Google Rolls Out Its Version of Beacon Technology
Posted in: UncategorizedGoogle is stepping up efforts against Apple’s location technology with new tools to link smartphones to nearby objects.
The search giant on Tuesday introduced a new format called Eddystone that lets electronic beacons provide more specific locations and other information within applications, the company said in a blog post. The tools, which compete with Apple’s iBeacon technology, will enable smartphone users at a museum, for example, to get more information on a painting they’re looking at or to gain easy access to electronic bus tickets when they’re near a bus stop.
“We’re beginning to roll out a new set of features to help developers build apps using this technology,” Google said in the blog. “This includes a new open format for Bluetooth low energy (BLE) beacons to communicate with people’s devices, a way for you to add this meaningful data to your apps and to Google services, as well as a way to manage your fleet of beacons efficiently.”
Google Finally Unveils Buy Button on Ads in Mobile-Commerce Push
Posted in: UncategorizedGoogle is testing a feature to let consumers purchase products by clicking through advertisements, seeking to expand options for mobile retail sales, the company said.
The internet-search company’s service, Purchases on Google, will let people using smartphones click on select search ads to visit retailer-branded product pages hosted by Google, according to an e-mail. The tools will work with a “limited number of retailers” for now, the company said on Wednesday.
Facing competition from Amazon, Google is investing in ways to attract shoppers and retailers to its mobile services as consumers increasingly use smartphones as they consider purchases. The news had been anticipated since this spring.
WME-IMG to Acquire Wall Group, an Agency for Stylists
Posted in: UncategorizedZulu Alpha Kilo has a cup for every employee.
Posted in: UncategorizedA cup in the life of a Creative:
Brainstorm with partner, if you have one.
Work till 11pm.
11 Am: Watch your cd write his own scripts instead.
Put up with it until you produce something.
Go somewhere else for more respect or at least money.
A Cup In The Life Of A Founder:
Start scrappy.
Sell out to major conglomerate
Become rich and woefully out of touch.
Call yourself scrappy during 1,000 employee all agency meeting.
A cup in the life of an Admin:
Be treated like dirt by CD’s.
Get yelled at by creatives when lunch arrives late.
Find solace in other underpaid colleagues.
Resign when least expected.
Levi's "Alicia Keys" (2015) :30 (USA)
Posted in: UncategorizedCarsten Höller: experiments in perception and decision-making
Posted in: UncategorizedInternet Sleuths Prove Donald Trump Used an Image of Nazi Soldiers in a Patriotic Tweet
Posted in: Uncategorized
An intern has taken the fall for one of the campaign season’s earliest facepalm moments in political tweeting.
On Tuesday, Donald Trump’s Twitter account posted an image featuring his face, the American flag, the White House and … people dressed as Hitler’s Waffen-SS soldiers. “We need real leadership,” the image stated. “We need results. Let’s put the U.S. back into business!”
You can see the original image highlighted here, thanks to some nice animated GIF wizardry from Mother Jones’ Ivylise Simones:
The image was clearly meant to show U.S. soldiers, but instead Trump’s team pulled a photo from a World War II re-enactment featuring several men dressed as Nazi soldiers in green camo.
History buffs spotted the oddity and sleuthed out the origins of the image.
Found @realDonaldTrump‘s german soldier stock image here (searched “world war II soldiers”) http://t.co/GKkcNTUKpm pic.twitter.com/ysWGeePZIr
— Reed F. Richardson (@reedfrich) July 14, 2015
You can read all about how the Twitter investigation played out thanks to this handy recap from Mother Jones, which also tracked down the photographer of the original image.
(The weirdest part of the back story? The photographer’s brother also took a picture of people in Nazi war garb that was used in a U.S. campaign ad. What are the odds?)
Trump’s campaign deleted the tweet and eventually placed the blame on a “young intern”:
Trump campaign responds: An intern did it. pic.twitter.com/oZBJAtwffl
— Eric Geller (@ericgeller) July 14, 2015
Lotto NZ: Pop's gift
Posted in: Uncategorized

Advertising Agency: DDB Group, New Zealand
Chief Creative Officer: Damon Stapleton
Executive Creative Director: Shane Bradnick
Producers: Larisa Tiffin, Kristian Eek
Senior Art Director: Corinne Goode
Copywriter: Natalie Knight
Executive Producer: Fiona King
Agency Executive Producer: Judy Thompson
Group Account Director: Nikki McKelvie
Planner: Lucinda Sherborne
DoP: Germain McMicking
Sound Design: Liquid Studios
Agency Producer: Rosie Grayson
Editing Company: Blockhead
Editor: Peter Sciberras
Account Manager: Michael Doolan
Senior Account Managers: Katya Urlwin, Jaheb Barnett
Production Company: The Sweet Shop
Director: Steve Ayson
NBC Universal Wraps $6 Billion Upfront
Posted in: UncategorizedNBC Universal has closed out the last of its 2015-16 upfront business, writing nearly $6 billion in advance commitments across its portfolio of broadcast and cable assets. The media conglomerate said its overall dollar volume was up 2% versus last year’s take.
In a statement, NBCU said the market “responded favorably to the innovative ways we are reaching and targeting our audiences,” a reference to its programming mix and the various data products it has put into play.
NBCU also said that its digital video sales were up 50% in this year’s bazaar.
Heinz Ketchup: Addicted
Posted in: Uncategorized
Print
Heinz
Advertising Agency:Miami Ad School/ESPM, Sao Paulo, Brazil
Creative Director:Toni Rodrigues
Art Director:Camilla Ciappina
Shanghai Disney Plans Unveiled: Big on ‘Pirates,’ but No Space Mountain
Posted in: UncategorizedSchweppes Indian Tonic "Impressive" (2015) :30 (France)
Posted in: UncategorizedV.O.: Ice cubes refreshing the glass)
V.O. The Tonic falling slowly to maintain the sharpness of the bubbles
V.O.: And a final touch of lime to release all its intensity
And then the woman answers: Impressive
Heavy Reader: 1954
Posted in: UncategorizedHis words were stunning: “All men are created equal. They are endowed by their Creator with certain inalienable rights; among those are Life, Liberty and pursuit of Happiness…” Ho Chi Minh was reciting the Declaration of Independence.
by
From Adbusters #120: Manifesto for World Revolution PT.III
France colonized Vietnam in 1884 and soon added Cambodia and Laos to a territory that became known as Indochina. Its colonial holdings, according to Frederic Logevall in Embers of War, were to be the beneficiary of France’s mission civilisatrice or “civilizing mission.” The upheaval of the first world war, however, helped foment different aspirations among some subjects of French dominion. In June 1919, a young, spindly Vietnamese rented a morning coat and sought an audience in Paris with the US president, there to shape the postwar peace. The young man hoped to present to Woodrow Wilson a petition entitled The Demands of the Vietnamese People. He was rebuffed. In time the petitioner became known as Ho Chi Minh, one of the most consequential revolutionary leaders of the 20th century and the father of Vietnamese nationalism, a man of phenomenal will who left his country at age 11 and did not return for 30 years.
According to Logevall, while French leader Charles de Gaulle, “spoke of the cohesion, the unbreakable bond, between metropolitan France and her overseas territories.” Franklin Roosevelt hoped after the second world war “to promote Indochina’s development toward independence under a degree of international supervision.” In September 1945, before hundreds of thousands of ecstatic countrymen in Hanoi, Ho proclaimed independence for Vietnam. To the Americans in the audience, Logevall writes, his words were stunning: “All men are created equal. They are endowed by their Creator with certain inalienable rights; among those are Life, Liberty and pursuit of Happiness…” Ho was reciting the Declaration of Independence.
History followed a different path. Roosevelt died, succeeded by Harry Truman. US tensions with the Soviet Union mounted. And France, an indispensable American ally in Europe, demanded the restoration of its position in Indochina. The US acquiesced and Ho’s window of opportunity slammed shut.
In the years that followed, France found itself embroiled in a treacherous war of counterinsurgency against Ho and his followers.
The climax of the war came in 1954 at a strategic northern garrison known as Dien Bien Phu. Both the French and the Viet Minh suffered horrendous losses during the protracted siege and weeks of brutal combat. Paris sought urgent US intervention. Dwight Eisenhower rejected the French plea.
On 7 May, Viet Minh soldiers raided the last French outpost, raising the red flag of insurgency of the roof above. The battle of Dien Bien Phu was over, marking the beginning of the end of French rule in Vietnam. Later in 1954, Vietnam was partitioned, with communists controlling the north and a pro-western government ruling in the south. In the spring of 1956, the last French solider departed from Vietnam. The US increased its military and economic aid and deployed intelligence operatives to advise the fragile regime in South Vietnam on how to counter a growing Viet Minh insurgency. Logevall’s outstanding account concludes with Vietnam’s fate inextricably linked to the projection of American power in the periphery of Southeast Asia.
Assista ao trailer de “Narcos”, nova série da Netflix com Wagner Moura
Posted in: UncategorizedHarvey Nichols: Love freebies?
Posted in: Uncategorized

Advertising Agency: adam&eveDDB, UK
Chief Creative Officer: Ben Priest
Executive Creative Directors: Ben Tollett, Richard Brim
Art Director: Colin Booth
Copywriter: Ben Stilitz
Head of Design: Paul Knowles
Account Management: Paul Billingsley, Britt Lippett, Katie Gough
Agency Planner: Michelle Gilson
Media agency: Zenith Optimedia
Media planners: Tim Payne, Becky Dorfman
Production Company: Blinkink, London, UK
Director: Layzell Bros
Editor: Anne Perri / Work Post
Soundtrack name and composer: Wiley ‘Wot Do U Call It’
Post-production: Blink
Audio post-production: Wave