-themed digital takeover of Times Square” last Thursday and posted fans’ selfies on “large digital screens” to show how many people are “IN” for the tournament.

Here’s the anthem spot, which poses the pivotal question “Are you in or out?” Are you a fun-loving sports fan, or are you the kind of person no one wants to be at a party?

Of course, there’s more to the US Open than just tennis. There are also celebrities, food, fashion and flashy architecture.

What has Alec Baldwin been up to? We miss all the New York Post stories about him going ballistic on paparazzi.

The campaign includes a couple more TV/video spots with the tagline “Nothing beats being there.”

GCD Lee Remias, who led the campaign along with GCD Kevin Thoem, called the work “a literla invitation for everyone to come experience one of the most exciting and entertaining sporting events in the world. Of course, tennis is the main attraction, but there’s so much else to be ‘in’ on off the court too. Especially with all the new improvements at the Open this year.”

Improvements like Arthur Ashe Stadium’s new retractable roof?

As noted above, there was also lots of OOH work. Here is our personal favorite.

us open beyonce

And here is a stock character kissing a bus shelter image of Novak “Sorry Ladies, He’s Taken” Djokovic.

djokovic

But we all know who the real star is.

serena ooh

 

Credits

Chief Creative Officer: Ned Crowley
Executive Creative Director: Kurt Fries
Group Creative Directors: Kevin Thoem and Lee Remias
Creative Directors: Lara Herzer and Mike Wegener
Director, Content Production: Steve Ross
Producer: Greg Lilly
Director, Music Production: Jerry Krenach
Executive Music Producer: Brandy Ricker
Music Licensing Supervisor: Carol Riffle
Director, Talent Services: Rachel Franker-Groth
Business Manager: Kiki Powell
Account Managing Director: Robin Osborne
Account Director: Kristen Eglitis
Account Executive: Nancy Casales-Silva

 
Production Company: Beast Editorial/Method Studios
Executive Producer: Peter Hullinger
Editors: Morgan Bradley

Coca-Cola Debuts Its Magical New Packaging With Some Actual Magic

Coca-Cola’s grown tired of happiness, and is moving on to magic. As one does.

In “Taste the Magic,” a new spot by agency David, a waiter approaches a table that’s ordered an unusual amount of Coca-Colas. (Really, nobody wanted anything else?) A woman tells him she didn’t order a regular Coke. No problem! Before her eyes, he transforms it into a Coca-Cola Zero. 

It turns out this is no ordinary waiter. This is Justin Flom, a resident Las Vegas magician and social media star. 

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Disque Denúncia: Illegal weapons, 1

Disque Denúncia: Illegal weapons, 2

FirstEnergy: Shining lights

This branding campaign is FirstEnergy’s first – ever to not make any claims for, or even feature, the utility or its staff.
At spot’s end, supered type reads:?“The new Dwayne Browder Field, built by FirstEnergy, the Cleveland Browns and the City of Cleveland.” It is the only client mention.

Apple CEO Fires Back at EU's $14.5 Billion Tax Decision


Apple CEO Tim Cook fired back Tuesday following the European Commission’s ruling that Ireland illegally gave the tech titan preferential tax breaks for more than a decade.

The Cupertino, Calif.-based device maker was ordered to repay $14.5 billion, plus interest, as part of the commission’s judgement. For a full breakdown on the ruling, see Apple’s $14.5 Billion EU Tax Ruling: Here’s What You Need to Know.

In “A Message to the Apple Community in Europe” posted on the company’s website, Mr. Cook explains that Apple is the largest taxpayer in Ireland, the U.S. and the entire world. He then goes on to explain why the commission’s ruling makes no sense to him:

Continue reading at AdAge.com

Even Beyonc Can't Save the VMAs


For all the noise it made on social media, Sunday night’s simulcast of the 2016 MTV Video Music Awards barely registered on the “rustling leaves in the distance” threshold of Nielsen’s metaphorical TV ratings decibel scale.

According to the final live-plus-same-day data, MTV’s annual pop spectacle failed to draw much of a crowd on linear TV, averaging just 3.27 million viewers on the flagship network and around 6.5 million viewers overall when simulcasts across sibling outlets such as VH1, Comedy Central, BET, Spike, TV Land and CMT were factored into the mix. All told, the VMAs were telecast concurrently across 11 of the Viacom cable networks.

In terms of overall deliveries, the VMAs were down 34% compared with last year’s multicast, which drew 9.57 million viewers. MTV’s primary telecast averaged just 3.27 million viewers, down 35% from the 2015 VMAs’ 5.03 million viewers. (The 2014 VMAs, which were not simulcast, averaged 8.26 million viewers.)

Continue reading at AdAge.com

Ankle-Gripping Sneakers – These Red Sneakers Were Designed for Optimal Comfort (GALLERY)

(TrendHunter.com) Puma’s bright red sneakers are a unique pair in the brand’s newest line of shoes and are titled the ‘IGNITE evoKNIT.’

The shoes are anything but subtle with a red and black…

Top 100 Sneaker Trends in September – From Brazil-Themed Runners to Naomi Campbell Collaborations (TOPLIST)

(TrendHunter.com) With the Olympics having just come to an end, many of these September 2016 sneaker innovations are marked by patriotic colorways and medal-centered accents.

As the prevalence of these models make…

Why Martha Stewart Doesn't Feel Sorry for Media Companies


Martha Stewart is a busy person. When Ad Age spoke with her by phone Monday, she was in Chicago to tape a segment on Steve Harvey’s talk show, pegged to her new book about vegetables.

Ms. Stewart is the founder of Martha Stewart Living Omnimedia, which publishes brands like Martha Stewart Living and Martha Stewart Weddings. She has been spending a lot of time making videos for Facebook Live. Her videos on the platform perform well, attracting more than 10,000 comments per video, she said. They’ve also caught the attention of other media companies. In May, Jezebel published an article with the headline “No One Will Ever Do Facebook Live Better Than Martha Stewart.”

Ad Age talked with Ms. Stewart about her Facebook Live strategy, how media companies should approach Facebook, and whether the magazine industry is doomed (“No!”).

Continue reading at AdAge.com

David&Goliath Agrees to Pay the ‘Ransom’ for Its Homepage URL

Dear readers,

Every once in a while well-meaning people get things wrong. And we did it last week when we predicted that David&Goliath would not pay a “ransom” for the URL davidandgoliath.com — which they’d been trying to score since way back in 1999 — to Dallas-based agency Slingshot.

We meant that the agency and founder David Angelo would probably not have to exchange an agreed-upon sum for the address since the whole point was to bring public attention to the Slingshot Foundation. But Angelo did indeed agree to make a donation to that group in exchange for davidandgoliath.com. According to the press release (of which there was one), the negotiations ended yesterday.

The project’s official Twitter account seemed to joke about this fact, tick tock.

Thankfully, we can now confirm that all’s well that ends well. The parties involved somehow managed to come to an agreement, and the URL in question will lead to David&Goliath’s homepage at some point in the near future:

“Over the weekend, Slingshot founder and CEO Owen Hannay connected with David Angelo to discuss the terms of the exchange. Mr. Angelo happily made the contribution and got his precious URL.”

Angelo even went so far as to give slingshot a quote for the story: “Kudos to Slingshot for coming up with a creative, inventive and very funny way to get our attention. After 17 years, we can at last reunite with our beloved URL. We had a great time playing along this week, and in the spirit of good will and love, we will of course be donating to the Slingshot Foundation.”

Slingshot ECD Susan Levine said, “We knew this would be a risk, not only the whole hostage angle but prominently displaying Jordan’s chest hair for the world to see – that was down right scary. But seriously, we’re thrilled that David played along and we could help our charitable foundation.”

Here’s the last video, depicting a URL finally freed from its years of confinement to be with the agency it loves in sunny Los Angeles.

We have no comment on that one.

The series, which was shot and edited by Kevin Hamm of Slingshot’s in-house production team Varnish, starred that shop’s ACDs Jordan Dontos and Clay Coleman as “half wit hostage takers” who dared to torture a laptop “embodying the URL.”

Here is where we insert a plug for The Slingshot Charitable Foundation, which was established in 2010 to develop childhood learning programs in the greater Dallas and Austin areas.

Our only questions: how did this really happen? And how much does a URL go for these days?

The Woodpecker: Could fake birds save our forests?

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Rihards Vitols, Woodpecker, 2016. Image courtesy of the artist

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Rihards Vitols, Woodpecker, 2016. Image courtesy of the artist

In his ongoing research, artist Rihards Vitols is exploring the possibility to replace some of the bird species with artificial ones. Should bird populations decline drastically in the near future, could fake birds replace them and contribute to keeping the natural balance of a forest intact? The question might sound a bit fanciful at first but it is inspired by scientific papers about insect-eating plants, the extinction of birds species and the impact their disappearance would have on our forests.

Rihards Vitols, Woodpecker, 2016

In 1987, scientists William J. Mattson and Robert A. Haack suggested in their paper The Role of Drought in Outbreaks of Plant-eating Insects that insects can hear the sound emissions produced by trees and based on this sound determine whether or not a tree has any use for them. Trees emit sound when water is traveling from the ground and up to the branches. Periods of drought result in less sound emission and promote outbreaks of plant-eating fungi and insects, especially bark beetles and leaf feeders.

According to another, more recent, research by the World Wide Fund, birds population will severely decrease in the near future. As a consequence, insect populations will thrive and the most voracious plant-eating ones will slowly eat away our forests which in turn will result in a sharp drop in the production of fresh air on the planet.

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First preparatory sketch of the Woodpecker. Image courtesy of the artist

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The system that controls the behavior of the bird. Image courtesy of the artist

Inspired by these two papers, Vitols started to wonder if it would be possible to replace some of the bird species with artificial ones that would scare away the plant-eating insects before they have started to take residency in a tree.

A few months ago, the artist installed 30 custom-made woodpeckers in a forest near Dusseldorf. Every week, he visited the forest, documented the ‘health’ of the artificial woodpeckers and observed how the inhabitants of the forest interacted with them.

It seems that one of his Woodpeckers might have been attacked by a squirrel but apart from a violent storm that took a couple of Woodpeckers down, nothing else disturbed the presence of the wooden birds.

More details and images about the experiment:

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Rihards Vitols, Woodpecker (all 30 woodpeckers in a case built for transportation), 2016. Image courtesy of the artist

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Day 1: All the Woodpeckers have just been hung in forest. Image courtesy of the artist

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After one week: two of the Woodpeckers are damaged…

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One of them was found laying on the ground. The artist suggested that it might have been attacked by an angry squirrel…

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The other one was found hanging

“While I was taking it down it was still trying to hit the tree,” explains the artist. “That was emotional moment. It felt like I am holding half dead bird in my hands. And under the solar panel I found a snail that was hiding from the rain or sun.”

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Week 2: Most of Vitols’ birds are still up and working after a storm. The grey squares show the ones that didn’t survive the bad weather conditions

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Week 4: Woodpecker at the end of the experiment. Image courtesy of the artist

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Taking down the woodpeckers: The ones which where not working (there was not a lot of sun for almost a week so the batteries did not charged properly) where being used by spiders, earwigs, moths and other insects as housing. Those who where still working were empty from insects which suggests that when working the devices do indeed keep the insects away.
Image courtesy of the artist

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Following the suggestion of the entomologist, the artist took a small sample of the bark before he hung the woodpeckers on the tree (on the left handside.) He repeated the operation when he took the birds down (on the right handside). Image courtesy of the artist

Woodpecker is still a work in progress. Vitols will be analyzing the data collected in collaboration with a medical institution in Riga.

In September he will be traveling to the LabVerde residency in Brazil Amazon rain forest where he will further explore tree sound emissions and insect behaviour but under a very different climate.

On his return in Europe, the artist plans to build a second generation of artificial birds. They will be stronger and be monitored 24/7.

Woodpecker is currently part of the RAM (Random Access Memories) exhibition at the RIXC Gallery in Riga. RAM showcases the work of Trihars (aka Rihards Vitols, Peters Riekstins and Kristaps Biters), an artist collective interested in the interconnections between computer and environment. The show closes on 4 September 2016.

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Rihards Vitols, Woodpecker, 2016. Exhibition view at RIXC Gallery in Riga. Image courtesy of the artist

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Rihards Vitols, Woodpecker, 2016. Exhibition opening at RIXC Gallery in Riga. Photo: Kristine Madjare for RIXC

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Rihards Vitols, Woodpecker, 2016. Exhibition opening at RIXC Gallery in Riga. Photo: Kristine Madjare for RIXC

Also by Rihards Vitols: akA, the ‘cloud farming’ solution.

Source

Mother N.Y. Staff Posed for Hairdo Pics That Their Local Barber Shop Is Using for Real

It’s gotta be the hair.

Mother New York staffers have quietly pulled off a very fun agency selfie project, helping to replace the dated hairdo pics in the window of their favorite local barber shop with stylish portraits of the Mother employees themselves.

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Is Boring, Oregon, Really Boring? Find Out in This Wonderfully Weird Ad Shot There

Pop culture is full of stories about people trying to escape the boring-ass town they were born in. Not so in Boring, Oregon. As one inhabitant remarks, “Nobody leaves. They think they’re gonna go, but they stay.” 

Just like the Hotel California! 

In a short film by Ogilvy & Mather London, a brand that we won’t mention until later (to avoid spoiling the reveal) takes us directly to Boring—which actually exists!—to learn its charms, attributes and history. 

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Gatorade: Game

Gatorade is unveiling an 8-bit video game to commemorate Serena Williams’ career as she is on the brink of potentially making history at this year’s US Open.
http://www.gatorade.com/serenamatchpoint/

Wong: Wongderland

Why Martha Stewart Doesn't Feel Sorry for Media Companies


Martha Stewart is a busy person. When Ad Age spoke with her by phone Monday, she was in Chicago to tape a segment on Steve Harvey’s talk show, pegged to her new book about vegetables.

The founder of Martha Stewart Living Omnimedia, which publishes brands like Martha Stewart Living and Martha Stewart Weddings, has been spending a lot of time making videos for Facebook Live. Her videos on the platform perform well, attracting more than 10,000 comments per video, she said. They’ve also caught the attention of other media companies. In May, Jezebel published an article with the headline “No One Will Ever Do Facebook Live Better Than Martha Stewart.”

Ad Age talked with Ms. Stewart about her Facebook Live strategy, how media companies should approach Facebook, and whether the magazine industry is doomed (“No!”).

Continue reading at AdAge.com

Athletic Business Suits – This Collaborative ASICS Design Combines a Tracksuit with Lapels (GALLERY)

(TrendHunter.com) ‘keisuke kanda’ and ‘ANREALAGE,’ two clothing stores based in Japan, partnered with ASICS to design a business suit that goes against expectations and offers a more…

Top 75 Interactive Marketing Trends in September – From VR Mall Lounges to Branded Croquet Events (TOPLIST)

(TrendHunter.com) As these September 2016 interactive campaigns reveal, brands are becoming increasingly more creative with how consumers are targeted. While pop-up shops are in no short supply, others are opting to…

Havas N.Y. Welcomes Droga5 Veterans Pete Gosselin and Jay Hunt

Havas Worldwide New York hired creative directors Pete Gosselin and Jay Hunt, who will focus on the TD Ameritrade account, LBB reports. The pair has worked as a creative team since 2003.

Gosselin and Hunt join Havas from Droga5, where they served as a senior copywriter and senior art director since May of 2015. While with Droga5, they worked with brands including Prudential, NRG and Chase, including the “Everything Unlimited” campaign starring Ellie Kemper for the latter.

Prior to that the pair spent nearly a year and a half with Grey New York, working with such clients as P&G, Canon and the American Egg Board, for which they helped create the “Side of Kevin” spot starring Kevin Bacon as part of the “Wake Up to Eggs with Bacon” campaign. Before joining Grey, the New Zealand natives spent nearly two and a half years with DDB Auckland, where they worked with McDonald’s and other brands, following a year with Colenso BBDO.

“From New Zealand, London, Amsterdam, and New York, Pete and Jay have seen the world and worked at the best agencies,” Havas Worldwide CCO Toygar Bazarkaya said in the press release. “They bring not only talent and experience but a unique perspective to the table. I am thrilled to have them join our Havas team during such an exciting time of transformation at the agency.”

Havas won the TD Ameritrade business (approximate yearly spend $100 million) in a 2014 review that included FCB and DDB; incumbent GS&P did not participate.